Este artigo propõe-se a expor o emprego de elementos retóricos no Ofertório da Missa de Quarta-fe... more Este artigo propõe-se a expor o emprego de elementos retóricos no Ofertório da Missa de Quarta-feira de Cinzas de André da Silva Gomes. Partindo de investigações acerca da Retórica como área do conhecimento humano, em seguida procuraremos esclarecer o interesse da musicologia atual em compreender como é disposto o discurso musical, da mesma forma relatar a fase inicial na qual estão as investigações sobre a retórica na música colonial brasileira. Como conclusão, apresentaremos por meio de análises fundamentadas no estudo dos tratados retórico-musicais que, nesse Ofertório, existem diversos recursos retóricos contextualizados de maneira a estabelecer relação direta entre afeto e figura, as quais são trabalhadas conscientemente pelo compositor. Palavras-chave: Análise retórica; Ofertórios; André da Silva Gomes; Música colonial brasileira.
VIII Seminário Nacional de Pesquisa em Música (SEMPEM)- Programa de Pós-Graduação Stricto-Sensu-Universidade Federal de Goiás-UFG, 2008
The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with ... more The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with the knowledge of that time. In addition, we will present through several analysis that the mentioned Lusitanian-Brazilian composer hás a wide domain of the rhetoric system marking use of it in order to persuade by means of a peculiar eloquent oratory, achieving the aim of it: arouse the listener´s feelings.
Pedra bruta e silenciosa, imêmore na escuridão da caverna Pedra... silenciosa e diligentemente la... more Pedra bruta e silenciosa, imêmore na escuridão da caverna Pedra... silenciosa e diligentemente lapidada, em mãos magistrais, encontra a forma Ao Artífice de todas as coisas, Gratidão e Louvor! Permitam-me aqui, a quebra do decoro... Ao meu orientador, professor e amigo, Diósnio Machado Neto, pela paciência e apoio de sempre, pelo zelo incomensurável como mestre e pesquisador. Sobretudo, por acreditar que uma pedra bruta poderia ser lapidada e ganhar forma. A ti, eterna gratidão! Ao professor Rodolfo Coelho de Souza, pelo incentivo e amizade de sempre. Aos inesquecíveis companheiros e amigos do "LAMUS", os quais constituem verdadeiro "sintagma macedônio" nas batalhas/pesquisas nossas de cada dia. Em especial, ao queridíssimo Eliel Soares, sempre pronto a dar uma palavra amiga, uma mãozinha, um braço, um abraço...
ABSTRACT This article shows that the musical anachronism of André da Silva Gomes was the fruit of... more ABSTRACT This article shows that the musical anachronism of André da Silva Gomes was the fruit of his rhetorical awareness in the compositional process. To do so, we have considered his work “Arte explicada do Contraponto” (The Explained Art of Counterpoint), as well as his activities as a composer and grammarian, contributing to the evolution of the musical activity in the Colony by introducing theoretical procedures which are the foundations of our research; And consonant with contemporary musicology, we try to observe the use of rhetoric in colonial music too.
ABSTRACT This paper will seek to demonstrate the application of Epizeuxis in the work of André da... more ABSTRACT This paper will seek to demonstrate the application of Epizeuxis in the work of André da Silva Gomes, evidencing that the Luso-Brazilian composer had a solid theoretical framework based on rhetoric in order to create an eloquent speech. The methodology used consists of analysis of musical-rhetorical figures associated with the sacred text, beyond analytical methods widespread in musicology.
ABSTRACT The present article aims to show the musical thinking of André da Silva Gomes through th... more ABSTRACT The present article aims to show the musical thinking of André da Silva Gomes through the use of rhetorical figures in his compositions, demonstrating that the composer was aware of his speech anachronistic. In this sense, we used the necessary analytical tools to understand the rhetorical language of the Luso-Brazilian composer in the service of eloquence and persuasion. Although the research is in its early initial stage, we obtained some results in relation to the use of rhetoric by the author, which will be exhibited throughout the work.
The purpose of this paper is to present the use of elements and rhetoric figures in the Offertory... more The purpose of this paper is to present the use of elements and rhetoric figures in the Offertory of the Palm Sunday Mass of André da Silva Gomes, who is a Luso-Brazilian composer. First, we tried to clarify the interest of contemporary musicology about the understanding of musical discourse and the initial phase in which the studies of rhetoric in the colonial Brazilian music are. Finally, we will show by analysis that in this Offertory there are conditions to find these resources applied to the service of rhetorical eloquence and persuasion, reaching the goal of moving the affections of the listener.
Resumo: Neste trabalho procuraremos evidenciar a consciência do uso e aplicação retórica na obra ... more Resumo: Neste trabalho procuraremos evidenciar a consciência do uso e aplicação retórica na obra de André da Silva Gomes, demonstrando que o compositor luso-brasileiro possuía sólida estrutura e proficiência teórica fundamentada na Arte da Eloquência com o objetivo de criar um discurso persuasivo. Para tanto, partiremos da demonstração da utilização da Anaphora através de análises retórico-musicais associadas ao texto sacro, além de métodos analíticos amplamente difundidos na musicologia. Abstract: In this paper, we aim to demonstrate the awareness of the use and application of rhetoric in André da Silva Gomes' work, demonstrating that the Luso-Brazilian composer had solid structure and theoretical proficiency based on the Art of Eloquence in order to create a persuasive speech. To achieve this goal, we are going to start demonstrating the use of Anaphora through musical-rhetorical analyses associated to sacred text, besides showing analytical methods widespread in in musicology.
The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with ... more The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with the knowledge of that time. In addition, we will present through several analysis that the mentioned Lusitanian-Brazilian composer hás a wide domain of the rhetoric system marking use of it in order to persuade by means of a peculiar eloquent oratory, achieving the aim of it: arouse the listener´s feelings.
This article shows that the musical anachronism of André da Silva Gomes was the fruit of his rhet... more This article shows that the musical anachronism of André da Silva Gomes was the fruit of his rhetorical awareness in the compositional process. To do so, we have considered his work
“Arte explicada do Contraponto” (The Explained Art of Counterpoint), as well as his activities as a composer and grammarian, contributing to the evolution of the musical activity in the Colony by introducing theoretical procedures which are the foundations of our research; And consonant with contemporary musicology, we try to observe the use of rhetoric in colonial music too.
"The present article aims to show the musical thinking of André da Silva Gomes through the use of... more "The present article aims to show the musical thinking of André da Silva Gomes through the use of rhetorical figures in his compositions, demonstrating that the composer was aware of his
speech anachronistic. In this sense, we used the necessary analytical tools to understand the rhetorical language of the Luso-Brazilian composer in the service of eloquence and persuasion.
Although the research is in its early initial stage, we obtained some results in relation to the use of
rhetoric by the author, which will be exhibited throughout the work."
This paper will seek to demonstrate the application of Epizeuxis in the work of André da Silva Go... more This paper will seek to demonstrate the application of Epizeuxis in the work of André da Silva Gomes, evidencing that the Luso-Brazilian composer had a solid theoretical framework based on rhetoric in order to create an eloquent speech. The methodology used consists of analysis of musical-rhetorical figures associated with the sacred text, beyond analytical methods widespread in musicology.
Este artigo propõe-se a expor o emprego de elementos retóricos no Ofertório da Missa de Quarta-fe... more Este artigo propõe-se a expor o emprego de elementos retóricos no Ofertório da Missa de Quarta-feira de Cinzas de André da Silva Gomes. Partindo de investigações acerca da Retórica como área do conhecimento humano, em seguida procuraremos esclarecer o interesse da musicologia atual em compreender como é disposto o discurso musical, da mesma forma relatar a fase inicial na qual estão as investigações sobre a retórica na música colonial brasileira. Como conclusão, apresentaremos por meio de análises fundamentadas no estudo dos tratados retórico-musicais que, nesse Ofertório, existem diversos recursos retóricos contextualizados de maneira a estabelecer relação direta entre afeto e figura, as quais são trabalhadas conscientemente pelo compositor. Palavras-chave: Análise retórica; Ofertórios; André da Silva Gomes; Música colonial brasileira.
VIII Seminário Nacional de Pesquisa em Música (SEMPEM)- Programa de Pós-Graduação Stricto-Sensu-Universidade Federal de Goiás-UFG, 2008
The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with ... more The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with the knowledge of that time. In addition, we will present through several analysis that the mentioned Lusitanian-Brazilian composer hás a wide domain of the rhetoric system marking use of it in order to persuade by means of a peculiar eloquent oratory, achieving the aim of it: arouse the listener´s feelings.
Pedra bruta e silenciosa, imêmore na escuridão da caverna Pedra... silenciosa e diligentemente la... more Pedra bruta e silenciosa, imêmore na escuridão da caverna Pedra... silenciosa e diligentemente lapidada, em mãos magistrais, encontra a forma Ao Artífice de todas as coisas, Gratidão e Louvor! Permitam-me aqui, a quebra do decoro... Ao meu orientador, professor e amigo, Diósnio Machado Neto, pela paciência e apoio de sempre, pelo zelo incomensurável como mestre e pesquisador. Sobretudo, por acreditar que uma pedra bruta poderia ser lapidada e ganhar forma. A ti, eterna gratidão! Ao professor Rodolfo Coelho de Souza, pelo incentivo e amizade de sempre. Aos inesquecíveis companheiros e amigos do "LAMUS", os quais constituem verdadeiro "sintagma macedônio" nas batalhas/pesquisas nossas de cada dia. Em especial, ao queridíssimo Eliel Soares, sempre pronto a dar uma palavra amiga, uma mãozinha, um braço, um abraço...
ABSTRACT This article shows that the musical anachronism of André da Silva Gomes was the fruit of... more ABSTRACT This article shows that the musical anachronism of André da Silva Gomes was the fruit of his rhetorical awareness in the compositional process. To do so, we have considered his work “Arte explicada do Contraponto” (The Explained Art of Counterpoint), as well as his activities as a composer and grammarian, contributing to the evolution of the musical activity in the Colony by introducing theoretical procedures which are the foundations of our research; And consonant with contemporary musicology, we try to observe the use of rhetoric in colonial music too.
ABSTRACT This paper will seek to demonstrate the application of Epizeuxis in the work of André da... more ABSTRACT This paper will seek to demonstrate the application of Epizeuxis in the work of André da Silva Gomes, evidencing that the Luso-Brazilian composer had a solid theoretical framework based on rhetoric in order to create an eloquent speech. The methodology used consists of analysis of musical-rhetorical figures associated with the sacred text, beyond analytical methods widespread in musicology.
ABSTRACT The present article aims to show the musical thinking of André da Silva Gomes through th... more ABSTRACT The present article aims to show the musical thinking of André da Silva Gomes through the use of rhetorical figures in his compositions, demonstrating that the composer was aware of his speech anachronistic. In this sense, we used the necessary analytical tools to understand the rhetorical language of the Luso-Brazilian composer in the service of eloquence and persuasion. Although the research is in its early initial stage, we obtained some results in relation to the use of rhetoric by the author, which will be exhibited throughout the work.
The purpose of this paper is to present the use of elements and rhetoric figures in the Offertory... more The purpose of this paper is to present the use of elements and rhetoric figures in the Offertory of the Palm Sunday Mass of André da Silva Gomes, who is a Luso-Brazilian composer. First, we tried to clarify the interest of contemporary musicology about the understanding of musical discourse and the initial phase in which the studies of rhetoric in the colonial Brazilian music are. Finally, we will show by analysis that in this Offertory there are conditions to find these resources applied to the service of rhetorical eloquence and persuasion, reaching the goal of moving the affections of the listener.
Resumo: Neste trabalho procuraremos evidenciar a consciência do uso e aplicação retórica na obra ... more Resumo: Neste trabalho procuraremos evidenciar a consciência do uso e aplicação retórica na obra de André da Silva Gomes, demonstrando que o compositor luso-brasileiro possuía sólida estrutura e proficiência teórica fundamentada na Arte da Eloquência com o objetivo de criar um discurso persuasivo. Para tanto, partiremos da demonstração da utilização da Anaphora através de análises retórico-musicais associadas ao texto sacro, além de métodos analíticos amplamente difundidos na musicologia. Abstract: In this paper, we aim to demonstrate the awareness of the use and application of rhetoric in André da Silva Gomes' work, demonstrating that the Luso-Brazilian composer had solid structure and theoretical proficiency based on the Art of Eloquence in order to create a persuasive speech. To achieve this goal, we are going to start demonstrating the use of Anaphora through musical-rhetorical analyses associated to sacred text, besides showing analytical methods widespread in in musicology.
The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with ... more The Purpose of this work is to show that André da Silva Gomes´s knowlwdge of rhetoric aigns with the knowledge of that time. In addition, we will present through several analysis that the mentioned Lusitanian-Brazilian composer hás a wide domain of the rhetoric system marking use of it in order to persuade by means of a peculiar eloquent oratory, achieving the aim of it: arouse the listener´s feelings.
This article shows that the musical anachronism of André da Silva Gomes was the fruit of his rhet... more This article shows that the musical anachronism of André da Silva Gomes was the fruit of his rhetorical awareness in the compositional process. To do so, we have considered his work
“Arte explicada do Contraponto” (The Explained Art of Counterpoint), as well as his activities as a composer and grammarian, contributing to the evolution of the musical activity in the Colony by introducing theoretical procedures which are the foundations of our research; And consonant with contemporary musicology, we try to observe the use of rhetoric in colonial music too.
"The present article aims to show the musical thinking of André da Silva Gomes through the use of... more "The present article aims to show the musical thinking of André da Silva Gomes through the use of rhetorical figures in his compositions, demonstrating that the composer was aware of his
speech anachronistic. In this sense, we used the necessary analytical tools to understand the rhetorical language of the Luso-Brazilian composer in the service of eloquence and persuasion.
Although the research is in its early initial stage, we obtained some results in relation to the use of
rhetoric by the author, which will be exhibited throughout the work."
This paper will seek to demonstrate the application of Epizeuxis in the work of André da Silva Go... more This paper will seek to demonstrate the application of Epizeuxis in the work of André da Silva Gomes, evidencing that the Luso-Brazilian composer had a solid theoretical framework based on rhetoric in order to create an eloquent speech. The methodology used consists of analysis of musical-rhetorical figures associated with the sacred text, beyond analytical methods widespread in musicology.
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Papers by Ronaldo Novaes
“Arte explicada do Contraponto” (The Explained Art of Counterpoint), as well as his activities as a composer and grammarian, contributing to the evolution of the musical activity in the Colony by introducing theoretical procedures which are the foundations of our research; And consonant with contemporary musicology, we try to observe the use of rhetoric in colonial music too.
speech anachronistic. In this sense, we used the necessary analytical tools to understand the rhetorical language of the Luso-Brazilian composer in the service of eloquence and persuasion.
Although the research is in its early initial stage, we obtained some results in relation to the use of
rhetoric by the author, which will be exhibited throughout the work."
“Arte explicada do Contraponto” (The Explained Art of Counterpoint), as well as his activities as a composer and grammarian, contributing to the evolution of the musical activity in the Colony by introducing theoretical procedures which are the foundations of our research; And consonant with contemporary musicology, we try to observe the use of rhetoric in colonial music too.
speech anachronistic. In this sense, we used the necessary analytical tools to understand the rhetorical language of the Luso-Brazilian composer in the service of eloquence and persuasion.
Although the research is in its early initial stage, we obtained some results in relation to the use of
rhetoric by the author, which will be exhibited throughout the work."