Papers by Anabelle Kriznar
Estudos Arqueológicos de Oeiras, Oct 31, 2012
Czech Republic. Nuclear physicist working with a wide range of ion beams for material science, na... more Czech Republic. Nuclear physicist working with a wide range of ion beams for material science, nanostructure deposition and characterisation, microbeam applications, archaeometry and environment studies.
Czech Republic. Nuclear physicist working with a wide range of ion beams for material science, na... more Czech Republic. Nuclear physicist working with a wide range of ion beams for material science, nanostructure deposition and characterisation, microbeam applications, archaeometry and environment studies.
Science and Technology for the Conservation of Cultural Heritage, 2013
All rights reserved. No part of this publication or the information contained herein may be repro... more All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise, without written prior permission from the publishers. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein.
Heritage
Mural cycles in the churches of Plešivec, Čhyžné, and Štitnik from around 1400 were studied from ... more Mural cycles in the churches of Plešivec, Čhyžné, and Štitnik from around 1400 were studied from the material and technical point of view. Stylistically, they show a mixture of Northern and Southern European stylistic currents, which were characteristic for the time around 1400 in East Central Europe. After a precise study in situ, an analysis of extracted samples was conducted by OM, SEM-EDX, and XRD. The plasters used for these murals were all made of lime and sand with different impurities; importantly, they different among each other in terms of their quality and stability. The pigments that were used in these murals were natural and organic: lime white, yellow and red earths, malachite, and azurite were identified, and some pigment degradations were also pointed out. The principal technique is a fresco, but all murals were finished a secco in different proportions, using an organic binder. Painting procedures and modelling were also studied, revealing a strong difference among ...
Rendiconti Lincei. Scienze Fisiche e Naturali
Radiation Physics and Chemistry
Radiation Physics and Chemistry
Viii Congreso Iberico De Arqueometria 2009 Isbn 978 84 8854938 9 Pags 347 356, 2009
I Congreso Internacional El Patrimonio Cultural Y Natural Como Motor De Desarrollo Investigacion E Innovacion Dvd 2012 Isbn 978 84 7993 225 1 Pags 2236 2250, 2012
Cuadernos De Restauracion, 2009
The Retable of the Passion of Christ (towards 1415) forms part of the permanent exposition of the... more The Retable of the Passion of Christ (towards 1415) forms part of the permanent exposition of the Museum of Fine Arts of Seville. It was painted by an anonymous author, who shows stylistic influences of Juan Sánchez de Castro, the most significant artistic figure in the Seville's painting of the 15 th century. The retable is composed by a main scene, "The Christ carrying the cross", and two smaller scenes at each lateral side. On the left side above there is "The Agony in the Garden", below "The Flagellation", at the right side the "Crucifixion" and below it "The Pietà". The panel was analyzed by the non-destructive XRF technique directly in situ in the exposition room, using portable equipment with X-ray tube of 30 kV, anode of W and one SDD detector with energy resolution of 140 eV. The goal of this research was to know which pigments were applied in this artwork. The analysis revealed that the white pigment is lead white, mayb...
Proceedings of the International Conference Lacona VII, Madrid, Spain, 17 - 21 September 2007, 2008
Boletín de la Sociedad Española de Cerámica y Vidrio, 2007
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Papers by Anabelle Kriznar