Books by Silvia Tammaro
Römische Historische Mitteilungen, 2023
Band 65 der „Römischen Historischen Mitteilungen“ bringt die Vorträge des Studientags „Italienisc... more Band 65 der „Römischen Historischen Mitteilungen“ bringt die Vorträge des Studientags „Italienische Kunst und Kultur in Wien. Voraussetzung und Auswirkungen einer lebendigen Präsenz“ vom 20. November 2020 zum Druck. Sie beleuchten aus der Perspektive von Historikern, Kunsthistorikern sowie Theater- und Musikwissenschaftlern den Einfluss der italienischen Kultur auf die Entwicklungen der Kunst in Wien bis zur Epoche von Revolution und Restauration.
Das Theatrum Sabaudiae stellt in detailreichen Kupferstichen und panegyrischen Beschreibungen die... more Das Theatrum Sabaudiae stellt in detailreichen Kupferstichen und panegyrischen Beschreibungen die Territorien des Herzogtums Savoyen dar. Das Kupferstichwerk war ein wichtiges Instrument der höfischen Repräsentation und der Selbstdarstellung der Herzöge von Savoyen. Nach der Erstausgabe im Jahre 1682 wurde das Theatrum Sabaudiae in weiteren sechs Editionen in verschiedenen Sprachen veröffentlicht. Die neuen Auflagen wandten sich sowohl an das Publikum der Aristokraten als auch darüber hinaus an Buchsammler und Gelehrte. Das vorliegende Buch untersucht zum ersten Mal systematisch die Entstehungsgeschichte der verschiedenen Ausgaben des Theatrum Sabaudiae und die europaweite Ausstrahlung dieses für die Hofkultur der Zeit um 1700 grundlegenden Werkes.
Papers by Silvia Tammaro
Kunstsammler in Wien. Biografische Profile zwischen Statuskonkurrenz, Kunstmarkt und Kennerschaft, 2024
Verflechtung und Nachbarschaft: „Italien“ und „Österreich“ in der Vormoderne (=MÖSTA), 2024
Herkules der Künste. Johann Adam Andreas I. von Liechtenstein und das Wien um 1700, 2024
La Vienna di Metastasio, 2024
Das Belvedere. 300 Jahre Ort der Kunst, 2023
Patrons, Intermediaries, Venetian Artists in Vienna & Imperial Domains, 2022
The volume explores the history of the relations between patrons, intermediaries, and Venetian ar... more The volume explores the history of the relations between patrons, intermediaries, and Venetian artists in Vienna and in the domains of the Holy Roman Empire between 1650 and 1750. In that period, there was no break between the performing and figurative arts. Based on the studies of Francis Haskell, it can also be said that patronage in Vienna in the Baroque age was part of a cosmopolitan network in which intermediaries were key players. The twenty-five essays are case studies of these relationships that took place both in the territories of the House of Habsburg and in the imperial fiefs, as well as in the rest of Europe, including some non-Venetian artists.
Si ringrazia la Fondazione Marco Besso (Roma) per il contributo alla pubblicazione del presente v... more Si ringrazia la Fondazione Marco Besso (Roma) per il contributo alla pubblicazione del presente volume.
Conferences by Silvia Tammaro
The one-day event will be held on 12 June 2025, at University of Vienna. The conference will be o... more The one-day event will be held on 12 June 2025, at University of Vienna. The conference will be organised jointly by the Vienna Center for the History of Collecting (University of Vienna, Austria) and Moravian Library in Brno (Czech Republic) and will be accompanied by a poster exhibition on Bernard Paul Moll composite atlas preserved at Moravian Library which originated in Vienna in the 18th century.
The submission date has been extended to May 27, 2024 !
Organized by the Albertina and the Ins... more The submission date has been extended to May 27, 2024 !
Organized by the Albertina and the Institute of Art History at the University of Vienna with generous support from the Wolfgang Ratjen Foundation
We are pleased to announce our 6th annual study course on drawings. The course is designed for doctoral students and early post-doc-researchers which are working in the field of drawings and prints, and are interested in exploring curatorial practices. The course offers the opportunity to discuss current research on the graphic arts and, at the same time, to gain insight into one of the most renowned collections of prints and drawings. The course is organized jointly by the Institute of Art History at the University of Vienna and the Albertina and is generously supported by the Wolfgang Ratjen Foundation. Participants are expected to present aspects of their current research in a 30-minute paper. Together we will discuss relevant drawings in the Albertina and gain insight into different curatorial practices: conception and planning of exhibitions, publication of catalogues, conservation and marketing, collecting and provenance research. Accommodation in Vienna will be covered as well as documented travel costs (economy flight, 2nd class train ticket) up to 350 Euros. The general course language is English, while individual papers can be presented also in German, Italian and French. The course is directed by Univ.-Prof. Dr. Sebastian Schütze. Applications, including cv, short description of the drawing or print related research project and a reference letter from a university professor, should be sent by 27 May 2024 via e-mail to Dr. Silvia Tammaro: [email protected]
In Kollaboration mit:
Vienna Center for the History of Collecting
Istituto Italiano di Cultura ... more In Kollaboration mit:
Vienna Center for the History of Collecting
Istituto Italiano di Cultura Vienna
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Books by Silvia Tammaro
Papers by Silvia Tammaro
Conferences by Silvia Tammaro
Organized by the Albertina and the Institute of Art History at the University of Vienna with generous support from the Wolfgang Ratjen Foundation
We are pleased to announce our 6th annual study course on drawings. The course is designed for doctoral students and early post-doc-researchers which are working in the field of drawings and prints, and are interested in exploring curatorial practices. The course offers the opportunity to discuss current research on the graphic arts and, at the same time, to gain insight into one of the most renowned collections of prints and drawings. The course is organized jointly by the Institute of Art History at the University of Vienna and the Albertina and is generously supported by the Wolfgang Ratjen Foundation. Participants are expected to present aspects of their current research in a 30-minute paper. Together we will discuss relevant drawings in the Albertina and gain insight into different curatorial practices: conception and planning of exhibitions, publication of catalogues, conservation and marketing, collecting and provenance research. Accommodation in Vienna will be covered as well as documented travel costs (economy flight, 2nd class train ticket) up to 350 Euros. The general course language is English, while individual papers can be presented also in German, Italian and French. The course is directed by Univ.-Prof. Dr. Sebastian Schütze. Applications, including cv, short description of the drawing or print related research project and a reference letter from a university professor, should be sent by 27 May 2024 via e-mail to Dr. Silvia Tammaro: [email protected]
Vienna Center for the History of Collecting
Istituto Italiano di Cultura Vienna
Organized by the Albertina and the Institute of Art History at the University of Vienna with generous support from the Wolfgang Ratjen Foundation
We are pleased to announce our 6th annual study course on drawings. The course is designed for doctoral students and early post-doc-researchers which are working in the field of drawings and prints, and are interested in exploring curatorial practices. The course offers the opportunity to discuss current research on the graphic arts and, at the same time, to gain insight into one of the most renowned collections of prints and drawings. The course is organized jointly by the Institute of Art History at the University of Vienna and the Albertina and is generously supported by the Wolfgang Ratjen Foundation. Participants are expected to present aspects of their current research in a 30-minute paper. Together we will discuss relevant drawings in the Albertina and gain insight into different curatorial practices: conception and planning of exhibitions, publication of catalogues, conservation and marketing, collecting and provenance research. Accommodation in Vienna will be covered as well as documented travel costs (economy flight, 2nd class train ticket) up to 350 Euros. The general course language is English, while individual papers can be presented also in German, Italian and French. The course is directed by Univ.-Prof. Dr. Sebastian Schütze. Applications, including cv, short description of the drawing or print related research project and a reference letter from a university professor, should be sent by 27 May 2024 via e-mail to Dr. Silvia Tammaro: [email protected]
Vienna Center for the History of Collecting
Istituto Italiano di Cultura Vienna
Presentazione dei progetti di ricerca di Karina Pawlow, Janina Burandt, Caterina Furlan, Madeline Delbé e Matilde Cartolari.
Martedì 21 giugno, ore 18:30.
https://uni-bonn.zoom.us/j/99909956211?pwd=OHlsQUVpU0M5S1FlR3ltVkZackxoUT09
International Conference on the History of Map Collecting. Vienna, Central Europe and Beyond
The one-day conference will be held on 12 June 2025, at University of Vienna. The conference will be organised jointly by the Vienna Center for the History of Collecting (Austria) and Moravian Library in Brno (Czech Republic) and will be accompanied by a poster exhibition on Bernard Paul Moll composite atlas preserved at Moravian Library which originated in Vienna in the 18th century.
We welcome papers on history of map collecting and composite atlases, 17th-20th centuries. Paper´s title, abstract of 5-8 senteces and short CV in English are welcome by 17 March 2025. The acceptance notification is scheduled on 31 March 2025. There will be 20 minutes space for presentations. The conference language will be English.