We apply a familiar distinction from philosophy of language to a class of material artifacts that... more We apply a familiar distinction from philosophy of language to a class of material artifacts that are sometimes said to "speak": statues. By distinguishing how statues speak at the locutionary level versus at the illocutionary level, or what they say versus what they do, we obtain the
Beach's Gaelic Symphony is plausibly an abstract object that Beach created. The view that people ... more Beach's Gaelic Symphony is plausibly an abstract object that Beach created. The view that people create some abstract objects is called abstract creationism. There are abstract creationists about many kinds of objects, including musical works, fictional characters, arguments, words, internet memes, installation artworks, bitcoins, and restaurants. Alternative theories include materialism and Platonism. This paper discusses some of the most serious objections against abstract creationism. Arguably, these objections have ramifications for questions in metaphysics pertaining to the abstract/concrete distinction, time, causation, vague existence, vague identity, and inadvertent creation.
Medicalization is the process by which conditions, for example , intellectual disability, hyperac... more Medicalization is the process by which conditions, for example , intellectual disability, hyperactivity in children, and posttraumatic stress disorder, become understood as medical disorders. During this process, the medical community often collectively assigns a label to a condition and consequently to those who would be said to have the disorder. We argue that there are at least two previously overlooked ways in which this linguistic practice may be wrongful, and sometimes, unjust: first, when the initial introduction of a medical label is done without the participation of those individuals who are being labelled, and second, when attempts by those individuals to renegotiate the labels are thwarted or otherwise rendered ineffective. In both cases, we argue, individuals are unfairly excluded from a linguistic practice that would be valuable for them to participate in. Furthermore, we argue that their exclusion depends in part on the authority of the medical institution to ignore their demands for participation. In making this case, we will propose the more general claim that participating in the linguistic processes of determining and renegotiating the words that will be used to describe oneself is an exercise of linguistic agency, a capacity that has both instrumental and intrinsic value. K E Y W O R D S agency, language, medicalization, silencing, speech acts
In ‘Against fictional realism’ Anthony Everett argues that fictional realism leads to indetermina... more In ‘Against fictional realism’ Anthony Everett argues that fictional realism leads to indeterminate identity. He concludes that we should reject fictional realism. Everett’s paper and much of the ensuing literature does not discuss what exactly fictional characters are. This is a mistake. I argue that some versions of abstract creationism about fictional characters lead to indeterminate identity, and that some versions of Platonism about fictional characters lead only to indeterminate reference. In doing so I show that Everett’s argument poses a more pressing problem for abstract creationism than for Platonism. The general lesson is that fictional realists should think more about the ontology of fictional characters in order to discern whether they are committed to indeterminate identity.
Many philosophers think all abstract objects are causally inert. Here, focusing on novels, I argu... more Many philosophers think all abstract objects are causally inert. Here, focusing on novels, I argue that some abstracta are causally efficacious. First, I defend a straightforward argument for this view. Second, I outline an account of object causation-an account of how objects (as opposed to events) cause effects. This account further supports the view that some abstracta are causally efficacious.
Musical works change. Bruckner revised his Eighth Symphony. Ella Fitzgerald and many other artist... more Musical works change. Bruckner revised his Eighth Symphony. Ella Fitzgerald and many other artists have made it acceptable to sing the jazz standard “All the Things You Are” without its original verse. If we accept that musical works genuinely change in these ways, a puzzle arises: why can’t I change Bruckner’s Eighth Symphony? More generally, why are some individuals in a privileged position when it comes to changing musical works and other artifacts, such as novels, films, and games? I give a view of musical works that helps to answer these questions. Musical works, on this view, are created abstract objects with no parts. The paradigmatic changes that musical works undergo are socially determined normative changes in how they should be performed. Due to contingent social practices, Bruckner, but not I, can change how his symphony should be performed. Were social practices radically different, I would be able to change his symphony. This view extends to abstract artifacts beyond music, including novels, films, words, games, and corporations.
creationism about fictional characters is a popular view. But its popularity is undeserved. In Br... more creationism about fictional characters is a popular view. But its popularity is undeserved. In Brock (2010), I explained why, outlining my case against all forms of creationism about fictional characters. The argument was never intended to give a decisive refutation of creationism-like many others, I do not think it is possible to give knock-down arguments in philosophy-but it was meant to outline what I see as a serious and underappreciated challenge to the view.
I explain a tension between musical creationism (the view that musical works are abstract artifac... more I explain a tension between musical creationism (the view that musical works are abstract artifacts) and the view that there is no vague existence. I then suggest ways to reconcile these views. My central conclusion is that, although some versions of musical creationism imply vague existence, others do not. I discuss versions of musical cre-ationism held by Jerrold Levinson, Simon Evnine, and Kit Fine. I also present two new versions. I close by considering whether the tension is merely an instance of a general problem raised by artifacts, both abstract and concrete. I argue that on at least one defensible account of music the tension is especially problematic for abstracta. I focus on musical works, but much of the paper straightforwardly applies to other kinds of abstract artifacts.
This paper responds to Wesley Cray's account of how authors unintentionally create fictional char... more This paper responds to Wesley Cray's account of how authors unintentionally create fictional characters. One upshot is that, although the unintentional creation of fictional characters is hard to explain, the unintentional creation of concrete artifacts might be even more mysterious.
Abstract creationism about fictional characters is the view that fictional characters are abstra... more Abstract creationism about fictional characters is the view that fictional characters are abstract objects that authors create. I defend this view against criticisms from Stuart Brock that hitherto have not been adequately countered. The discussion sheds light on how the number of fictional characters depends on authorial intention. I conclude also that we should change how we think intentions are connected to artifacts more generally, both abstract and concrete.
Nathan Salmon appeals to his theory of mythical objects as part of an attempt to solve Geach’s Ho... more Nathan Salmon appeals to his theory of mythical objects as part of an attempt to solve Geach’s Hob–Nob puzzle. In this paper I argue that, even if Salmon’s theory of mythical objects is correct, his attempt to solve the puzzle is unsuccessful. I also refute an original variant of his proposal. The discussion indicates that it is difficult (if not impossible) to devise a genuine solution to the puzzle that relies on mythical objects.
We apply a familiar distinction from philosophy of language to a class of material artifacts that... more We apply a familiar distinction from philosophy of language to a class of material artifacts that are sometimes said to "speak": statues. By distinguishing how statues speak at the locutionary level versus at the illocutionary level, or what they say versus what they do, we obtain the
Beach's Gaelic Symphony is plausibly an abstract object that Beach created. The view that people ... more Beach's Gaelic Symphony is plausibly an abstract object that Beach created. The view that people create some abstract objects is called abstract creationism. There are abstract creationists about many kinds of objects, including musical works, fictional characters, arguments, words, internet memes, installation artworks, bitcoins, and restaurants. Alternative theories include materialism and Platonism. This paper discusses some of the most serious objections against abstract creationism. Arguably, these objections have ramifications for questions in metaphysics pertaining to the abstract/concrete distinction, time, causation, vague existence, vague identity, and inadvertent creation.
Medicalization is the process by which conditions, for example , intellectual disability, hyperac... more Medicalization is the process by which conditions, for example , intellectual disability, hyperactivity in children, and posttraumatic stress disorder, become understood as medical disorders. During this process, the medical community often collectively assigns a label to a condition and consequently to those who would be said to have the disorder. We argue that there are at least two previously overlooked ways in which this linguistic practice may be wrongful, and sometimes, unjust: first, when the initial introduction of a medical label is done without the participation of those individuals who are being labelled, and second, when attempts by those individuals to renegotiate the labels are thwarted or otherwise rendered ineffective. In both cases, we argue, individuals are unfairly excluded from a linguistic practice that would be valuable for them to participate in. Furthermore, we argue that their exclusion depends in part on the authority of the medical institution to ignore their demands for participation. In making this case, we will propose the more general claim that participating in the linguistic processes of determining and renegotiating the words that will be used to describe oneself is an exercise of linguistic agency, a capacity that has both instrumental and intrinsic value. K E Y W O R D S agency, language, medicalization, silencing, speech acts
In ‘Against fictional realism’ Anthony Everett argues that fictional realism leads to indetermina... more In ‘Against fictional realism’ Anthony Everett argues that fictional realism leads to indeterminate identity. He concludes that we should reject fictional realism. Everett’s paper and much of the ensuing literature does not discuss what exactly fictional characters are. This is a mistake. I argue that some versions of abstract creationism about fictional characters lead to indeterminate identity, and that some versions of Platonism about fictional characters lead only to indeterminate reference. In doing so I show that Everett’s argument poses a more pressing problem for abstract creationism than for Platonism. The general lesson is that fictional realists should think more about the ontology of fictional characters in order to discern whether they are committed to indeterminate identity.
Many philosophers think all abstract objects are causally inert. Here, focusing on novels, I argu... more Many philosophers think all abstract objects are causally inert. Here, focusing on novels, I argue that some abstracta are causally efficacious. First, I defend a straightforward argument for this view. Second, I outline an account of object causation-an account of how objects (as opposed to events) cause effects. This account further supports the view that some abstracta are causally efficacious.
Musical works change. Bruckner revised his Eighth Symphony. Ella Fitzgerald and many other artist... more Musical works change. Bruckner revised his Eighth Symphony. Ella Fitzgerald and many other artists have made it acceptable to sing the jazz standard “All the Things You Are” without its original verse. If we accept that musical works genuinely change in these ways, a puzzle arises: why can’t I change Bruckner’s Eighth Symphony? More generally, why are some individuals in a privileged position when it comes to changing musical works and other artifacts, such as novels, films, and games? I give a view of musical works that helps to answer these questions. Musical works, on this view, are created abstract objects with no parts. The paradigmatic changes that musical works undergo are socially determined normative changes in how they should be performed. Due to contingent social practices, Bruckner, but not I, can change how his symphony should be performed. Were social practices radically different, I would be able to change his symphony. This view extends to abstract artifacts beyond music, including novels, films, words, games, and corporations.
creationism about fictional characters is a popular view. But its popularity is undeserved. In Br... more creationism about fictional characters is a popular view. But its popularity is undeserved. In Brock (2010), I explained why, outlining my case against all forms of creationism about fictional characters. The argument was never intended to give a decisive refutation of creationism-like many others, I do not think it is possible to give knock-down arguments in philosophy-but it was meant to outline what I see as a serious and underappreciated challenge to the view.
I explain a tension between musical creationism (the view that musical works are abstract artifac... more I explain a tension between musical creationism (the view that musical works are abstract artifacts) and the view that there is no vague existence. I then suggest ways to reconcile these views. My central conclusion is that, although some versions of musical creationism imply vague existence, others do not. I discuss versions of musical cre-ationism held by Jerrold Levinson, Simon Evnine, and Kit Fine. I also present two new versions. I close by considering whether the tension is merely an instance of a general problem raised by artifacts, both abstract and concrete. I argue that on at least one defensible account of music the tension is especially problematic for abstracta. I focus on musical works, but much of the paper straightforwardly applies to other kinds of abstract artifacts.
This paper responds to Wesley Cray's account of how authors unintentionally create fictional char... more This paper responds to Wesley Cray's account of how authors unintentionally create fictional characters. One upshot is that, although the unintentional creation of fictional characters is hard to explain, the unintentional creation of concrete artifacts might be even more mysterious.
Abstract creationism about fictional characters is the view that fictional characters are abstra... more Abstract creationism about fictional characters is the view that fictional characters are abstract objects that authors create. I defend this view against criticisms from Stuart Brock that hitherto have not been adequately countered. The discussion sheds light on how the number of fictional characters depends on authorial intention. I conclude also that we should change how we think intentions are connected to artifacts more generally, both abstract and concrete.
Nathan Salmon appeals to his theory of mythical objects as part of an attempt to solve Geach’s Ho... more Nathan Salmon appeals to his theory of mythical objects as part of an attempt to solve Geach’s Hob–Nob puzzle. In this paper I argue that, even if Salmon’s theory of mythical objects is correct, his attempt to solve the puzzle is unsuccessful. I also refute an original variant of his proposal. The discussion indicates that it is difficult (if not impossible) to devise a genuine solution to the puzzle that relies on mythical objects.
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Papers by David Friedell