
Marco Piccardi
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University of Siena / Università di Siena
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Marco Piccardi
Università degli Studi di Firenze (University of Florence)
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Papers by Marco Piccardi
with the selection of historical iconographic materials. We deal with a topic which is propaedeutic
to the georeferencing work or to any application of digital technologies to cartographic
heritage objects. It has also strong implication with the use of historical iconographic
materials in order to establish the condition of territory in modern period (XVIXIX
cent.).
That's why we will look at the historical iconographic production which reproduces Elba
Island between 14th and 19th century.
Placed in the Tuscan archipelago, Elba is the third largest island of Italy with a surface of
223 km2. We may consider Elba not only a significant case of study but also a representative
model of an area which attracted a large and composite iconographic production. Its
insular character encourages the design of a territory in the fullness of its physical (and
maritime) borders: a condition which we hardly find in the iconography of continental
coastal strips. The history of this island testifies of the political fragmentation of a territorial
unit. Elba was ruled by the Appiani House of Piombino but in 1557 borders were
fixed to delineate the Portoferraio enclave of Tuscan Grand Duchy while Porto Longone
(nowadays Porto Azzurro) moved to Spain at the end of the same century. The political
events together with the centrality of Elba in the Mediterranean routes on the one hand
produced a large amount of iconographic materials and on the other hand allow a differentiation
of figures as a result of the drawings of different navies and States.
mouth of Morto and Serchio rivers Special attention is given to natural and anthropogenic changes at their terminal
courses, which flow in the northern part of the Pisan plain.
The study points to outstanding consistency between the different cartographic documents produced by several
authors for their varying clients, and between these and the technical notes that are part of the hydraulic projects
developed in the three centuries studied.
This research demonstrates that evolution of this coastal stretch is highly influenced by the sediment input from the Arno
river: it discharges just south of the stretch studied and its sediments block or divert the mouth of minor rivers. Hydraulic
works often consisted of deviation or union of watercourses and were conducted to allow water to flow through a mouth
that tended to close. Only for a short period in the eighteenth century, the Serchio river had a sedimentary input sufficiently
high to allow a “hint” of a delta to develop, which we can today detect in the convergence of foredunes.
with the selection of historical iconographic materials. We deal with a topic which is propaedeutic
to the georeferencing work or to any application of digital technologies to cartographic
heritage objects. It has also strong implication with the use of historical iconographic
materials in order to establish the condition of territory in modern period (XVIXIX
cent.).
That's why we will look at the historical iconographic production which reproduces Elba
Island between 14th and 19th century.
Placed in the Tuscan archipelago, Elba is the third largest island of Italy with a surface of
223 km2. We may consider Elba not only a significant case of study but also a representative
model of an area which attracted a large and composite iconographic production. Its
insular character encourages the design of a territory in the fullness of its physical (and
maritime) borders: a condition which we hardly find in the iconography of continental
coastal strips. The history of this island testifies of the political fragmentation of a territorial
unit. Elba was ruled by the Appiani House of Piombino but in 1557 borders were
fixed to delineate the Portoferraio enclave of Tuscan Grand Duchy while Porto Longone
(nowadays Porto Azzurro) moved to Spain at the end of the same century. The political
events together with the centrality of Elba in the Mediterranean routes on the one hand
produced a large amount of iconographic materials and on the other hand allow a differentiation
of figures as a result of the drawings of different navies and States.
mouth of Morto and Serchio rivers Special attention is given to natural and anthropogenic changes at their terminal
courses, which flow in the northern part of the Pisan plain.
The study points to outstanding consistency between the different cartographic documents produced by several
authors for their varying clients, and between these and the technical notes that are part of the hydraulic projects
developed in the three centuries studied.
This research demonstrates that evolution of this coastal stretch is highly influenced by the sediment input from the Arno
river: it discharges just south of the stretch studied and its sediments block or divert the mouth of minor rivers. Hydraulic
works often consisted of deviation or union of watercourses and were conducted to allow water to flow through a mouth
that tended to close. Only for a short period in the eighteenth century, the Serchio river had a sedimentary input sufficiently
high to allow a “hint” of a delta to develop, which we can today detect in the convergence of foredunes.