Chiara Mannoni
Tenured Lecturer and Researcher in "Museology and art critique, history and theory of restoration" at the University of Basilicata, Matera (2022).
Ricercatrice di tipo B (Rtd-B) in “Museologia e critica artistica e del restauro” presso l’Università della Basilicata, Matera (dal 2022).
P. I. Horizon 2020 – Marie-Curie Individual Fellowship presso l’Università Ca’ Foscari Venezia: “LawLove. The origins of the heritage legal protection in 15th- to 18th-century Europe” (n. 837857, 2019-22).
Ph.D. in Art History presso la University of Auckland in Nuova Zelanda (2013-17).
Membro del Collegio dei Docenti nel corso di Dottorato: “Cities and Landscapes: Architecture, Archaeology, Cultural Heritage, History and Resources”, Università della Basilicata.
Insegna "Storia del restauro" e "Museologia" nel corso di LT in Operatore dei Beni Culturali e nella LM Internazionale in Archeologia e Storia dell'Arte (EPHE Parigi), e "Museologia e storia delle collezioni archeologiche” nella Scuola di Specializzazione in Beni Archeologici - Università della Basilicata.
Interessi di ricerca: storia e tecnica del restauro, museologia, storia della tutela del patrimonio in Italia e in Europa.
Address: https://pric.unive.it/projects/law-love/home
Ricercatrice di tipo B (Rtd-B) in “Museologia e critica artistica e del restauro” presso l’Università della Basilicata, Matera (dal 2022).
P. I. Horizon 2020 – Marie-Curie Individual Fellowship presso l’Università Ca’ Foscari Venezia: “LawLove. The origins of the heritage legal protection in 15th- to 18th-century Europe” (n. 837857, 2019-22).
Ph.D. in Art History presso la University of Auckland in Nuova Zelanda (2013-17).
Membro del Collegio dei Docenti nel corso di Dottorato: “Cities and Landscapes: Architecture, Archaeology, Cultural Heritage, History and Resources”, Università della Basilicata.
Insegna "Storia del restauro" e "Museologia" nel corso di LT in Operatore dei Beni Culturali e nella LM Internazionale in Archeologia e Storia dell'Arte (EPHE Parigi), e "Museologia e storia delle collezioni archeologiche” nella Scuola di Specializzazione in Beni Archeologici - Università della Basilicata.
Interessi di ricerca: storia e tecnica del restauro, museologia, storia della tutela del patrimonio in Italia e in Europa.
Address: https://pric.unive.it/projects/law-love/home
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Books by Chiara Mannoni
In this volume, legislation is explored from both a legal and art-historical perspective in order to understand how cultural, political, and social factors influenced the introduction of the first systems for safeguarding “precious artefacts” in early modern Europe. By comparing concepts and practices developed in different states, the narrative tracks down the origins of legislation for heritage protection, shedding light on the gradual development of new definitions of “antiquity”, “artwork”, and “monument” in the laws issued between the 1400s and 1700s.
In the second part, the transcriptions of these regulations are presented together with their English translations: the original texts were in early modern Italian, Spanish, Swedish, Portuguese, Danish, Dutch, German, and Latin. Such a systematic apparatus offers a robust research instrument to scholars and academics worldwide, also constituting a fascinating read for broader audiences interested in the history of heritage protection.
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 837857 – “LawLove. The origins of the legal protection of heritage. Legislation on the safeguard of monuments and artworks issued in 15th- to 18th-century Europe”.
Papers by Chiara Mannoni
Open access: https://openbooks.ffzg.unizg.hr/index.php/FFpress/catalog/book/189.
Doi: 10.17234/9789533792170.02.
This essay evaluates the gradual acceptance of Medieval and Byzantine artefacts within the practices of heritage protection introduced in Greece from the mid-19th century onwards. The different approaches towards such artefacts and antiquities will be shown in their connection with the political conflicts arisen at that time between the Bavarian rulers and Greek nationalists. The analysis will involve several regulations presented by the Bavarians to safeguard the Greek heritage in 1834 and 1837, together with their conceptual ambiguities on both antiquities and medieval artworks derived from Neoclassic and Romantic aesthetics. Examples will concern the city of Athens specifically, focusing on the restoration works carried out in selected archaeological sites, such as the Acropolis, and the plans designed to save local Byzantine churches, such as Panagia Kapnikarea. As will emerge in the discussion, the conflicting perceptions on classical antiquities – on the one hand – and both Medieval and Byzantine artefacts – on the other – will gradually promote the expansion of scholarship and the practices of heritage protection, bringing about the establishment of the first Christian Archaeological Society in Greece in 1884.
In this volume, legislation is explored from both a legal and art-historical perspective in order to understand how cultural, political, and social factors influenced the introduction of the first systems for safeguarding “precious artefacts” in early modern Europe. By comparing concepts and practices developed in different states, the narrative tracks down the origins of legislation for heritage protection, shedding light on the gradual development of new definitions of “antiquity”, “artwork”, and “monument” in the laws issued between the 1400s and 1700s.
In the second part, the transcriptions of these regulations are presented together with their English translations: the original texts were in early modern Italian, Spanish, Swedish, Portuguese, Danish, Dutch, German, and Latin. Such a systematic apparatus offers a robust research instrument to scholars and academics worldwide, also constituting a fascinating read for broader audiences interested in the history of heritage protection.
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 837857 – “LawLove. The origins of the legal protection of heritage. Legislation on the safeguard of monuments and artworks issued in 15th- to 18th-century Europe”.
Open access: https://openbooks.ffzg.unizg.hr/index.php/FFpress/catalog/book/189.
Doi: 10.17234/9789533792170.02.
This essay evaluates the gradual acceptance of Medieval and Byzantine artefacts within the practices of heritage protection introduced in Greece from the mid-19th century onwards. The different approaches towards such artefacts and antiquities will be shown in their connection with the political conflicts arisen at that time between the Bavarian rulers and Greek nationalists. The analysis will involve several regulations presented by the Bavarians to safeguard the Greek heritage in 1834 and 1837, together with their conceptual ambiguities on both antiquities and medieval artworks derived from Neoclassic and Romantic aesthetics. Examples will concern the city of Athens specifically, focusing on the restoration works carried out in selected archaeological sites, such as the Acropolis, and the plans designed to save local Byzantine churches, such as Panagia Kapnikarea. As will emerge in the discussion, the conflicting perceptions on classical antiquities – on the one hand – and both Medieval and Byzantine artefacts – on the other – will gradually promote the expansion of scholarship and the practices of heritage protection, bringing about the establishment of the first Christian Archaeological Society in Greece in 1884.
Istituto Centrale per il Restauro - Museo di Roma, Palazzo Braschi - Sapienza Università di Roma.
A cura di Chiara Piva.
Comitato Scientifico: Tiziana Caianiello, Federica Giacomini, Chiara Mannoni, Ilaria Miarelli Mariani, Chiara Piva, Claudia Valeri.
L’incontro intende far dialogare discipline e contesti geografici diversi con lo scopo di confrontare pratiche e teorie della storia della tutela e del restauro tra il XVI e il XIX secolo in una nuova prospettiva europea. Gli strumenti messi in campo per la salvaguardia del patrimonio saranno indagati secondo molteplici punti di vista – storico-artistico, legale, museografico, archeologico e politico – per confrontare modelli e attività elaborati in Europa nei diversi Stati, tra cui Regno di Napoli, Spagna, Gran Ducato di Toscana, Grecia, Prussia, Stato Pontificio, Francia e Paesi Scandinavi.