
Julieta Ilieva
Address: Bulgaria
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Papers by Julieta Ilieva
Keywords:Virtual Learning Systems, Computer Generated Forms, Geometrical Elements
and the result was a rich heritage of embellishment. Today the design of embroidered textiles is aligned to the advanced
technologies, according to what is fashionable or on-trend. Digital imaging is now a part of the textile design process
and many fashion designers use the CAD in order to increase the precision, productivity and to offer organized
information, but also to reduce lead times in production, thus reducing cost of garments.
This paper will show how a textile design can be created by the means of the universal CAD system ASCON Kompas
(we designed the shape of Sacred Geometry’s symbol “Flower of Life”) and Adobe Photoshop (for the colour
combination). Later on we imported the designs in Hatch Embroidery Software, in order to create the embroidery
models. Using Adobe Illustrator, we drawn some graphic sketches of garments and on those we added the embroideries
which we already designed.
The software which we used offered us the benefit of experimenting with a number of colours, textures, patterns and
sketch backgrounds for producing a playful, distinct and animated design, without physically making a garment.
Keywords: sacred geometry, Flower of Life, textile designs, embroideries, Adobe Photoshop, ASCON Kompas, Hatch
Embroidery Software, Adobe Illustrator
purpose models of ladies’ dresses in different types of volumetric silhouettes with the use of different types of 3D elements are designed.
One more silhouette – combined one can be added to the classification of the silhouettes. This type of silhouette can be combination between volumetric and non-volumetric shapes, or mixture of only volumetric ones. Every type of 3D elements can be used in design of volumetric silhouettes. And these types are: draperies; one-sided, bi-sided, and covered tucks; gathers, one-sided, bi-sided, and covered plates; goffers; ruffles; ribbons. 3D elements can be used in the fashion design of different types of silhouettes as elements which combined decorative and constructional function, or as only decorative ones.
textile design using the mirror, radial and translated symmetry and the plain rhythms as result from their combinations. The design is more successful when the geometrical ornaments are combined with suitable colors according to the connections between colors and lines on the base of their meaning, the latest fashion
trends, and national traditions.
Keywords:Virtual Learning Systems, Computer Generated Forms, Geometrical Elements
and the result was a rich heritage of embellishment. Today the design of embroidered textiles is aligned to the advanced
technologies, according to what is fashionable or on-trend. Digital imaging is now a part of the textile design process
and many fashion designers use the CAD in order to increase the precision, productivity and to offer organized
information, but also to reduce lead times in production, thus reducing cost of garments.
This paper will show how a textile design can be created by the means of the universal CAD system ASCON Kompas
(we designed the shape of Sacred Geometry’s symbol “Flower of Life”) and Adobe Photoshop (for the colour
combination). Later on we imported the designs in Hatch Embroidery Software, in order to create the embroidery
models. Using Adobe Illustrator, we drawn some graphic sketches of garments and on those we added the embroideries
which we already designed.
The software which we used offered us the benefit of experimenting with a number of colours, textures, patterns and
sketch backgrounds for producing a playful, distinct and animated design, without physically making a garment.
Keywords: sacred geometry, Flower of Life, textile designs, embroideries, Adobe Photoshop, ASCON Kompas, Hatch
Embroidery Software, Adobe Illustrator
purpose models of ladies’ dresses in different types of volumetric silhouettes with the use of different types of 3D elements are designed.
One more silhouette – combined one can be added to the classification of the silhouettes. This type of silhouette can be combination between volumetric and non-volumetric shapes, or mixture of only volumetric ones. Every type of 3D elements can be used in design of volumetric silhouettes. And these types are: draperies; one-sided, bi-sided, and covered tucks; gathers, one-sided, bi-sided, and covered plates; goffers; ruffles; ribbons. 3D elements can be used in the fashion design of different types of silhouettes as elements which combined decorative and constructional function, or as only decorative ones.
textile design using the mirror, radial and translated symmetry and the plain rhythms as result from their combinations. The design is more successful when the geometrical ornaments are combined with suitable colors according to the connections between colors and lines on the base of their meaning, the latest fashion
trends, and national traditions.
and they are used in textile and fashion design. The paper presents the use of the Golden spiral in textile
design. Essentially the golden spiral is spiral symmetry or it forms spiral symmetry and for creation of
beautiful and harmonic forms in the textile design it is used in combination which are based on the rhythms,
results of the other three types of symmetry – mirror, radial and translating ones. The different types of
rhythms are combined with suitable color combinations. Very interesting is the use of the spiral polygons,
which included golden spirals in number equal to number of the polygons’ sides.
Keywords: Golden Spiral; Spiral Polygons; Textile; Design.