Buku ini memuat hasil penelitian penggambaran figur laki-laki bertopi di relief candi-candi Jawa ... more Buku ini memuat hasil penelitian penggambaran figur laki-laki bertopi di relief candi-candi Jawa zaman Majapahit (sekitar 1300-1500 M). Penulis menelusuri apa yang disebutnya sebagai “figur bertopi” di banyak candi dan memperoleh hasil yang mengejutkan tentang makna dan fungsinya. Melalui penjelasan yang termuat dalam figur bertopi, pembaca buku mendapatkan pengertian baru akan fungsi religius di candi-candi di Jawa Timur
Proceedings of the International Joint Conference on Arts and Humanities 2021 (IJCAH 2021), 2022
This article discusses the characteristics of the tradition of the mythological Javanese stories ... more This article discusses the characteristics of the tradition of the mythological Javanese stories on Prince Panji, going back to the 12th/13th century, which are manifest in a broad variety of expressions in art and literature. The legacy of the rich Panji tradition represents an outstanding example of safeguarding, of enacting and of transforming cultural heritage, and thus raise pride and appreciation. Responsible ways of enacting this living heritage are a challenge for stakeholders and practitioners, for the benefit of society.
Following the Cap-Figure in Majapahit Temple Reliefs, 2013
Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As a... more Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As an activist in environmental and cultural affairs, he initiated the 'Budaya Panji' ('Panji Culture') and strongly supported my research over the years. All the more he made me apply my expertise on the Panji theme in his educational activities on revitalizing the Javanese ancient culture. His ashes were buried at Candi Kendalisodo on the slopes of Mount Penanggungan the fascination of which both of us shared. He would have loved so much to hold this book in his hands. I dedicate this work to him.
Following the Cap-Figure in Majapahit Temple Reliefs, 2013
Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As a... more Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As an activist in environmental and cultural affairs, he initiated the 'Budaya Panji' ('Panji Culture') and strongly supported my research over the years. All the more he made me apply my expertise on the Panji theme in his educational activities on revitalizing the Javanese ancient culture. His ashes were buried at Candi Kendalisodo on the slopes of Mount Penanggungan the fascination of which both of us shared. He would have loved so much to hold this book in his hands. I dedicate this work to him.
... Kieven, L. 2003. Loving couples depicted in temple reliefs in East Java of the Majapahit time... more ... Kieven, L. 2003. Loving couples depicted in temple reliefs in East Java of the Majapahit time. In Fishbones and Glittering Emblems. Southeast Asian Archaeology 2002 (eds A. Karlstrom and A. Kallen). Stockholm: Museum of Far Eastern Antiquities, pp. 335-48.. 2000. ...
and a free researcher. Her fields are ancient Javanese art, and Javanese tradition and culture, w... more and a free researcher. Her fields are ancient Javanese art, and Javanese tradition and culture, with a focus on the forms and developments of the Panji traditions. Major publications are: Following the cap-figure in Majapahit temple reliefs; A new look on the religious function of East
In search of the roots of Panji, the paper raises the question to what extent the spread of the P... more In search of the roots of Panji, the paper raises the question to what extent the spread of the Panji theme in Southeast Asia is a manifestation of the political and cultural influence of Majapahit within the region. The East Javanese Majapahit kingdom (circa 1300 to 1500 CE) extended its power to most parts of what today is Indonesia, and to Mainland Southeast Asia, implementing specific traits of its rich culture. Did the Panji stories, being a popular literary genre of the time, make part of cultural export?The paper then focuses on the Panji theme in Majapahit Java itself, particularly in the visual presentations in narrative temple reliefs. The significance of the depictions of Panji stories at Candi Panataran (14th to 15th centuries), the State Temple of Majapahit, allows an interesting understanding of the symbolic religious meaning of Panji. The essence of this symbolism is also manifest in the mountain sanctuary Candi Kendalisodo and in the Panji sculpture from Selokelir (m...
Introduction: Caṇḍi Panataran and the Rāmāyaṇa reliefs is paper investigates the relief depictio... more Introduction: Caṇḍi Panataran and the Rāmāyaṇa reliefs is paper investigates the relief depictions of the KR on the walls of the Main Temple of Caṇḍi Panataran in East Java. e selection of the episodes and scenes of the narrative and the spatial arrangement of the depictions was intended to convey a specific symbolic meaning. e visual medium allowed this to deviate from the literary text and put the focus on a specific topic: on Hanuman's mystic and magic power śakti in the confrontation with the world destroyer Rāwaṇa. I argue that the reliefs form part of a Tantric concept which underlies the symbolism of the whole temple complex, and that within this theme Hanuman plays a role as an intermediary. e paper continues Stutterheim's (, ) analysis of the Rāmāyaṇa reliefs, Klokke's study () on Hanuman's outstanding role in the art of the East Javanese period, and my own recent investigation of the Pañji stories at Caṇḍi Panataran (Kieven , particularly pp. -). e Rāmāyaṇa reliefs on the walls of the lower terrace of the Main Temple of Caṇḍi Panataran are known as the major East Javanese pendant to the Central Javanese Rāmāyaṇa reliefs at Caṇḍi Loro Jonggrang. e description of the two relief series, their identification, and their comparison are the major concern of Stutterheim's German monograph, made more generally accessible in English translation as Rāma legends and Rāma-reliefs in Indonesia in . rough his description of the panels at Caṇḍi Panataran he proved convincingly that the KR is the underlying narrative. . I am grateful for Danny Yee's edit of the English language of my paper.
Dwi Yani Yuniawati Umar Keterkaitan Etnis Da’a di Wilayah Pedalaman Pegunungan Gawalise, Sulawesi... more Dwi Yani Yuniawati Umar Keterkaitan Etnis Da’a di Wilayah Pedalaman Pegunungan Gawalise, Sulawesi Bagian Tengah, dengan Populasi Australomelanesid di Sulawesi Bukti adanya hunian dan budaya manusia modern awal berkarakter ras Australomelanesid di Indonesia adalah bahwa 60.000-40.000 tahun yang lalu telah ada jejak hunian di sejumlah kawasan di Indonesia, termasuk ke wilayah Sulawesi. Hal ini terlihat dari bukti-bukti hunian gua-gua di kawasan Maros-Pangkep di Sulawesi Selatan dan hunian situs bentang alam terbuka di Passo, Minahasa (Sulawesi Utara). Akan tetapi jejak hunian itu tidak ditemukan di bagian Sulawesi lainnya seperti di Sulawesi bagian tengah. Hal inilah yang membuat penulis tertarik untuk melakukan penelitian ini. Tujuannya untuk mengetahui jejak kehadiran populasi manusia modern awal yang berkarakter ras Australomelanesid di Sulawesi bagian tengah. Metode yang digunakan adalah metode survei melalui kajian atau pendekatan etnoarkeologi. Hasil yang diperoleh adalah menemu...
Following the Cap-Figure in Majapahit Temple Reliefs, 2013
Not only in the case of Candi Jago, but for all temples and sanctuaries discussed in my book, Kro... more Not only in the case of Candi Jago, but for all temples and sanctuaries discussed in my book, Krom (1923, II) provides invaluable references to the outcomes of prior research. 2 I agree on most points with O'Brien, but I am also cautious, as is Klokke, with regard to the comparison with rather recent Tibetan paintings. See the response by O'Brien (1995).
Buku ini memuat hasil penelitian penggambaran figur laki-laki bertopi di relief candi-candi Jawa ... more Buku ini memuat hasil penelitian penggambaran figur laki-laki bertopi di relief candi-candi Jawa zaman Majapahit (sekitar 1300-1500 M). Penulis menelusuri apa yang disebutnya sebagai “figur bertopi” di banyak candi dan memperoleh hasil yang mengejutkan tentang makna dan fungsinya. Melalui penjelasan yang termuat dalam figur bertopi, pembaca buku mendapatkan pengertian baru akan fungsi religius di candi-candi di Jawa Timur
Proceedings of the International Joint Conference on Arts and Humanities 2021 (IJCAH 2021), 2022
This article discusses the characteristics of the tradition of the mythological Javanese stories ... more This article discusses the characteristics of the tradition of the mythological Javanese stories on Prince Panji, going back to the 12th/13th century, which are manifest in a broad variety of expressions in art and literature. The legacy of the rich Panji tradition represents an outstanding example of safeguarding, of enacting and of transforming cultural heritage, and thus raise pride and appreciation. Responsible ways of enacting this living heritage are a challenge for stakeholders and practitioners, for the benefit of society.
Following the Cap-Figure in Majapahit Temple Reliefs, 2013
Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As a... more Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As an activist in environmental and cultural affairs, he initiated the 'Budaya Panji' ('Panji Culture') and strongly supported my research over the years. All the more he made me apply my expertise on the Panji theme in his educational activities on revitalizing the Javanese ancient culture. His ashes were buried at Candi Kendalisodo on the slopes of Mount Penanggungan the fascination of which both of us shared. He would have loved so much to hold this book in his hands. I dedicate this work to him.
Following the Cap-Figure in Majapahit Temple Reliefs, 2013
Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As a... more Shortly before the printing of this book, Suryo Prawiroatmojo has passed away on 8 May 2013. As an activist in environmental and cultural affairs, he initiated the 'Budaya Panji' ('Panji Culture') and strongly supported my research over the years. All the more he made me apply my expertise on the Panji theme in his educational activities on revitalizing the Javanese ancient culture. His ashes were buried at Candi Kendalisodo on the slopes of Mount Penanggungan the fascination of which both of us shared. He would have loved so much to hold this book in his hands. I dedicate this work to him.
... Kieven, L. 2003. Loving couples depicted in temple reliefs in East Java of the Majapahit time... more ... Kieven, L. 2003. Loving couples depicted in temple reliefs in East Java of the Majapahit time. In Fishbones and Glittering Emblems. Southeast Asian Archaeology 2002 (eds A. Karlstrom and A. Kallen). Stockholm: Museum of Far Eastern Antiquities, pp. 335-48.. 2000. ...
and a free researcher. Her fields are ancient Javanese art, and Javanese tradition and culture, w... more and a free researcher. Her fields are ancient Javanese art, and Javanese tradition and culture, with a focus on the forms and developments of the Panji traditions. Major publications are: Following the cap-figure in Majapahit temple reliefs; A new look on the religious function of East
In search of the roots of Panji, the paper raises the question to what extent the spread of the P... more In search of the roots of Panji, the paper raises the question to what extent the spread of the Panji theme in Southeast Asia is a manifestation of the political and cultural influence of Majapahit within the region. The East Javanese Majapahit kingdom (circa 1300 to 1500 CE) extended its power to most parts of what today is Indonesia, and to Mainland Southeast Asia, implementing specific traits of its rich culture. Did the Panji stories, being a popular literary genre of the time, make part of cultural export?The paper then focuses on the Panji theme in Majapahit Java itself, particularly in the visual presentations in narrative temple reliefs. The significance of the depictions of Panji stories at Candi Panataran (14th to 15th centuries), the State Temple of Majapahit, allows an interesting understanding of the symbolic religious meaning of Panji. The essence of this symbolism is also manifest in the mountain sanctuary Candi Kendalisodo and in the Panji sculpture from Selokelir (m...
Introduction: Caṇḍi Panataran and the Rāmāyaṇa reliefs is paper investigates the relief depictio... more Introduction: Caṇḍi Panataran and the Rāmāyaṇa reliefs is paper investigates the relief depictions of the KR on the walls of the Main Temple of Caṇḍi Panataran in East Java. e selection of the episodes and scenes of the narrative and the spatial arrangement of the depictions was intended to convey a specific symbolic meaning. e visual medium allowed this to deviate from the literary text and put the focus on a specific topic: on Hanuman's mystic and magic power śakti in the confrontation with the world destroyer Rāwaṇa. I argue that the reliefs form part of a Tantric concept which underlies the symbolism of the whole temple complex, and that within this theme Hanuman plays a role as an intermediary. e paper continues Stutterheim's (, ) analysis of the Rāmāyaṇa reliefs, Klokke's study () on Hanuman's outstanding role in the art of the East Javanese period, and my own recent investigation of the Pañji stories at Caṇḍi Panataran (Kieven , particularly pp. -). e Rāmāyaṇa reliefs on the walls of the lower terrace of the Main Temple of Caṇḍi Panataran are known as the major East Javanese pendant to the Central Javanese Rāmāyaṇa reliefs at Caṇḍi Loro Jonggrang. e description of the two relief series, their identification, and their comparison are the major concern of Stutterheim's German monograph, made more generally accessible in English translation as Rāma legends and Rāma-reliefs in Indonesia in . rough his description of the panels at Caṇḍi Panataran he proved convincingly that the KR is the underlying narrative. . I am grateful for Danny Yee's edit of the English language of my paper.
Dwi Yani Yuniawati Umar Keterkaitan Etnis Da’a di Wilayah Pedalaman Pegunungan Gawalise, Sulawesi... more Dwi Yani Yuniawati Umar Keterkaitan Etnis Da’a di Wilayah Pedalaman Pegunungan Gawalise, Sulawesi Bagian Tengah, dengan Populasi Australomelanesid di Sulawesi Bukti adanya hunian dan budaya manusia modern awal berkarakter ras Australomelanesid di Indonesia adalah bahwa 60.000-40.000 tahun yang lalu telah ada jejak hunian di sejumlah kawasan di Indonesia, termasuk ke wilayah Sulawesi. Hal ini terlihat dari bukti-bukti hunian gua-gua di kawasan Maros-Pangkep di Sulawesi Selatan dan hunian situs bentang alam terbuka di Passo, Minahasa (Sulawesi Utara). Akan tetapi jejak hunian itu tidak ditemukan di bagian Sulawesi lainnya seperti di Sulawesi bagian tengah. Hal inilah yang membuat penulis tertarik untuk melakukan penelitian ini. Tujuannya untuk mengetahui jejak kehadiran populasi manusia modern awal yang berkarakter ras Australomelanesid di Sulawesi bagian tengah. Metode yang digunakan adalah metode survei melalui kajian atau pendekatan etnoarkeologi. Hasil yang diperoleh adalah menemu...
Following the Cap-Figure in Majapahit Temple Reliefs, 2013
Not only in the case of Candi Jago, but for all temples and sanctuaries discussed in my book, Kro... more Not only in the case of Candi Jago, but for all temples and sanctuaries discussed in my book, Krom (1923, II) provides invaluable references to the outcomes of prior research. 2 I agree on most points with O'Brien, but I am also cautious, as is Klokke, with regard to the comparison with rather recent Tibetan paintings. See the response by O'Brien (1995).
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Papers by Lydia Kieven