These by Nicolás Ramirez Salaberry
This essay intends to study the multiple aspects from Heitor Villa-Lobos's Mandú-Çarará Symphonic... more This essay intends to study the multiple aspects from Heitor Villa-Lobos's Mandú-Çarará Symphonic Poem, which may be related to certain characteristics identified in Brazilian indigenous music studied by significant authors, as well as reflected in the most recent studies
about the "indigenous element" in Villa-Lobos. The Mandú-Çarará symphonic poem, which integrates the composer’s set of works with the indigenous theme, was elaborated from native accounts collected by João Barbosa Rodrigues (1890). In the search to understand the different narratives from the texts involved in the work, we will analyze the morphological structure of each of them. We will also highlight musical aspects of the work that may refer to indigenous musical manifestations. Finally, a possible relation between the sung text and the work's music will be presented.
O tema deste Trabalho de Conclusão de Curso é a Guarânia Sinfônica Ñanderuvusú (Nosso Pai Grande)... more O tema deste Trabalho de Conclusão de Curso é a Guarânia Sinfônica Ñanderuvusú (Nosso Pai Grande) do compositor paraguaio José Asunción Flores (Assunção, 1904 - Buenos Aires, 1972). A peça está escrita originalmente em Guarani e traduzida posteriormente ao idioma Russo.
Papers by Nicolás Ramirez Salaberry
Revista da Tulha v.3 n.2, 2017
O trabalho pretende estudar as possíveis relações entre o cânone estabelecido na música do Ociden... more O trabalho pretende estudar as possíveis relações entre o cânone estabelecido na música do Ocidente, comparando-o com a música erudita brasileira. Para isso, apresentaremos algumas considerações do compositor Heitor Villa-Lobos sobre a música brasileira, bem como, características de suas obras com temática indígena. Em seguida, essas relações serão confrontadas com as próprias manifestações da música nativa brasileira.
Resumo: O trabalho pretende analisar a construção do argumento da obra Mandú-Çarará, concebido po... more Resumo: O trabalho pretende analisar a construção do argumento da obra Mandú-Çarará, concebido por Heitor Villa-Lobos (1887-1959) e publicado no catálogo " Villa-Lobos: Sua Obra ". Este argumento, segundo o compositor, foi elaborado a partir das lendas indígenas recolhidas por João Barbosa Rodrigues (1842-1909) durante sua expedição científica no Amazonas. De igual maneira será estudado o texto em nheengatu presente na obra Mandú-Çarará – cantado por dois coros: misto e infantil – como resultado do tratamento e utilização, realizado por Villa-Lobos, de trechos destas mesmas lendas indígenas recolhidas por Rodrigues.
Abstract: This essay intends to analyze the argument's conception found into the work Mandú-Çarará, created by Heitor Villa-Lobos (1887-1959) and published in " Villa-Lobos: Sua Obra " catalog. This argument, according to the compositor, was built on indigenous folktales collected by João Barbosa Rodrigues (1842-1909) during his scientific expedition in Amazonas. In this essay will also be studied the nheengatu text from Mandú-Çarará-sang by mixed formation choirs and children choirs-as a result of Villa-Lobos' registers and studies on the same Rodrigues' indigenous folktales collection mentioned above.
Uploads
These by Nicolás Ramirez Salaberry
about the "indigenous element" in Villa-Lobos. The Mandú-Çarará symphonic poem, which integrates the composer’s set of works with the indigenous theme, was elaborated from native accounts collected by João Barbosa Rodrigues (1890). In the search to understand the different narratives from the texts involved in the work, we will analyze the morphological structure of each of them. We will also highlight musical aspects of the work that may refer to indigenous musical manifestations. Finally, a possible relation between the sung text and the work's music will be presented.
Papers by Nicolás Ramirez Salaberry
Abstract: This essay intends to analyze the argument's conception found into the work Mandú-Çarará, created by Heitor Villa-Lobos (1887-1959) and published in " Villa-Lobos: Sua Obra " catalog. This argument, according to the compositor, was built on indigenous folktales collected by João Barbosa Rodrigues (1842-1909) during his scientific expedition in Amazonas. In this essay will also be studied the nheengatu text from Mandú-Çarará-sang by mixed formation choirs and children choirs-as a result of Villa-Lobos' registers and studies on the same Rodrigues' indigenous folktales collection mentioned above.
about the "indigenous element" in Villa-Lobos. The Mandú-Çarará symphonic poem, which integrates the composer’s set of works with the indigenous theme, was elaborated from native accounts collected by João Barbosa Rodrigues (1890). In the search to understand the different narratives from the texts involved in the work, we will analyze the morphological structure of each of them. We will also highlight musical aspects of the work that may refer to indigenous musical manifestations. Finally, a possible relation between the sung text and the work's music will be presented.
Abstract: This essay intends to analyze the argument's conception found into the work Mandú-Çarará, created by Heitor Villa-Lobos (1887-1959) and published in " Villa-Lobos: Sua Obra " catalog. This argument, according to the compositor, was built on indigenous folktales collected by João Barbosa Rodrigues (1842-1909) during his scientific expedition in Amazonas. In this essay will also be studied the nheengatu text from Mandú-Çarará-sang by mixed formation choirs and children choirs-as a result of Villa-Lobos' registers and studies on the same Rodrigues' indigenous folktales collection mentioned above.