In this paper I analyze how an ad for Microsoft Composer Collection represents physical and technical masculinities through constructed speech in contrastive linguistic styles. These linguistic varieties link to our consensual knowledge...
moreIn this paper I analyze how an ad for Microsoft Composer Collection represents physical and technical masculinities through constructed speech in contrastive linguistic styles. These linguistic varieties link to our consensual knowledge about gender stereotypes. The ad pictures a menacing white biker guy who is also stylized through tough, working-class talk. As the narrative voice of the ad, he extols Microsoft's classical music software. He styleshifts between working-class talk and a highly educated, even arcane, techno-geek talk. I consider Eckert & McConnell-Ginet's suggestion that technical masculinity and physical masculinity are disjunct, Kiesling's claim that different forms of masculinity compete with each other, and Smith's claim that advertising is increasingly using ironic humor aimed at young males to reinforce traditional notions of masculinity. The ad plays with our beliefs about how linguistic forms depict types of masculinities, but also manipulates linguistic variation to reify masculine stereotypes. * I am grateful to Harold Schiffman and Johan Oberg for locating the ad in Entertainment Weekly and in People magazine, respectively. Michael McLachlan provided technical assistance. I thank Bryan Gordon, Scott Kiesling, Gilbert Rodman, and two anonymous reviewers for their helpful comments on a prior version of this paper.