Your article is protected by copyright and all rights are held exclusively by Springer Science +B... more Your article is protected by copyright and all rights are held exclusively by Springer Science +Business Media Dordrecht. This e-offprint is for personal use only and shall not be selfarchived in electronic repositories. If you wish to self-archive your article, please use the accepted manuscript version for posting on your own website. You may further deposit the accepted manuscript version in any repository, provided it is only made publicly available 12 months after official publication or later and provided acknowledgement is given to the original source of publication and a link is inserted to the published article on Springer's website. The link must be accompanied by the following text: "The final publication is available at link.springer.com".
This article examines the ways in which two literary texts by the American author Dave Eggers, hi... more This article examines the ways in which two literary texts by the American author Dave Eggers, his novel You Shall Know Our Velocity (2002) and his short story “Up the Mountain Coming Down Slowly,” interrogate the abstract humanism that underlies universalist rights and explore the reasons for their ineptitude at effecting their promise of universalism when faced with the particularity of individual cultures. Thematically, Eggers’s stories test the limits of promoting rights on the basis of an innate shared humanity by exposing how such a basis easily slides into other universalist practices such as those of neocolonialism and neo-imperialism. At the character level, these narratives consider the possibilities for meaningful cross-cultural relationships within the context of these discourses, revealing the ease with which they in turn can slip into hierarchical relations that reaffirm existing divisions. In doing so, they also engage and challenge the conclusions of cosmopolitan thinkers such as Kwame Anthony Appiah or J€urgen Habermas who have influentially proposed cross-cultural dialogues as a means of overcoming the tension between universalism and particularity. Interestingly, then, even as interdisciplinary research on literature and human rights has begun to etch out the coalescence of the two, Eggers provides an important example of how literary texts can also critique human rights discourses and can explore questions pertaining to their global reach.
On 18 March 2015 we had the rare opportunity to publicly interview the celebrated American author... more On 18 March 2015 we had the rare opportunity to publicly interview the celebrated American author Dave Eggers and Mimi Lok, co-founder with Eggers of the socially engaged oral history non-profit Voice of Witness, in front of a student audience at the Vooruit cultural center in Ghent, Belgium. The occasion for their visit was Eggers’s being awarded the 2015 Amnesty International Chair at Ghent University in recognition of his human rights work. The interview aimed to give the audience an overall sense of the various creative and charitable projects in which Eggers and Lok are involved and which have earned them widespread acclaim. This published version of it is an edited and condensed transcript. The interview consists of two parts. The first part deals with Eggers’s literary work, homing in on The Circle in particular. The second part focuses on Voice of Witness and on how this project relates to Eggers’s work as a writer.
Your article is protected by copyright and all rights are held exclusively by Springer Science +B... more Your article is protected by copyright and all rights are held exclusively by Springer Science +Business Media Dordrecht. This e-offprint is for personal use only and shall not be selfarchived in electronic repositories. If you wish to self-archive your article, please use the accepted manuscript version for posting on your own website. You may further deposit the accepted manuscript version in any repository, provided it is only made publicly available 12 months after official publication or later and provided acknowledgement is given to the original source of publication and a link is inserted to the published article on Springer's website. The link must be accompanied by the following text: "The final publication is available at link.springer.com".
This article examines the ways in which two literary texts by the American author Dave Eggers, hi... more This article examines the ways in which two literary texts by the American author Dave Eggers, his novel You Shall Know Our Velocity (2002) and his short story “Up the Mountain Coming Down Slowly,” interrogate the abstract humanism that underlies universalist rights and explore the reasons for their ineptitude at effecting their promise of universalism when faced with the particularity of individual cultures. Thematically, Eggers’s stories test the limits of promoting rights on the basis of an innate shared humanity by exposing how such a basis easily slides into other universalist practices such as those of neocolonialism and neo-imperialism. At the character level, these narratives consider the possibilities for meaningful cross-cultural relationships within the context of these discourses, revealing the ease with which they in turn can slip into hierarchical relations that reaffirm existing divisions. In doing so, they also engage and challenge the conclusions of cosmopolitan thinkers such as Kwame Anthony Appiah or J€urgen Habermas who have influentially proposed cross-cultural dialogues as a means of overcoming the tension between universalism and particularity. Interestingly, then, even as interdisciplinary research on literature and human rights has begun to etch out the coalescence of the two, Eggers provides an important example of how literary texts can also critique human rights discourses and can explore questions pertaining to their global reach.
On 18 March 2015 we had the rare opportunity to publicly interview the celebrated American author... more On 18 March 2015 we had the rare opportunity to publicly interview the celebrated American author Dave Eggers and Mimi Lok, co-founder with Eggers of the socially engaged oral history non-profit Voice of Witness, in front of a student audience at the Vooruit cultural center in Ghent, Belgium. The occasion for their visit was Eggers’s being awarded the 2015 Amnesty International Chair at Ghent University in recognition of his human rights work. The interview aimed to give the audience an overall sense of the various creative and charitable projects in which Eggers and Lok are involved and which have earned them widespread acclaim. This published version of it is an edited and condensed transcript. The interview consists of two parts. The first part deals with Eggers’s literary work, homing in on The Circle in particular. The second part focuses on Voice of Witness and on how this project relates to Eggers’s work as a writer.
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underlies universalist rights and explore the reasons for their ineptitude at effecting their promise of universalism when faced with the particularity of individual cultures. Thematically, Eggers’s stories test the limits of promoting rights on the basis of an innate shared humanity by exposing how such a basis easily slides into other universalist practices such as those of neocolonialism and neo-imperialism. At the character level, these narratives consider the possibilities for meaningful cross-cultural relationships within the context of these discourses, revealing the ease with which they in turn can slip into hierarchical relations that reaffirm existing divisions. In doing so, they also engage and challenge the conclusions of cosmopolitan thinkers such as Kwame Anthony Appiah or J€urgen Habermas who have influentially proposed cross-cultural dialogues as a means of overcoming the tension between universalism and particularity. Interestingly, then, even as interdisciplinary research on literature and human rights has begun to etch out the coalescence of the two, Eggers provides an important example of how literary texts can also critique human rights discourses and can explore questions pertaining to their global reach.
underlies universalist rights and explore the reasons for their ineptitude at effecting their promise of universalism when faced with the particularity of individual cultures. Thematically, Eggers’s stories test the limits of promoting rights on the basis of an innate shared humanity by exposing how such a basis easily slides into other universalist practices such as those of neocolonialism and neo-imperialism. At the character level, these narratives consider the possibilities for meaningful cross-cultural relationships within the context of these discourses, revealing the ease with which they in turn can slip into hierarchical relations that reaffirm existing divisions. In doing so, they also engage and challenge the conclusions of cosmopolitan thinkers such as Kwame Anthony Appiah or J€urgen Habermas who have influentially proposed cross-cultural dialogues as a means of overcoming the tension between universalism and particularity. Interestingly, then, even as interdisciplinary research on literature and human rights has begun to etch out the coalescence of the two, Eggers provides an important example of how literary texts can also critique human rights discourses and can explore questions pertaining to their global reach.