História; Turismo; Museologia; Arqueologia

The article presents the need for historical archaeology in Brazil, when turning its look to the contexts of modern and contemporary times, to act in identifying, inventorying and safeguarding of cultural heritage. We will try to emphasize the elements of material culture in the ruins of old Portuguese buildings in the town of Laranjeiras (Sergipe), whose economic apex occurs throughout the 19th century, with dominance of sugar mills, the wealthy residential town homes, theaters and local hospital. This work seeks to discuss the archaeological prospecting to expose the historicity of urban architecture in the formation of its population, the heritage of Portuguese colonization in ruins, its ancient features, actions of consolidation and possibilities for social uses of those locations today.

The article presents a critical analysis of expography integrating the Holocaust Museum in Buenos Aires, this being divided into three parts: “Eichmann. Él vivió entre nosotros” ; “Imágenes de la Shoá, el Holocausto y sus resonancias en la argentina” and “Identidad: Retratos de testigos de la Shoá”. We discuss categories that comprise museography and historical context, during Nazism period in Germany, which promoted the exodus of Jews and Germans criminals to Argentina between 1933 and 1960.

The Veritas Mouseion is an Electronic Dictionary of terms museum organized from interviews with professional museological institutions for the definition, etymology and homogenization of the entries in a cloud computing environment, audiovisual, 3D, organizing the information and data available to the user via PCs, tablets, smartphones and ebooks.

The computational tools are evolving rapidly and continuously
challenging the professionals involved in these technologies,
which brings one to gain unmatched productivity and response,
capable of reaching all strata of society. Today the challenge is to
incorporate the human factor in this technological environment
to achieve the results and low cost of deployment quickly.
This work presents an ongoing study on the potential of these
technologies to integrate the systems of documentation of
historical and traditional build, with low implementation cost,
a system for dissemination and preservation of the historical
town of Laranjeiras (Sergipe – Brazil), forming specialized
staff using the digital technologies applicable to the historical
documentation. In this dynamic medium of exchange of
information it is specifically proposed to evaluate the
infrastructure involved and all the participants in the process.
For this purpose a representative set of architectural history of
the Laranjeiras city (Sergipe – Brazil), called the Trapiche’s
Quadroon, was selected and which was set up as a case study
from which it has been intended to formulate guidelines to
systematize information concerning the heritage of the city.

Cultural cradle of Sergipe, the city of Laranjeiras
known as the “Athens of Sergipe”, where they
maintain a strong culture of immaterial and
material, faces the challenges of the current
times. The installation of a campus of UFS,
promoting the restoration of the old Quarteirão
dos Trapiches through Project Monumenta
(IPHAN), sparked some tensions in the local
population that has questioned the advantages
and disadvantages of living in a city-heritage. The
registration of common voices of residents, but
the protagonists of space and time experienced,
through interviews, citizen to search their
incorporation available educational institution to
serve the social and valuing its people.

The article aims to share the experience of the program “Information systems, cyber culture and digitization of heritage in Sergipe: museology on the web” from the elaboration and maintenance of a web site with a digital file with oral interviews and capture images by locals immaterial culture maintainers in Laranjeiras – Allied to this is producing digital cultural facilities in the area of applied social sciences are two sub-projects focusing on the use of free software for the organization of a database with texts on museology, memory and patrimony available online and the creation of an electronic dictionary of terms as a museum to be used as a tool for searching, conceptual basis and content facilitator of teaching-learning ratio in museology. For undergraduate courses in Museology such initiatives fit as technological innovation in the priority area of information technology.

Alagoas opens its historical narrative about itself from the silence on events clashing with the vision of "harmonious society" and “without economic or social contradictions" that wants to sign for posterity. Contradicting that image, attempts to consolidate a new group of central and local power, during the Regency period in wich political attitudes hurt customs rooted in clientelist practices, the prospect of acess to weapons and visibility of paths to show their dissatisfaction while elites fighting each other has created in the forests of Alagoas and Pernambuco the Cabanos led by Vicente Ferreira de Paula.

The teaching of portuguese in addition to the normative Grammar is meaningful when participating in their daily life, rescues when the modes of speaking and writing of informality articulating them in a respectful and dynamic conceptions of standard language. The Museum of the Portuguese Language in São Paulo, to establish an area for preservation and dissemination of language plays its role in the principles of social museology when the visitor is an agent that interacts and participates actively exercising their knowledge of exposure in a laboratory learning

relações históricas entre Brasil e França. Janaina Cardoso de Mello 1 VIDAL, Laurent; LUCA, Tania Regina de (Orgs.) Franceses no Brasil. Séculos XIX-XX. São Paulo: Editora da UNESP, 2009. 487p. O Ano da França no Brasil celebrado até novembro de 2009 é uma iniciativa do governo dos dois países, com o objetivo de aprofundar as relações bilaterais no âmbito cultural, acadêmico e econômico. É a continuidade do Ano do Brasil na França, ocorrido em 2005, com o mesmo propósito. Dentre as atividades que norteiam a proposta está a realização de diversos eventos como exposições, shows, concertos, ciclos de cinema, seminários e festivais, motivando o turismo e as exportações de produtos entre Brasil e

The work aims to develop a comparative analysis of political discourse in early nineteenth century journals, namely the Gazeta do Rio de Janeiro, the Correio Braziliense and Gazeta Idade D'Ouro do Brazil. The newspapers of the early years of the nineteenth century were not prone to "reverberation" or to the "spirit of the conflict", as those journals of the first reign. However, they combined social political speeches with daily information. They could be read under the most diverse perspectives and enabled the learning necessary to the development of a "public opinion" that disseminated and legitimized a "political consciousness" no longer bound to the government.

The completion of the extension project entitled “Education, gender and sexuality: new experiences in everyday relationships between teachers and students in the State School Costa Rêgo – Arapiraca/Alagoas,” funded by PROEXT / MEC and coordinated by teachers from the State University of Alagoas, has a dialogue
between the academic discussions and society, providing the conceptual and methodological tools for the development of an education that offers the experience of sexuality related to life, health, pleasure and welfare in its collective dimension. The choice to work with the seventh and eighth grades was caused by the need to define the scope of action and considering that in this phase the body changes and sexuality appear so sharp. We performed discursive and reflective activities with Portuguese Language, History, Geography and Science teachers in sessions of lectures and workshops of cutting and pasting, music, discussions and preparation of a DVD and a didactic book published by the Federal University of Pernambuco.

Much of the activity of the slave workers in the provinces of Pernambuco and Alagoas was focused from the colonial period to the economy of sugar, consisting of intensive metier directly related to the cultivation of land and the production of ingenuity.
The multiplicity of ethnic African elaborated a network of mutual solidarity on the day of his experience as captives, hiding gaps to articulate a resistance to the possibl e curtailing of their freedom, "making thing" of their lives. The territoriality that in the past sheltered the
quilombo dos Palmares had, after its destruction, mocambos sparse claimed that the resistance in the black forest. The forest became an area of insurgency that make living the process of struggle for freedom and possession of a piece of land for the cultivation of planting. In 1832 broke out in the woods south of Pernambuco and Alagoas north of a rebellion rural entitled cabanada due to participat ion of popular segments that resided on a precarious in houses of straw to hit land. Between 1834 and 1835 the black pope - honeys (regional talks that defined the slave fugitives who fed the honey in the wild woods) become almost the whole of the revolt hut under the leadership of mulato Vicente Ferreira de Paula. The guard-honey-black pope will be an identity of "peoples of the woods" assuming the risk of death in combat, but preserving their freedom insurrectionary to be a space for survival between planti ng and practice of despique until 1850.

With approximately 60 boxes containing ceramic fragments and bone splinters, quartz porcelain and faience of the 19th and 20th centuries, the archaeological collection of the Museu do Homem Sergipano (MUHSE) remains overshadowed by the other archaeological work undertaken in Sergipe, especially in a comparative table with those developed in Canindé de São Francisco region where is located the Museu de Archaeologia do Xingó (MAX). The objective of this work aims to present the preliminary results of hygiene procedures, research, cataloguing and digitization of the material from archaeological rescues carried out between 1980 and 1990 decades in the municipalities of Santo Amaro das Brotas, Riachuelo, Porto da Folha, among others that show the presence of Aratu ceramic tradition, studied by former Nucleus of archaeological research (NPA). It should be noted that the project ARCHAEO-DIGITAL 360 operates in the technological application of 3D-Bin software in extroversion Museum enabling a virtual expographic on the homepage of MUHSE, long range, which act in the diffusion of the museum archaeological heritage situated in Aracaju.

The musealisation in situ during the archaeological excavations search inflict the least damage to the environment, conserving cultural heritage in its original location, under the observation and participation of the population whose memories are living in socialization research and applied methodologies. The musealisation in situ enables communication of knowledge, the social use of the territory, its conservation and responsible tourism. In addition to a heritage education “top down”, cultural exchange from impressions, reactions, concerns, questions, notes and interaction of the population with the work of archaeologists offer dynamism and plural reconstruct to the academic activity.

In the first half of the nineteenth century Portugal was immersed in civil war between D. Pedro and D. Miguel by dynastic succession. In this context emerges José Joaquim Sousa Reis, Remexido, and during the civil war an important leadership Miguelist Army troops in fighting liberals, playing an intense action after the conflict, acting in guerrillas in the mountains of the Algarve against the forces of the Queen. Discuss the war between liberals and absolutists in Portugal and their impact on nineteenth-century Portuguese society, including by examining the role of social Remexido and his guerrillas in the Algarve include the central objectives of this article.
Keywords: War. Remexido. Portugal.

The research presented in this article chose the Santa Isabel cemetery, founded in 1865, in Aracaju (SE) and Recoleta in Buenos Aires (AR), opened in 1822, as objects of comparative study of Archeology and history while interdisciplinary areas of reflection. A symbolic analysis of the funerary art photographed between 2011 and 2012 in two cemeteries, accompanies the collection of quantitative data on the graves and the death notes in newspapers. Thus, through readings of Dethlefsen, Chartier, Lima, Pesavento, Raja, Rana, Schávelzon, and Magaz among others, seek to understand the cemiterial space as an environment loaded with symbols that represent death and reveal how the necropolis of changing societies served to make the social stratification of the world of the living.