
Michael Curtin
Michael Curtin is the Duncan and Suzanne Mellichamp Professor of Film and Media Studies with affiliated appointments in Global Studies and East Asian Languages and Cultural Studies. He is also lead professor of the Mellichamp Global Dynamics Initiative and associate researcher at the Center for Sociological and Political Research in Paris. Curtin is co-founder and former co-director of the Media Industries Project of the Carsey-Wolf Center. Before joining UCSB, he was director of Global Studies at the University of Wisconsin-Madison and director of Cultural Studies at Indiana University. He has also held teaching or research appointments at Northwestern University, Renmin University, the Chinese University of Hong Kong, the Institute of Ethnology at Academia Sinica, and the Center for the Humanities at Wesleyan University. Curtin’s research and teaching focus on media globalization, cultural geography, industry and policy studies, and creative labor. His books include: Precarious Creativity: Global Media, Local Labor (University of California Press, 2016); Distribution Revolution: Conversations about the Digital Future of Film and Television (University of California Press, 2014), Reorienting Global Communication: Indian and Chinese Media Beyond Borders (University of Illinois Press, 2010), The American Television Industry (British Film Institute/Palgrave, 2009), and Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV (University of California Press, 2007). Curtin is currently at work on Media Capital: The Cultural Geography of Globalization and Voices of Labor in the Age of Global Media. He is co-editor of Media Industries, the Chinese Journal of Communication, and the British Film Institute’s International Screen Industries book series.
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This is the first comprehensive volume to explore and engage with current trends in Geographies of Media research. It reviews how conceptualizations of mediated geographies have evolved. Followed by an examination of diverse media contexts and locales, the book illustrates key issues through the integration of theoretical and empirical case studies, and reflects on the future challenges and opportunities faced by scholars in this field. The contributions by an international team of experts in the field, address theoretical perspectives on mediated geographies, methodological challenges and opportunities posed by geographies of media, the role and significance of different media forms and organizations in relation to socio-spatial relations, the dynamism of media in local-global relations, and in-depth case studies of mediated locales. Given the theoretical and methodological diversity of this book, it will provide an important reference for geographers and other interdisciplinary scholars working in cultural and media studies, researchers in environmental studies, sociology, visual anthropology, new technologies, and political science, who seek to understand and explore the interconnections of media, space and place through the examples of specific practices and settings.
By tracing the multiple and shifting relations between the government, the TV industry, and viewers, Michael Curtin explains how the most commercially unprofitable genre in television history became the most celebrated and controversial form of programming during the New Frontier era. This book is an important contribution to our understanding of how television mediates powerful social forces and will be indispensable to anyone interested in media studies and the history of the Cold War period.