International Journal of Education and the Arts, 2014
We offer a multi-voiced response to the (re)creation of a sociology of music education, where con... more We offer a multi-voiced response to the (re)creation of a sociology of music education, where contemporary music education practices are informed and imbued with the voices of teachers and learners. By dialogically and musically engaging with the very people who live, make music, and engage with learners in music classrooms, we are pointing toward promoting contemporary qualitative forms of research and the (re)conception of a sociology of music education as a political and an ethical construction that needs to be grounded in serving the communities of music practitioners. Through a pedagogical story ‐ told from the perspectives of music teachers using their own voices ‐ we begin an open conversation about the nature of power structures and struggles in music education research, and invite new possibilities in developing understandings of the complex socio-cultural dynamic of music making, music learning, music teaching, and music researching in all facets of contemporary society. B...
We offer a multi-voiced response to the (re)creation of a sociology of music education, where con... more We offer a multi-voiced response to the (re)creation of a sociology of music education, where contemporary music education practices are informed and imbued with the voices of teachers and learners. By dialogically and musically engaging with the very people who live, make music, and engage with learners in music classrooms, we are pointing toward promoting contemporary qualitative forms of research and the (re)conception of a sociology of music education as a political and an ethical construction that needs to be grounded in serving the communities of music practitioners. Through a pedagogical story – told from the perspectives of music teachers using their own voices – we begin an open conversation about the nature of power structures and struggles in music education research, and invite new possibilities in developing understandings of the complex socio-cultural dynamic of music making, music learning, music teaching, and music researching in all facets of contemporary society. B...
International Journal of Education and the Arts, 2014
We offer a multi-voiced response to the (re)creation of a sociology of music education, where con... more We offer a multi-voiced response to the (re)creation of a sociology of music education, where contemporary music education practices are informed and imbued with the voices of teachers and learners. By dialogically and musically engaging with the very people who live, make music, and engage with learners in music classrooms, we are pointing toward promoting contemporary qualitative forms of research and the (re)conception of a sociology of music education as a political and an ethical construction that needs to be grounded in serving the communities of music practitioners. Through a pedagogical story ‐ told from the perspectives of music teachers using their own voices ‐ we begin an open conversation about the nature of power structures and struggles in music education research, and invite new possibilities in developing understandings of the complex socio-cultural dynamic of music making, music learning, music teaching, and music researching in all facets of contemporary society. B...
We offer a multi-voiced response to the (re)creation of a sociology of music education, where con... more We offer a multi-voiced response to the (re)creation of a sociology of music education, where contemporary music education practices are informed and imbued with the voices of teachers and learners. By dialogically and musically engaging with the very people who live, make music, and engage with learners in music classrooms, we are pointing toward promoting contemporary qualitative forms of research and the (re)conception of a sociology of music education as a political and an ethical construction that needs to be grounded in serving the communities of music practitioners. Through a pedagogical story – told from the perspectives of music teachers using their own voices – we begin an open conversation about the nature of power structures and struggles in music education research, and invite new possibilities in developing understandings of the complex socio-cultural dynamic of music making, music learning, music teaching, and music researching in all facets of contemporary society. B...
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Papers by Helen Ballam