GREIGA (UAM)
El Grupo GREIGA, reúne a una serie de especialistas doctores y a jóvenes investigadores en fase predoctoral que trabajan en el ámbito del estudio del arte, la imagen y de la iconografía en el mundo griego antiguo. Sus líneas de investigación abarcan el análisis contextualizado de las imágenes griegas de época arcaica y clásica, el estudio del arte griego y en particular, de la cerámica vascular ática. Tiene como sedes el Departamento de Historia y Teoría del Arte de la Facultad de Filosofía y Letras de la Universidad Autónoma de Madrid (UAM) y el ICCA (Instituto de Ciencias de la Antigüedad) de la misma universidad.
Supervisors: Carmen Sánchez Fernández
Address: Departamento de Historia y Teoría del Arte
Facultad de Filosofía y Letras
Avenida Tomás y Valiente, 1
Campus de Cantoblanco, UAM ,
28049 Madrid
Telf. : +34 91 497 4354
Fax: (+34) 91 497 5641
Supervisors: Carmen Sánchez Fernández
Address: Departamento de Historia y Teoría del Arte
Facultad de Filosofía y Letras
Avenida Tomás y Valiente, 1
Campus de Cantoblanco, UAM ,
28049 Madrid
Telf. : +34 91 497 4354
Fax: (+34) 91 497 5641
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Drafts by GREIGA (UAM)
II Workshop on Classical Iconography
(GREIGA: Research Group on Ancient Greece Image)
Call For Papers.
Deadline: January 15, 2020
In classical art, the conception and articulation of the space and,
consequently, of the world, has recently become an important subject of study
for research. The term "landscape" is understood by recent historiography as
a historical, social and cultural dynamic category in constant interaction and
transformation, resulting from the reflection of a society who creates it like a
sign of its own identity. The landscape contains, on the one hand, the physical
realities and, on the other, concepts, personal and social perceptions of itself,
as well as socio-political and economic interests or religious beliefs. Thus, the
landscape depends on perception and does not exist by itself since it is a
space created by us.
In ancient Greece and Rome, there were various liminal landscapes and
spaces of transition in which social, cultural and power relations were
developed. Their figuration and representation, through different materials
and artworks, offers a wide range of scenarios. Firstly, the representation of
real and physical landscapes that refer to specific locations; secondly, the
conceptual ones that suggest created, symbolic and ethereal spaces; and
finally, the spaces of the psyche, that is, those emotional spaces that take
place in the human mind, and involve a change or a psychic or physical
transformation towards a new status or towards a new condition or category.
The study of this heterogeneity of spaces is essential and necessary to better
understand the cultural and ideological constructions of ancient societies, and
their own causal determination to conceive the world around them.
II Workshop on Classical Iconography
(GREIGA: Research Group on Ancient Greece Image)
Call For Papers.
Deadline: January 15, 2020
In classical art, the conception and articulation of the space and,
consequently, of the world, has recently become an important subject of study
for research. The term "landscape" is understood by recent historiography as
a historical, social and cultural dynamic category in constant interaction and
transformation, resulting from the reflection of a society who creates it like a
sign of its own identity. The landscape contains, on the one hand, the physical
realities and, on the other, concepts, personal and social perceptions of itself,
as well as socio-political and economic interests or religious beliefs. Thus, the
landscape depends on perception and does not exist by itself since it is a
space created by us.
In ancient Greece and Rome, there were various liminal landscapes and
spaces of transition in which social, cultural and power relations were
developed. Their figuration and representation, through different materials
and artworks, offers a wide range of scenarios. Firstly, the representation of
real and physical landscapes that refer to specific locations; secondly, the
conceptual ones that suggest created, symbolic and ethereal spaces; and
finally, the spaces of the psyche, that is, those emotional spaces that take
place in the human mind, and involve a change or a psychic or physical
transformation towards a new status or towards a new condition or category.
The study of this heterogeneity of spaces is essential and necessary to better
understand the cultural and ideological constructions of ancient societies, and
their own causal determination to conceive the world around them.