
Anna Kérchy
Anna Kérchy is a Senior Assistant Professor at the English Department of the University of Szeged, Hungary. She earned her PhD in literature from the University of Szeged and her doctoral habilitation degree in literature and culture from the University of Debrecen. She also holds a DEA in Semiology from Université Paris VII, and a post-grad certificate in (English/Hungarian) translation and interpretation in the fields of economics and social sciences. Her research interests include intermedial cultural representations, the post-semiotics of the embodied subject, interfacings of Victorian and postmodern fantastic imagination, gender studies, body studies, human-animal studies, women’s art, and children’s literature (esp. fairy tales and nonsense fantasies). She is the author of two monographs, Alice in Transmedia Wonderland. Curiouser and Curiouser New Forms of a Children’s Classic and Body-Texts in the Novels of Angela Carter. Writing from a Corporeagraphic Point of View. She is the editor of Postmodern Reinterpretations of Fairy Tales, co-editor of What Constitutes the Fantastic?, the Iconology of Law and Order, Exploring the Cultural History of Continental European Freak Shows (with Andrea Zittlau), and of an EJES special issue on Feminist Interventions into Intermedial Studies (with Catriona McAra). She was in charge of the Hungarian back-translations in the international book-project Alice in a World of Wonderlands. The Translations of Lewis Carroll's Masterpiece in 150 Languages.
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Papers by Anna Kérchy
The feminist project has radicalised text/image relationships in myriad ways, disrupting the contours of discipline and medium. The multifaceted recyclings of a transdisciplinary methodology remind us that although in the past decades text/image studies has become an established academic research field in the first decades of the twenty-first century, its subversive potential to challenge cultural hegemonies has not diminished. On the contrary, intermedial fusions remain loaded with political and ethical issues that are in search of sites of resistance for marginalised, othered social subjects and meanings. The introduction explains how this special journal issue emerges from and is addressed to the politically significant network of feminist researchers -- artists, theoreticians, activists -- we believe we share ties with on account of putting the study of intermediality in the service of 'constructing a radically new understanding of our world in all its horror and hope' (Pollock, 1988: 22)
Publisher: Taylor & Francis
Year: 2017
DOI identifier: 10.1080/13825577.2017.1369270
Reviews
“Kérchy’s “body-text interpretive model” offers an innovative approach that manages to illustrate how a feminist body-text sounds like and why it sounds the way it does. Certainly, this nexus of phenomena and narrative strategies is the most original aspect of Kérchy’s interpretation of Carter’s trilogy. The connection between the freaks that structure her reading (Eve/lyn, Fevvers, Dora and Nora) and the process of “self-freaking” becomes obvious in the reading chapters. Shedding light on textual ruptures, overwritings, palimpsestic strategies and rhetorical manoeuvres – “counter-performances,” as Kérchy calls them, this study forms an important re-evaluation of Carter’s final trilogy as an empowering feminist revision of “culturally ready-made” myths of femininity – standing within women’s literary tradition whilst subverting it internally and outlining “an alternative body- and identity-politics that starts out on the side of the othered freak.” - Prof. Sabine Coelsch-Foisner Universität Salzburg
“Ms. Kérchy’s monograph also contributes to contemporary critical debates on body and identity in their relation to textuality/sexuality, boundaries, difference and power. The author’s focus upon the (re)embodied identity's discursive (de)construction and corporeal (de)formations, its patriarchal marginalization and subversively gender-bendingfeminist pleasures is particularly challenging.” – Prof. György E. Szönyi, University of Szeged, Hungary
“. . . engages at a high level of sophistication with an interdisciplinary conversation about female embodiment and power relations. . . Her reading of Carter illustrates how power relations are undermined, inverted, mocked and reimagined. She makes this point not through what is becoming, in my opinion, a tired form of analysis of “everyday practices” in feminist studies (very popular in cultural studies and anthropological work on the body). But rather she shows how gender is also subverted and reinvented in powerful ways at the level of the imagination. This manuscript reminds us that being able to imagine and revel in the kind of sensuality provided by the artist (in this case, fictional writer) is a powerful means of re/un/doing gender.” - Prof. Allaine Cerwonka, Central European University
"
Reviews
“…the volume includes essays that present exploratory discussions of modern-day reinventions of the fairy tale and fantasy from a variety of perspectives that draw on emergent critical discourses…” - Prof. Dr. Martine Hennard Dutheil de la Rochère
“The editor’s organization of the volume exhibit a strong grasp of how important it is to relate generic, technological, political, and narrative dynamics with one another…”-Prof. Dr. Cristina Bacchilega, University of Hawaii
“…this range of objects and of topics makes the volume genuinely timely, genuinely impressive and genuinely worthwhile.”-Prof. Dr. Stephen Benson, University of East Anglia
"As it stands, Postmodern Reinterpretations of Fairy Tales is an uncompromisingly comprehensive and offers (perhaps too broad) an overview of the field and its potentials, its charming princes and clammy frogs." -- Dr. Karin Kukkonen, St. John's College, Oxford (Review in Marvels & Tales)
"Divided into six sections, the volume includes essays that explore the dynamics of interaction between contemporary reinventions of the fairy tale and fantasy and a wide range of current literary- and cultural theoretical trends, the list of which alone could spin the readers’ mind like the cyclone swooping Dorothy Gale into the magical Land of Oz." Dr. Larisa Kocic-Zámbó, University of Szeged, Hungary (Review in Americana)
"The authors discuss the often multiple rewritings of classic fairy tales, anti-fairy tales, and various master myths of literature, showing that these subvert the genre by imagining the lost voices of fairy-tale tellers, by making central a formerly marginalized character, or by using experimental postmodernist strategies (like permutation and disruption)." Prof. Dr. Enikő Bollobás, ELTE University, Budapest (Americana Review)
Table of Contents
List of Illustrations
Foreword by Prof. Martine Hennard Dutheil de la Rochère
Preface by Anna Kérchy
SECTION 1: NEW MEDIA LITERACY
Hyperread, New Literacy, E-text
Cyber-Salons, Participatory Culture
Production Design
Critical Dance Studies
SECTION 2: EMERGING GENRES
Urban Fantasy
Steampunk
Forensic Crime Fantasy
Intermedial Text/Image. Graphic Narrative
Guro-Kawaii (Grotesque-Cute) Manga/Art
SECTION 3: REWRITING MYTH
The Interaction of Literature and Criticism. Feminist Imagination, Challenging the Canon
Anti-Fairy Tale, Revisiting Blue Beard
Critical Musicology. Revisiting Beauty and the Beast
Cult Fairy-Tale Romance. Revisiting the Animal-Groom Tale
Metamorphic Pornographic Fantasy. Revisiting Shakespeare
SECTION 4: RE-IMAGINING THE BODY
Body-Theatrical Performance
Feminist Body-Studies
Cyborg Body
Re-fashioning Embodiments
SECTION 5: CREATING FICTIONAL REALITIES
Ludic Simulations in the Virtual Reality of Computer Games
Virtual FairyLands in Trans/Post-humanist Science Fiction
Inventing a Fictitious Fairy Tale
Between Psychopathology and Fantasy
SECTION 6: NARRATOLOGICAL NOVELTIES
Transmedial Narratology, Representations of Race and Gender
Neo-Surrealism, Feminist Stylistics
Affective Narratology and the Emotional Politics of Reading
Corporeal Narratology
popular visual media. Its focus is on whether and how the”potently vulnerable” embodiments cherished by normative fan communities’ fantasies can personify alternative masculinities that reject hegemonic gender hierarchies. The ultimate concern is to see if they allow for a greater degree
of imaginative, erotic agency for female spectators. These masculinites are specific in that they let male viewers intimately relate to a non-domineering,imperfectly re-embodied, demythologized mode of manliness.The complexnegotiation of naturalized interconnections of engendered and dis/abled
bodily identities along with daring associations of virility with weakness and vulnerability coincides with an attempt to undo oppressive patriarchal power relations. However, the examples--primarily taken from the popular television series House M.D., The Big Bang Theory, Game of Thrones and the related fan(fictional) reactions to each of these programs– also demonstrate that the deviation from the normative bodily ideal is only possible within the relative frames of the ideological regime of ableism.""
The feminist project has radicalised text/image relationships in myriad ways, disrupting the contours of discipline and medium. The multifaceted recyclings of a transdisciplinary methodology remind us that although in the past decades text/image studies has become an established academic research field in the first decades of the twenty-first century, its subversive potential to challenge cultural hegemonies has not diminished. On the contrary, intermedial fusions remain loaded with political and ethical issues that are in search of sites of resistance for marginalised, othered social subjects and meanings. The introduction explains how this special journal issue emerges from and is addressed to the politically significant network of feminist researchers -- artists, theoreticians, activists -- we believe we share ties with on account of putting the study of intermediality in the service of 'constructing a radically new understanding of our world in all its horror and hope' (Pollock, 1988: 22)
Publisher: Taylor & Francis
Year: 2017
DOI identifier: 10.1080/13825577.2017.1369270
Reviews
“Kérchy’s “body-text interpretive model” offers an innovative approach that manages to illustrate how a feminist body-text sounds like and why it sounds the way it does. Certainly, this nexus of phenomena and narrative strategies is the most original aspect of Kérchy’s interpretation of Carter’s trilogy. The connection between the freaks that structure her reading (Eve/lyn, Fevvers, Dora and Nora) and the process of “self-freaking” becomes obvious in the reading chapters. Shedding light on textual ruptures, overwritings, palimpsestic strategies and rhetorical manoeuvres – “counter-performances,” as Kérchy calls them, this study forms an important re-evaluation of Carter’s final trilogy as an empowering feminist revision of “culturally ready-made” myths of femininity – standing within women’s literary tradition whilst subverting it internally and outlining “an alternative body- and identity-politics that starts out on the side of the othered freak.” - Prof. Sabine Coelsch-Foisner Universität Salzburg
“Ms. Kérchy’s monograph also contributes to contemporary critical debates on body and identity in their relation to textuality/sexuality, boundaries, difference and power. The author’s focus upon the (re)embodied identity's discursive (de)construction and corporeal (de)formations, its patriarchal marginalization and subversively gender-bendingfeminist pleasures is particularly challenging.” – Prof. György E. Szönyi, University of Szeged, Hungary
“. . . engages at a high level of sophistication with an interdisciplinary conversation about female embodiment and power relations. . . Her reading of Carter illustrates how power relations are undermined, inverted, mocked and reimagined. She makes this point not through what is becoming, in my opinion, a tired form of analysis of “everyday practices” in feminist studies (very popular in cultural studies and anthropological work on the body). But rather she shows how gender is also subverted and reinvented in powerful ways at the level of the imagination. This manuscript reminds us that being able to imagine and revel in the kind of sensuality provided by the artist (in this case, fictional writer) is a powerful means of re/un/doing gender.” - Prof. Allaine Cerwonka, Central European University
"
Reviews
“…the volume includes essays that present exploratory discussions of modern-day reinventions of the fairy tale and fantasy from a variety of perspectives that draw on emergent critical discourses…” - Prof. Dr. Martine Hennard Dutheil de la Rochère
“The editor’s organization of the volume exhibit a strong grasp of how important it is to relate generic, technological, political, and narrative dynamics with one another…”-Prof. Dr. Cristina Bacchilega, University of Hawaii
“…this range of objects and of topics makes the volume genuinely timely, genuinely impressive and genuinely worthwhile.”-Prof. Dr. Stephen Benson, University of East Anglia
"As it stands, Postmodern Reinterpretations of Fairy Tales is an uncompromisingly comprehensive and offers (perhaps too broad) an overview of the field and its potentials, its charming princes and clammy frogs." -- Dr. Karin Kukkonen, St. John's College, Oxford (Review in Marvels & Tales)
"Divided into six sections, the volume includes essays that explore the dynamics of interaction between contemporary reinventions of the fairy tale and fantasy and a wide range of current literary- and cultural theoretical trends, the list of which alone could spin the readers’ mind like the cyclone swooping Dorothy Gale into the magical Land of Oz." Dr. Larisa Kocic-Zámbó, University of Szeged, Hungary (Review in Americana)
"The authors discuss the often multiple rewritings of classic fairy tales, anti-fairy tales, and various master myths of literature, showing that these subvert the genre by imagining the lost voices of fairy-tale tellers, by making central a formerly marginalized character, or by using experimental postmodernist strategies (like permutation and disruption)." Prof. Dr. Enikő Bollobás, ELTE University, Budapest (Americana Review)
Table of Contents
List of Illustrations
Foreword by Prof. Martine Hennard Dutheil de la Rochère
Preface by Anna Kérchy
SECTION 1: NEW MEDIA LITERACY
Hyperread, New Literacy, E-text
Cyber-Salons, Participatory Culture
Production Design
Critical Dance Studies
SECTION 2: EMERGING GENRES
Urban Fantasy
Steampunk
Forensic Crime Fantasy
Intermedial Text/Image. Graphic Narrative
Guro-Kawaii (Grotesque-Cute) Manga/Art
SECTION 3: REWRITING MYTH
The Interaction of Literature and Criticism. Feminist Imagination, Challenging the Canon
Anti-Fairy Tale, Revisiting Blue Beard
Critical Musicology. Revisiting Beauty and the Beast
Cult Fairy-Tale Romance. Revisiting the Animal-Groom Tale
Metamorphic Pornographic Fantasy. Revisiting Shakespeare
SECTION 4: RE-IMAGINING THE BODY
Body-Theatrical Performance
Feminist Body-Studies
Cyborg Body
Re-fashioning Embodiments
SECTION 5: CREATING FICTIONAL REALITIES
Ludic Simulations in the Virtual Reality of Computer Games
Virtual FairyLands in Trans/Post-humanist Science Fiction
Inventing a Fictitious Fairy Tale
Between Psychopathology and Fantasy
SECTION 6: NARRATOLOGICAL NOVELTIES
Transmedial Narratology, Representations of Race and Gender
Neo-Surrealism, Feminist Stylistics
Affective Narratology and the Emotional Politics of Reading
Corporeal Narratology
popular visual media. Its focus is on whether and how the”potently vulnerable” embodiments cherished by normative fan communities’ fantasies can personify alternative masculinities that reject hegemonic gender hierarchies. The ultimate concern is to see if they allow for a greater degree
of imaginative, erotic agency for female spectators. These masculinites are specific in that they let male viewers intimately relate to a non-domineering,imperfectly re-embodied, demythologized mode of manliness.The complexnegotiation of naturalized interconnections of engendered and dis/abled
bodily identities along with daring associations of virility with weakness and vulnerability coincides with an attempt to undo oppressive patriarchal power relations. However, the examples--primarily taken from the popular television series House M.D., The Big Bang Theory, Game of Thrones and the related fan(fictional) reactions to each of these programs– also demonstrate that the deviation from the normative bodily ideal is only possible within the relative frames of the ideological regime of ableism.""
Edited by Anna Kérchy
The Edwin Mellen Press, 2011.
Hardcover, illustrated, 520 pages
ISBN10: 0-7734-1519-X
ISBN13: 978-0-7734-1519-5.