
Georg Franck
Georg Franck studied philosophy, economics and architecture. His doctorate is in economics. In 1974 he became a practising architect and urban designer. In addition, he was active in software development and produced a planning information system, which has been marketed since 1991. From 1994 to 2015 he held the chair of digital methods in architecture and planning at the Vienna University of Technology, his main fields of research being evolutionary methods in floor plan design, the understanding and modelling of the city as a process, the constituents of architectural quality and the reorganisation of urban design as a commons mode of production according to the principles of peer-to-peer and open source. Beyond the confines of his discipline, he became known for his work on the economy of attention, the concept of which he had introduced in 1993, and the philosophy of time. Due to his work in the field, he was appointed to teach philosophy in the stadium generale of his university.
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Papers by Georg Franck
Competition for attention is no one-way affair. You have to offer something if you want do be paid attention. This means that the organisation of vanity fairs can be functional regarding the generation of some sort of supply. Vanity fairs thus wait to be utilized by society as exchange systems where goods and services are exchanged for attention instead of money. Since the pursuit of self-esteem is both tending to high standards and highly capable in mobilising energy, vanity fairs wait to be utilized by society as markets for particularly challenging demands.
The paper goes into two cases in point: modern science and post-modern celebrity culture. Both scientific communication and advertisement financed media are information markets where information is not sold for money, but directly exchanged for attention. Scientists working for publication work for the ‘wage of fame’, celebrities are the new class of attention rich who live from the masses of attention collected by media leaving the exchange of information for money behind. Both science and media culture lie at the base of contemporary culture in economically advanced societies. The paper is on the constitutive role that vanity fairs play for this culture.