
Avner Baz
Address: Cambridge, Massachusetts, United States
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Papers by Avner Baz
Table of Contents:
Introduction and Acknowledgements
Part I Wittgenstein and Seeing-as
1. The Room in a View
Charles Travis
Part II Difficulties with Wollheim’s Borrowing from Wittgenstein
2. Seeing Aspects and Telling Stories about It
Joachim Schulte
3. Aspects of Perception
Avner Baz
4. Aspect-perception, Perception and Animals: Wittgenstein and Beyond
Hans-Johann Glock
5. Wittgenstein’s Seeing as: A Survey of Various Contexts
Volker A. Munz
Part III Benefits from Wollheim’s Borrowing from Wittgenstein
6. Leonardo’s Challenge: Wittgenstein and Wollheim at the Intersection of Perception and Projection Garry L. Hagberg
7. ‘Surface’ as an Expression of an Intention – On Richard Wollheim’s Conception of Art as a Form of Life
Gabriele M. Mras
8. Richard Wollheim on Seeing-In: From Representational Seeing to Imagination
Richard Heinrich
Part IV Rescuing Wollheim’s Account without the Support of Wittgenstein
9. A measure of Kant seen in Wollheim
Gary Kemp
10. Seeing-In as Aspect Perception
Fabian Dorsch
Part V Imagination and Emotion in Wollheim’s Account of Pictorial Experience
11. Wollheim: Emotion and its relation to art
Michael Levine
12. Visions: Wollheim and Walton on the Nature of Pictures
David Hills
Philosophy Within Its Proper Bounds of philosophical modesty and philosophical presumptiveness. Its call upon philosophers to give up their ambitious pursuits of metaphysical necessities, or essences, and to content themselves instead with the elucidation or analysis of our concepts, is made from within a pre-Kantian framework that takes the world expressed in human discourse and captured in our concepts to be a world as it is in itself, altogether independent of how it comes into view in our discursive practices. And this, I will propose, means that Machery’s critique of much of the work that has been carried out within mainstream analytic philosophy in the last few decades, as well as his proposal for philosophical reform, end up partaking in what has been most fundamentally problematic about that work.