This article argues that Japorlisme and modernism in inter − war Britain had a dual relation ： Ja... more This article argues that Japorlisme and modernism in inter − war Britain had a dual relation ： Japonisme was a venue to introduce modern ｝ st elements in B 面 sh interior design， aAd aiso ， modernism worked as a shadow ot Japanese representation in the time of growing Political stress with Japan ． It overviews the history of British reception of Japanese interlor design ， lkebana and Bonsai． Then it discusses how the Japanese themselves began to describe the characteristics of Japanese green culture and interior design from the analysis of The Studio and Japanese display at international exhibitions ． Finally ， it reveals how the designs of Ikebana and Bonsai were applied to the Western visual culture ， thus consuming the Japanese elements as a
Proceedings of the 2004 conference on Human factors in computing systems - CHI '04, 2004
... We are interested in investigating how bodily orientation and pro-jectability can be coordina... more ... We are interested in investigating how bodily orientation and pro-jectability can be coordinated via the robot. ... This kind of organization of bodily orientations is often discussed in ethnomethodological conversation analysis and interaction analysis [4, 5, 6, 11, 18, 19]. ...
Designing the Morality of Consumption: “Chamber of Horrors” at the Museum of Ornamental Art, 1852–53
Design Issues, 2004
Introduction In Britain, where all sumptuary laws were abolished as early as 1604 (the earliest i... more Introduction In Britain, where all sumptuary laws were abolished as early as 1604 (the earliest in the world), the taste of everyday things became an issue of great importance by the mid-nineteenth century, enough to give birth to a national institution solely dedicated to the matter. This ...
Purgatory of taste' or Projector of Industrial Britain? The British Institute of Industrial Art
Journal of Design History, 2003
... It punlished a number of research reports on the vaied aspects of industrial art. These achie... more ... It punlished a number of research reports on the vaied aspects of industrial art. These achievements were later utilized at the council for Art and Industry. ... Chair of Editorial Board. Cheryl Buckley. Managing Editor. Grace Lees-Maffei. View full editorial board. For Authors. ...
Sugiura Kohei, a leading Japanese graphic designer, describes in his book, Nihon no Katachi, Asia... more Sugiura Kohei, a leading Japanese graphic designer, describes in his book, Nihon no Katachi, Asia no Katachi, his experience of overlapping a decorative pattern he saw at a temple of Tibet Buddhism in Bhutan with a picture of a kite he was looking at in a catalogue. He has been interested in the multilayered symbolism found in the Asian countries, and has introduced to the Japanese audience the Asian traditional culture through innovative exhibitions and exhibition catalogues. At the same time, Sugiura has been active in India since 1981. He was first invited to the Industrial Design Centre (IDC), Indian Institute of Technology (IIT) in Mumbai under the aegis of UNESCO's Development Programme as a Visual Communications expert to advise on design pedagogy. He delivered lectures and workshops in 1981 and 1983. Kirti Trivedi, a design tutor at IIT visited Sugiura in Japan as a UNESCO Fellow in 1981 and returned to Mum-bai with plans to further the Visual Communications Programme. M...
This article argues that Japorlisme and modernism in inter − war Britain had a dual relation ： Ja... more This article argues that Japorlisme and modernism in inter − war Britain had a dual relation ： Japonisme was a venue to introduce modern ｝ st elements in B 面 sh interior design， aAd aiso ， modernism worked as a shadow ot Japanese representation in the time of growing Political stress with Japan ． It overviews the history of British reception of Japanese interlor design ， lkebana and Bonsai． Then it discusses how the Japanese themselves began to describe the characteristics of Japanese green culture and interior design from the analysis of The Studio and Japanese display at international exhibitions ． Finally ， it reveals how the designs of Ikebana and Bonsai were applied to the Western visual culture ， thus consuming the Japanese elements as a
Proceedings of the 2004 conference on Human factors in computing systems - CHI '04, 2004
... We are interested in investigating how bodily orientation and pro-jectability can be coordina... more ... We are interested in investigating how bodily orientation and pro-jectability can be coordinated via the robot. ... This kind of organization of bodily orientations is often discussed in ethnomethodological conversation analysis and interaction analysis [4, 5, 6, 11, 18, 19]. ...
Designing the Morality of Consumption: “Chamber of Horrors” at the Museum of Ornamental Art, 1852–53
Design Issues, 2004
Introduction In Britain, where all sumptuary laws were abolished as early as 1604 (the earliest i... more Introduction In Britain, where all sumptuary laws were abolished as early as 1604 (the earliest in the world), the taste of everyday things became an issue of great importance by the mid-nineteenth century, enough to give birth to a national institution solely dedicated to the matter. This ...
Purgatory of taste' or Projector of Industrial Britain? The British Institute of Industrial Art
Journal of Design History, 2003
... It punlished a number of research reports on the vaied aspects of industrial art. These achie... more ... It punlished a number of research reports on the vaied aspects of industrial art. These achievements were later utilized at the council for Art and Industry. ... Chair of Editorial Board. Cheryl Buckley. Managing Editor. Grace Lees-Maffei. View full editorial board. For Authors. ...
Sugiura Kohei, a leading Japanese graphic designer, describes in his book, Nihon no Katachi, Asia... more Sugiura Kohei, a leading Japanese graphic designer, describes in his book, Nihon no Katachi, Asia no Katachi, his experience of overlapping a decorative pattern he saw at a temple of Tibet Buddhism in Bhutan with a picture of a kite he was looking at in a catalogue. He has been interested in the multilayered symbolism found in the Asian countries, and has introduced to the Japanese audience the Asian traditional culture through innovative exhibitions and exhibition catalogues. At the same time, Sugiura has been active in India since 1981. He was first invited to the Industrial Design Centre (IDC), Indian Institute of Technology (IIT) in Mumbai under the aegis of UNESCO's Development Programme as a Visual Communications expert to advise on design pedagogy. He delivered lectures and workshops in 1981 and 1983. Kirti Trivedi, a design tutor at IIT visited Sugiura in Japan as a UNESCO Fellow in 1981 and returned to Mum-bai with plans to further the Visual Communications Programme. M...
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