Virtual conference organized by Cheiron: The International Journal of Equine and Equestrian History
Dates: November 12-14, 2026
Sammlung von Handschriften und alten Drucken, Cod. 2549, 138rSassanid relief at Naqsh-e Rostam showing Ahura Mazda presenting the diadem of sovereignty to Ardashir I
“I know not whether it may be worth observing, that the Houyhnhnms have no word in their language to express any thing that is evil, except what they borrow from the deformities or ill qualities of the Yahoos.” (Gulliver’s Travels, Book IV, A Voyage to the Country of the Houyhnhnms)
Throughout history, horses and humans co-evolved, their relationships being characterized by a range of interactions, at times peaceful and harmonious and at other times conflicting. Humans hunted and worked horses, they rode and drove horses into war and into demanding competitions. But they also cared for horses and other equids, treated their injuries and learned to better understand their psychology. Horses, in turn, became workers, healers, teachers and companions.
We will use this conference as a platform for exploring the interaction between equids (horses, donkeys, mules and others) and humans throughout history, using a range of disciplinary approaches and purposefully keeping the format open and facilitating discussion.
We invite contributors to submit applications for traditional scholarly papers of 20 minutes, thematic sessions of 3 papers, round tables and other formats, such as workshops, exhibit presentations, and storytelling events. Please send a short bio of c. 50 words and a contribution description of 250 words, indicating the format of your proposed presentation to Anastasija Ropa ([email protected]) and to Miriam A. Bibby ([email protected]).
Deadline: June 20, 2026
Confirmation of acceptance: July 5, 2026
Registration and participation: participation and attendance will be free but will require prior registration. Selected conference materials will be published on the @Cheironjournal YouTube channel and in the journal.
For those people in the equestrian industry, the “20% or less” rule needs no explanation. It is an unquestionable standard, an axiom, according to which that the weight a horse or pony is to carry in exercise, rider and tack combined, is not to exceed 20% of the horse’s bodyweight. This ratio can be reviewed, based on the horse’s age, conformation, conditioning, tack, the rider’s skill and athleticism and the work performed. The rule is usually reviewed to mean 20% is the maximum and is often shifted towards 10% of the horse’s bodyweight. It is never shifted the other way. Talk to a person in the equestrian sports industry and suggest that a horse can carry over 20% of its bodyweight, and you will be either viewed as an ignorant barbarian or as an animal abuser. Either way, you will be a persona non grata. Over 20% is an anathema.
Why is the 20% rule universally accepted? It is a FEI standard, according to which horses are not to compete in the FEI events unless they carry under 20% of their bodyweight on their back. It means, in practice, that B category ponies (under 148 cm) can rarely be ridden by adults, and A category ponies (under 130 cm) can only be ridden by children.
Is this standard justified? I believe it is, for the FEI events. Whenever I say that, historically, and even today, smaller horses were often ridden by bigger riders (Mongolian horses are an example well-known to specialists and non-specialists alike), I am answered either that those were different and stronger horses or that those were examples of cruelty to animals. Both statements are correct and incorrect at the same time. Historically, horses were working animals used for transportation and warfare; inevitably, this involved a certain amount of exploitation and cruelty that is not necessary nowadays, or at least should not be necessary for a leisure animal. The reality, as we know, is very different, and scandals of horse abuse, often among high-profile equestrians, are rampant – one can always refer to Dujardin’s ban for a year on the grounds of hitting a horse with the whip unnecessarily, as a result of which she could not participate in the Paris Olympic Games. Interestingly, none of these breaches related to the 20% golden standards, at least not that I know of it.
The former argument, about the change in horse’s robusticity, also deserves careful attention. Most of today’s sport horses and sport ponies have longer backs, and, the longer a link, the weaker it is: we can see this very well in those dog breeds that have unnaturally long backs as a result of selection, the Dachshund and the Bassett. Modern sport horses are nothing like Dachsunds, of course, but it is true that their backs are usually longer than their backs. A horse can be described as having a square conformation if, viewed in profile, one can draw a square around its back and legs. If the back is no longer, the resulting outline would produce a rectangle, and it means, in practice a longer and weaker back.
Most sport horses are built on the rectangle, because, to do well in modern show-jumping and dressage tests, they need to show flexibility in the back. Historically, horses with shorter backs did dressage and jumped very well: the high airs, still seen in the Vienna school of dressage, were invented for short-backed, “square” horses, and the Lippizaners performing in Vienna retain their “square” build. One can also note that, by modern dressage standards, they are often small horses, and often ridden by heavy men, probably going towards the upper limit of the 20% rule. Yet these Lippizaners can perform in high airs until they are 25 years old! Dressage and show-jumping horses retire by the age of 20, and most of them can barely make it to 18. So there is some truth in the statement “they are weaker”. But why are they weaker than their ancestors and their contemporaries in Austria and… Mongolia?
Let us start with the first year of the horse’s life, and even before it is born. In nature, foals stay with their dams and are lactating at least until the age of 9 months, if the mare is impregnated in the same year, or until the mare goes in foal again. A mare would only go in foal if it is strong enough to carry a foal. If we take medieval Europe as one example, Jordanus Rufus, in his influential treatise on horse care, stated that young horses are staying with their dams for two years, just as it happens in nature. It seems that mares would be put in foal only every other year. In medieval horse husbandry treatises, it was advised that working mares should be put in foal every year, but manor accounts show this was rarely the case.
In modern horse breeding studs, where today’s sport horses begin their lives, the broodmares are put in foal every year and, to ensure that the mares are not exhausted, foals would be weaned at 4 or 6 months and fed supplements and vitamins to ensure fast growth. They would usually be fed special feeds for the first few years of their life, resulting in fast growth that weakens the young horse. What is more, these young horses would often spend the first years of their life in boxes, with turn-out limited to a few hours spend in a little grassy paddock – all to avoid injuries. This is the case with the prized English Thoroughbred horses, which go on to become racehorses.
Comparing this situation with the Middle Ages, again, we see that Rufus insists mares should live out throughout their pregnancy in areas where food and water are sufficient. Likewise, before young horses are taken into training, which happened at the age of two at the earliest, but, preferably, at three, they would live in the areas that provided enough nutrition and good exercise. Rufus advised mountainous areas, where horses could walk on a variety of grounds. These young horses would live in mixed-age groups, which ensured they would have company and movement. This is the way horses are still bred in some areas: Mongolian horses in the steppe, performing Lippizaners in Austria and… feral or semi-feral horses in various rewilding parks across Europe. This is not the way sport horses are bred.
What is more, most of the modern sport breeds suffer from inbreeding, as the number of prize-winning bloodlines are limited. It has been calculated that 70% of English Thoroughbreds performing on the track can be traced to Northern Dancer. One does not need to be a breeder or a selection specialist to know that inbreeding can lead to the development of all sorts of problems, in the long term. Unfortunately, many traditional horse and pony breeds are also inbred, as they become less popular and the number of available bloodlines decreases.
And the final consideration, which explains why the FEI “20% or less” rule is true – for FEI – is exercise. Sport horses competing in FEI events are working, just like human elite athletes, at the top of their natural capacity. This capacity is stretched to the breaking point by training, more or less progressive and correct, and supplemental feeding, which often includes prohibited substances, as well as medication. Sport horses need to win – or they are discarded and even brutally euthanized, despite the fact that they could have lived their natural lives and there is no ground for euthanasia as a release from suffering. Even if the training and feeding are considerate and adapted to the horse’s genuine needs and natural rhythms, still, one needs not be an expert to understand that jumping fences of over 160 cm of various width is not a natural exercise for an equine, and, for this sort of exercise, extra weight should be limited, otherwise the horse simply would not be able to do it.
There is, however, at least one FEI-sanctioned exception to the 20% rule. Equestrian vaulting, though more of a gymnastic discipline is regulated nevertheless by FEI. Vaulting can be competed by single riders, pairs and teams of 6 riders. For teams, there should be at least one element in the performance where three people of the team is on the back of the cantering horse. While vaulters are usually tiny and vaulting horses are large animals, weighing 400-450 kg, it is still very possible that the cumulative weight of 3 vaulters and the tack would exceed or go very close to the limit of 80-90 kg on the horse’s back. Surely, it is not a long time, but the horse would be carrying them at the top gait practiced in the arena.
German equestrian vaulting team of 6 vaulters
This brief summary explains why the FEI “20% or less” rule is right, but under the FEI framework and for the FEI sport events. It may not be right for the numerous other occasions when horses are ridden recreationally, in training and in work.
Let us look at the origins of the rule. The early twentieth-century US cavalry 20% standards is often cited in literature as the point of origin, but non-scholarly publications often eschew the detail that it was only applicable to forced marches. In other words, when going over difficult terrains at speed and for a prolonged period of time, a horse was not to carry over 20% of its bodyweight. Makes sense. One should also remember that, in real war situations, horses could be underfed and overworked, so this is a safe precaution. Indeed, other countries adopted the same standard, but both the US and other cavalry standards were not as simple as they are represented. For example, one Red Army officer, Shpayer, also suggested 30% of the horse’s bodyweight as a good practice for standard marches, while noting that 40% could be admissible for limited periods of time. Shpayer likewise discussed pack animals – donkeys and mules – noting that these equids can carry 50% of their bodyweight, because they are hardier than horses. Traditionally, cavalry horses were small, short-backed (square conformation) and bred on studs where young stock had plenty of turnout with other youngsters. They were not fed supplements designed to make them grow fast in order to become trainable and sellable as soon as possible – unlike modern sport horses.
This discussion can go on, but I want to emphasise that, for most of the history of the domesticated, ridden horse, small horses, 120-140 cm (compared to sport horses of 160-180 cm at withers today), have been ridden by adults whose average height was only 10 cm shorter than those of people today. Horses have grown by 20 cm since the beginning of the twentieth century, thanks to the introduction of better feeds. Humans have grown by 10 cm. These are average numbers.
In prehistoric Asia and medieval Europe alike, horses standing at 130 cm at withers were ridden by men and women standing at 160 cm and more. There are ample studies of horse height by archaeologists and zooarchaeologists published in the last three decades that confirm this. These small horses (modern ponies) were not ridden over levelled school arenas for 60 minutes at most. They were ridden on the steppes, dirt roads, forest tracks and fields. This is far more difficult terrain.
Manesse codex
This is a miniature from the Manesse codex, a collection of poetry of German minnesingers, dated to the High Middle Ages. In discussing medieval miniatures, historians and lay people alike often claim that horses are shown small because artists of the past not know how to draw or did not care about proportion. This horse is indeed very small, and the rider is going to violate the 20% rule. Should we believe that the proportion is wrong? Given that the artist is showing the horse’s conformation as square correctly and the other details, such as the coat colour and the indication that the horse is male, are accurate (dappled chestnuts are rare but exist and are not uncommon in medieval iconography), there is no reason to think the artist “did not know how to draw horses”. It does look as if the horse is aggressive or upset or is going to bite the rider who is mounting or the person holding it, but then, if we look at a horse performing in high-level FEI tests or an equestrian event in the Olympic games, we would not infrequently see pinned ears and an open mouth. Are we really that more advanced and humane in our handling of horses? And are we really trying to do better by our horses, who are no longer working animals but tools for our entertainment?
Nowadays, Yakutian horse herders can ride their horses (standing 130-140 cm at withers) for 80 km in a single winter day to inspect all the pastures. Barbaric, isn’t it? Yet these horses thrive in the harsh climate of Yakutia, where temperatures go from -40 in winter to +30 in summer, and they thrive on the grass dug from under the snow, with minimum extra hay and often no extra feed. The exceptional journey from the capital of the Sakha Republic to Moscow, undertaken by Duguydan Vinokurov with just two Yakutian horses, who did not lose their condition at the end of the journey, is an excellent proof that traditional horse breeds bred and managed under reasonable schemes conforming to their natural needs are much stronger than the pampered and (will I shock you?) miserable horses performing in FEI tests.
I have heard that taking an adult rider on a pony to a public event can provide a dangerous and unhealthy example. Imagine other adults who would be afraid of big horses and start buying and riding ponies! Horror of horrors! Yet these same shows, simple tests in walk and trot with an option to jump crossed poles standing at 30 or 40 cm, feature children equipped with spurs on horses and ponies in curbs. What if timid adults and children decide it is all right to put a severe bit in a horse’s mouth and a pair of sharp spurs on their own feet to manage a “difficult” horse? Should we forbid curbs and spurs at all levels, lest they would provide a dangerous precedent? I would not miss it, as I have never ridden in a curb or with spurs in a show, and I have rarely used them at home. But then I am a poor and ignorant amateur…
It is simpler to prohibit than to educate, experiment and take responsibility for one’s mistakes. There are few studies of the influence of increased weight on the horse’s performance, and they do not feature horses conditioned to carry these weights. It is as if one took an office worker and asked them to do an army march with 35 kg of equipment – the results would be detrimental, but soldiers are trained to do it with no damage to their health. But no, let us just introduce some rules and, preferably, exclude taller and heavier men (and women, but mostly men) from riding horses at all. Just in case. Introducing weight limits on riders is safer and simpler than teaching good balance and horsemanship basics – no pulling on the reins, no falling on the horse’s neck or back after a jump, more riding with the seat than with hands and heels. And it also settles the issue of responsibility – everyone who allowed the presence of a rider on a horse without respecting the “20% or less” rule is guilty – riders, trainers, stewards, judges… Let us just glimpse over the other irregularities, the details over whether the rider and the horse move in harmony, whether there may be lighter riders who cause more discomfort because of their poor horsemanship, and let us focus on what we can weigh, measure and calculate – even if our calculations add 20 kg to the rider and shorten the horse by 8 cm and more.
I am not going to be popular, but I am going to continue to distribute workloads for horses not based on the hard and fast rules such as rider’s weights and horse’s heights, but on what I see. This means that some kids will ride stronger horses who would be able to withstand their kicking and pulling efforts, and some adults with gentler hands and better balance will ride ponies. I will also continue to progressively load, train and ride young horses who are ready to carry weight and will allocate the amount and intensity of exercise according to what I see the horse can do on each occasion. Ready to take responsibility for my mistake, and ready to ignore hate speech, accusations of cruelty to horses and even threats. I am not a professional equestrian – and I am proud of it. Throughout history, most of the horse people I respect were not professional equestrians in the modern sense of the world – Xenophon, Jordanus Rufus, Pluvinel, De La Guerinière, Shpayer and that icon of dressage, Podhajski. They were thinking riders, ready to test the rules and believe what they see rather than what they are told. They were ready to experiment, make mistakes and take responsibility for their mistakes. Experimenting on horses sounds cruel – but then modern accepted practices can be inhumane and cruel (weaning foals early, using curbs on “hard-mouthed” horses), so why not use some critical thinking? I have already trained two horses to competition level using a combination of medieval methods outlined by Jordanus Rufus and modern training. Knowing horse history can help in taking a critical look at what is accepted as a “good practice” and realizing it is not such a good practice but is really an absurd and even harmful one. This is not just about “20% or less” rule but about many so-called rules of thumb dominating the equestrian industry.
Some sources:
C. Ameen, H. Benkert, T. Fraser, R. Gordon, M. Holmes, W. Johnson, M. Lauritsen, M. Maltby, K. Rapp, T. Townend, G. P. Baker, L. M. Jones, C. Vo Van Qui, R. Webley, R. Liddiard, N. Sykes, O. H. Creighton, R. Thomas, A. K. Outram(2021). In search of the ‘great horse’: A zooarchaeological assessment of horses from England (AD 300–1650), Int J Osteoarchaeol, 1-11. https://doi.org/10.1002/oa.3038
Katherine S. Kanne, Envisioning Early Equestrianism: Clues from Archaeology and Ancient DNA, in Historical Practices in Horsemanship and Equestrian Sports, ed. Anastasija Ropa and Timothy Dawson. Budapest: Trivent, 2022.
Shpayer, N. M. [Шпаер Н. М.]. Voennaya loshadj [Военная лошадь], 2nd edition. Moscow: Voenizdat, 1939.
Science is one of the professed budget priorities both in the EU and here in Latvia. And probably elsewhere in the world. For who would acknowledge the endless arms race as their priority? Given that professed importance science has, it’s surprising to see how many rubbish “discoveries” get aired about. It looks like most science projects have been cheaply ordered on Temu. How about the scientists making a groundbreaking discovery of the perfect way to boil an egg? Perfect for whom, I wonder. Or the other essential and indispensable discovery that feline urine emits light in UV stars. How could we have lived for years without this essential piece of sh… information. But, worse still, scientists working on prestigious funded projects are claiming the findings that have been presented and published years, if not decades, before by the less prominent scholars, either independent, or postgraduates, or working at small and obscure institutions. This is plagiarism? You bet! Just try to contact the ethics department of one of the titanic unis, and you will learn what being ignored feels like. Moreover, science is being used to back all sorts of commercial endeavours, often misleading and dishonest ones – in the forthcoming issue of the Cheiron journal, there will be an opinion essay about the way broken science can destroy the lives of horses and horse owners alike.
It means that, if we want real science and research to happen, we need to do it ourselves and fund it ourselves. And I mean that.
A few days ago, an archaeologist whose work I deeply respect, and whose discoveries are genuinely fascinating and groundbreaking (no shiny cat pee and no airing of old arguments that are obvious to anyone working in the field) contacted me asking to promote a crowdfunding research initiative. His name is Igor Chechushkov, and he needs a considerable sum to radiocarbon date a number of pieces of horse tack. Here’s a genuine project, with a genuine outcome, likely to change (or confirm) the current narratives of early horse domestication and use. But, to do it, he needs public, and not state funding – probably the folks in power are too busy enjoying their perfectly boiled eggs. If you want to learn more about the project, go to the platform, read the description, look at the visuals and – vote for it. Radiocarbon dating of earliest horse tack – https://experiment.com/projects/unlocking-the-origins-of-horse-humans-interactions-radiocarbon-dating-of-ancient-horse-bits If you want real science, and real horse history, to make progress, you can make it happen.
Two years ago, I got involved in studying Yakutian horses and their role in the life of the Sakha people (Republic of Sakha, Russia). The article will be published in the next issue of the Cheiron journal, and now I have to resist the urge to update it with new data I found… Including two short educational films dedicated to the Yakutian horse. Both are in Yakutian, but Russian subtitles and auto-generated English subtitles are available.
The first is the film about the role of the horse in the culture of Sakha, the future of the people and horses, breeding pure Yakutian horses that can survive severe weather, and about Daguidan Vinokurov’s journey from Oimyakon to Moscow, February 2021 to June 2022. It mentions some suppositions or legends about the history of the Yakutian horses – the hypothesis that the horses were descended, at least in part, from the local wild horses, e.g., the Lena horse. It also notes the role of the horse in the expansion and geographic explorations undertaken in the Russian Empire – apparently the Yakutian horses were part of the expeditions to Kamchatka, Okhotsk and even to America (Alaska?). It’s reported, as a hearsay, that there are still isolated herds of Yakutian horses in America – this is worth checking. Regarding the Lena horse as the hypothetical ancestor (or one of ancestors) of Yakutian horses, research by Ludovic Orlando hasn’t found any proof of it. But absence of proofs isn’t a proof of absence, and there has been criticism of Orlando’s sample for genetic analysis. In particular, he seems to have focused on the more southern strains, which have recently been subject to crossbreeding with imported horse. Yet Yakutian breeders stress that the best horses are purebreds currently found only in Oimyakon, Verkhoyansk and some other northern uluses, and apparently these haven’t been sampled by Orlando’s team (https://cyberleninka.ru/article/n/pervye-rezultaty-izucheniya-geneticheskoy-struktury-loshadey-yakutskoy-megezhekskoy-i-prilenskoy-porod). Thus, further research would be needed to definitively reject the relation between the modern Yakutian horse and the prehistoric Lena horse – or perhaps to confirm the hypothesis, who knows… https://youtu.be/qYwfcPDjjK4?si=21YONZ8DNp_Ap1EL
The second is a short documentary film about Yakutian horses in Oimyakon featuring the travellers Nikita Gretsi from Estonia/UK and Daguidan Vinokurov from Sakha, and focussing on the work done by Sakha breeder Semyon Vinokurov. My favourite moment spans from the storytelling of Semyon Vinokurov, who tells how his trusty stallion Erol (Hope in Yakutian) saved his life more than once, followed by a hands-on horse handling session with Daguidan and Nikita. Apparently Erol was so clever that once, when Semyon suffered a severe back pain and couldn’t saddle the horse, Semyon asked Erol to get on his knees, which the clever stallion did. On another occasion, when Semyon wanted to take a shortcut in the dark to return home, Erol refused to cross a stream that appeared frozen but really was not. Then Daguidan is shown introducing Nikita to the horses and warning him that Yakutian horses are fighters and have to be handled with care. Fast forward to Nikita trying to mount one of the fabled horses – only to be thrown to the ground. The next episode shows Daguidan handling the same horse, unsaddled and unbridled, in a simple halter – he mounts it from the ground, turns around on the horse’s back, lies down… Throughout, the horse is standing still and apparently uncaring of what his handler is doing, much like a good docile school pony… I am not sure, but it might be the one of the two horses on which Daguidan made his epic journey from Oimyakon to Moscow in 2021/22. https://youtu.be/6nQ_8bDZ9K0?si=83Ka3DIROkblB1yt
Finally, I found footage of Daguidan Vinokurov’s stay on a private stud in the region of Magadan (Rancho na Urale YouTube channel). The stud breeds Bashkir horses, and Daguidan and his two horses enjoyed some rest there before the last leg of his journey to Moscow. This was in May 2022, exactly a year and three months after the beginning of the expedition. The horses still appear to be in very good condition and doing well in warmer weather. https://youtu.be/UGf98Yh8-mU?si=meUmOjAJJr7gQlPL
Enjoy! And let me know if you find any information about herds of Yakutian horses in North America.
It’s often said that history goes in circles. So does horse history, apparently.
A couple of years ago Jennifer Jobst published a study on the position of the head in medieval ridden horses, where she analyzed hundreds of miniatures, showing horses in walk, trot and canter or gallop, as well as standing, to find that, in the thirteenth century, a position where the horse’s nose was going behind the vertical (perpendicular) line and towards the chest suddenly gained in popularity. Today, this position, if taken to extreme and forcefully retained, is called rollkur or hyperflexion and is associated with horse abuse. In this position, a horse cannot see well, cannot breathe properly, cannot use its neck and body muscles freely. But it’s still used widely, especially among dressage riders – not in competition, where it’s strictly banned, but in warm-up and training. As long as one isn’t caught, it’s ok. Why is it used, if it is recognised as being harmful to the horse. Apparently, it’s not without advantages. Medieval authors, such as Jordanus Rufus, noted that the horse can see the ground better and is easier to control and to stop – probably because it’s less likely to spook. Medieval society wasn’t sentimental about equine welfare – or human welfare, for that matter – a horse was a service animal, and a warhorse could be easily killed or injured on the battlefield, which was a dangerous situation for the rider, as well.
But we are not a survival society. Horses are rarely used in active military service these days. So why hyperflex?
That’s a question that would be best answered by those dressage practitioners who overbend their horses. Indeed, one advantage occasionally mentioned is better concentration – so not unlike the arguments used by Rufus.
But, apart from overbending horses – a practice that is banned by most equestrian federation, if only nominally – there’s another question I would like to ask.
Why ride on the vertical, with the horse’s nose perpendicular to the ground?
It’s the position you will see in all dressage and most of the show-jumping competitions. In dressage, if the horse’s nose breaks the “frame”, points could be taken off.
We have learned to associate the position with “proper riding outline” in a well-trained horse. This is why I was surprised when, leafing through a 1989 volume, Begunova’s album looking at the past and present of equestrian sports, I found a diagram with positions and read the explanation:
1) – no surprise, it’s described as “through or over the reins”
3) no surprise either – behind the rein (or behind the bit).
Both positions are associated with the horse avoiding contact with the bit, albeit 3, if retained by force for a sustained period of time, is hyperflexion. A horse avoiding the bit pressure could spontaneously go behind the vertical, but it will straighten up, if its head is not held forcefully, and will try other ways to evade the pressure, before hopefully settling for a comfortable position in contact, carrying the head correctly. A gentle and flexible hand will help with the task, as will proper warm-up and adequate amount of prior training.
So what is the correct position?
I would assume 2, but here comes the biggest surprise.
2) is described as “no rein”, while
3) is “the correct collection”
In 1989, collection equalled in front of the vertical, and on the vertical, with the horse’s nose perpendicular to the ground, was deemed incorrect.
Looking through the book, and other riding textbooks of the earlier and compatible dates, I saw the same position, slightly in front of the vertical, again and again.
That’s the way the immortal couple of Filatov and Absent performed in the first Tokyo Olympics.
You would also notice the long outline of the horse in extended trot. Someone might say: “Absent was an Akhal-Teke, and most of today’s dressage horses are Warmbloods.”
If we look at another legendary couple, Petushkova and Pepel, we would see that the Trakehner Pepel is indeed more compact. Still, his nose is obstinately stuck out.
The same goes for the other riders of the period – not just Soviet, but also American, German, French and English. They could ride Thoroughbreds, Warmbloods or Arabians, but the horse’s head was set in front of the vertical.
Looking at the second Tokyo Olympics, we see a decorated dressage rider, on her tall Warmblood, showing a very compact outline, even in extended trot, and the horse’s nose pointing, at all times, firmly at the ground. Not a step in overbent position – and not a step in front of the vertical, either.
When did the change happen? What is the theory behind it – if it was ever theorised? Whose advantage does it serve? The horse’s? The rider’s? The public’s?
I don’t have an answer yet. Possibly the development of the horse’s head position between the twentieth and the twenty-first century has already been subject of a study. In this case, I will be grateful if someone could send me a reference.
For now, I will refrain from value judgements. Judge for yourself. But modern horsemanship, dressage and show-jumping in particular, has recently been subject to much criticism, on ethical as well as biomechanical grounds. I wouldn’t say horsemanship of the past was kinder, or more informed, or in any way superior – given the fact that history goes in circles. And, as history goes in circles, we seem to be back in the Middle Ages.
A final note. Begunova’s album also includes a section on show-jumping, and I noticed something that’s becoming increasingly rare, at all levels, from amateurs to elite riders. The rider giving extending the hands so that the horse could stretch its neck while jumping. I don’t say there’s a rule – after all, show-jumping is judged on the clear jumps and time, not on the form of the horse and rider. But there’s a tendency, and, to my eye, it’s a painful one. But that could be another post. Or not.
I invite your comments, thoughts and criticism of what I wrote! What’s your favourite horse head position?
References:
Alla Begunova, В звонком топоте копыт… Прошлое и настоящее советского конного спорта (To the sonorous hoofbeats… The past and the present of the Soviet equestrian sport). Moscow: Fizkultura i sport, 1989. Actually the book isn’t just about the Soviet horsemanship – most of historical examples are European.
You ride the horse for a month without a saddle, just a bridle in its mouth, and no whip or spurs, and you ride it as gently as you can with no fuss about it. And, after a month, you put the saddle on it and just as quietly and with no fuss go on riding your young horse. Thus taught Jordanus Rufus, the 13th-century marechal of Emperor Frederick II. Does it sound easy? Yes, it does. Where’s the cowboy-style rodeo on an unbroken “bronco”, as in the popular imagination of the wild west shows? Where’s the desperate lunging, as a horse tries to throw off the saddle and fails, in the modern tradition that emphasizes the need to lunge a fresh horse before you mount it? Just pop the rider on – and ride? Without saddle??? Just pop the saddle on and pop the rider into it? And what if the horse bucks and rears and kills the rider? Remember, there were no safety vests and helmets back in the 13th-century Sicily. Well, I have tried it with a sport horse, and I have tried it with a little feral Polish konik, and last weekend we tried it with another sport colt again. The difference is that, previously, we had all-purpose saddles and a snaffle, and, this time, we used a reproduction hinge bit and a medieval reproduction saddle (both made by Seats of Empire for our konik, but turned out both pieces of tack fit reasonably well some bigger horses as well). Let’s be honest. Our sport colt, Hector, who is turning three years old this spring, is a big and strong fellow, and last year I already got a dangerous injury from him through my own carelessness. Entirely my fault, but broken face bones don’t heal easily, and it acted as a note of caution in handling him, even though the accident was not part of training. Also, I had a young rider, which is entirely period, as Rufus is unlikely to have mounted his warhorses himself and probably used stable boys for the purpose. In Rufus’s time, stable boys and grooms would have been expendable. But my “horse girls” and boys are not, so, to keep things on the safe side, we walked and even lunged Hector before we popped the rider on. This was probably an unnecessary precaution, because I have never seen a more laid-back horse. He didn’t care about the saddle, didn’t change his pace a single time in the whole five minutes we lunged him, and didn’t demonstrate any interest in the rider on his back. He did demonstrate considerable interest in my coat’s hood, though, as we are still leading him around, in the absence of precise direction from Rufus on how a young horse to be ridden – was he to be led in hand, was he to follow another horse, or was he to learn on his own? Over years, I have tried all these options, and they all work, but leading in hand is the simplest and safest, so I am sticking with it for the moment.
Hector was also trotted on the lunge, stopping every now and then to look at me inquiringly, as if to say “Have I done enough? Am I a good boy? Can I go and hang out with my buddies and mum now?” Oh, and I forgot to mention that his dam, also trained in Rufus’s system and the subject of my earlier published study, was also working in the arena, no doubt her quiet presence and good behaviour helping Hector understand that nothing out-of-the-ordinary was going on. Rufus, too, stressed and the importance of having an older more experienced horse in handling youngsters. The making of a warhorse is a process that, like with sport horses today, could take years, with Rufus describing the first two or three years of training only. As to the rest, there are no direct sources in the manner of training manuals, but a wealth of written and visual sources hinting at further stages in the process of becoming a warhorse. I am sure that, given time and patience, Hector will become as skilled at mounted fighting as his eight-year-old dam, and possibly even better. He’s got the looks, the heart and the head for it!
The image of a joyfully dancing horse, iconic of dressage, has been questioned in the wake of numerous scandals revealing the cruel treatment that some horses suffer at the hands of professional trainers and riders. Is cruelty integral to dressage, though? In a series of two webinars, we are going to analyse examples of what can be described as animal cruelty in training horses in the early modern times and up to this day, with some high-profile case studies involving professional equestrians.
We would like to consider the following points:
1/ how does this “method” compare to what we know about historical training methods, where cruel treatment was also known?
2/ what are the effects of such training in the short and long term, including psychological, behavioural and physical effects?
3/ can dressage be trained by methods that do not involve pain and do not compromise equine well-being?
4/ is gentle or abusive treatment is prioritised in historical and modern dressage, respectively?
In the first seminar, the horse historians Dr Miriam A. Bibby, Dr Jennifer Jobst and Dr Anastasija Ropa will discuss what can be perceived today as cruel and gentle approaches in historical horse training traditions. Dr Jobst will discuss pre-modern sources, from Xenophon to de la Gueriniere, Dr Bibby will focus on Philip Astley’s methods, and Dr Ropa will talk about Magner’s Encylopedia.
In the second seminar (February 12), the horse trainer Karen Rohlf, founder of dressagenaturally.net, will present her own work in dressage. Her presentation will be followed by a general discussion with horse historians, and a q&a with the audience.
The seminars are hosted by Cheiron: The International Journal of Equine and Equestrian History.
My topic today is more about modern than medieval horsemanship, though I will get to medieval in time, too. What provoked me to write it was a social media post criticizing the stereotypes that riding with a bit will be safer than riding without one. Apparently there has been only one research study thereof, and there was no correlation between the use of the bit and safety. Quite logical, because, in my opinion, there is none. Some horses go better with the bit, some without a bit, and some can go well in both types of bridles, whereas others cannot be trusted with a bit or without one. Bitless riding requires more riding from the seat, so a horse in a bitless bridle is likely to be better trained and thus safer. However, as my friend Brenda Wahler has pointed out, a bit can give more precise and instantaneous commands, which in a critical situation will be important. On the other hand, a better trained horse, which can be safely ridden bitless, is also less likely to panic in a crisis… And on you go. This is why there is no correlation between bits and safety. Let’s just admit it: horses are not safe. They are flight or fight animals weighing just under half a ton – how do you expect riding one to be safe?
I have had loads of accidents with my first horse, an off-the-track Thoroughbred mare called Fizz. When I bought her, she had a history of abuse. I can’t quite remember why I decided to ride her bitless, but I think it had something to do with me discovering natural horsemanship and wanting to do right by my first horse, who had, after all, suffered a lot at the hands of uncaring humans. When I brought her to Latvia, the vet who filed her teeth mentioned some damage he thought was done by an ill-fitting bit, and we were not sure whether it was the borrowed bit I used for a few rides in Latvia or the one in which she was ridden in the UK. I opted for bitless, and the only bitless option available at the local store was a criss-cross (Cook’s bridle), and even that I had to order in the size that would fit my diminutive mare. In the meantime, I rode her in a rope halter, which, looking back and knowing more about Fizz, was absolutely insane, but she was fine. We made the transition to bitless, and she was none the worse for it.
However, after she recovered and got a taste of Latvian oats, things took a turn to the worse – at least for me. Over the 12 years I owned Fizz, I had multiple accidents, some of them resulting in visits to the hospital. Most of the accidents involved me riding bitless, because I nearly always rode her bitless, but one involved a bit, and two very near escapes involved no riding at all but grooming her. The kids and clients who rode her, fared little better – Fizz treated the kids riding her in a snaffle not different from those riding her bitless. When she was in a mood for some innocent fun – such as rushing at random fences or just galloping and bucking – the only way to stop her would be to sit deep and to sit back. On the other hand, there were times when all the horses around her were acting like mad, but she retained her calmness – it was not her day to toss the riders off.
There were other horses I rode, most of them with a snaffle, and I had quite a few bad falls from these horses, too. So, in my experience, snaffles never equalled safety.
Now I have two horses in my yard who go bitless most of the time, even under students, and two that are ridden in a bit. All of them were taught to go in a bit, and in time I switched to bitless, but only after the horses were going well in a bit and were responsive to small cues given from the seat and posture. One of these horses, Esmeralde, is definitely not going to be a safer ride in a bit – every time a rider is tacking the reins and not giving them back, Esmeralde would toss her head and accelerate. That’s definitely not a safe habit and not one I want to encourage. In fact, we had one student who was experienced, but a little too ungiving, and she asked me to ride and jump Esmeralde in a bit. I agreed, and, after a very rushed lesson, with Esmeralde pulling her rider over the jumps like a little but determined steam engine, the student agreed that bitless was a much preferable option in this case. I still ride Esmeralde in a snaffle now and then, and sometimes even in a Pelham, but that’s more for challenging myself and teaching something new to the horse than in the hope of increasing safety and control. I have far more control in a bitless bridle.
Over my years at different yards, I have seen horses who got annoyed at the rider pulling on the reins and not giving – you should give as much as you take, even if the horse is rushing, and especially if the horse is nervous – and it mostly ended badly. In two cases, the horse bore the unlucky rider into a solid fence or a tree, and that was only possible because the horse took the bit between the teeth and was no longer feeling the pressure on the jaws. Safety = bits? Really?
These are exceptional cases, but I want to emphasize that this is something that will never happen in a bitless setup – the horse would always feel some pressure when the reins are drawn.
So, going back to my starting point: you have to know the horse, make an informed decision and revise this decision if and when necessary.
Unfortunately, as I have learned from bitter experience, bitless vs. bit is not always about tack. It’s about ideology. If you ride bitless, then… Then most likely you also practise natural horsemanship, let your horses go barefoot (preferably with a certified and expensive barefoot trimmer), keep the horses outdoors 24/7, ride bareback (or in an expensive bareback pad, which is even better), do 10 hours or groundwork and connecting for every hour of riding, only eat vegan, want to save the planet… The list goes on. Actually, I tick some of the boxes: barefoot (but only because there is no need for shoeing any of my horses), outdoors 24/7 (yep, I am all for it, but I am ok with stabling my horses if they have to travel), intermittently vegan (well, that’s where it gets complicated, because I am intermittently vegan for religious reasons and not because I want to save some pigs and chicken)…
It’s just like the issue of Covid-19 vaccines was. No one accepted the answer that you may not want to be vaccinated because those vaccines did not work and you had a health condition that made you wary about acting as a Guinea pig for a newly developed vaccine. Either you get vaccinated or you are an anti-vaxxer. But going back to bitless. All of the other “boxes” surrounding the choice of bitless generate lots of dangerous myths, such as the one I quoted above bits = safety. Some of the things I have heard over the years, and I know other bitless and would-be bitless riders hear are:
You will not be able to control your horse;
You will not be able to compete;
You will need a special “natural” riding instructor, normal trainers won’t train you.
My experience may not be same as everyone else’s, but I have ridden Fizz in many show-jumping competitions, jumped up to 115 with her, hacked her out and taught kids on her, all of it bitless. Only once did I compete in a snaffle, and that was because the bitless bridle we had at the time was a bit worn and the replacement bridle had not arrived. I popped a snaffle on her, rode her in it a couple of times and then show-jumped her over little 80 cm fences in a snaffle. It went well, but I did not notice any particular difference from the time I jumped her bitless.
I know that, in most countries, dressage can only be competed in a bit, though a few national federations introduced bitless classes. Training competitions in show-jumping can be done bitless – at least I was never prevented from entering bitless. Also, there are various other events one can do bitless – endurance, agility, fun rides can all be done in any tack, as far as I know. Also, nothing prevents a rider from training bitless on a daily basis and preparing for a dressage test in a bit. It has worked for many professional riders, and I personally do not see any problem in a horse being used to both pieces of tack, if the bit fits and there are no issues with the mouth.
A horse that knows more different pieces of equipment is better placed to handle different situations in life. Sometimes an injury to a mouth would necessitate taking a long break, unless a horse can go bitless, or the wolf teeth need to be removed but the vet can’t come, or whatever… A new skill is never useless.
Concerning “special” riding instructors. Again, this may be my experience only, but no riding instructor with whom I trained ever turned me down because I rode bitless or sent me home to fetch a “proper” bridle. I have heard some comments that I will find it harder to keep my hands low, my body still, that the horse will need to be more attentive to the cues from the seat, etc., but the dreaded “next time you come bring a snaffle” or “think about going in a bit, please” never followed. And I really appreciate the tact of the riding instructors who never pressed their opinions on me and allowed me to think, learn and experience riding on my own terms.
Now to tie it all in with the history of horse riding. As far as we know, the first riders rode without bridles, perhaps controlling the horse with a rope around the neck (like the Numidian cavalry later did), or halters. Some of these halters had cheekpieces with spikes, so bitless it was, but gentle it wasn’t. And that’s an important point, too: bitless doesn’t always equal gentle or horse friendly, just as the use of the bit is not always related to pain. Even a neckrope can cause discomfort. Again, from my experimenting with Fizz, she hated the pressure of the neckrope on her chest when I asked her to stop or back up. Maybe I did something wrong, but the fact remains she was the only one who showed signs of aggression in this situation.
Now fast forward to the Middle Ages, and what about bitless riding there? We can see donkeys on bitless headsets in miniatures, such as those related to the Nativity or showing pack donkeys. Some miniatures show Mary riding in a curb bridle, others show Joseph leading a donkey in a halter. It seems that bitless options were associated with those lower down the social scale, be it animals or riders.
Another connection is the uncanny, almost otherworldly power of riders who can control their horses without iron. The Apocalyptic riders of the Trier manuscript are riding unbridled horses.
And Alexander the Great mounts Bucephalus “a la nature,” no bridle or saddle at all.
Finally, one version of the Perceval romance has the young, unlearned youth ride home on a feral mare without the convenience of a bridle or a saddle. What would impress us today does not seem to have impressed the medieval English audience of the romance, who probably viewed this as another proof of the eccentricity and uncouthness of the rustic Welshman.
Indeed, metal was precious in the Middle Ages, and the ability to shape it into such fine objects as the bit and especially the curb bit marked the bit-maker (known as the loriner) as a skilled, even sophisticated master. The people who could afford the more intricate pieces of lorinery thus were marked as sophisticated as well as affluent, too. Another piece of metal associated with fine horsemanship was the spur, and Perceval only learns to use spurs later in the romance.
What lessons can we take from it? Today, spurs are mostly reserved for the riders of class. I say mostly, because a couple of weeks ago I saw a girl mercilessly spurring her pony in front of a fence it was refusing to jump. I am not sure what the rationale behind it was, but I hope it is an exception rather than a staple in the world of show-jumping.
Why do we not treat the bit the same way as spurs? Instead of viewing it as a shortcut to controlling a horse, why should not simple snaffles be only given to good riders who can keep their hands steady. The main reason behind me transitioning Esmeralde and the other pony, Panna Barbara (Basja), to bitless tack was that I saw the way they got treated by young riders, especially at pony camps, and especially by riders with a little experience. It looked like the best way to ride a horse is to pull the horse’s head as closely to its chest as possible. Esmeralde would toss her head, and Basja would simply stand and wait for the release of tension. Which did not follow. Since I do not see myself as an expert rider, I am very happy to ride and jump both ladies in a bitless bridle with occasional bitted rides to keep the horse’s and my own focus and to add variety to our routines.
Following the discussion of bit=safety, I made a little experiment, taking Esmeralde on a hack (and she does tend to put a bit of drama over hacking at any speed above walk) in a snaffle and then riding both Esmeralde and Basja in a medieval hinged bit made for us by Timothy Dawson, who also crafted a beautiful medieval saddle for us.
Here are my absolutely subjective ratings to reflect the perceived levels of control and safety in different bridles, on a Likert scale of 1 (absolutely safe and comfortable) to 7 (want to jump off straight):
Esmeralde
Panna Barbara
Bitless
2
1
Snaffle
4
Did not participate this time
Medieval hinged bit
3
2
They are both good girls, and I absolutely trust them so naturally none of them was marked horrible. But they both fared better bitless, and in fact Esmeralde was happier in a hinged bit, ridden with loose reins and neck-reined, than in a snaffle. But you can come and try for yourself, or experiment with your own horses. Now I have two other horses on the yard who are mostly ridden in a snaffle, the blind Warmblood Kalla and the cheeky Shetlander Poker, for the good reason that their ratings are likely to be the reverse of those above.
In conclusion:
Depending on the anatomy, sensitivity, temper, rider’s skill and the horse’s level of training, to mention just a few factors, a horse may go better with a bit or without one.
There are lots of different bits and different bitless bridles, which work in different ways and may be preferred by different horses. Experimenting is the key.
Bitless and bitted bridles are just tack. Means to an end. No need to build a religion about them.
Something very thought provoking transpired today when I attended a personal meeting with the management. The RSU LASE director Ms Laipniece was there, the head of the RSU personnel department, and two others, apparently invited to strengthen the ranks. I was told, inter alia, that I have been receiving my full salary for 75% employment, whereas I was lecturing only under 10%. To which I responded, brazenly, that I didn’t just sit around but was involved in academic research and publications. Which is true – I organised a book launch, submitted a monograph for publication, revised a co-authored article twice, reviewed the outstanding articles for two issues of the Cheiron journal and one issue of the LASE journal of sport. Not to mention two podcasts devoted to my own research. I wasn’t asked to give them a list, though. I was told that I am no longer a lead researcher and that under the new contract I am just a lecturer, and that they are going to look into the issue, on whose orders I was doing research. Apparently one is no longer allowed to do unauthorized scientific research. Beware, my dear independent and unaffiliated colleagues, you are involved in apparently suspect activities! Beware, my affiliated colleagues: you should never do research or publications you have not been expressly ordered to do. Not in Latvia, anyway. Here, the big unis hold the monopoly on all science and research.
This TV transmission shows me talking about the Riga Stradinsh University and the Latvian Academy of Sport Education consolidation, taking a less popular view. What’s that saying about throwing the baby with the bath water? That roughly describes it. The interview has me and the current director of the RSU LASE speaking about a few of the issues, with the sports journalist Raimonds Rudzāts arranging the show. As you could guess, I and Ms Laipniece have some different versions of answers to the same simple questions. Issue 1: a number of academics and researchers are being fired despite the promises made at consolidation that the consolidation will not affect the current employment agreements and that everyone who wants to continue working will be able to do so. Yet the reality is different, as a number of my colleagues, who preferred not to appear on TV, can testify. I am neither here nor there, but I don’t hold any illusions regarding how long I will be kept after my brief TV stunt. Issue 2: the consolidation wasn’t supposed to affect the students, either. Yet a number of foreign students, mostly from Ukraine, have been transferred from an English tuition group to a Latvian group. Ms Laipniece told the reporter the English problem wasn’t licensed. She also said that the students, who have already been in Latvia for a year or two, had sufficient familiarity with the language to continue their studies in Latvian. Of course, it’s entirely possible they are genuis language learners – after all, they had an entire hour and a half of Latvian a week for the duration of the academic year. Only they had other subjects to study at the same time… And never expected they would be required to complete their studies, including the writing of term papers, internship reports, the qualification project and the BA thesis in Latvian… Well, they agreed themselves – otherwise they would have lost their students’ visas and would have been kicked out back to Ukraine. It’s so good of us Latvians we are helping those poor Ukrainian folks, providing them with the EU standard and EU funded education… 3/ regarding the alternative jobs for us who are made redundant. I said it’s really weird the only option we are offered are admin jobs, seeing how consolidation is supposed to reduce the number of administration. Now Ms Laipniece says she never offered it to anyone, which, if we are to trust her, leaves us redundant folks… On the street. No alternative jobs available at the RSU. And thanks it was nice having you around. 4/ Ms Laipniece says there’s a new MA in the making and they are going to invite lecturers from Norway for that. Good for the Norwegian lecturers. But the LASE had both practical and academic MA programmes, which attracted a steady number of students, including students from abroad. The new MA programme is academic only. Plus they are creating workplaces for the Norwegians. How about the local folks? I suppose the Norwegian government is going to take care of us. 5/ and, to cap it all, Ms Laipniece says she is not going to divulge the details of their long-term development plan. It’s too complicated. Too bad neither I nor any of the many colleagues I have asked have been told anything about this plan. Top secret, is it? Or non-existent.
Now I am sharing this also to Horse History in the Middle Ages and Beyond, and I know this is not related to horse history. But the journal we are coediting with Miriam Bibby, Cheiron: The International Journal of Equine and Equestrian History, had the LASE as its institutional publisher alongside Trident Publishing. Teodora Artimon, the director of Trivent, has sent two letters to Ms Laipniece in late September and early October to ask if the RSU LASE is willing to continue with the partnership. As far as I know, there has been no answer whatsoever. Neither have I received any answer to my two letters to the RSU rector Prof. Pētersons, the first asking about the firing of the LASE employees, the second about that and the Cheiron. Given that I don’t hope to see another academic year at the RSU LASE, it’s likely we are in need of a new institutional publisher. If you have kept reading to this point and are wondering where I am going with it all, here’s my offer. If you know an academic institution who is really interested in scientific research and collaboration in science (the RSU LASE apparently isn’t) and would like to offer support to research into horse history and social sciences, please contact me privately, and we will take it from there with the editorial team and the publisher. Enjoy the TV show. I find it amusing enough even if you don’t know the language. Just a note: I am speaking very slowly not only because I rarely speak Latvian before the camera (more used to English these days), but also because it’s very hard for me to stay unemotional and to keep to the bare facts and not break into tears after all these months of not knowing if I would keep my job or not. But you would admire the composure of Ms Laipniece. Few people can keep such a straight face under the circumstances. https://youtu.be/xFeWgdAtMpU?si=i36eU48oJhXg8KZ2