ABOUT
The Dylan Review provides a forum for rigorous intellectual and creative exploration of Bob Dylan’s art.
Our founding premise is that Bob Dylan is a singular American artist. His songs, performances, and other art continue to challenge our values and institutions, as they have done for over a half-a-century.
With a commitment to interdisciplinary discourse, the Dylan Review hosts conversations on all aspects of Bob Dylan’s work, encouraging scholars, authors, and listeners to participate.
CO-EDITORS
Lisa O’Neill Sanders, Founding Editor, [email protected]
Raphael Falco, Executive Editor, [email protected]
Paul Haney, Executive Editor [email protected]
Nicole Font, Digital Editor, [email protected]
Angus Gibson, Managing Editor, [email protected]
Abby Paras, Marketing Coordinator, [email protected]
EDITORIAL BOARD
Mitch Blank, New York City
Alessandro Carrera, University of Houston
Anne Margaret Daniel, The New School
Michael Gilmour, Providence University College (Canada)
Nina Goss, Fordham University
Timothy Hampton, University of California, Berkeley
Charles O. Hartman, Connecticut College
Graley Herren, Xavier University
Jonathan Hodgers, Trinity College, Dublin
Anne-Marie Mai, University of Southern Denmark, DIAS
D. Quentin Miller, Suffolk University
Thomas G. Palaima, University of Texas
Robert Reginio, Alfred University
Christopher Rollason, Luxembourg
Laura Tenschert, London
Richard Thomas, Harvard University
SUPPORT THE DYLAN REVIEW
Dylan Review publishes two issues per year, free of charge.
The suggested donation is $15 per issue to cover operational costs, though donations in any amount are greatly appreciated. All contributions may be tax deductible to the fullest extent allowed by law as advised by a tax professional. Funds in excess of operational costs will be used to sponsor activities such as workshops, invited lectures and exhibitions pertaining to Dylan’s art.
Dylan Review is published by a 501(c)(3) non-profit corporation.
