Bibliography
The following Bibliography is also available to download in PDF format.
1. Online resources:
Gallica, early printed editions, http://gallica.bnf.fr/
Institut de recherche et d’histoire des textes, database, http://www.irht.cnrs.fr/
Liber Floridus, illuminated manuscripts, http://liberfloridus.cines.fr/
Mandragore, illuminated manuscripts, http://mandragore.bnf.fr
Roman de la Rose, digital library, http://romandelarose.org/
2. Online sources:
Caviness, Madeleine H., ‘Reframing Medieval Art: Difference, Margins, Boundaries’ (TuftsUniversityelectronic book, 2001) <http://dca.lib.tufts.edu/Caviness/> [accessed 6 June 2012]
Hedeman, Anne D., ‘Advising France through the Example of England: Visual Narrative in the Livre de la prinse et mort du roy Richart (Harl. MS. 1319)’,
Electronic British Library Journal <http://www.bl.uk/eblj/2011articles/articles.html> [accessed 6 June 2012]
Mazzei, Valentina, ‘Reading a frontispiece: Besançon 864’, The Online Froissart Project <http://www.hrionline.ac.uk/onlinefroissart/apparatus.jsp?type=intros&intro=f.intros.VM-MS865> [accessed 6 June 2012]
Närä, Katariina, ‘Some Burgundian manuscripts of Froissart’s Chroniques with particular emphasis on British Library Ms Harley 4379-80’, The Online Froissart Project <http://www.hrionline.ac.uk/onlinefroissart/apparatus.jsp?type=intros&intro=f.intros.KN-Burgundian> [accessed 6 June 2012]
3. Manuscript Sources
Baltimore MD, Walters Art Museum, W. 143 (Le Roman de la Rose)
Glasgow, Hunterian Library, ms. 252 (Les Cent Nouvelles nouvelles)
Paris, Bibliothèque nationale de France, ms. fr. 25526 (Le Roman de la Rose)
Paris, Bibliothèque Sainte Geneviève, ms. 1130 (Deguileville, Pelerinage de vie humaine)
4. Primary Sources (pre-1800):
Les Cent Nouvelles nouvelles (Paris: [Antoine Caillaut ?] pour Antoine Vérard [et Nicole Gilles], 1486; Paris, BnF, Rés. Y2-174
Le pèlerinage de l’homme [par Guillaume de Deguileville] (Paris: A. Vérard, 1511); Paris, BnF, Rés. Ye-24
5. Primary Sources (post-1800):
Guillaume de Lorris and Jean de Meun, Le Roman de la Rose (Classiques Français du Moyen Age), 3 vols, ed. by Félix Lecoy (Paris: Champion, 1965-70)
Richard de Fournival, Le Bestiaire d’amour, ed. by C. Hippeau (Paris: Auguste Aubry, 1860)
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————, ‘Les familles royales dans les Chroniques de Jean Froissart: entre textes et images’, in Familles royales. Vie publique, vie privée aux XIVe et XVe siècles, ed. by Christiane Raynaud (Aix-en-Provence: Publications de l’Université deProvence, 2010), pp. 19–37
Alexander, Jonathan J. G., Medieval Illuminators and Their Methods of Work (New Haven/London: Yale University Press, 1992)
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Avril, François, ‘Le dessin colorié dans le nord de la France’, in Les Manuscrits à peintures en France 1440-1520, ed. by François Avril and Nicole Raynaud (Paris: Flammarion/Bibliothèque Nationale, 1993), pp. 98-103
————, Ilona Hans-Collas, Pascal Schandel and Hanno Wijsman, Manuscrits enluminés des anciens Pays-Bas méridionaux. I. Manuscrits de Louis de Bruges (Paris: Bibliothèque Nationale de France, 2009)
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Baschet, Jérôme, and Jean-Claude Schmitt, eds, L’Image. Fonctions et usages des images dans l’Occident médiéval (Paris: Le Léopard d’Or, 1996)
Baxandall, Michael, Painting and Experience in Fifteenth-Century Italy (Oxford: Oxford University Press, 1972; repr. 1982)
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Bousmanne, Bernard, ‘Item a Guillaume Wyelant aussi enlumineur’: Willem Vrelant Un aspect de l’enluminure dans les Pays-Bas sous le mécénat des Ducs de Bourgogne Philippe le Bon et Charles le Téméraire (Turnhout/Brussels: Brepols/Bibliothèque royale Albert 1er, 1997)
Bousmar, Eric, ‘Iconographie et genre. Le cas des Pays-Bas bourguignons (XVe siècle) Quelques pistes et résultats de recherche’, in Études féministes en Belgique 1997-2000. Vrouwenstudies in België, Actes du colloque/Akten van het colloquium (Brussels: Sophia-Coördinatienetwerk vrouwenstudies/Réseau de coordination des études féministes, 2002), pp. 127-36
Braet, Herman, ‘Entre folie et raison. Les drôleries du ms. B.N. fr. 25526’, in Risus mediaevalis. Laughter in medieval literature and art, ed. by Herman Braet, Guido Latré and Werner Verbeke (Leuven: Leuven University Press, 2003), pp. 43-74
Brown, Cynthia J., ‘From Stage to Page: Royal Entry Performances in Honour of Mary Tudor (1514)’, in Book and Text in France, 1400-1600: Poetry on the Page, ed. by Adrian Armstrong and Malcolm Quainton (Aldershot: Ashgate, 2007)
————, The Queen’s Library: Image-Making at the Court of Anne of Brittany, 1477-1514 (Philadelphia: University of Pennsylvania Press, 2010)
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————, ‘Profane Illuminations, Secular Illusions: Manuscripts in Late Medieval Courtly Society’, Art Bulletin, 74 (1992), 75-90.
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Camille, Michael, ‘The Book of Signs: writing and visual difference in Gothic manuscript illumination’, Word and Image, 1 (1985), 133-48 [longer version in A History of Book Illustration: 29 Points of View, ed. by Bill Katz (Metuchen, NJ/ London: The Scarecrow Press, 1994), pp. 160-201].
————, Image on the Edge: The Margins of Medieval Art (London: Reaktion Books, 1992)
————, The Medieval Art of Love: Objects and Subjects of Desire (New York: Abrams, 1998)
————, ‘Reading the Printed Image: Illuminations and Woodcuts of the Pelerinage de la vie humaine in the Fifteenth Century’, in Printing the Written Word: The Social History of Books, circa 1450-1520, ed. by Sandra Hindman (Ithaca: Cornell University Press, 1991), pp. 259-91
————, ‘Seeing and Reading: Some Visual Implications of Medieval Literacy and Illiteracy’, Art History, 8 (1985), 26-49
Carns, Paula Mae, ‘Remembering Floire et Blancheflor: secular gothic ivories and the arts of memory’, Studies in Iconography, 32 (2011), 121-54
Caviness, Madeleine H., Visualizing Women in the Middle Ages: Sight, Spectacle and Scopic Economy (Philadelphia: University of Pennsylvania Press, 2001)
Charron, Pascale, Le Maître du Champion des dames (Paris: CTHS/INHA, 2004)
Charron, Pascale, ‘Les réceptions du Champion des Dames de Martin Le Franc à la cour de Bourgogne. “Très puissant et très humain prince […]. Veullez cest livre humainement recepvoir”’, Bulletin du Bibliophile, 1 (2000), 9-31
Chia, Lucille, ‘Text and Tu in Context. Reading the Illustrated Page in Chinese Blockprinted Books’, Bulletin de l’Ecole française d’Extrême-Orient, 89 (2002), 241-76
Chipps Smith, Jeffrey, ‘Jean de Maisoncelles’s Portait of Philippe le Bon for the Chartreuse de Champmol: A Study in Burgundian Political Symbolism’, Gazette des Beaux-Arts 99 (1982), 271-96
————, ‘The practical logistics of art: thoughts on the commissioning, displaying and storing of art at the Burgundian court, in In Detail: New Studies of Northern Renaissance Art in Honor of Walter S. Gibson, ed. by Laurinda S. Dixon (Turnhout: Brepols, 1998), pp. 27-48
Clark, Gregory T., Made in Flanders. The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good (Turnhout: Brepols, 2000)
Cockshaw, Philippe, and Christine van den Bergen-Pantens (eds), Les Chroniques de Hainaut ou les ambitions d’un prince Bourguignon (Turnhout: Brepols, 2000)
Cohen, Jeffrey Jerome, Hybridity, identity, and monstrosity in medieval Britain: on difficult middles (New York: Palgrave Macmillan, 2006)
————, Medieval Identity Machines (Minneapolis/London: University of Minnesota Press, 2003)
————, Of giants: sex, monsters, and the Middle Ages (Minneapolis/London: University of Minnesota Press, 1999)
————, ed., The Postcolonial Middle Ages (Basingstoke: Macmillan, 2000)
Colombo Timelli, Maria, ‘C’est d’armes et d’amours… et d’enjeux politiques. Le manuscrit T de Cleriadus et Meliadice’, in Le Romanesque au XIVe et XVe siècles, ed. by Danielle Bohler (Pessac: Presses Universitaires de Bordeaux , 2009),pp. 187-211
Cothren, Michael W., ‘Why Did Louis de Roncherolles Commission a Stained-Glass Window for Beauvais in 1522?’, Art Bulletin, 83 (2011), 7-31
Croenen, Godfried, ‘Le libraire Pierre de Liffol et la production de manuscrits illustrés des Chroniques de Jean Froissart à Paris au début du XVe siècle’, Art de l’enluminure, 31 (2010), 14-23
Dauzier, Martine, ‘L’image-porche ou la première page enluminée dans les romans médiévaux’, in From Sign to Text: A Semiotic View of Communication, ed. by Yishai Tobin (Amsterdam/Philadelphia: John Benjamins Publishing Co., 1989), pp. 509-18
Davenport, S. K., ‘Illustrations direct and oblique in the margins of an Alexander Romance at Oxford’, Journal of the Warburg and Courtauld Institutes, 34 (1971), 83-95
de Bruin, Hanneke, ‘Illustraties in gedrukte getijdenboeken uit en voor de Nederlanden’, Millennium. Tijdschrift voor middeleeuwse studies, 11 (1997), 104-27
de Klerk, Jan, and Hanno Wijsman, Marco Polo’s Boek over de wonderen van de wereld. Toelichtingen bij de miniaturen, de tekst en de historische achtergronden aan de hand van 86 folio’s van het handschrift van het Livre des merveilles van Marco Polo bewaard in de Bibliothèque nationale de France te Parijs (manuscrit français 2810) [Marco Polo’s Book on the Miracles of the World. Notes to the miniatures, the text, and the historical backgrounds on the basis of 86 folios of the manuscript of the Livre des merveilles by Marco Polo kept in the Bibliothèque nationale de France in Paris (manuscrit français 2810)] (Hertogenbosch-Louvain, 2008) In part available online: <http://cnrs.academia.edu/HannoWijsman/Books/342553>
Desmond, Marilynn, and Pamela Sheingorn, Visuality in Late Medieval Manuscript Culture: Christine de Pizan’s Epistre Othéa (Ann Arbor: The University of Michigan Press, 2006)
Didi-Huberman, Georges, Confronting Images: Questioning the Ends of a Certain History of Art, trans. by John Goodman (Pennsylvania:PennsylvaniaStateUniversity Press, 2005)
Dogaer, Georges, Flemish Miniature Painting in the 15th and 16th Centuries (Amsterdam: B. M. Israël B. V., 1987)
Duchet-Suchaux, Gaston, ed., L’Iconographie. Etudes sur les rapports entre textes et images dans l’Occident médiéval (Paris, Le Léopard d’Or, 2001)
Emerson, Catherine, ‘La double vie d’Olivier de La Marche’, in L’Écrit et le manuscrit à la fin du Moyen Age, ed. by Tania Van Hemelryck and Cécile Van Hoorebeeck (Turnhout: Brepols, 2006), pp. 111-20
Emmerson, Richard K., ‘A “Large Order of the Whole”: Intertextuality and Interpictoriality in the Hours of Isabella Stuart’, Studies in Iconography, 28 (2007), 53-99
Ferguson, George, Signs and Symbols in Christian Art (New York: Oxford University Press, 1961)
Förstel Guéret-Laferté, Judith, ‘La représentation du livre dans les enluminures de la fin du Moyen Age’, Eulalie, 1 (1998), 33-38
Freedberg, David, The Power of Images: Studies in the History and Theory of Response (Chicago/London: University of Chicago Press, 1989)
Garnier, François, Le Langage de l’image au Moyen Âge. I: Signification et symbolique (Paris: Le Léopard d’Or, 1982)
————, Le Langage de l’image au Moyen Âge. II: La grammaire des gestes (Paris: Le Léopard d’Or, 1989)
Gaucher, Elisabeth, ‘Le Livre des Fais de Jacques de Lalain. Texte et image’, Le Moyen Âge, 95 (1989), 503-18
Gayk, Shannon N., Image, Text, and Religious Reform in Fifteenth-Century England (New York:CambridgeUniversity Press, 2010)
Gertsman, Elina, and Jill Stevenson, Thresholds of Medieval Visual Culture: Liminal Spaces (Oxford: James Currey, 2012)
Gil, Marc, ‘Le mécénat littéraire de Jean V de Créquy, conseiller et chambellan de Philippe le Bon: exemple singulier de création et de diffusion d’œuvres nouvelles à la cour de Bourgogne’, Eulalie, 1 (1998), 69-95
Gousset, Marie-Thérèse, Enluminures Médiévales: Mémoires et Merveilles de la Bibliothèque Nationale de France (Paris: Bibliothèque Nationale de France, 2005)
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————, ‘Iconography and Iconology’, in Early Netherlandish Paintings. Rediscovery, Reception and Research, ed. by Bernhard Ridderbos, Anne van Buren and Henk van Veen (Amsterdam: Amsterdam University Press, 2005)
————, ‘Response to James Marrow’, Simiolus: Netherlands Quarterly for the History of Art, 16 (1986), 170-72
Harf-Lancner, Laurence, and Marie-Laetitia Le Guay, ‘L’illustration du livre IV des Chroniques de Froissart: les rapports entre texte et image’, Le Moyen Âge, 96 (1990), 93-112
Harf-Lancner, Laurence, ‘From Alexander to Marco Polo, from the text to the image: the marvels of India’, in The Medieval French Alexander, ed. by Donald Maddox and Sara Sturm-Maddox (New York: SUNY Press, 2002), pp. 235-57
————, ‘Image and propaganda: the illustration of Book I of Froissart’s Chroniques’, in Froissart across the Genres, ed. by Donald and Sarah Sturm Maddox (Gainesville/Florida: University Press of Florida, 1998), pp. 220–50
———— , ‘La merveille donnée à voir: la chasse fantastique et son illustration dans le livre III des Chroniques de Froissart’, Revue des langues romanes, 100 (1996), 91-110
————, ‘Le dialogue entre texte et image’, in Trente ans de recherches en langues et littératures médiévales, ed. by Jean-René Valette (Paris: Perspectives Médiévales, 2005), pp. 239-63
————, ‘Une légende mélusienne dans les Chroniques de Froissart: l’histoire du seigneur de Coarraze et de son serviteur Horton’, in Mélusines continentales et insulaires. Actes du colloque international tenu les 27 et 28 mars 1997 à l’Université de Paris XII et au Collège des Irlandais, ed. by Jeanne-Marie Boivin and Proinsias MacCana (Paris: Champion, 1999), pp. 205-21
Heck, Christine, ed., L’Allégorie dans l’art du moyen age (Turnhout: Brepols, 2011)
Hedeman, Anne D., Of Counselors and Kings: The Three Versions of Pierre Salmon’s Dialogues (Urbana/Chicago: University of Illinois Press, 2001)
————, ‘Restructuring the narrative: the function of ceremonial in Charles V’s Grandes Chroniques de France’, in Pictorial Narrative in Antiquity and the Middle Ages, Studies in the History of Art Monograph Series, ed. by Herbert L. Kepler and Marianna Shreve Simpson, 16 (1986), pp. 171-181
————, The Royal Image. Illustrations of the Grandes Chroniques de France, 1274-1422 (Berkeley: University of California Press, 1991)
Hindman, Sandra, Pen to press: illustrated manuscripts and printed books in the first century of printing: an exhibition at the University of Maryland Art Department Gallery, College Park, Maryland, September 15-October 23, 1977 (College Park: University of Maryland Art Department, 1977)
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Hoogvliet, Margriet, ‘De ignotis quarumdam bestiarum naturis. Texts and Images from the Bestiary on Medieval Maps of the World’, in Animals and the Symbolic in Mediaeval Art and Literature, ed. by L. A. J. R. Houwen (Groningen: Egbert Forsten, 1997), pp. 189-208
————, ‘Mappae mundi and Medieval Encyclopaedias: Image versus Text’, in Pre-Modern Encyclopaedic Texts. Proceedings of the Second COMERS Congress, Groningen, 1-4 July 1996, ed. Peter Binkley (Leiden: Brill, 1997), pp. 63-74
————, ‘Mixing text and image – French and Italian Artistic Theories from the Late Middle Ages to the Early Sixteenth Century’, in Multi-Media Compositions from the Late Middle Ages to the Early Modern Period, ed. by Margriet Hoogvliet (Leuven: Peeters, 2004), pp. 75-103
————, ‘The Symbolism of a Queen: Texts and Images of Catherine de Médicis in Royal Entries’, in Medien der Symbolik in Spätmittelalter und Früher Neuzeit/The Mediation of Symbol in Late Medieval and Early Modern Times, ed. by Rudolf Suntrup, Jan R. Veenstra and Anne Bollmann (Frankfurt: Peter Lang, 2005), pp. 195-217
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Huot, Sylvia, From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry (Ithaca, NY/London: Cornell University Press, 1987)
————, The Romance of the Rose and Its Medieval Readers: Interpretation, Reception, Manuscript Transmission (Cambridge: Cambridge University Press, 1993)
Janson, Horst W., Apes and Ape Lore in the Middle Ages and the Renaissance (London: Studies of the Warburg Institute, 1952)
Jaritz, Gerhard, Zwischen Augenblick und Ewigkeit. Einführung in die Alltagsgeschichte des Mittelalters (Vienna/Cologne: Böhlau, 1989)
————, ed., Mensch und Objekt im Mittelalter und in der frühen Neuzeit.Leben-Alltag-Kultur (Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 1990)
————, ed., Pictura quasi fictura (Vienna: VÖAW, 1996)
Johan, Frédérique, ‘Un exemple de réemploi stylistique et pictural emprunté au “Maître de Wavrin”: Le Petit Jehan de Saintré’, in Manuscripts in Transition: Recycling Manuscripts, Texts and Images: Proceedings of the International Congres [sic] held in Brussels (5-9 November 2002), ed. by Brigitte Dekeyzer and Jan Van der Stock (Paris/Leuven/Dudley, MA: Peeters, 2005), 301-08
Johnson, Geraldine, ‘Beautiful Brides and Model Mothers: The Devotional and Talismanic Functions of Early Modern Marian Reliefs’, in The Material Culture of Sex, Procreation and Marriage in Premodern Europe, ed. by Anne L. McClanan and Karen Rosoff Encanación (New York: Palgrave, 2001), pp. 135-61
Kaemmerling, E., ed., Ikonografie und Ikonologie: Theorieen-Entwicklung-Probleme, (Cologne: DuMont Buchverlag, 1979)
Karkov, Catherine, Text and picture in Anglo-Saxon England: narrative strategies in the Junius 11 manuscript (Cambridge/New York: Cambridge University Press, 2001)
Kren, Thomas, and Scot McKendrick, eds, Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe (Los Angeles/London: The J. Paul Getty Museum/RoyalAcademy of Arts, 2003)
Kress, Gunther, and Theo van Leeuwen, Reading Images: The Grammar of Visual Design, 2nd ed (London/New York: Routledge, 2006)
Lawton, Lesley, ‘The illustration of late medieval secular texts, with special reference to Lydgate’s “Troy Book”’, in Manuscripts and Readers in Fifteenth-Century England: The Literary Implications of Manuscript Study (Essays from the 1981 Conference at the University of York), ed. by Derek Pearsall (Cambridge: D. S. Brewer, 1983)
L’Engle, Susan, ‘Addressing the law: costume as signifier in medieval legal manuscripts’, in Encountering Medieval Textiles and Dress: Objects, Texts, Images, ed. by Désirée G. Koslin and Janet E. Snyder (Basingstoke/NY: Palgrave Macmillan, 2002), pp. 137-53
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Le Ribeuz, Anne-Cécile, ‘Des manuscrits aux imprimés d’Ysaïe le Triste: le romanesque à l’épreuve de la mise en pages et en images’, in Le Romanesque au XIVe et XVe siècles, ed. by Danielle Bohler (Pessac: Presses Universitaires de Bordeaux, 2009), pp. 243-56
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————, ‘History, historiography, and pictorial invention in the Turin-Milan Hours’, in In Detail: New Studies of Northern Renaissance Art in Honor of Walter S. Gibson, ed. by Laurinda S. Dixon (Turnhout: Brepols, 1998), pp. 1-14
————, ‘Scholarship on Flemish manuscript painting of the Renaissance: remarks on past, present, and future’, in Flemish Manuscript Painting in Context: Recent Research, ed. by Elizabeth Morrison and Thomas Kren (Los Angeles: The J. Paul Getty Museum, 2006), pp. 163-176
————, ‘Symbol and Meaning in Northern European Art of the Late Middle Ages and the Early Renaissance’, Simiolus: Netherlands Quarterly for the History of Art, 16 (1986), 150-69
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————, Studies in Iconology: Humanistic Themes in the Art of the Renaissance, 1939 (repr.New York: Harper & Row, 1972)
————, ‘Zum Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst’, in Logos, 21 (1932) [repr. in Ikonografie und Ikonologie: Theorieen-Entwicklung-Probleme, ed. by E. Kaemmerling (Cologne: DuMont Buchverlag, 1979)].
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Poirion, Daniel, and Nancy Freeman Regalado (eds.), Contexts: Style and Values in Medieval Art and Literature (New Haven and London: Yale University Press, 1991)
Pouchelle, Marie-Christine, Corps et chirurgie à l’apogée du Moyen Age: savoir et imaginaire du corps chez Henri de Mondeville, chirurgien de Philippe le Bel (Paris: Flammarion, 1983)
Ranc, Robert, ‘La présentation des manuscrits à Philippe le Bon’, Gutenberg Jahrbuch [sic: no volume no.] (1961), 18-23
Randall, Lilian M. C., Images in the Margins of Gothic Manuscripts (Berkeley/Los Angeles: University of California Press, 1966)
Raynaud, Christiane, Le Commentaire de document figuré en histoire médiévale (Paris: Armand Colin, 1997)
Reynolds, Catherine, ‘The undecorated margin: the fashion for luxury books without borders’, in Flemish Manuscript Painting in Context: Recent Research, ed. by Elizabeth Morrison and Thomas Kren (Los Angeles: The J. Paul Getty Museum, 2006), pp. 9-26
Ringbom, Sixten, ‘Devotional images and imaginative devotions: notes on the place of art in late medieval private piety’, Gazette des Beaux-Arts, 73 (1969), 159-70
Rothstein, Bret L., Sight and Spirituality in Early Netherlandish Painting (Cambridge:CambridgeUniversity Press, 2005)
Rouse, Richard H., and Mary A. Rouse, Manuscripts and their Makers: Commercial Book Producers in Medieval Paris 1200-1500, 2 vols (Turnhout: Harvey Miller, 2000)
Rudnitzki, Paul, Der Turnierroman ‘Livre des faits du bon chevalier messire Jacques de Lalaing’ in der Anholter Handschrift, nebst einem Exkurs über den Verfasser, (Münster: Aschendorffshe Verlagsbuchhandlung, 1915)
Salter, Elizabeth, and Derek Pearsall, ‘Pictorial illustration of late medieval poetic texts: the role of the frontispiece or prefatory picture’, in Medieval Iconography and Narrative (Proceedings of the 4th International Symposium organised by the Centre for the Study of Vernacular Literature in the Middle Ages. Odense University 19-20 November 1979), ed. by Flemming G. Andersen, et al. (Odense: Odense University Press, 1980), pp. 100-23
Schandel, Pascal, ‘Histoire des Seigneurs de Gavre. Un roman de chevalerie en images’, Art de l’enluminure, 3 (2003), 4-60
————, ‘Le Maître de Wavrin et les miniaturistes lillois à l’époque de Philippe le Bon et de Charles le Téméraire’, 3 vols (unpublished thèse d’état, Université des Sciences Humaines de Strasbourg, 1997)
Schapiro, Meyer, Words and Pictures: On the Literal and Symbolic in the Illustration of a Text (The Hague/Paris: Mouton, 1973)
Schoenaers, Dirk, ‘History of Conflict or Manual of Conduct? Continuity and Change in the Illustration and Interpretation of Book Three of Froissart’s “Chroniques”’, Queeste, 18 (2011), 93-149
Sherman, Claire Richter, ‘Some visual definitions in the illustrations of Aristotle’s Nicomachean Ethics and Politics in the French translations of Nicole Oresme’, Art Bulletin, 59 (1977), 320-30
Smeyers, Maurice, La Miniature (Turnhout: Brepols, 1974)
Smeyers, Maurits, ‘Middeleeuwse miniaturen, spiegel van de werkelijkheid’, in Cultuurwetenschappen in beweging, ed. by Theo Venkeleer and Werner Verbeke (Leuven: Vlaamse Vereniging voor Cultuurwetenschappen, 1992), pp. 197-235
Solterer, Helen, ‘Figures of Female Militancy in Medieval France’, Signs, 16 (1991), 522-49
Spearing, A. C., Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics (Oxford:OxfordUniversity Press, 2005)
Stones, M. Alison, ‘Secular manuscript illumination in France’, in Medieval Manuscripts and Textual Criticism, ed. by Christopher Kleinhenz (=special issue of North Carolina Studies in the Romance Languages and Literatures, 173 (1976)), pp. 83-102
Stroo, Cyriel, ‘Bourgondische presentatietaferelen: boeken en politiek ten tijde van Filips de Goede en Karel de Stoute’, in Boeken in de late Middeleeuwen. Verslag van de Groningse Codicologendagen 1992, ed. by Jos M. M. Hermans and Klaas van der Hoek (Groningen, 1994), pp. 285-98
Szkilnik, Michelle, ‘Mise en mots, mise en images: Le Livre des Faits du bon chevalier Jacques de Lalain’, Ateliers (Cahiers de la Maison de Recherche, Université Charles de Gaulle-Lille 3), 30 (2003), 75-87
Taylor, Jane H. M., ‘Le Chevalier des Dames du Dolent Fortuné: image and text, manuscript and print’, in Word and Image: studies in the French illustrated book from the Middle Ages to the present day, ed. by Adrian Armstrong and David Adams (= Bulletin of the John Rylands University Library of Manchester, 81 (1999)), pp. 153-76
————, ‘Image as Reception: Antoine de la Sale’s Le Petit Jehan de Saintré’, in Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society University, ed. by Donald Maddox and Sara Sturm Maddox (Rochester, NY: University of Rochester Press, 1994), pp. 265-79
Taylor, Jane H. M., and Lesley Smith, eds, Women and the book. Assessing the Visual Evidence (London/Toronto: British Library/University of Toronto Press, 1996)
Tolkemitt, Birgitte and Rainer Wohlfeil, eds, Historische Bildkunde. Probleme,Wege, Beispiele, Zeitschrift fur historische Forschung, Beiheft 12 (Berlin: Duncker & Humblot, 1991)
van Buren, Anne H., with the assistance of Roger Wieck, Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325-1515 (London: D. Giles Ltd., 2011)
Villela-Petit, Inès, ‘Le Maître de Boèce et le Maître de Giac, enlumineurs de la guerre’, Art de l’enluminure (Les Chroniques de Froissart), 31 (2010), 24-45
von Hülsen-Esch, A., ‘Frauen an der Universität? Überlegungen anlässlich einer Gegenüberstellung von mittelalterlichen Bildzeugnissen und Texten’, Zeitschrift für historische Forschung, 24 (1997), 315-46
von Hülsen-Esch, A., and Jean-Claude Schmitt, eds, Die Methodik der Bildinterpretation – Les méthodes de l’interprétation de l’image. Deutsch-französische Koloquien 1998-2000, 2 vols (Göttingen: Wallstein Verlag, 2002)
Wetzel, René, and Fabrice Flückinger, eds. Au-delà de l’illustration: Texte et image au Moyen Age, approches méthodologiques et pratiques (Zurich: Chronos Verlag, 2009)
Whatling, Stuart, ‘Narrative Art in Northern Europe c. 1140-1300: A narratological re-appraisal’ (unpublished PhD thesis, Courtauld Institute of Art, 2010) Available online:
Wijsman, Hanno, ‘William Lord Hastings, Les Fais de Jacques de Lalaing et le Maître aux Inscriptions Blanches à propos du manuscrit français 16830 de la Bibliothèque nationale de France’, in ‘Als ich can’. Liber amicorum in Memory of Professor Dr. Maurits Smeyers, ed. by Bert Cardon, Jan Van der Stock, Dominique Vanwijnsberghe, et al., 2 vols, (Paris/Leuven/Dudley MA: Uitgeverij Peeters, 2002), pp. 1641-64
————, ‘Heiligen en burgers. Veranderingen in het beeld van kind en gezin in de late middeleeuwen’ [‘Saints and Citizens. Changes in the Image of Children and the Family in the Later Middle Ages’], Leidschrift, 17 (2002) Available online: <http://www.leidschrift.nl/en/archive/173-de-maatschappij-verbeeld-in-de-kunst>
————, ‘Images between Stories and History: Late Medieval Miniatures Showing Travelling Women’, in Itineraria (Letteratura di viaggio e conoscenza del mondo dall’Antichità al Rinascimento/Travel Literature and Knowledge of the World from Antiquity to the Renaissance), 8/9 (2010/2011), 329-82
————, ‘Images de la ville et urbanité des images. Quelques réflexions sur la représentation de l’espace urbain et la fonction des œuvres d’art aux Pays-Bas bourguignons’, in Villes de Flandre et d’Italie: relectures d’une comparaison traditionnelle, ed. by Elisabeth Crouzet-Pavan and Elodie Lecuppre Desjardin (Turnhout: Brepols, 2007), pp. 249-60 and 309-13
————, Luxury Bound: Illustrated Manuscript Production and Noble and Princely Book Ownership in the Burgundian Netherlands (1400-1550) (Turnhout: Brepols, 2010)
Wirth, Jean, Les Marges à drôleries des manuscrits gothiques (Geneva: Droz, 2008)
Wittkower, R., ‘Marco Polo and the pictorial tradition of the Marvels of the East’, in Oriente Poliano. Studi e conferenze tenute all’Is. M. E. O. in occasione del VI centenario della nascità di Marco Polo (1254-1954), ed. by Étienne Balazs (Rome: Istituto italiano per il Medio ed Estremo Oriente, 1957), pp. 155-72
Wohlfeil, Rainer, ‘Methodische Reflektionen zur historischen Bildkunde’, in Historische Bildkunde. Probleme, Wege, Beispiele, ed. by Brigitte Tolkemitt and Rainer Wohlfeil (= Zeitschrift fur historische Forschung, 12 (1991)), pp. 17-35
Wolfthal, Diane, ‘“A hue and a cry”: Medieval rape imagery and its transformations’, Art Bulletin, 75 (1993), 39-64
7. Special issues of journals
‘Beeldmateriaal en materiële cultuur als historische bron, Skript’, Groniek. Historisch Tijdschrift, 5 (1983)
‘Images médiévales’, Annales. Histoire, Sciences Sociales, 51 (1996)
‘De maatschappij verbeeld in de kunst, Leidschrift’, Historisch tijdschrift, 17 (2002)
‘“Kunst voor historici”: Beeldende kunst als historische bron’, Groniek. Historisch Tijdschrift, 128 (1995)
Rotberg, Robert I., and Theodore K. Rabb, eds, The Evidence of Art: Images and Meaning in History, special issue of The Journal of Interdisciplinary History, 27 (1986)
Text/Image Relations in Late Medieval French Culture 