
Dalia Nassar
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mean to bridge the methodological gap between the human
and natural sciences, by examining one of the most
interesting, yet under-studied, episodes in the history of
philosophy and science: Herder’s and Goethe’s “science of
describing.” Through the use of various artistic devices,
Herder and Goethe developed a methodology that enabled
them to better understand natural forms and gain insights into
the relations between these forms––thereby paving the way for
the study of living forms, i.e., biology. In addition to developing
a systematic account of their methodology, the chapter will
consider its relevance for contemporary attempts to overcome
the gap between the human and natural sciences.
mean to bridge the methodological gap between the human
and natural sciences, by examining one of the most
interesting, yet under-studied, episodes in the history of
philosophy and science: Herder’s and Goethe’s “science of
describing.” Through the use of various artistic devices,
Herder and Goethe developed a methodology that enabled
them to better understand natural forms and gain insights into
the relations between these forms––thereby paving the way for
the study of living forms, i.e., biology. In addition to developing
a systematic account of their methodology, the chapter will
consider its relevance for contemporary attempts to overcome
the gap between the human and natural sciences.
I argue that Schelling’s conception of intellectual intuition developed out of his encounter with—and ultimate critique of—Spinoza’s third kind of knowledge. It is in this encounter that Schelling begins to elaborate a productive conception of intellectual intuition, which he nevertheless considered to be apt for a philosophical account of nature. This means, first, that Schelling’s notion of intuition was not developed through an appropriation of Fichte’s conception of intuition as an act of consciousness. It also means that, for Schelling, the notion of “archetypal cognition” as elaborated by Kant in Section 77 of the third Critique was only one aspect or part of intellectual intuition. In addition, intuition must be “productive” or “constructive.” I go on to specify Schelling’s use of intellectual intuition in the Naturphilosophie, explicating how he justifies it and detailing its relation to his account of philosophical “construction.”