Kim Falconer
Female fantasy author with MA seeks PhD by artifact and exegesis. Researching the Social Surrogacy and the Young Adult Fantasy Novel as a place of belonging.
I'm an author of speculative fiction - Science Fantasy, YA, Paranormal Romance and Urban Fantasy, published by HarperCollins USA and HarperCollins Aus.
I'm an author of speculative fiction - Science Fantasy, YA, Paranormal Romance and Urban Fantasy, published by HarperCollins USA and HarperCollins Aus.
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Papers by Kim Falconer
Abstract: The predominate explanation for immersion in fiction—novels, films, electronic games, theater—is the willing suspension of disbelief. This model is examined and found unable to account for the depth of emotional engagement in reader/audiences. Through a discussion of plausibility and belief, and the binary opposites of imagined and real emotions, the concept of a ‘third space’ of engagement with fiction is considered, supported by the ideas of Holland (2002) Winnicott, (1998) and Jung (1971). Tolkien’s (1966) concept of a ‘secondary world’ is related to Lucien Levi-Bruhl’s participation mystique proposing the latter as an alternative model to the willing suspension of disbelief in reader/audience immersion. This hypothesis has potential ramifications across multiple disciplines—literature, arts, philosophy, sociology, psychology and behavioural sciences—inviting further consideration and study.
Drafts by Kim Falconer
Abstract: The predominate explanation for immersion in fiction—novels, films, electronic games, theater—is the willing suspension of disbelief. This model is examined and found unable to account for the depth of emotional engagement in reader/audiences. Through a discussion of plausibility and belief, and the binary opposites of imagined and real emotions, the concept of a ‘third space’ of engagement with fiction is considered, supported by the ideas of Holland (2002) Winnicott, (1998) and Jung (1971). Tolkien’s (1966) concept of a ‘secondary world’ is related to Lucien Levi-Bruhl’s participation mystique proposing the latter as an alternative model to the willing suspension of disbelief in reader/audience immersion. This hypothesis has potential ramifications across multiple disciplines—literature, arts, philosophy, sociology, psychology and behavioural sciences—inviting further consideration and study.