
Ayşem Mert
Twitter: @ayshemm
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Papers by Ayşem Mert
[...] Cooperation always requires understanding and appreciating each other’s realities. In the context of international relations, this also entails a certain degree of agreement upon facts. In order to achieve
global cooperation on any given subject, the parties must first agree on the definition and problematization of the solution to the issue at hand. Making sense of common problems requires a shared view not only on arguments and interests, but also on shared forms of narration. Even though this agreement is not a complete consensus, a policy area with a relatively concordant, intersubjectively constructed number of facts is needed to begin cooperation. Such concordance is possible when registers are shared, similar to what Hannah Arendt calls ‘common world’: A
shared and public world of human artifacts, institutions and settings that provide a relatively permanent context for our activities. Understanding politics as a practice of collective storytelling, in which the role of fiction and narrative is a constitutive element instead of being ‘mere rhetoric’, is still under-theorized. From a narrative point of view, the
boundaries between reality and fiction are always blurry. Thus, an important but largely ignored part of this common world is shared imageries, which are expressed or represented in stories, myths, legends, and literatures.
Complex realities need complex ways of representation. A theoretical engagement with the importance of meaning-giving practices as constitutive elements of politics should not halt at the analysis and the critique of simplifying and simplified versions of the ‘real’. The equally important question is: How and from which sources do we develop alternative and inclusive modes of narration? Against this background, this Global Dialogue focuses on narrative and fiction as a critical, albeit under-researched, element in the
social sciences. Despite increasing interest, and the linguistic turn in the social sciences, the role of fiction and narrative in explaining, representing and inventing identities and frames as well as giving meaning to political practices has been largely absent. In order to begin to change this, this publication brings together different disciplines from the social sciences and development studies to literature and cultural studies to reflect on these various matters. This multi-disciplinary publication is the result of a workshop that took place in Duisburg in May 2015, which also sought to expand on how academic work in the social sciences is analyzed, written,
and presented. The contributions are inspired and expand on this spirit and the various issues discussed at this event. For the sake of coherence, the texts are ordered in terms of the medium they analyze and the audiences they address.
Shadow places point to how unconvincing the proposed solutions are to the ecological crises we live in. Exploring fantasies of nature would help us understand this inertia. The desire to not know is the desire to not look at something deeply traumatic, troubling, unchangeable for the individual subjects. The way to gain agency is to understand their (our) unarticulated desires and fears. Not knowing becomes impossible when the fantasy that supports this position is revealed. This is why Braidotti (2018) notes that fantasies are fundamental to experiences both
‘affirmative/positive’ and ‘reactive/negative’, and can support an ethics of joy, an ontological form of pacifism towards human and non-humans that is required for ecological justice and a posthuman ethics. Different fantasies of various ‘naturecultures’ moreover can imagine different futures, effectively changing ontological stances, epistemological preferences, political imaginaries and social practices.