
John Rick
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Papers by John Rick
First Place, Best Student Paper Award in Architectural Acoustics
ABSTRACT
Inspired by on-site observations and measurements, a computational acoustic model of the interior architecture of the 3,000 year-old ceremonial center at Chavín de Huántar, Perú is presented. The model addresses the foundational study by Lumbreras, González and Lietaer (1976) which posited an acoustic system integral to Chavín architecture involving "a network of resonance rooms connected by sound transmission tubes". We propose a translation of the topology of Chavín gallery forms to a modular computational acoustic model based on bi-directional digital waveguides, representing the corridors and ducts, connected through reverberant scattering junctions, representing the small rooms. This approach combines known architectural dimensional and material data with representative measured acoustic data, thus economizing the collection of impulse response measurements required to accurately simulate site acoustics. Applications include virtual acoustic reconstruction of inaccessible or demolished site structures, and auralizations of hypothesized architectural forms, allowing any desired sound sample to be "played back" in the modeled acoustic context.
ABSTRACT
In 2001, twenty Strombus galeatus marine shell trumpets were excavated at the 3,000 year-old ceremonial center at Chavín de Huántar, Perú, marking the first documented contextual discovery of intact sound-producing instruments at this Formative Period site in the Andean highlands. These playable shells are decorated and crafted for musical use with well-formed mouthpieces created by cutting the small end (spire) off and grinding/polishing the resulting opening. The shells are use-polished, and additionally modified with a v-shaped cut to the outer apical lip. We present an acoustic analysis of the measured response of each instrument, to a variety of excitations, at microphones placed in the mouthpiece, player's mouth, bore, bell, and surrounding near-field. From these measurements we characterize each instrument's sounding frequencies (fundamental and 1st overtone where possible), radiation pattern, and impedance, and we estimate the bore area function of each shell. Knowledge of the specific acoustic capabilities of these pututus allows us to understand and test their potential as sound sources in the ancient Chavín context, whose architectural acoustics are simultaneously studied by our research group.
ABSTRACT
Chavín de Huántar is a monumental World Heritage archaeological site in the Peruvian highlands, predating Inca society by over 2000 years. The importance of site acoustics is suggested by distinctive architectural features, notably an extensive network of underground galleries used in part for ritual purposes. The labyrinthine galleries are stone-walled and arranged in a series of small rectangular alcoves off narrow corridors. In this work, we initiate research that seeks to understand how the acoustics at Chavín may have influenced auditory experience.
Acoustic measurements and models of a site can be used to archive site acoustics, estimate the acoustics of inaccessible or alternative site architectures, and reconstruct the acoustics of modified or damaged sectors; they may also corroborate aspects of rituals suggested by other archaeological data. Preliminary measurements at Chavín show a short reverberation time, dense and energetic early reflections, and low inter-aural cross correlation. The short reverberation time would enable rhythmically articulated playing of Strombus shell trumpets found on site. The early reflection patterns would provide strong acoustic reinforcement and resonances in gallery alcoves. The wide soundfields would provide a sense of spaciousness and envelopment, contributing to ritual experience.
RESUMEN
Este estudio sobre instrumentos sonoros, llevado a cabo en el marco de una investigación arqueoacústica comprensiva, se beneficia de una metodología íntegra que explora las interrelaciones entre las dinámicas instrumentales y ambientales y sus implicaciones auditivas. El centro ceremonial de Chavín de Huántar, Perú, un sitio arqueológico del Periodo Formativo, con una antigüedad acerca de 3000 años, presenta tanto cuernos de caracoles marinos, Strombus galeatus, denominadas pututus, como también una arquitectura bien preservada, dos hechos que permiten realizar pruebas y mediciones y desarrollar modelos computacionales. Medidas acústicas comparativas, completadas por una experimentación psicoacústic, proveen datos sobre el ambiente auditivo experimentado por quienes participaban en los rituales del antiguo Chavín. Nuestros resultados demuestran un mecanismo acústico que relaciona los pututus de Chavín con el área de la Galería del Lanzón y la Plaza Circular, punto neurálgico en este centro considerado como un sitio de oráculo. Planteamos la idea que se trataba de un oráculo sonoro, y mostramos cómo éste posiblemente llegó a tener voz.