*waves* Hi, guys. I'm... not really here? But I figured this was something I could cross-post, you know, in case you wanted to hear about art I've seen recently.
Admission to the AGO is free on Wednesdays, 6:00pm-8:30pm, so I decided to swing by after work and take a look at some of their current exhibits. Photography is hit or miss for me, but there's a new collection that spans the history of photography from the 1840s to today. I hadn't realized it'd been invented so early!
I also saw
Fan the Flames: Queer Positions in Photography, which opened during Pride Week, I think. Mostly photography as well, but somehow the queer focus, the activism implicit in the art, the commentary, elevated it for me beyond a series of well-designed shots. A decent balance of dykes and gay men, mostly white people but with black drag queens well-represented. A whole table of gay men's magazines with buff naked guys. The
Vanity Fair cover with k.d. lang and Cindy Crawford. *g* Some genderfuckery that I probably would have failed to appreciate five years ago, but which I really enjoyed.
Then I wasted time in the European Art gallery, revisiting the Dutch and Belgian painters--they're gorgeous, so I can't just walk past them even though I've seen them before. I stopped at the metalwork (see nautilus cup above) because there's a bit of Daja Kisubo in me--metals are so much more interesting than textiles. (Sorry, Sandry.)
Before and After the Horizon: Anishinaabe Artists of the Great Lakes looks really fantastic and I didn't get to spend nearly enough time there. I love Norval Morrisseau's art, all bold colours and well-spaced shapes, everything balanced, nothing crowded. But there were new artists I'll need to check out more carefully. Again, I prefer metalwork and paintings over photography and textiles, but that was at a quick first glance. I don't know much about Aboriginal Canadian art, let alone this Anishinaabe school, so I definitely have to come back.</p>
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