The Silver Jubilee Ghost (1977)

During the Queen's Silver Jubilee in 1977 a ghostly figure was spotted by alarmed viewers in a BBC broadcast. The spectre appeared to be sitting beside the Queen in her carriage. The apparition's identity remains unknown, though some claim it is Scarfolk resident Herbert Empire. 

Empire, a proud slaughterhouse owner and staunch monarchist, died after trying to tattoo a likeness of the royal family on his own brain using the pin on the back of a royal souvenir badge that depicted the young Prince Andrew meticulously checking the gender of a Corgi with his nose. A post mortem also revealed that Empire had swallowed substantial quantities of red, white and blue paint, later found to contain toxins, to ensure that everything he discharged was patriotic. 

The Queen was encouraged to publicly acknowledge Empire's loyal actions on his birthday, which annoyed her because it would mean missing her favourite radio programme called I Know God Doesn't Exist But I'm Not Saying Anything Because the Peasants Still Think Royals Are Divinely Chosen.

An example of the souvenir badge used by Herbert Empire.

The Children's Guide To Séances & Cuddly Demons (Scarfolk Books, 1973)

 "Are you amongst us, spirit? Wake up, be bright, be golden and light. Bagpuss, oh hear what I sing..."

From page 37 of the Children's Guide To Séances & Cuddly Demons (Scarfolk Books, 1973). The book encouraged children to contact the apparitions of children's deceased television stars. It was banned briefly, however, in 1975 when Noddy and Big Ears, deranged by their time in the spirit world, broke through to the earthly realm and wreaked havoc in a branch of Marks & Spencer, causing thousands of pounds worth of damage. Additionally, a priest had to be called to perform an exorcism over the shop's entire stock of varicose vein support tights.

Little Head (from Clay Stool)

Clay Stool was a daytime children's TV programme which we introduced a while back (you can listen to the theme tune here).

Many readers will remember the programme's cast of toys (see above), some of which became stars in their own right: Big Ted, Hamble, Humpty and Jemima.

Many, however, have forgotten 'Little Head', who only became a regular due to a typo on the programme's props list, which was supposed to have requested 'Little Ted'. Production staff were still frantically looking for an appropriately-sized head literally minutes before the programme went out live. A quick-thinking studio manager (who some believe was telekinetically controlled by Hamble) ended the panic by decapitating one of the cameramen, who had been scheduled for ritual recycling anyway.

Producers hoped that children wouldn't notice that Little Ted had replaced Little Head in the following week's episode, but they did. Thousands wrote in demanding that Little Head be reinstated.

Little Head eventually received his own line of merchandising (including a very popular biscuit barrel). He went on to host a Saturday evening primetime show, which involved an electric current being passed through his cranium and him yelping out the names and addresses of people who, in his opinion, did not deserve welfare payments.

Sing-a-Long-a-Savagery (1970s Toy)

In order to prepare children for adulthood, parents in Scarfolk wanted to familiarise their toddlers with life's cruelties as soon as possible. Toy and game manufacturers were only happy to oblige.

ScarToys' Sing-a-long-a-Savagery Music Box TV (see above) contained gruesome images of decapitation, dismemberment and disembowelment by artists such as Goya, Caravaggio and Hieronymus Bosch. The images were accompanied by nursery rhymes such as Girls & Boys Come Out To Maim, Mary Had a Little Laceration, and Wrinkle, Wrinkle, Little Scar (See Discovering Scarfolk p. 159 for more details).

Additionally, children were forced to endure a variety of traumas they might typically face as adults. These included peer-group rejection, physical and mental degeneration (achieved with regular bleach injections and a cricket bat), and being hunted by the official Women's Institute sniper.

For more toys and games see: The Drowning Game, Mr Liver Head, Pollute, Mr Smug, Landmine, Action Man Waterboarding Playset and Lung Puppy.

Radio Times Christmas Issue

Everyone at Scarfolk Council wishes you a very merry final Christmas before the inevitable apocalypse.

Here's your festive double issue of the Radio Times, which covers Christmas to the new year (or the end of time, whichever comes first.)

Learn more about the jolly apocalypse HERE.

Mandatory De-education Classes

Post-Truthism is nothing new. Following the Truth Reform Act of 1976, it became every citizen's civic duty to attend de-education classes. The state instinctively felt that knowledge and the educated people who wield it destablize governmental plans, especially those that routinely and deliberately disregard verifiable facts.

According to one de-education textbook: "A good or 'Schrödinger' fact is simultaneously true and untrue until such a time that someone in authority tells you which, though they may change their mind or substitute the fact entirely for another piece of information, fabricated or otherwise, that suits their personal or political needs."

It could take many years for a citizen to unlearn everything, particularly because they first had to learn the complex method of how to unlearn. (Also see the How to Burn Books book).

Additionally, because de-education classes were compulsory (and expensive), some people opted instead for lobotomies by backstreet barber-surgeons, who, it was later revealed, received government funding. These unregistered practitioners would lay their patients' heads on the bottom step of a staircase, then release a Slinky attached to a sledgehammer from the top step. If this procedure was unsuccessful, they would force the patients to binge-watch ITV talent shows such as Opportunity Knocks or the BBC's Come Dancing programme.

The Horned Deceiver

The Horned Deceiver appeared in several Scarfolk publications in the early 1970s, one of which we featured a few weeks ago (see here).

As followers of the traditional state religion dwindled, a gap opened in the faith market. The Horned Deceiver exploited this by targeting the lower middle-class, under-12 demographic, relying initially on playground word-of-mouth. By 1973 he had become so popular that he produced a successful range of merchandising including lunchboxes, bed sheets and wallpaper, plush dolls and black candles made from human tallow. He was a regular guest on local radio and on television where he appeared on celebrity panel quiz shows such as Celebrity Squares and Blankety Blank (see below).

Though well-liked, he eventually lost the pagan market to Mr Johnson of the Officist cult (see Discovering Scarfolk for more details) who had the enthusiastic backing of local politicians and business magnates whose families had been kidnapped and threatended by the cult.

The Horned Deceiver on Blankety Blank, BBC 1, 1979.

Regional BBC Scarfolk TV Programmes

In 1979 the government told the BBC that it needed to have more control over its regional programming, especially in Scarfolk. The culture secretary delivered a whitepaper in the form of a nursery rhyme, the lyrics of which warned the BBC that it should "create distinction or face extinction". To illustrate his point, the culture secretary brought along the education secretary, who he dressed as a dinosaur, and the secretary of state for work and pensions who was dressed as the meteor which wiped out all living things.

However, the culture secretary did not define exactly what he meant by "distinctive" and within the year BBC Scarfolk had begun broadcasting programmes which it felt satisfied the government's demands. Many of these programmes didn't make it past pilots, much less receive full series commissions. Again, the culture secretary had to intervene. He suggested programme titles that the goverment would prefer to see, programmes such as "Great, Amazing, Incredible Conservative Heroes", "Report Your Neighbour!" and "Strictly Catapult", which saw the coastal construction of an immense contraption which launched unaccompanied child refugees at great velocity back to their native countries.

Charlie Barn

Charlie Barn was a paranormal, spider-like entity discovered in the vast, labyrinthine bunker beneath the Scarfolk council office building. He employed mind-control techniques to trick people into making him famous and was a regular guest on British TV throughout the 1970s. He appeared in children's programmes such as Blue Peter and as a cartoon character in Paddington (see below). He also hosted his own show, Barn's Owls, which saw him hunt, disembowel and eat large owls (later revealed to be orphans dressed as owls) in front of a live studio audience.

In 1973 he set up various fake charities which gave him access to schools and hospitals where he would illicitly lay eggs in the heads of children in a bid to populate the world with his unnatural progeny. How he got away with his sickening actions for so many years beggars belief.

He probably avoided detection by hiding in plain sight: he appeared in a series of public information films and published books which warned the public about the dangers of arachnoid demons such as him.

Since 1979, all forms of evil spirits have been banned from consuming minors on public property and/or for the entertainment of a paying audience.

Spider legs by sankax

The BBC Test Card Witch

(click to enlarge)

Many people recognise BBC television's test card "F". However, when it was broadcast in Scarfolk an old woman would inexplicably appear in place of the young girl as soon as parents left the room.

According to legend, if she turns to look you in the eye, you are fated to die beneath an overloaded lorry which will topple over, crushing you with its consignment of industrial safety equipment (Find out if you are cursed HERE).

Children called the woman Old Chattox and she was believed to be a 17th century witch whose spirit had been unintentionally revived and broadcast by a hilltop TV transmitting station built on the site of her execution. She frequently flouted broadcast guidelines and undermined the BBC's attempts to avoid product placement by advertising the services of a bull castrator who had been dead for nearly 400 hundred years.

Below: Photographs of Old Chattox taken by viewers between 1970 and 1978. Old Chattox wrote out demands on her blackboard, which children felt compelled to obey (top). She also drew occult or satanic symbols designed to mesmerise and indoctrinate young viewers. Some of her messages were seemingly nonsensical, though many people believed they were cryptic descriptions of future events (bottom).

Further reading:
i. Learn about Bubbles the clown and his range of possessed greetings cards.
ii. For more information about TV broadcast signal intrusions, see the 1975 We Watch You While You Sleep video.

Forensic Litter Collection (1978)

The police budget for 1978 was only half of what it had been the previous year. This was because the treasury had been robbed and the subsequent investigation was thwarted by limited resources. The thieves were never apprehended.

Violent crime soared, particularly recreational parricide, and Scarfolk's woodlands, wastelands and canals were strewn with bodies and body parts. The police, overwhelmed by the sheer number of cases and keen to deflect any criticism, claimed that the problem was not one of unsolved homicide but of littering and blamed any failings on the Keep Britain Tidy campaign.

The two eventually agreed to pool resources and turned the task of forensic crime scene examination over to the community, children in particular. Much like the children's TV programme Blue Peter, schools launched charity appeals that encouraged pupils to collect victim debris, organic or otherwise, to raise money (see leaflet above). In 1978 children across the country collected nearly £9000 worth of gold fillings and 525 glass eyes, among other items. Some were cleaned and reconditioned for further use.

Homicide litter recycling became so popular in the late-70s that some overly-enthusiastic people tried to donate whole family members before they had passed away, but the rules were quite strict: donations could only be accepted if the person was murdered first. To this end, the police helpfully released a pamphlet describing those methods which were most likely to avoid detection.

PUBLIC ANNOUNCEMENT: Scarfolk Television

Watch this short film about a very important development in Scarfolk. For more information please reread.

"Surgical Toy Insertions Catalogue 1973-1974"

In August 1972 the BBC broadcast a documentary about how overcrowded prisons were forcing the authorities to address alternatives such as house arrest and electronic monitoring. At least a decade before homing devices in the form of ankle monitors or bracelets were first used, a Scarfolk inventor called Matthew Shipton set out to find a solution, drawing upon his years of experience working for toy manufacturer, Scar Toys.

Working with Dr. Hushson of Cavalier Pharmaceuticals, who had made his name hybridising children with kitchen appliances for the catering industries (see Discovering Scarfolk p. 121 for more details), Shipton surgically implanted his daughter's musical box into a lesser-favoured nephew. Whenever the boy released adrenalin (a sure sign of wrongdoing) the musical box opened and played Debussy's Claire de Lune, warning those nearby of potential ill intent on the boy's part.

The documentary had unexpected repercussions. Children up and down Scarfolk wanted to be fitted with their favourite toys. The demand was so great that Scar Toys and Cavalier Pharm went into production. Their Surgical Toy Insertions were the #1 Christmas gift five years in succession.
Meanwhile, the prison system adapted Shipton's musical boxes so that, instead of containing twirling ballerinas, they housed bulldog clips which nipped at the vital organs of criminals if they transgressed. Clare de Lune, however, was retained for its calming effects.

See more from Scar Toys here: Lung Puppy
See more from Cavalier Pharm here: Mindborstal

Expiration Cards (1970s)

"Have you ever worried about how and when you might pass away? With an Expiration Card you needn't worry ever again..." (From a 1971 Scarfolk information booklet).

As of 1970 all residents of Scarfolk were issued with Expiration Cards. A dedicated council department, run by someone known only as Tod XIII, calculated when each citizen was most likely to become an 'unreasonable imposition' on society, then set an official date and method of demise. Sometimes, the date was brought forward if the citizen's circumstances changed: for example, if a person had become undeservedly depressed or poorly and was unlikely to ever again be gainfully employed by any self-respecting organisation.

Each cardholder was expected to make the relevant preparations according to their allocated death event and to pay for it. Costs were taken directly out of citizens' income along with tax and costs incurred by governmental weekend breaks abroad. Unemployed cardholders had their assets and/or family members seized and auctioned off. 

If a cardholder inconveniently died before their scheduled date and time, their card (and a hefty admin fee) was inherited by the next of kin who could either swap the card with their own - if the death event was preferred - or donate it to Scarfolk's Expiration Charity, which brought together poverty-stricken people to perish in the same event so that they may share costs. Charity expirations often took the form of driving a decommissioned double-decker bus off a pier into the sea while a brass band played. These expirations were televised on SBC TV's 'Beneviolence' programme, particularly if they featured once-popular celebrities who had fallen on hard times.

Note: Personalised Expiration Cards may be available for purchase in the future.

"Lung Puppy" Sentient Toy (1975)

This magazine scan is of an advert for 'Lung Puppy', one of the many so-called "sentient toys" on the market in the 1970s. Not only did it follow your child anywhere (as long as your child was breathing), it also contained a device in the tongue that tested the child's galvanic skin response. If it detected inappropriate sweating, it assumed guilt and administered a Taser-like shock (see also: electrified Bibles, 'Discovering Scarfolk' p.149). The toy was not recommended for asthmatics or those being regularly waterboarded.

A more sophisticated version of the Lung Puppy - the Lung Alpaca - was used by the prison service to patrol cell blocks in Scarfolk Gaol. However, Lung Alpacas were withdrawn from service when 12 prisoners harvested the Alpaca's wool, knitted tunnelling equipment and escaped. By chance the gang was recaptured when a Lung Puppy which was previously owned by one of the criminals as a child detected his owner's breathing and lead police to the hideout.

"Raingods" Children's TV Programme (1970s)

Rainbow was a popular daytime children's television programme in the 1970s. Yet very few people realise that it was originally pitched as an altogether different show called Raingods. Below are the only extant frames from the pilot.

Raingods introduced children to a pink, one-eyed, Aztec god of rain, Tlaloc, whose name translates as 'enraged niece of Bruce Forsyth'. Other characters included minor deities such as Tezcatlipocabungle, the bear executioner deity; Zippyloc, god of arrogance and poor dentistry; and Geoffrey the Devil.

Ultimately, a full series was not commissioned because it became apparent in the pilot that Tlaloc's fearful cohorts not only had to appease their vengeful god with sweet songs, but they also had to sacrifice live human children in his name.

In the first twenty minutes alone, two thousand children perished and the programme's producers received upwards of fourteen complaints from disgruntled parents and sweatshop owners.

The programme was soon thereafter redeveloped as the less malevolent Rainbow, Tlaloc was renamed George and the number of child sacrifices was reduced to an acceptable level.

"Violence On" (1970-1978)

This title screenshot is all that remains of 'Violence On', a children's TV programme that ran from 1970 to 1978. Each episode saw the programme's presenters encouraging children to push classmates out of windows, off high walls or from the saddles of seaside beach donkeys.

Another popular programme called 'Jail Fix It' gave children the opportunity to get their injuries treated in a psychiatric prison hospital by high-risk inmates who had to learn first aid as part of their integration back into society.
Each week, the children's decorated plaster casts (and, occasionally, unsolicited gang tattoos) were displayed in a gallery and a special prize was given to the child that had most amused the judges.

'Deformed Anonymous Infant Demon' model kit (1977)

In the 1970s there was a plethora of plastic model kits for children to construct and paint: ships, planes, space rockets, as well as favourite characters from children's stories such as Peter Pan, Humpty Dumpty and Idi Amin.


The most desired model kits were those based on popular childrens' television programmes, one of which was a show called Deformed Anonymous Infant Demon, or DAID for short.

DAID was a crime-fighting eight year old with a difference. He had 4 arms and one leg because his psychic mother had smoked and drank during trances while she was pregnant. For some reason, this also made DAID a demon.

Because he wore a roller skate on his only foot, he found it very difficult to propel himself forward without assistance; however, he did have a special power: Devil Jam, which he smeared over his foes. The sticky, supernatural substance also afforded him the ability to communicate with the ghosts of consumed plums, which reluctantly acted as informers during his investigations.

DAID was also accompanied by a sidekick: the reincarnation of his dead sister who, due to a radioactive occult mishap, had come back as a pork chop. She went by the name Sibling Chop, though her real name was Julie. Together they solved crimes and offered culinary advice to the under 10s.

Deformed Anonymous Infant Demon ran for two series between 1977-78.

TV Times magazine (1975)

Throughout the 1970s, ITV programmes were tailored to mollify the proletariat. Talent shows, low-IQ quiz shows and sitcoms about average working people were carefully constructed to mislead viewers into believing they were important.

But were they?

A 1973 survey showed that 87.5% of politicians deemed their working-class constituents to be less important than a second family car or having regular bowel movements. The concept of a functioning 'society', of which the working class believed they were a valuable part, when in fact they were little more than consenting serfs, had been invented by an eight-year-old hobby virologist who worked part-time for the government in the Department of Domestic Propaganda.

A fabricated sense of worthiness among the working class also benefited advertisers and therefore the economy. As one Scarfolk sociologist noted:
"When people think they are important they buy expensive continental wines and Custard Cream biscuits, and they won't even notice if they've misplaced one or two of their many children". Indeed, the aforementioned 1970s survey indicates that 78% of adults would have rather lost a child than a biscuit.

"Clay Stool" TV theme tune (Klofracs Records, 1973)

The theme tune from "Clay Stool," a popular 1970s children's daytime TV programme for 4 to 7 year olds, was released as a single in 1973 under the title "Demons Come In All Shapes & Sizes."


"Clay Stool" acquired its name from a form of medieval punishment for witchcraft. Originally, alleged witches were strapped to a wooden chair - a ducking stool - then plunged into a river. If they sank they were innocent, if they floated they were in league with the devil and summarily executed.

Samuel Revile, a local priest and freelance misogynist, wondered if ducking stools, which were traditionally festooned with dozens of inflated pigs' bladders, colourful helium balloons, and tethered albatrosses had something to do with the high numbers of people being found guilty.

Revile set about inventing the heavier "clay stool." A year after its introduction 100% of accused witches, mostly women, had plummeted to the riverbed where they drowned, proving their innocence.

Revile's work also alerted communities to the dangers of balloons. It was they, he maintained, not the women, that floated and were therefore in league with Satan. To this day, people who make balloon animals are considered unholy and are barred from church jumble sales.

Though Revile revolutionalised the justice system by inventing compassionate torture, he inadvertently caused widespread redundancies in the execution sector.


Listen to the single here:




Or watch the video here: