Susan Keith
Address: Department of Journalism and Media Studies
School of Communication and Information
Rutgers University
4 Huntington St.
New Brunswick, NJ 08901
School of Communication and Information
Rutgers University
4 Huntington St.
New Brunswick, NJ 08901
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Articles by Susan Keith
decades, symbolized by the disappearance of the distinctively shaped copy desk and the loss of relevance of most of the other tools. It was replaced, this essay argues, by eras of the writer from the 1970s into the 1980s and the designer from the late 1980s into
the 21st century.
photographs, was reignited the next year as some his images were honored in one of the country’s most prestigious photojournalism competitions, and the practice of using filter-friendly apps for journalism spread. This article compares professional discourses around such journalistic use of smartphone apps with discourses that developed earlier in the digital era around digital image
manipulation in Photoshop, with the goal of proposing ways to interrogate imaging technology controversies yet to be come.
extramedia pressures—from a global recession and declining audiences—newspapers‘ perceived competitive need to reach news consumers instantly (something native to TV) may have helped newspapers overcome legacy routines and move more deeply into change.
and U.S. troops. Finally, the article argues that this sparse and reductive view of the liberation of Paris has the potential to affect collective memories of the event as it recedes into the past and the number of living French citizens who remember it firsthand declines.
enemy and French collaborators, and the role of U.S. troops. In addition, the article argues that a lack of detail about when and where photographs were made and journalists’ heavy use of celebration visuals have the potential for influencing future collective memories about a key event in French history.
U.S. news magazines, and those publications’ websites. In addition, Iraqi women were less likely to appear than U.S. women, partly because of the news media’s intense focus on injured American soldier Jessica Lynch during the early weeks of the war. This study suggests that these findings may have been the result of both
media routines, as described by Shoemaker and Reese, and the tendency of the U.S. media to engage in Orientalism, as described by Said."
This study examined more than 2,500 war images from U.S. television news, newspapers, news magazines, and online news sites during the first five weeks of the U.S.-led invasion of Iraq in 2003 and found that only 10% showed injury or death. The paper analyzes which media platforms were most willing to show
casualties and offers insights on when journalists should use gruesome war images or keep them secret."
showed that convergence was redefined in Phoenix, creating a less-integrated ‘‘co-(re)-recreating’’ model not previously described in the literature. In addition, it demonstrated that though
language differences do not hamper convergence cooperation, different broadcast and print newsroom cultures can prove detrimental."
tragic images, there is agreement on what images are problematic and a move toward
green-light considerations of ethical responsibilities. However, the special problems of
violence and truth telling in wartime and issues of how to handle graphic images
across media platforms receive virtually no attention."""
decades, symbolized by the disappearance of the distinctively shaped copy desk and the loss of relevance of most of the other tools. It was replaced, this essay argues, by eras of the writer from the 1970s into the 1980s and the designer from the late 1980s into
the 21st century.
photographs, was reignited the next year as some his images were honored in one of the country’s most prestigious photojournalism competitions, and the practice of using filter-friendly apps for journalism spread. This article compares professional discourses around such journalistic use of smartphone apps with discourses that developed earlier in the digital era around digital image
manipulation in Photoshop, with the goal of proposing ways to interrogate imaging technology controversies yet to be come.
extramedia pressures—from a global recession and declining audiences—newspapers‘ perceived competitive need to reach news consumers instantly (something native to TV) may have helped newspapers overcome legacy routines and move more deeply into change.
and U.S. troops. Finally, the article argues that this sparse and reductive view of the liberation of Paris has the potential to affect collective memories of the event as it recedes into the past and the number of living French citizens who remember it firsthand declines.
enemy and French collaborators, and the role of U.S. troops. In addition, the article argues that a lack of detail about when and where photographs were made and journalists’ heavy use of celebration visuals have the potential for influencing future collective memories about a key event in French history.
U.S. news magazines, and those publications’ websites. In addition, Iraqi women were less likely to appear than U.S. women, partly because of the news media’s intense focus on injured American soldier Jessica Lynch during the early weeks of the war. This study suggests that these findings may have been the result of both
media routines, as described by Shoemaker and Reese, and the tendency of the U.S. media to engage in Orientalism, as described by Said."
This study examined more than 2,500 war images from U.S. television news, newspapers, news magazines, and online news sites during the first five weeks of the U.S.-led invasion of Iraq in 2003 and found that only 10% showed injury or death. The paper analyzes which media platforms were most willing to show
casualties and offers insights on when journalists should use gruesome war images or keep them secret."
showed that convergence was redefined in Phoenix, creating a less-integrated ‘‘co-(re)-recreating’’ model not previously described in the literature. In addition, it demonstrated that though
language differences do not hamper convergence cooperation, different broadcast and print newsroom cultures can prove detrimental."
tragic images, there is agreement on what images are problematic and a move toward
green-light considerations of ethical responsibilities. However, the special problems of
violence and truth telling in wartime and issues of how to handle graphic images
across media platforms receive virtually no attention."""