Annelies van Noortwijk

University of Groningen, Arts, Culture and Media, Faculty Member

University of Groningen, Film, Faculty Member

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David Sorfa

University of Edinburgh

Aaron Gerow

Yale University

Murat Akser

University of Ulster

Martin Lefebvre

Concordia University (Canada)

Alan O'Leary

Aarhus University

Lydia Papadimitriou

Liverpool John Moores University

Jenny Chamarette

The Open University

Rob S E A N Wilson

University of California, Santa Cruz

Andrea Pinotti

Università degli Studi di Milano - State University of Milan (Italy)

Vinzenz Hediger

Goethe-Universität Frankfurt am Main

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Books by Annelies van Noortwijk

Triunfo: de revista Ilustrada a revista de las Luces. Historia y significado de Triunfo, 1946-1982. University of Groningen, Groningen, 2004.

De la Memòria Ací. Homenatge a la revista Triunfo. Valencia: Universitat de Valencia, 1997. Chapter: 1982: Muerte de 'Triunfo', Victoria del PSOE, ¿Final del socialismo utópico?

Co-writers José Angel Ezcurra, Eduardo Haro Tecglen, José Carlos Mainer, Manuel Vázquez Montalbán.

Periodismo y Literatura (171, 12). Amsterdam-Atlanta (GA): Rodopi, 1997 (ISBN 90 420 0334 0), 1997.

by Annelies van Noortwijk and Anke van Haastrecht

Papers by Annelies van Noortwijk

La desaparición paradójica de un revista [reprint from Noortwijk, A. van (1995) in: Alted, Alicia & Aubert, Paul (Eds.); Triunfo en su Epoca, ed. Casa de Velázquez & ed. Pléyades, Madrid, 1995]

La desaparición paradójica de una revista

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... | Ayuda. La desaparición paradójica de una revista. Autores: Annelies van Noortwijk; Localiza... more

Toward a Cognitive Definition of First-Person Documentary (co-authored with Veerle Ros, Jennifer M. J. O’Connell, Annelies van Noortwijk – In. Catalin Brylla and Mette Kramer (eds.) Cognitive Theory and Documentary Film. Basingstoke, UK: Palgrave Macmillan, 223-242.)

by Miklos Kiss and Annelies van Noortwijk

In contemporary documentary practice, we witness a dominant trend of films that abandon the longs... more In contemporary documentary practice, we witness a dominant trend of films that abandon the longstanding ideal of objectivity in favor of more diverse and subjective perspectives on reality. Blurring the boundaries between subject and filmmaker, first person documentaries invite us to critically reflect on the processes by which viewers distinguish nonfiction from fiction. This chapter posits that such assessments depend on the cognitive principle of framing, with viewers drawing on a wide array of textual, contextual, and real-world cues to construe a film as documentary or otherwise. First person films could be understood as a sub-frame of documentary that comes with its own set of expectations and unique emotional affects. This is demonstrated through a case study of Kirsten Johnson’s 2016 Cameraperson.

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── and Jennifer O' Connell: "Selecting films for festivals and Documentary Funds: An Interview with independent film programmer and advisor Rada Šešić”.

In Aida Vallejo . Between Industry and Creativity: Institutes of Documentary Film and the Film Fe... more

── and Vincent Ros. “The Living Landscape of Jakarta in Leonard Retel Helmrich’s Documentary Triptych”. In David Forrest, Graeme Harper and Jonathan Rayner (ed.) Filmurbia! Screening the Suburbs . London/New York: Palgrave-Macmillan. 2017

"Palabras para Julia" by Juan Goytisolo. In Reading with Jean-Luc Godard, Timothey Barnard and Kevin J.Hayes (ed.), Caboose books. Forthcoming.

“Llanto por Ignacio Sánchez Mejías/Lament for Ignacio Sánchez Mejías by Federico García Lorca''. In Reading with Jean-Luc Godard, Timothy Barnard and Kevin J.Hayes (ed.), Caboose books. Forthcoming.

“See me, feel me, touch me, heal me. La question de la mémoire dans le documentaire à l’époque métamodern."

In Aline Caillet & Frédéric Pouillaude. Un art documentaire : enjeux esthétiques, politiques et ... more

“The other, the same. Towards a metamodern poetics with Heddy Honigmann": In Boel Ulfsdotter & Anna Backman Rogers, Female Authorship and the Documentary Image: Theory, Practice and Aesthetics . Edinburgh University press. August 2017.

“Contemporary Documentary Practice and the Metamodern Turn’. The Real of Reality International Conference on Philosophy and Film. November, 2016, ZKM, Karlsruhe.

"The Orbit and Single Shot Cinema", in Giovanna Fossati and Annie van den Oever (ed.), The Film Archive as a Research Laboratory. Framing Film series by Amsterdam University Press, 2016. 130-139.

── et al. (2015) “Netherlands”. in Women Screenwriters. An International Guide, Jill Nelmes and Jule Selbo (ed.), London/New York: Palgrave Macmillan. 493-515.