This chapter was published in Moving Subjects, Moving Objects. Transnationalism, Cultural Product... more This chapter was published in Moving Subjects, Moving Objects. Transnationalism, Cultural Production and Emotions (Berghahn 2012). The book examines how 'emotions' can be therorised to provide a useful tool for understanding the interrelated mobility of humans, objects and images.
This is the introductory chapter to Moving Subjects, Moving Objects. Transnationalism, Cultural P... more This is the introductory chapter to Moving Subjects, Moving Objects. Transnationalism, Cultural Production and Emotions. The book examines how 'emotions' can be theorised to provide a useful analytical tool for understanding the interrelated mobility of humans, objects and images.
Published in 2007 (with Zlatko Skrbiš) (eds.) ‘Passions and Powers: Emotions and Globalisation’, ... more Published in 2007 (with Zlatko Skrbiš) (eds.) ‘Passions and Powers: Emotions and Globalisation’, in Identities: Global Studies in Culture and Power 14(4): 367-58.
Chapter published in 2007 in The Emotions: A Cultural Reader (ed. Helena Wulff), Oxford: Berg. Pp... more Chapter published in 2007 in The Emotions: A Cultural Reader (ed. Helena Wulff), Oxford: Berg. Pp 229-248.
Published in Contemporary European History 6 (3) (November 1997). Theme issue on`Inte... more Published in Contemporary European History 6 (3) (November 1997). Theme issue on`Intellectual Life and the First Crisis of State Socialism in East Central Europe, 1953-1956' (ed. Gyorgy Péteri), pp. 383-403.
This is a chapter in Contesting Art. Art, Identity and Politics in the Modern World, ed. Jeremy ... more This is a chapter in Contesting Art. Art, Identity and Politics in the Modern World, ed. Jeremy MacClancey, 1997, Berg, pp. 27-62.
This chapter critically explores the autobiographical narrative method developed by the German so... more This chapter critically explores the autobiographical narrative method developed by the German sociologist Fritz Schütze. We shall argue that the methodology can help to uncover domains of psycho-social experience that may be hard to reveal using other interviewing techniques. The method includes a close analysis of interview transcriptions, distinguishing particular textual, performative and affective dimensions of self narration. It can provide valuable insights into the ways in which personal experiences and emotional trajectories, partially shaped by kinship dynamics, socio-economic and political processes, can influence identity development and the formation of life attitudes. As will become clear in this chapter, the method also frequently generates a useful reflective space for interviewees, allowing them to express, communicate and work through painful or confusing past experiences. This is less likely to happen using structured and semi-structured interview techniques, where frequent questions by the interviewer can hamper a process of deep inner reflection.
This is the introduction to a book that critically explores discourses and practices of creativit... more This is the introduction to a book that critically explores discourses and practices of creativity in an era of intensifying glabalization and transnational connectivity. Full reference: Svasek, M. 2016 Introduction. Creativity and Innovation in a World of Movement, in (ed Maruska Svasek and Birgit Meyer) Creativity in Transition. Politics and Aesthetics of Cultural Production Across the Globe. Oxford and New York: Berghahn. Pp 1-32.
This chapter presents the autobiographical story of a Dutch migrant, investigating how emotional ... more This chapter presents the autobiographical story of a Dutch migrant, investigating how emotional dynamics do not only shape subjectivity in everyday mobile life, and play an important role in the production of autobiographical narration.
This chapter was published in Moving Subjects, Moving Objects. Transnationalism, Cultural Product... more This chapter was published in Moving Subjects, Moving Objects. Transnationalism, Cultural Production and Emotions (Berghahn 2012). The book examines how 'emotions' can be therorised to provide a useful tool for understanding the interrelated mobility of humans, objects and images.
This is the introductory chapter to Moving Subjects, Moving Objects. Transnationalism, Cultural P... more This is the introductory chapter to Moving Subjects, Moving Objects. Transnationalism, Cultural Production and Emotions. The book examines how 'emotions' can be theorised to provide a useful analytical tool for understanding the interrelated mobility of humans, objects and images.
Published in 2007 (with Zlatko Skrbiš) (eds.) ‘Passions and Powers: Emotions and Globalisation’, ... more Published in 2007 (with Zlatko Skrbiš) (eds.) ‘Passions and Powers: Emotions and Globalisation’, in Identities: Global Studies in Culture and Power 14(4): 367-58.
Chapter published in 2007 in The Emotions: A Cultural Reader (ed. Helena Wulff), Oxford: Berg. Pp... more Chapter published in 2007 in The Emotions: A Cultural Reader (ed. Helena Wulff), Oxford: Berg. Pp 229-248.
Published in Contemporary European History 6 (3) (November 1997). Theme issue on`Inte... more Published in Contemporary European History 6 (3) (November 1997). Theme issue on`Intellectual Life and the First Crisis of State Socialism in East Central Europe, 1953-1956' (ed. Gyorgy Péteri), pp. 383-403.
This is a chapter in Contesting Art. Art, Identity and Politics in the Modern World, ed. Jeremy ... more This is a chapter in Contesting Art. Art, Identity and Politics in the Modern World, ed. Jeremy MacClancey, 1997, Berg, pp. 27-62.
This chapter critically explores the autobiographical narrative method developed by the German so... more This chapter critically explores the autobiographical narrative method developed by the German sociologist Fritz Schütze. We shall argue that the methodology can help to uncover domains of psycho-social experience that may be hard to reveal using other interviewing techniques. The method includes a close analysis of interview transcriptions, distinguishing particular textual, performative and affective dimensions of self narration. It can provide valuable insights into the ways in which personal experiences and emotional trajectories, partially shaped by kinship dynamics, socio-economic and political processes, can influence identity development and the formation of life attitudes. As will become clear in this chapter, the method also frequently generates a useful reflective space for interviewees, allowing them to express, communicate and work through painful or confusing past experiences. This is less likely to happen using structured and semi-structured interview techniques, where frequent questions by the interviewer can hamper a process of deep inner reflection.
This is the introduction to a book that critically explores discourses and practices of creativit... more This is the introduction to a book that critically explores discourses and practices of creativity in an era of intensifying glabalization and transnational connectivity. Full reference: Svasek, M. 2016 Introduction. Creativity and Innovation in a World of Movement, in (ed Maruska Svasek and Birgit Meyer) Creativity in Transition. Politics and Aesthetics of Cultural Production Across the Globe. Oxford and New York: Berghahn. Pp 1-32.
This chapter presents the autobiographical story of a Dutch migrant, investigating how emotional ... more This chapter presents the autobiographical story of a Dutch migrant, investigating how emotional dynamics do not only shape subjectivity in everyday mobile life, and play an important role in the production of autobiographical narration.
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Papers by Maruska Svasek
The book examines how 'emotions' can be theorised to provide a useful analytical tool for understanding the interrelated mobility of humans, objects and images.
Books by Maruska Svasek
Full reference: Svasek, M. 2016 Introduction. Creativity and Innovation in a World of Movement, in (ed Maruska Svasek and Birgit Meyer) Creativity in Transition. Politics and Aesthetics of Cultural Production Across the Globe. Oxford and New York: Berghahn. Pp 1-32.
The book examines how 'emotions' can be theorised to provide a useful analytical tool for understanding the interrelated mobility of humans, objects and images.
Full reference: Svasek, M. 2016 Introduction. Creativity and Innovation in a World of Movement, in (ed Maruska Svasek and Birgit Meyer) Creativity in Transition. Politics and Aesthetics of Cultural Production Across the Globe. Oxford and New York: Berghahn. Pp 1-32.