Depois

do Prazer Arranjo: Gabriel Côrtes

Revisão: Gabriel Côrtes
SPC

       
       
 = 120

Flauta Transversal 
    





Clarinete em B♭ 
 
   
 

Clarinete em B♭


   


 
         
Clarinete em B♭


         
 

   
Solo 3

Saxofone Alto

  
   
  3 3 3 3

Saxofone Alto

  
 


Saxofone Alto
 

      


 
Saxofone Tenor

 
           


 


Saxofone Barítono

    
        


Trompete em B♭

 
      


Trompete em B♭  
   



      
Trompete em B♭

     


Bombardino Bb

     
 
 

  
Trombone

    

  
Trombone

    
 


Trombone

            
 

   

Tuba




                 
   
       
   
Bateria

G.Cõrtes
  
5  
2

Fl. 
      
Cl. em B♭       

           
Cl. em B♭  

            
 
Cl. em B♭

   
                      
3 3

A. Sax

   
3 3


3

A. Sax

   
A. Sax 

    
Sax. Tn.  
    
        
Bar. Sax
      
 
Tpt. em B♭      

Tpt. em B♭      
 
Tpt. em B♭
    

Bomb.      

    


Tbn.


   
 

Tbn.


Tbn.
   
 

          
       
Tba.
    

                       
   
           
     
Bat.

G.Cõrtes
   
  
3

  
8

Fl.

          
Cl. em B♭  

         
Cl. em B♭  

          

        
Cl. em B♭

      
A. Sax  

    
3 3 

A. Sax 
   
A. Sax  

   
Sax. Tn. 
    
         
Bar. Sax
     

      
Tpt. em B♭                 
        
Tpt. em B♭          
        
Tpt. em B♭
         

Bomb.     

    
     
Solo
Tbn.

   
 
 3

Tbn.

   
Tbn.
 

    
             
Tba.
    

                           
    
               
     
Bat.

G.Cõrtes
 12      
4

Fl. 

Cl. em B♭      

Cl. em B♭      

 
   
Cl. em B♭

     
A. Sax  

  
  


A. Sax 

      


A. Sax

      



Sax. Tn.

  
                
 


Bar. Sax
    
      
Tpt. em B♭               

     
      


Tpt. em B♭
   


           


   
Tpt. em B♭

  


   
      
Bomb.

     
       



 

Tbn.

    
3 3

Tbn.

 
     


Tbn.

        
              


  
   
Tba.

                    

     
                   
         
Bat.

G.Cõrtes
            
    
5


17

           
Fl.

Cl. em B♭    
           
Cl. em B♭    

            
Cl. em B♭
  
       
A. Sax 

    


A. Sax   

 


A. Sax      

  
                   


Sax. Tn. 
   
                


Bar. Sax
         
   
Tpt. em B♭     


  


Tpt. em B♭    


 


Tpt. em B♭
    

                     




      
Bomb.

          



      

Tbn.

       
3 3


Tbn.

     

 

 
Tbn.

    

                   
  


Tba.
     

                    

     
                   
         
Bat.

G.Cõrtes
            
22 
6


        
Fl.

  
Cl. em B♭ 
         
Cl. em B♭   

           
Cl. em B♭

    
 
A. Sax  
   

A. Sax    
   
A. Sax     
  
            

Sax. Tn.

  
  
            
Bar. Sax
    
  
Tpt. em B♭      

Tpt. em B♭        

Tpt. em B♭

      
 
            

  
Bomb.

         
  
Tbn.      

        
3 3 3 3

Tbn.

        
Tbn.

  
               
    
   
Tba.

           

     
                   
         
Bat.

G.Cõrtes
        
 
 7

   
27

   
Fl.

    
  
   
Cl. em B♭

   
Cl. em B♭    
         
 
  
Cl. em B♭

   
A. Sax   

      
A. Sax   

      
A. Sax   

Sax. Tn.     
   
       
Bar. Sax
          
  
Tpt. em B♭   

Tpt. em B♭     

Tpt. em B♭
    
 
  
                        
Bomb.

   
Tbn.     
   
 
3 3 3 3 3 3 3 3 3

Tbn.

   
 
   
Tbn.

       
         
Tba.
    
                         
    
               
       
Bat.

G.Cõrtes
 31    
8


 
Fl.

   
Cl. em B♭ 
 
Cl. em B♭     

 
Cl. em B♭     

   
A. Sax 
   
A. Sax 
   
A. Sax 

Sax. Tn.                      

   
              
Bar. Sax

     
Tpt. em B♭                 

Tpt. em B♭                      

              
Tpt. em B♭
      

                    

   
Bomb.

                       
 
           
Tbn.

          
3 3 3 3 3 3 3

           
Tbn.

          
 
Tbn.

               
    
Tba.

                       
   
           
     
Bat.

G.Cõrtes
       
  
9

  
34

      
Fl.


  
   
Cl. em B♭

     
Cl. em B♭ 

       
Cl. em B♭   
    
A. Sax    

  
    
A. Sax

  
    
A. Sax

       
Sax. Tn.   
   
       
Bar. Sax
       

        
 
Tpt. em B♭

 
Tpt. em B♭         

    
Tpt. em B♭
     
 
        
           
Bomb.

           
  
  
Tbn.

 
     
3 3 3 3 3


  
Tbn.

 
Tbn.
      

       
         
Tba.
    

                       
   
           
     
Bat.

G.Cõrtes
 37      
10

 

Fl.

   
Cl. em B♭  

  
  
Cl. em B♭


     

 
Cl. em B♭

  
  
 
A. Sax

  
A. Sax   
  
   

A. Sax


   
Sax. Tn.
 
  
      
Bar. Sax
       

  
   
Tpt. em B♭


   
Tpt. em B♭
 


Tpt. em B♭
    

  
   
                   
Bomb.

          
 
 
Tbn.

    
3 3 3 3 3 3 3 3


 
Tbn.

    
Tbn.

       
       
  
 
Tba.

                       
   
           
     
Bat.

G.Cõrtes
     
  
11

  
 
40

    
Fl.

 
Cl. em B♭       

   
Cl. em B♭          

  
          
 
Cl. em B♭

    
A. Sax     


        
A. Sax
 
 
   
   
 
A. Sax

  
Sax. Tn.        
   
                
Bar. Sax
    

       
        
 
Tpt. em B♭

 
     


Tpt. em B♭         
 
     


Tpt. em B♭
        
 
     


  

                      
Bomb.

     
 
      
Tbn.

         
3 3 3 3 3 3 

 
      
Tbn.

         


 
 
Tbn.

 
                  


  
  
Tba.

                              
    
               
       
Bat.

G.Cõrtes
 44     
   
12

Fl.   

          





Cl. em B♭

Cl. em B♭            

           
 
Cl. em B♭

  
A. Sax 
     

  
       
 

A. Sax 
       
 

A. Sax 

     
 

  

Sax. Tn.

  
                 
 


  


Bar. Sax
   
                         
Tpt. em B♭ 


Tpt. em B♭                         

              
Tpt. em B♭
          
 

       
                       
Bomb.

  




                       
Tbn.

  
                       
Tbn.

Tbn.
  

      
                    
   
   
Tba.

                         
     
                   
         
Bat.

G.Cõrtes
            

13


49

Fl.

    

 

Cl. em B♭ 

 
   
 

Cl. em B♭ 



 

Cl. em B♭     
  
 
 
 

A. Sax 
    
A. Sax   

    
A. Sax   

     


Sax. Tn.

    
 
             
Bar. Sax
   
                  
Tpt. em B♭   

Tpt. em B♭                     

Tpt. em B♭
                    

     

                 
Bomb.

 
  
                
Tbn.


   
                
Tbn.


Tbn.
   

     
                
Tba.
      

                               
    
               
       
Bat.

G.Cõrtes
 53      
  
14
 
Fl.  

      





Cl. em B♭

      
Cl. em B♭ 

    
  
 
Cl. em B♭

   
A. Sax      

  
       
 

A. Sax 

      
 

A. Sax 

       
 


 
Sax. Tn.

 
             
    



  


Bar. Sax
   
                     
Tpt. em B♭ 

   
Tpt. em B♭                  

   
Tpt. em B♭
                 

 
        
                   
Bomb.

  




                   
Tbn.

  
                   
Tbn.

Tbn.
  

   
                     
     
  
Tba.

                  

     
                   
         
Bat.

G.Cõrtes
         
         
15

  
58 To Coda Solo

Fl.

         
       
 3

 
Solo
Cl. em B♭

        


 
3

  
Cl. em B♭

  
Cl. em B♭           

    
      
A. Sax
  
 
         
  
A. Sax

 
         
  
A. Sax

       
Sax. Tn.
     
     
            
Bar. Sax
       
 


Tpt. em B♭    




Tpt. em B♭    




Tpt. em B♭
   
  


Bomb.  

   
 
Tbn.
  
    


Tbn.
  
    


  
       
Tbn.

   
            


Tba.
    


                               
    
               
       
Bat.

G.Cõrtes
              
62      
16

Fl. 

             
  
3 3

Cl. em B♭  

    
3

 
3

Cl. em B♭
 

     
Cl. em B♭
 
       
A. Sax  

      
A. Sax
 

      
A. Sax
 

        
Sax. Tn.
 
   
              
Bar. Sax
      

Tpt. em B♭      

   
 
Tpt. em B♭

Tpt. em B♭
     
   
Bomb. 

    
Tbn.  
    
Tbn.

    


Tbn.

        
             
  
  
Tba.

                               
    
               
       
Bat.

G.Cõrtes
              
 17

      
66 D.S. al Coda

Fl.

     
           
3 


3

Cl. em B♭

             


Cl. em B♭  
             





Cl. em B♭

    
    


A. Sax 
  
       


A. Sax  

      


A. Sax  

      


Sax. Tn.  
  
              


Bar. Sax
           
                  
Tpt. em B♭  




                 

Tpt. em B♭




                 

Tpt. em B♭

 
     


  

                 
Bomb.

  


  
                
Tbn.

   
3 3 


                
Tbn.

   


Tbn.

            
             


Tba.
     

                     
       
3

                   
       
Bat.

G.Cõrtes
 
71       
18

Fl. 
    


Cl. em B♭   

          


Cl. em B♭   

          


  

Cl. em B♭

      


A. Sax 
             
 

A. Sax 
           
  
 

A. Sax

    
 

 
 
Sax. Tn.

    
      
   
        
 

Bar. Sax
 
      
Tpt. em B♭    

       


Tpt. em B♭  

       


Tpt. em B♭
 




Bomb.      
     

 
 

  
     
Tbn.

  
  


     
Tbn.

  
  


Tbn.

 
                  


     
  
Tba.

     

     
                   
         
Bat.

G.Cõrtes
            
 
19


76

Fl.

            
Cl. em B♭ 


Cl. em B♭             


            
           
 
Cl. em B♭


A. Sax 

A. Sax              


A. Sax              


            

Sax. Tn.

  
                 

Bar. Sax
       
  
   
      
3

Tpt. em B♭

   
 

  
     
3
Tpt. em B♭

 
 

          
3
Tpt. em B♭


 

            
      
Bomb.

   
      
Tbn.

  
             
 3

Tbn.

  
             
 3

Tbn.

   
                    
3

 


   
   
Tba.


                  
     
                   
         
Bat.

G.Cõrtes
              
81  
20

  
 
Fl.

            
 
3 3

Cl. em B♭ 
        
     
3 3

Cl. em B♭   

         
3 3

       
3 3

          
Cl. em B♭

    
A. Sax   

        
   
3 3

A. Sax      

              
3 3

A. Sax   
        
        
3 3

 
Sax. Tn.

  
                  
3 3

Bar. Sax
    
               
   
3 3

Tpt. em B♭ 

              
3


3 3 3

   


Tpt. em B♭

              
3


3 3 3

 


Tpt. em B♭
 
         
3 3 3

    
3

 



   
Bomb.

                   

3 3


                   
Tbn.

    
3 3 3 3

                   
Tbn.

    
3 3 3 3

Tbn.

          
             
3 3 3 3

Tba.
    
             
3 3

  
                
3 3

                       
       
Bat.

3 3

G.Cõrtes
  
 
21

    
87

 
Fl.

Cl. em B♭     

 
Cl. em B♭     

    
Cl. em B♭  
  
A. Sax     

  
   
A. Sax


     

A. Sax


Sax. Tn.      

 
Bar. Sax
     

  
Tpt. em B♭     

    
Tpt. em B♭  

    
Tpt. em B♭
 

     

Bomb.

   
Tbn.     

   
  
Tbn. 

Tbn.
   
   

 
     

Tba.

    
   
   

Bat.

G.Cõrtes
Flauta Transversal Depois do Prazer
SPC
     
Arranjo: Gabriel Côrtes

   
Revisão: Gabriel Côrtes

    

 = 120

             


     


 
12

                         
    
22

  
    
            
   
33

 
               
       
45

     
       
  

 
 


   
To Coda
54
Solo

                      D.S. al Coda
  3

    

    
    
62

               
3 3 3

      


   
68

          


    
77

        
 
    
85

3 3

G.Cõrtes
Clarinete em B♭ 1 Depois do Prazer
SPC

             
Arranjo: Gabriel Côrtes

      
Revisão: Gabriel Côrtes


 = 120

 

      
 

            
9

                    
     
21

  
              
  
30

   
                  
40

       


       
50 To Coda Solo

  

                       

            
60

     
 3

 
3 3

     

D.S. al Coda
66 3

      



 

75

    
      
      
83

3 3

G.Cõrtes
Clarinete em B♭ 2 Depois do Prazer
SPC Arranjo: Gabriel Côrtes
Revisão: Gabriel Côrtes

             
   
 = 120





   

       
 
10

     
          

 
  
22

        
                
33

    
           
          
44

 

                       
55 To Coda D.S. al Coda

   

     

               
67

 

  
    
     
76

       
      
85

3 3

G.Cõrtes
Clarinete em B♭ 3 Depois do Prazer
SPC Arranjo: Gabriel Côrtes


Revisão: Gabriel Côrtes

          
 = 120

 

       
     
       
9

  

                 



21

   
                         
31

               

       
42

 

    
                     
52 To Coda

               

D.S. al Coda

  
64

 

      

    
75

      
          
83
3 3

G.Cõrtes
Saxofone Alto 1 Depois do Prazer
SPC

         
Revisão: Gabriel Côrtes Arranjo: Gabriel Côrtes

  = 120    
          
Solo 3

 
3 3 3 3

  
 

             
         

5 3 3

       
3 3
3

       
 
8

3 3

     


            
 
15 

      
 

        
 
       

28

         
        
41

  
  

  
           
 
To Coda

 
54

            


     


   
66 D.S. al Coda

   
      
  



76

      
   
     
  
82

3 3

G.Cõrtes
Saxofone Alto 2 Depois do Prazer
SPC


Arranjo: Gabriel Côrtes

 
Revisão: Gabriel Côrtes

  = 120
         
    
 


                  
 


20

    
                    

34

  
            

46 To Coda

  

   
     


            

59 D.S. al Coda

    

                          

71

 

          
         

80

3 3

G.Cõrtes
Saxofone Alto 3 Depois do Prazer
SPC


Arranjo: Gabriel Côrtes


Revisão: Gabriel Côrtes

  = 120
              
 


             
     


20

  
                    

34

   

 
                  
46 To Coda

  

 
       


            

59 D.S. al Coda

    


                          
71

 

       
            
80

3 3


G.Cõrtes
 Saxofone Tenor Depois do Prazer
SPC Arranjo: Gabriel Côrtes
Revisão: Gabriel Côrtes

         
     
 = 120


 

                       

14

 

  
       

       
22

  
                              

32

   
               
41


 

                 
      
54 To Coda



  

          
D.S. al Coda

 
66

  

                        
   
77

3 3


     
87

G.Cõrtes
Saxofone Barítono Depois do Prazer
SPC Arranjo: Gabriel Côrtes

 
Revisão: Gabriel Côrtes

  = 120 
                
 

 


    
       
     
   

7

  
                      
       
13

   
      
   
      

 
19

    
   
       
   

     
24

      
 
                       
  
29

      
  
      
   
          

35

     
   
    
              

 
41

  

               
   

47

       
 
            

   
52

G.Cõrtes
              
2

     
    
       
To Coda

 
57

     

  
              
  
   
  
63 D.S. al Coda

  
         
          
69

     
     
     
 
      
74

   


                      
  
79

    
          
85

3 3

G.Cõrtes
Trompete em B♭ 1 Depois do Prazer
SPC Arranjo: Gabriel Côrtes

        
Revisão: Gabriel Côrtes

                  
 = 120

       
                         
10

             

  
19 

                                

32

  

     

     
41

 
       

49

  


  
      
57 To Coda D.S. al Coda

 

           

    
69
3

 

  
  
                 
78

 3 3 3 3


G.Cõrtes
Trompete em B♭ 2 Depois do Prazer
SPC Arranjo: Gabriel Côrtes
Revisão: Gabriel Côrtes

     
               
 = 120

                    
      
11

 

   
        

 
20

   
                              
32

    

       
41

           


49

  
       
57 To Coda D.S. al Coda

    

             

   
69
3

 

       

         
78

 3 3 3 3


G.Cõrtes
Trompete em B♭ 3 Depois do Prazer
SPC Arranjo: Gabriel Côrtes
Revisão: Gabriel Côrtes


              
 = 120

          


                    
10

      


            


 
19


 

                             
  
32

 

     
       
41

   
        
49

    

To Coda D.S. al Coda

 
57


       

             

  
69

  
3

 

    

         
78

 3 3 3 3


    
88

G.Cõrtes
Bombardino Bb Depois do Prazer
SPC Arranjo: Gabriel Côrtes


Revisão: Gabriel Côrtes

                
 = 120

 

                              
   
14


 


   
             
23

   
                       

33

  
  
           
43

 
 



  
             
   
D.S. al Coda
57 To Coda

  

       

     
76

           
 
85

3 3


G.Cõrtes
Trombone 1 Depois do Prazer
SPC

             
Revisão: Gabriel Côrtes Arranjo: Gabriel Côrtes

        
 = 120
Solo

          
3 3 3

    


     

17

            
3 3

           
24

                            
3 3 3 3 3 3 3

  

29

                   
3 3 3 3 3 3 3 3

   

32

                        
3 3 3 3 3 3 3

  

35

                     
3 3 3 3 3 3 3

   

38

               

3 3 3 3 3

 
41

        
3 3 3 3 3 

    

45

                       
  

51

G.Cõrtes
      
    
2

 
D.S. al Coda

  
56 To Coda

3 3
 

                       
  


67

    
      
     

72

  3

       

         
 
79

3 3 3 3

 
     
87

G.Cõrtes
Trombone 2 Depois do Prazer
SPC

   
Arranjo: Gabriel Côrtes

            
Revisão: Gabriel Côrtes

   

 = 120

          
 

         

14

           



            
26

        
           
  
35

        



  

44

      

   
50

     To Coda  


    
  
D.S. al Coda

 
56

        

 

  

68

      
 
                      

74

               


 
 3

 
  
83

3 3 3 3

G.Cõrtes
Trombone 3 Depois do Prazer
SPC

   
Arranjo: Gabriel Côrtes

            
Revisão: Gabriel Côrtes

   

 = 120

          
 

         

14

       


 


              
26

        
           
  
35

        



  

44

      

   
50

     To Coda  


    
  
D.S. al Coda

 
56

        

 

  

68

      
 
                      

74

               


 
 3

 
  
83

3 3 3 3

G.Cõrtes
Tuba Depois do Prazer
SPC


Revisão: Gabriel Côrtes Arranjo: Gabriel Côrtes


                             
 = 120

  

                  
           
8

                  
            
15

                                   

    
21


 
                                  
  
28


             
                      
35


      
                         
   
42

                                    
  
49

 

                         
      
To Coda


56


       D.S. al Coda        


   

             

63

G.Cõrtes
                                    
2

  
70

 

     
                     
      
77

              
     
84

3 3

G.Cõrtes
Bateria Depois do Prazer
  
SPC

Revisão: Gabriel Côrtes Arranjo: Gabriel Côrtes

                                

 = 120

               
       
 
  
                                   
             
        
7

       
    
    
                              
12

         
    
                                       
                    
17

         
    
              
                              
22

         
    
    
27
                              
         
    
    
                              
32

         
    
    
                              
37

         

G.Cõrtes
   
         
2

                     
42

         

    

                               
46

         
    
                              
51

         

              
                              
To Coda
56

           

    

                              
61

           

    

D.S. al Coda

                            
3
66

           
  
3

           

                         
   
71

         

                                       
                    
76

           

                                      
                      
3 3
81

        3 3

G.Cõrtes
 
      
 
3

       
86

G.Cõrtes