Base Program
* Symphonic tone poems, triggered by input, multiplied across long blooms.
* Default AutoRetrig is set relatively high, to limit overlapping buildups.
* This Program develops slowly, and can easily take over (if you allow it to).
* Use input technique, DUMP, HotSwitches, EXP2, or even EXP1 to control output.

* Insert Mode Program. Program Mix 45%. Adjust for prominence of effect.
* Cosmic Web into Shimmer. Equally useful in optional Parallel routing.
* All controls programmed for an interactive approach.

HOTKNOBS
Program [P] HotKnob – default (80 OR CC#1)
* Fine adjustment – overall length of development & size of venue.
* Coarse adjustment – TAP: (20-500) BPM.

Preset [A] HotKnob – default (95 OR CC#2)
* Adjust half of the Cosmic Web delay structure.

Preset [B] HotKnob – default (100 OR CC#3)
* Adjust the delay time around Shimmer feedback structure.

PEDALS
EXP1 (saved @ full Heel)
* Slightly increases detuning while adding EQ into the reverb loop.
* Used to actively shift emphasis & placement of frequency regions.

EXP2 (saved @ full Toe)
* Controls a set of output faders over the granular processing.
* Used to fade ‘always recording’ Cosmic Web in & out.
* Intended to allow barely-perceptible reflections at full Heel.

SWITCHES
* Active use of HotSwitches creates the thematic transformations.
* AUX 1,2,3 mapped to HS1, HS2, HS3 (momentary action)
* AUX 4,5,6 mapped to HS1, HS2, HS3 (latching action)

Program Staves
0). Spread octave down / 5th up into octaves up – all reverse-crystals-pong – high climb.
1). Low octaves into low octaves – no reverse-crystals-pong – pitch freeze.
2). Unisons into unisons – slight detuning – (1)reverse-no crystals-(1)ping – shorter climb.
3). High octave & 5th into 2 octaves up – (1)reverse-(1)crystal-(1)pong – maximum climb.

PERFORM
1). [P] Act/Byp
2). DUMP
3). TAP: 100 BPM
4). HS1 [L]
5). HS2 [L]
6). HS3 [L]

See the Program Notes for the specifics on external control parameters & MIDI mappings.