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mozGATEs is inspired by Art Kerns excellent midiGATEs plugin, which is currently unavailable in the European Union App Store. While this script provides three additional modes (OCT+NOTE, CHANNEL, VELOCITY), midiGATEs is highly recommended if available.
There are six modes for setting the probability of passing notes through the plugin. Only one mode is in effect at any time.
β’ GATE: Same probability for any and all notes
β’ NOTE: Probability for each note in all octaves
β’ OCT+NOTE: Per note, per octave
β’ CHANNEL: All notes per channel
β’ VELOCITY: All notes within a range of velocities
β’ SEQUENCE: A sequence of probabilities advancing per received note, quarter, eighth, or sixteenth note
β’ (THRU mode passes all notes without applying probabiity)
The first knob selects the mode. The pads display updates according to the mode context. The second knob always sets the probability. The context for the probability is set with the third and fourth knobs if applicable. For instance, GATE mode is global so it has no context knobs, while OCT+NOTE has note and octave knobs to set specific notes to set their probabilty.
Some pads allow tapping as an alternative for making adjustiments. These pad names are enclosed in [Brackets].
The [Macro] pad is a shortcut for setting the probability across the whole context. For instance, with [Macro] engaged in CHANNEL mode, all channels are adjusted to the same probability with the amount knob. You can then disengage [Macro] to set each channel separately.
GATE mode has two special modifiers set by pad only. On Repeat sets 100% probability for up to 7 notes following when a note is let through by the gate. Off Repeat sets 0% probability for up to 7 notes when a note is blocked by the gate. This allows setting up bursts of notes, or of silence, for interesting effects.
SEQUENCE mode allows setting a pattern of probabilities. The sequencer reads the probability from each step as it progresses. The sequence can progress each time a note is received, or it can advance on each quarter, eighth, or sixteenth note from the host clock. The host clock must be running in all but note mode. The length of the sequence can be set for interesting variations against the host clock.
