New York University
Music
X was questioned in a small room furnished with a table and two chairs. When his answers failed to satisfy, the table and chairs would be removed, a strobe light and a music player would be moved in, and he would be shackled to an iron... more
Musique et Sciences Sociales 4 | 2014 Musique et conflits armés après 1945 « Vous êtes dans un lieu hors du monde... » : la musique dans les centres de détention de la « guerre contre la terreur »
Na Europa dos séculos XVII e XVIII, a cultura musical e aquilo que os antropólogos denominam de…
La revue Transposition est mise à disposition selon les termes de la Licence Creative Commons Attribution-Partage dans les Mêmes Conditions 4.0 International.
One of the most startling aspects of musical culture in the post-Cold War United States is the systematic use of music as a weapon of war. First coming to mainstream attention in 1989, when US troops blared loud music in an effort to... more
Quem produziu música durante o longo período histórico que hoje chamamos…
TOWARD 21 ST-CENTURY MUSIC HISTORIES My title alludes to two insights I had in the last decades of the 20 th century about the nature of tertiary music history instruction in the United States. In the late 1970s, when I was first teaching... more
Resumen Uno de los aspectos más sorprendentes de la cultura musical de posguerra de los Estados Unidos es el uso sistemático de la música como arma de guerra. Esto surgió a la luz pública por primera vez en 1989 cuando las tropas de los... more
This paper assumes as a premise that music histories, like all histories, result from a conscious choosing of one’s cultural ancestors. By asking who ‘the ancestors’ would logically be for musicians active in the contemporary United... more
This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing... more
This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing... more
One of the most startling aspects of musical culture in the post-Cold War United States is the systematic use of music as a weapon of war. First coming to mainstream attention in 1989, when US troops blared loud music in an effort to... more
Based on first-person accounts of interrogators and former detainees as well as unclassified military documents, this article outlines the variety of ways that "loud music" has been used in the detention camps of the United States'... more