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If one wishes to get an idea of the musical life of Paris, one must take into account the variety of its centres and the perpetual flow of its thought—a thought which never stops, but is always over-shooting the goal for which it seemed bound. This incessant change of opinion is scornfully called “fashion” by the foreigner. And there is, without doubt, in the artistic aristocracy of Paris, as in all great towns, a herd of idle people on the watch for new fashions—in art, as well as in dress—who wish to single out certain of them for no serious reason at all. But, in spite of their pretensions, they have only an infinitesimal share in the changes of artistic taste. The origin of these changes is in the Parisian brain itself—a brain that is quick and feverish, always working, greedy of knowledge, easily tired, grasping to-day the splendours of a work, seeing to-morrow its defects, building up reputations as rapidly as it pulls them down, and yet, in spite of all its apparent caprices, always logical and sincere. It has its momentary infatuations and dislikes, but no lasting prejudices; and, by its curiosity, its absolute liberty, and its very French habit of criticising everything, it is a marvellous barometer, sensitive to all the hidden currents of thought in the soul of the West, and often indicating, months in advance, the variations and disturbances of the artistic and political world.
And this barometer is registering what is happening just now in the world of music, where a movement has been making itself felt in France for several years, whose effect other nations—perhaps more musical nations—will not feel till later. For the nations that have the strongest artistic traditions are not necessarily those that are likely to develop a new art. To do that one must have a virgin soil and spirits untrammelled by a heritage from the past. In 1870 no one had a lighter heritage to bear than French musicians; for the past had been forgotten, and such a thing as real musical education did not exist.
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360 languages supported
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1040 glyphs
Panamera Thin
Panamera Light
Panamera Regular
Panamera Medium
Panamera Bold
Panamera Black
OpenType features
About Panamera
Panamera is a modern sans serif font family. It comes in six weights, from Thin To Heavy, contains a full glyphs set, including multilingual support, openType features and also a variable font version.
Panamera font works well both for texts and titles and can be used for a wide range of projects.
Designer
Bastien Sozeau
Released
2015 — V.04 update 2025
Styles
Available in 6 weights & variable
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