Neuroscape Deck Design Part I: Unboxing and Deepnet Hacker Deck

 

I took the plunge. I bought a box of Neuroscape, Genesis set. 

I have not been disappointed.

Neuroscape is a head-to-head cyberpunk themed competitive trading card game that was recently released and initially kickstarted by 1,891 backers.  I am a non-backer recent convert, and I reviewed playing the sample starter decks about a week ago. 

Back to the box. By the numbers, in a box of Neuroscape Genesis boosters packs you get 24 booster packs at 16 cards per pack. And you get one bonus promo card in the box as well. In summary you get 385 cards per box. 

So, what’s in a booster pack? As printed on the side, a booster pack includes: 9-10 common cards, 3-6 uncommons, and 1-3 cards of rare or higher rarity.  The approximate rates of the higher rarities are 1 in 4 packs will have a Quantum Rare, 1 in 342 will have an Art Rare, and 1 in 1526 packs will have a Serialized card.  In addition, you may get a foil version of a card. I do not know the rarity frequency of foil cards.  Also, you may get basic RAM, but very rarely.  In my box I pulled a total of 6 cards of basic RAM, one of which was a foil.   

In order to play a game of Neuroscape you need exactly 25 basic RAM per RAM deck, so to resolve this issue I bought a deck of 100 basic RAM for around $10.  That fulfills the need of RAM for 4 separate decks of Neuroscape.  Which is convenient, because after opening my box and analyzing my cards, I found that I could construct four 50 card decks that have enough synergy to be playable with plenty of cards left over.  I think at least. I’m still learning the systems here. 

Another thing to note, the left-over basic RAM box is the perfect size to carry a 50 card deck, covered in Dragon Shield matte card sleeves, plus 50 RAM cards not covered in sleeves with some room to spare. 

My main concern with buying a box of booster packs (which was available) over premade decks (which were unavailable at the time of my purchase) was the frequence and amount of Mainframe cards in a booster box.  A Mainframe card represents your cyberdeck and is necessary to play a Neuroscape game.  It also sets up at least two synergies with the cards in your deck.   In the Genesis set, there are 20 distinct Mainframe cards of rarities common, uncommon and rare.  To date there are no Quantum Rare Mainframes. 

I should not have worried. There are 12 common Mainframes. In one box, though everyone’s milage will vary, I pulled 17 Mainframe cards, at least one Mainframe from all rarities; and 7 of the Mainframe cards I acquired were duplicates.  Some of the Mainframes were foil cards and are very pleasant to look at.  I did not acquire all Mainframes in the core set, but that is to be expected. I did get both rare Mainframes, Hive Dynamics and Wndrtech, lucky enough though. 

That’s neat and all, but where can you peruse the spectrum of Neuroscape cards and see for yourself?  I have found that the website NeuroDB is your answer. In fact, since I don’t have access to the prebuilt decks available for Neuroscape, I found the website’s deck database to be invaluable to see what the card distribution is for those starter decks. In addition to being able to make your own decks and share a virtual catalogue of your card collection, NeuroDB lets you look at a Meta Overview of what cards users that are making decks are using and at what frequency.  Now at the time of this writing, the Meta Overview is a new feature and was temporarily unavailable, but I had accessed it in the previous day.   I found the website very useful for theorycrafting, looking up potential card synergies and for hosting the two decks I recently constructed with my collection, which I will discuss a bit below. 

Here are some more observations on the cards I pulled from my box. After buying one box I found myself wanting more uncommons to fill out the decks I was attempting to make.  For example, I wanted to put together a Wonderland heavy faction deck with the Wndrtech Mainframe, but I didn’t draw any of the Wonderland uncommons White Knight or Red Knight that would have been useful for that type of deck. 

I also noticed that the non-faction utility cards were relatively rare.  By non-faction utility cards, I mean cards like Antivirus, Short Circuit, Terminate and Delete that have no faction and are useful counters in any deck one makes. Even though those cards mentioned are common, I only drew less than 20 of these types of cards total, which is a small amount relative to the other factions in the box. 

I am going to make a correction on a statement I made in my previous blogpost on Neuroscape. I said deck design is not limited by class restrictions. I am clarifying that statement now that I am more educated in the rules.  Some cards are dependent on other cards being in play in order to use them.  In the rules this is called a Synergy Requirement. For example, if I wanted to play the program script (Tarot) The Fool card, I would need a card from the Mystic faction in play to do so.  Now this doesn’t mean that only Mystic faction cards can be in a Mystic faction deck or with a Mystic faction Mainframe.  In fact, in one of the decks I designed below I added Dustrunner faction cards to a Hacker centric deck with a Hacker Mainframe. Now I don’t know if that deck design strategy will work too well; but I could do it, so we will see what happens when I playtest it. 

At any rate, I decided to construct two 50 cards decks with the cards I obtained from my single box. The first deck is a Hacker focused deck that I made to model the playstyle of the Hacker starter deck I played initially against Leo as I reported in my previous Neuroscape blog post.  In short, this deck focuses on playing Viruses and Trojans on my opponent’s Mainframe that do direct damage to his Mainframe Health (blue health).  This deck is also an experiment in that it only has 4 rare cards, and the rest are uncommons and commons. I am testing the viability of playing a “budget rarity deck”.  The second deck is a Cybernetic and Corpo deck where I slammed together my strongest cards of each of the factions without regard to rarity limitations and I focused on dealing out damage to the opposition’s Bioframe Health (red health).

Deepnet Mainframe Hacker Deck

The first starter deck I played with was the Hacker starter deck with the Firestarter Mainframe.  This deck revolved around placing Trojans and such as Power Spike and Memory Leak as well as Viruses like System Error on the opposing Mainframe to do Mainframe Damage to the opponent. This direct damage to the opponent was supported by the Firestarter Mainframe’s synergy, the Script Programs Overload MK. I and Overload MK. II along with other cards in the deck. 

I wanted to see if I could replicate this theme of direct Mainframe damage and Trojans/Viruses while improving upon its design. So, I chose the Mainframe Deepnet (a common card) as the center of this deck.  The first synergy of Deepnet requires two Hacker cards, then upon playing a protocol, Deepnet will deal two Mainframe damage to target player.  So far so good. Now I just needed protocol cards.  So, I then added all the Trojans and Viruses I obtained from my box to my deck.  This consisted of 4 Memory Leaks, 1 Power Spike and one Simulated Solace.  Trojans and Viruses are protocols. 

The Memory Leak Trojan will only do damage to the opponent, if the opponent’s RAM is running or committed.  So, a canny opponent will just not run all of his RAM when a Trojan shows up face down connected to his Mainframe.  To solve this problem, I turned to the Dust Runner faction.  The Dust Runner faction has a number of cards that destroy opponent’s RAM.  These include characters like Badlands Marauder and Coyote Raiders and the script EMP Grenade. Also, the Dust Runner faction has the Virus Growing Unrest, which punishes the opponent with one Mainframe Damage per RAM they install.  Together these Dust Runner cards of RAM destruction and punishment for RAM installation should function well with the Memory Leak Trojan strategy.  

The issue is, the 3 EMP Grenade and Growing Unrest cards require a Dust Runner faction card to be in play before they can be played.  I hope the six Dust Runner character cards I’ve added will be drawn frequently enough to play an EMP Grenade or Growing Unrest card when I need them.  I may have to add more Dust Runner cards to change this ratio in my deck in the future. 

Moving on, Hacker cards such as Anima Proxy and Black Hat, of which I only have one of each, also support this Trojan and Virus deck strategy.  Anima Proxy can be used to damage a player for each program attached to their Mainframe.  Trojans and Virus programs fit that criteria, so Anima Proxy is a damage amplifier.  Black Hat can put Corruption tokens on an opposing Mainframe, and the opponent takes Mainframe damage equal to the number of Corruption tokens every Netcheck.  This is useful because, not only does it do the damage I want to the opponent; if the opponent plays the big counter to my Trojan focused strategy, the Antivirus card, they will have to choose between destroying one of my hidden protocols (Trojans) attached to their Mainframe or the Corruption tokens that are damaging them every turn. 

To get through my cyberdeck quickly and obtain the cards I need, I included 3 Phantom OS characters. I can activate and purge the Phantom OS cards to look through my deck for Virus or Trojans.  Also, I included 2 Hyperclock scripts.  Hyperclock is a rare card that is the exception to the rule that this deck consists of common and uncommon cards.  This 1 RAM cost card (very cheap) allows me to temporarily install more RAM for a health penalty so I can speed up the pace of using cards from my deck. I wanted to see how Hyperclock functioned in play and determine if they were too deleterious or not to my deck’s focus, so I included them as a test.   

Lastly, I included cards that buff Hacker character’s Mainframe damage like Tagger and Binary Blast.  This in general is a good strategy since I’m using a lot of small damage (1/1) Hacker characters in my deck and I will likely need to enhance their capability to make them competent attackers or blockers. 

So now my strategy is laid out, what are the possible problems that could come up with the Deepnet deck? I have already mentioned that I may not be running enough Dust Runner faction cards to justify running Dust Runner dependent cards (EMP Grenade, etc.).  In addition, this deck needs more Trojans like Power Spike and Viruses like Simulated Solace, but I just don’t own more, so that is not a problem I can finesse with more deck design.   The other issue is that I only included 18 character cards out of a 50 card deck.  Most of the starting decks have 25 character cards and 25 other cards in their cyberdeck.  Am I too light on character cards? I don’t know. I know that having the option to draw two cards from my cyberdeck per turn may alleviate this issue, but I need to test it.  Which is one of many reasons I’m playing with this Deepnet deck at Brookhurst Hobbies soon. 

Choir of Flesh, Useful Tables

 Choir of Flesh has many evocative descriptions in its tables. I wanted to add to them. On pages 100 and 101 of the core book there are d20 tables for Ruined Landmark and Natural Feature descriptions, respectively.  Here are my 10 additions for each table, with day and night variations for each entry.

Environmental Storytelling

There are stories behind a handful of the entries. I hope my intent of what has happened in the locations comes across in the descriptions. 

Ruined Chimney - A family was immolated in their house by Purifiers here 

Chalk Mound - The Choir turned a parent protecting his two children into chalk statues. Now they erode into dust when the wind blows. 

Chapel of the Dancing Plague – The Dancing Plague was a real event! Most famously it occurred in Strasbourg, Alsace (modern France) in 1518. However, I got my hands on a paper in the Lancet (medical journal) called “A forgotten plague: making sense of dancing mania” by John Waller.

Waller’s article describes the dancing mania as being recorded as early as Christmas Eve in 1021. Since the twin apocalypses of Choir of Flesh occur in 1001 AD, I thought I could include a nod to this odd event in medieval history as the dates are close enough.  

Lancet article on the dancing plague found here.

Abandoned Suit of Armor- This references the biblical story of Lot’s wife being turned into a pillar of salt. Lay the blame at the feet of the Choir for turning the Norman warrior into salt.  

Eerie Farmstead- The peasants were assumed into heaven in a Rapture. 

Copse of the Watchful Squirrels - I attempted to make squirrels scary without making them homicidal flesh eaters.

Ring of Burning Toadstools – This references the Burning Bush that Moses encountered in the Old Testament story. 

Additional Thoughts

I would like some advice from you, the reader, about software or techniques to improve the layout of my tables. Currently I make them in word or excel and frankly I would like to present them in a more aesthetically pleasing manner.  Please post ideas in the comments below. 

In the core Choir of Flesh book, the brutal Purifiers are described on page 98 in a single dramatic paragraph and in the NPC stat block on page 198.  But what we know about them is limited.  

Frankly, I want more. It is stated that they act as general antagonists; fighting the Choir, the Flesh and anyone else they feel like. There has got to be more detail and interesting nuance BlackOath Entertainment has in store for us. 

Also, we know that the Purifiers have taken over the city of Tours and use it as home base. What does the city look like after the twin apocalypses?  Are there conflicts in the city between factions in the Purifiers?  Are citizens huddled inside locked doors praying for salvation, or is there trade between neighborhoods and some semblance of civilization continuing?  The Choir and the Flesh are omnipresent.  Do they subtly influence encounters and terrain inside the city?  

What would that look like, for example, in a random table? 

These are some of the questions that go through my mind when reading and playing this game of medieval and cosmic horror.  

Choir of Flesh, Apocrypha Early Access

 The medieval post-apocalypse horror rpg Choir of Flesh has been released after a successful kickstarter. It can now be found on DriveThruRPG here and itch.io here!  Full disclosure, the DTRPG link is the affiliate link for my blog. 

I have written a partial review of Choir of Flesh and completed character creation for a solo game here.

The kickstarter for Choir of Flesh also had a number of stretch goals.  These stretch goals for additional mechanics, backstory and tables are coming in the form of a zine called Apocrypha.  I have had the opportunity to read a beta version of Apocrypha that contains some of the art, and I can say with full conviction that it is really good with more Choir of Flesh eye-popping art, and equally top-tier writing.  

My book review of the 33 pages of Apocrypha will follow. You can get your hands on Apocrypha if you are a kickstarter backer likely next month, once it is fully complete, according to Blackoath Entertainment.  Public release is expected to come in January 2026.  At that point Apocrypha will be available for purchase via DTRPG, itch.io and Amazon.

Onward to the book review!

The Nephilim

Apocrypha opens with the last stretch goal: The Nephilim’s Arrival. Now what is a Nephilim? In the Hebrew Bible Nephilim are supposedly beings of great size and strength or possibly great power and authority which some sources claim are offspring of rebellious angels and humans.  

Apocrypha has a unique really interesting take on Nephilim that further builds out the world of Choir of Flesh.  Nephilim are alchemical amalgams of a Choir’s Angel stripped down and fused with human body parts and elements of the Flesh so that the giant monstrosity functions as one unit from disparate parts. This giant, Frankensteinian creature was made as a weapon against both the Choir and the Flesh by gnostics with alchemical techniques. As the book says, with a chilling line, “This [Nephilim] was a weapon of war. It did not need to stay sane.” 

This is great worldbuilding. We already know that members of the Roman Catholic Church are terrorized by the Choir in Italy and pagans are competing or just trying to survive the Flesh when it has been summoned in their lands. Now we know what a new group of people, the gnostics, are doing in the twin apocalypse of 1001 AD.  

Frankly this is exactly what I wanted from an expansion of Choir of Flesh. It provides more information about what other peoples are doing in this blasted post-apocalyptic medieval world and how they are coping, or seizing on the opportunity for change. 

The chapter continues, describing how the Nephilim are a threat to the settlement you have built in the base game. Ultimately the Nephilim will be inexorably drawn to your lands to wreak havoc unless you and your party charge into a new Incursion written for Apocrypha, find the Nephilim’s spoor, and destroy it. 

One of the many things I like about this chapter is the use of color symbolism in the Omens that herald the Nephilim’s coming; and the same symbolism is sprinkled throughout the encounters in the new Incursion.  The Choir and Flesh are well defined in the core book, so how is the Nephilim, this amalgam between the two, made distinct?

The author uses the colors red and crimson in natural and unnatural phenomena to signify the Nephilim’s encroaching violence.  One quote I can give from the book is “Grasshoppers and butterflies turn bright crimson in the fields and die midflight.”  There are other Omens that describe red ants pouring forth from the ground and swarming in the air; and crimson clovers releasing choking pollen.  In addition, in the Incursion an exploration is described that progresses through a ruined gnostic laboratory. During this delve, the color red is featured in various descriptions and progressively as the player’s reaches the Incursion’s dark climax. 

This style of writing is literary and not often seen in tabletop rpgs. As I said before, the writing in this book it top-notch. 

In addition, there are elements of the design of the new Incursion to find the Nephilim’s spoor that stand out to me as being well crafted.  In the core book, an Incursion is randomly generated from a table of 100 points of interest.  These points of interest are all thematic, graphic, and dangerous; but they are mostly self-contained.  The points of interest in the new Nephilim Incursion are steps in a journey the lead to the climax of a story.  

There is foreshadowing in the early points of interest.  Features of the Flesh and the Choir are seen in the same setting; casually side by side as seams of meat in the earth along with wildflowers that sing the Choir’s song when wind passes them by.  Or more grotesquely in a stone circle where one hemisphere has been infested by the Flesh and the other half is consecrated to the Choir. In that supernaturally charged locale the players are forced to make a choice between the two sides or navigate a third more dangerous middle path.  

The themes of alchemy are slowly revealed in the nine points of interest.  A terrible implied alchemical accident has created a morbid watchtower that may test the player’s humanity.  A dormitory is found before the ruined gnostic workshop that birthed the horrid Nephilim is encountered.  Abhorrent alchemical experiments can be found in both locations and the subsequent one in which there is a particular flower. I will not discuss the final area. It is for you to discover. 

New Notable Citizens

Moving along in Apocrypha, we come to the new Notable Citizens chapter.  All the new Notable Citizens are great and would be vibrant characters to interact with, but four stand out to me as having deeper roleplay potential.  Brother Gregor the Anatomist, Bastian the Reeve, Luc the Lookout, and Isolier the Sin Eater are characters that frankly I want to plop down in a multiplayer game and have my players interact with them. 

Take Bastian the Reeve for example. A reeve is an administrative official serving a king or lesser lord in a variety of roles in Anglo-Saxon England. In Apocrypha, Bastian can act as your settlement’s judge, jury and enforcer of the law.  And Bastian clings to the “Old Law” as fervently as your Unbroken character clings to their Sin to keep them going through the horrors of the apocalypse.  In a multiplayer game, you could spend a couple hours with this character debating the morality of Old World Law, if it even applies in this post-apocalyptic world, if it should be revised, or even based on a more religious or humanistic world view. Isolier the Sin Eater has similar interaction potential on the themes of Sin and redemption.

New Settlement Options

Next up, we have the new settlement options chapter. This is full of random tables to flesh out your settlement, including tables for the surrounding environment, weather, the central structure of the settlement, quirks for your population as a whole with mechanical effects, downtime events, and the notorious Celebration and Carousing table. Someone had a fun time writing this because entries such as It Is Vital That We Go Into The Fields And Knock Over The Cows and Absolute Blowout are quite fun.  This re-centers the idea in Choir of Flesh that the player is trying to maintain their humanity in this grim-dark horrific apocalypse. 

New Character Options

In the new character options chapter, there are 16 new Feats and 8 new Drawbacks. I'll have to spend some time theory crafting to really have an opinion on those.  The new Drive and Revelation mechanics look good. Drive is a new resource for player to spend to enhance their rolls to be heroic or survive by just squeaking by. It does make players more powerful or resilient but I do not think it makes them overpowered, since Choir of Flesh’s encounters can be punishing.  I do think that Drive is more useful for a game master than it is in solo play because the Drive resource is replenished by roleplaying their Passions (Sin, Doom or Anchor), their Drawbacks and just by participating in a session.  That is not to say that one cannot use Drive in solo play. Far from it, the mechanics are there and simple to fulfill. I just think that giving points of Drive is a nice reward that is not experience, treasure or settlement resource related that encourages players to explore their Passions in the Choir of Flesh world with a game master present. 

Final Thoughts

Apocrypha is 33 pages with no space wasted. Either there is excellent art, interesting new mechanics, or compelling story present.  Having said that, what more would I like to see in the future? Well, there is a line on page 7 that has fired my imagination. "The pagans who summoned the Flesh were immediately subsumed into its ranks, becoming undifferentiated gristle at the heart of something ancient."

What is going on with the pagans? Which pagans? How are they coping with members of their population turning to the Flesh or the Choir?  Is it possible that a fraction of a pagan tribe got trapped inland and now may interact with your settlement because they were on a boat when the Seas turned to Flesh and they are displaced? 

There is a lot of fertile history to be mined in the vibrant world of Choir of Flesh and I want to see more of it. 

Choir of Flesh Part 1: Early Access and Character Creation

“And when the Lamb opened the seventh seal,/Silence covered the sky.” 

-Enigma, Rivers of Belief. A description of Revelation 8:1-5. 

It is the year of our Lord 1000.  There is a crack in Heaven.  Light and Song erupt from the spiritual wound in the sky.  Seven Trumpets sound, breaking the Seven Seals, which pour out the Seven Bowls of God's wrath.  The eschaton has come.

Revelation is at hand!

But not Salvation. Oh no.

The Celestial Choir descend from above and their Song reshapes the flesh of those who hear it. New mouths sprout from mortal flesh, gasping in eternal prayers and psalms. Bones resonate in synchrony with the Song and those humans who bow to the Will of their Celestial masters become remade into fleshy abominations called Penitents.

But that is not the worst. Oh no.

Something ancient, Evil and Silent climbs from the abyssal spaces of the Earth. Flooding from the once proud city of Toledo, now engulfed by the Earth; The Flesh That Feeds has come and it unmakes all, human, and Nature alike.  Forests are converted to flesh, mankind is respun into the Unmade; all touched with a terrible unstoppable hunger. 

These two unnatural eldritch forces clash and the survivors of the last civilization of humanity must eke out a meager existence, stuck between twin apocalyptic forces.  

This is the world of the Choir of Flesh, the latest brainchild of Alex T. from Blackoath Entertainment.

I am a Patreon member of Blackoath Entertainment (Order of the Black Oath) at the Evocatus level, and as lovely consequence I have obtained the Beta 1 release of the Choir of Flesh solo focused RPG game. As of the time of this writing, the Beta 1 of Choir of Flesh was released about 20 hours ago.  In addition, for full disclosure, I am a member of Alex T’s discord and have corresponded with him. 

At the moment, early access to the Choir of Flesh Beta is only available through Patreon membership to the Order of the Black Oath. The full public release of the game is expected to occur at the end of September 2025. 

The current Beta document is a hefty 221 pages. I have read the first 45 pages. And yes, I am starstruck. Along with the evocative introduction, the first section includes: a description of the Core Themes, Character Creation, base-building mechanics called Your Settlement (options are included for playing Lone Wolf, or without a community to protect), description of mechanics for the core d20 Checks, and rules for the Humanity stat and the Anguish stat.

I find it interested that each character has to balance Anguish (which increases upon significant physical mental or spiritual shock) and Humanity (which decreases as the character is subjected to otherworldly forces of the Choir or The Flesh).  It creates this sort of push-pull claustrophobic feeling to the mechanics.  As an old Call of Cthulhu Game Master (Keeper), I think this is better than just a Sanity score that erodes over time. I can’t wait to try it out in game.  

Inspired by History

Historical research is a wonderful rabbit hole to dive into. Doubly so when one can adapt fascinating historical events, ideas and characters for use in a fictional world like Choir of Flesh.

Since I do not know too much about world history, and specifically Western Europe, in the run up to 1000 AD, I found this lovely Oxford Reference Timeline of the 10th century. 

The following are some choice historical excerpts and my speculation on how they may fit into the world of the Choir of Flesh.

“911, The Vikings settle in France, as Normans, when Rollo the Ganger is granted feudal rights over the region round Rouen.

Circa 981, Eric Thorvaldsson, or Eric the Red, sails to Greenland when he is exiled from Iceland.

Circa 1000, Leif Ericsson claims to have made landfall at three places in north America, one of which he names Vinland - the land of wine”

Choir of Flesh is focused on Spain in the Middle Ages but with the above data, one has an excuse for including Norse explorers into the apocalyptic world as Player Characters or NPCs.  Yes I am angling for an excuse to shoehorn Vikings into this setting! In particular I see Norse explorers as working in Choir of Flesh because the very seas have been taken over by The Flesh That Feeds and perhaps, they are tirelessly traveling to the epicenter, Toledo, to fix the problem.

“Circa 950, Medieval Europe's first institute of higher education is established, with the founding of the medical school at Salerno.”

Universities are filled with myth and legends.  Perhaps with 50 years of medieval medical research, where spirituality, religion, science and alchemy really did not have defined boundaries, some unspeakable cosmic secret was reveled at Salerno and caused either the opening of the Seals by the Choir or the quickening of The Flesh to plague the world.  

“Circa 900, With the end of iconoclasm, the screen between the nave and the altar sanctuary becomes covered in icons in Orthodox churches.

929, Wenceslas, a prince of the Premsylid family, is murdered on his way into church - and becomes Bohemia's patron saint.

Circa 960, Harald Bluetooth is baptized a Christian and unites the whole of Denmark as a single kingdom.

965, Mieszko, pagan chieftain of the Poles, marries a Christian Czech princess and brings all his people into the Roman Catholic fold.

975, The Hungarian king Gezá and his family are baptized as Roman Catholics, beginning a long link between Hungary and Rome.”

This is just a sampling of interesting historical religious changes and evolutions that occurred prior to 1000 AD.  For your Choir of Flesh game, your GM (or yourself if you are playing solo) could make any of these inciting incidents relevant for the development of the coming apocalypse. 

Alternatively, each of these events of religious significance could have revelations surrounding these events, that when pieced together, offer some sort of hope to defeat the Choir, The Flesh or seal the hole in Heaven.  Also, perhaps one has Unbroken who come from Hungary, Denmark, Poland, Bohemia or even from as far away as the Orthodox churches.

Character Creation

Without further ado, let’s make a character, called an Unbroken.  I rolled 4d6 for each Attribute (six times), dropped the lowest die and summed the remaining numbers on the three dice. Got the following numbers: 10,11, 9, 9, 14, 7.

I then assigned these numbers to my six Attributes, resulting in:

• STR 10
• DEX 9
• CON 11
• INT 14
• WIL 9
• PRE 7

So, this character has a +1 modifier to Intelligence rolls and a -1 modifier to Presence rolls.

With this Attribute profile a story begins to take shape. A mostly average gent who is sharper than normal uses his observational skills to stay one step ahead of the scourge of the Choir and The Flesh.  Shy by nature, this has only been exacerbated in the apocalypse where community ties and interpersonal communication are that much more important to survival. Will he learn how to navigate this new landscape or will he rot?

Next up this gent’s Defense Rating is +0 (currently), his Carrying Capacity is 10 and Initiative bonus is +0.

I am tired of calling him a gent at this point so I roll on the Random Name table on page 26 and get Malik.  Maybe Malik has a bit of an Arabic background.  I also settled on the idea that he came from a city (and wisely ran away when The Flesh came calling) and has an interest in medicine, but a bedside manner that leaves a lot to be desired.

Weapon and armor proficiencies are Spear and Gambeson. I figure his first spear was a makeshift thing that was his trusty dagger tied to a washerwoman’s pole. I’m getting the sense of a lucky survivor from this character.

Malik’s Feat is Lucky. It just has to be based on the story that is emerging from this character. Lucky allows one reroll of any check once per session.

Jumping ahead in the sequence of events for Character creation, I am choosing Malik’s Occupation as a Healer.  His skill from being a Healer is Healing (INT), gain +2 Mastery to checks related to healing, which makes sense. His Burden will tie into his shyness.  His craft as a Healer is now seen as witchcraft by the desperate.  A fact he does not correct because he is too embarrassed to admit he did not adequately pursue his medical studies before the apocalypse hit, and he is unsure about how effective he really is.  

Malik’s four other skills are: Brace (STR), once per combat, you can make a Hard STR check to ignore all damage from a single source; this is a Reaction. Perception (INT), gain +2 Mastery to checks related to general perception and awareness. Disease Resistance (CON), gain +2 Mastery to checks against disease. Quick Feet (DEX), Malik has two Move Actions each round.

Yes, Malik is shaping up to be a canny survivor.  I imagine him like a wary scavenger looting the outskirts of supernatural incursions…and the less lucky bodies of Unbroken who tried to be heroic. Perhaps he made some of those Unbroken into bodies himself. Time will tell.

For Malik’s Sin, or core of his character, I rolled randomly and came up with Wrath. This is fascinating given the somewhat scavenger, almost cowardly bone picker I was envisioning.  I imagine that Malik keeps this secret close to his core and is more of a silent calculating fuming monster than an explosive berserker.  As to the focus of his Wrath and the inciting incident that caused the deep insult that wounded him in this world of cosmic horror, I am going to leave that for another time.

The Shard of the Old World that Malik carries to remind himself of the world that was is A Shard of Stained Glass.  I’ll say this is a fragment of a golden saint’s halo and an edge of a cerulean blue sky. A reminder of better days when the world was not turned upside down by insanity.  Perhaps Malik keeps it to remind him that beauty was once labored over and possibly could be created again? Or perhaps Malik used this shard of glass as the blade for his first makeshift spear that was used to escape from a city in the grip of terror.  In any case, he has an almost totemic obsession with it.

Malik’s Doom is the hope that he holds close to keep from bowing to the Choir’s song or accepting dissolution in the Flesh’s embrace. Rolling randomly, I get 10, The Divine Conductor.  Malik is somewhat educated and experienced religious music.  He is smart enough to realize that a song requires organization or else it becomes nothing but a cacophony. He believes the Choir has some sort of conductor, physical or supernatural, or maybe some sort of written musical plan. If Malik can find that plan and destroy it, maybe, just maybe the Choir will dissolve. Hope springs Eternal. 

Afterword

I hope you enjoyed reading this as much as I enjoyed writing it and exploring the development of the character Malik in this unique apocalyptic world of cosmic horror made by Alex T of Blackoath Entertainment.   I want to thank Clay TN on the Blackoath discord and link to their blog for inspiring me to write this.

N@tO's Need to Know Part 2, Onboarding d20 Fantasy players to Call of Cthulhu/Delta Green

Dire d20 - Mythica DarkIron

One of the questions I see from time to time on the subreddit for Call of Cthulhu and the general roleplaying board, is how can you transition a group from playing a fantasy d20 game like Dungeons and Dragons to a horror/mystery/investigation game like Call of Cthulhu (CoC) or Delta Green (DG)?

Since this has also come up on the Night at the Opera discord, I decided to ask several regular members of the Delta Green community on how to untangle this Gordian knot. They provided the following advice.

The Mechanical Differences

Delta Green was originally an offshoot of Call of Cthulhu, which in turn was based on the Basic Roleplaying (BRP) system.  Explain to your players that this (Delta Green or Call of Cthulhu) is a 1d100 system, where your skills are each a percent value. Player Statistics reflect six core abilities: Strength, Constitution, Dexterity, Intelligence, Power, and Charisma. For normal humans (what players will be playing as), average Statistics fall within the range of 9 to 12. In the case where a player needs to make a test for a Statistic, say for example a Strength test to break a door open, multiply the Statistic score times 5 (in the example, STR x5) to get a numerical value the player must roll under on percentile dice in order to succeed.

In addition to Statistics, there are four Derived Attributes: Hit Points, Willpower Points, Sanity Points, and the Breaking Point.  As implied, these Derived Attributes are dependent on the Statistics of the character.  Hit Points are representation of a character’s physical integrity, a concept all roleplayers already understand. Willpower Points are a mix of a character’s ability to resist mental overexertion and essentially their magic points. 

Sanity Points are different from Willpower Points. Since your players are experienced with d20 fantasy, they may be familiar with the concept of taking psychic damage.  Sanity damage is like psychic damage in D&D, except in CoC/DG a player’s Sanity value ranges from 0 to 99 and it is tracked with its own “health bar”, independent of Hit Points. 

The Unnatural skill, also called the Cthulhu Mythos skill in CoC, acts as a malus to character’s maximum Sanity. The idea is the more a character understands about the true nature of the cosmos (reflected by an increase in Unnatural/Cthulhu Mythos skill), the less maximum Sanity they can have.

A Breaking Point is related to Sanity Points, in that when a character’s Sanity Points reaches the Breaking Point, they gain a mental disorder.  The Breaking Point is then recalculated at that time, to generate a new Breaking Point of a smaller Sanity number.

Rust Cohle, HBO True Detective Season 1

In Delta Green, Bonds are relationships that the character actually cares about and that anchor them into normal human society. Mechanically, Bonds serve as ablative Sanity armor and will mitigate the Sanity damage that players take. They serve as buffers against reaching a Breaking Point.

However, anytime a player burns Bond points to mitigate Sanity damage, they are literally injuring a personal relationship with someone else (usually an NPC) later to save their own mental health now and carry on being rational in order to conclude some mission.

In Delta Green your characters are all doomed, and the slow degradation of their humanity is reflected by their worsening Sanity and Bond scores.

Here are some examples to consider when explaining what Bonds and Sanity damage are to a new group of players:

1. Your character has a shitty and difficult job. They just had a truly unspeakable and awful day. Do they really want to hang out with their family, or ignore their responsibilities and just curl up and go to sleep? 

2. Your character is confronted with some aggressively difficult parenting decisions. But what if they just did not bother? 

3. In True Detective Season 1, Rust and Marty eventually lose all family and friends and then live on their own as they progress through the story. Mechanically this is simulated by the DG bonds system. Bonds give this a simulated number to determine where you are with whom relationship wise. Story wise, characters just get worn down by this job.

4. What does burn out look like to you? 

The Tone: Mystery, Horror, and Investigation

Tone is setting.  Most d20 fantasy settings encourage superheroic characters and story arcs where characters continually improve. 

The mystery, horror and investigation tone of Delta Green is radically different. In Delta Green all the characters are doomed by the narrative. In other games your characters are going to get better over time. In DG they degrade as they get more experienced.

When coming from a heroic fantasy game, change your player’s expectations as to what they should experience in play.  In a Delta Green game player characters will not always win, and if they do not die, they may get worse physically or mentally.

Characters are likely to die based on the design of some of the core mechanics. Combat in DG is not only lethal, but fast and lethal. At any given turn there is a chance that some other character can kill you.  Let us put some numbers on that subject so that you will have an example to point out to players.  The average hit points for a human character range from 10 to 12. A medium pistol that most Law Enforcement Agents carry (and that are easy to acquire in the US for most cultists) does 1d10 damage.  If you are unlucky, one shot from that pistol can kill your character outright.  Also keep in mind that a well-aimed car in Delta Green will absolutely erase your character from existence.

“Treasure” from AD&D Player’s Handbook by David A. Trampier

Having discussed the lethality of the setting, a word about the murderhobo mentality that is sometimes observed among players of d20 fantasy games.  I will define murderhobo behavior as a player attempting to use combat, violence or intimidation on every situation or NPC they are presented with to advance the plot. This activity breaks believability in modern games and damages the tone of mystery, horror, and investigation games.

To deal with this problem, the Night at the Opera hivemind suggested the following points:

1. Remind the player that Delta Green is set in the present day. The setting is the real world and there are real world consequences to actions. As a corollary, if the player shoots an NPC in public, remind them that everyone has a phone. 

2. Most importantly, gently remind the player that the purpose of the game is for the group to have fun, and actions taken by all players (and the Game Master is a player too!) should enhance the fun of the group.  Do not take actions to have fun at expense of other people.

Another consideration about the tone is that players in a horror game should be ready to be vulnerable. Since Delta Green characters are at risk of severe physical and psychological harm, the players need to be open to experiencing and roleplaying those situations and communicate their limits with their fellow players and the Game Master.

One last piece of advice was, since Delta Green usually has elements of mystery and investigation in the tone, players should take notes to keep track of information.  A good idea is to share a Google Doc of notes with all the other players. Whomever is the least-active in the current scene should write down the clues found.

We hope these suggestions help Game Masters smoothly introduce new players to Delta Green and Call of Cthulhu, and help everyone at the table have more fun.

Acknowledgements

I want to thank the following people from the Night at the Opera discord for ideas and review of this post: Bird Bailey, Sammy J, Fee Fi Fo Fin, Frahnk, and magnificentophat.

Update: 6/14/25

Session Zero

5th Edition Dungeon Master's Screen by Hydro74, image by AugusteBlanqui

A Session Zero is a precursor session for a roleplaying group where ground rules are discussed and the GM introduces the tone and objectives of the game or campaign. Generally, this is the session that characters are made with whatever prerequisites are required for the initial adventures.  For example, you might need a healer in the party if you are running a dungeon crawl, or a detective type character if you are running a police procedural investigation.

The Session Zero is not a new concept. As I recall, I was first exposed to the term when I was reading the Dresden Files Fate game around 2010, and some internet research on rpg.net suggests the term was in use as early as 2003.  Back in the AD&D era, an informal version of Session Zero was just called a conversation with the DM. 

In either case, communication of player and GM expectations is the point of the matter. 

In a Delta Green game, a Session Zero is the perfect opportunity to discuss the tone and Game Master expectations with players. Since this is likely their first time with a new system, the GM can introduce the idea of horror and mystery in a game, and what the GM expects of the players; whether it be certain skills needed to not fail at the mechanics of the adventure, or character behavior during the investigation.  This meeting should start everyone on board with a clean slate, with the understanding that they will be playing something different than d20 Fantasy. 

Recommended Beginning Scenarios, Delta Green

Since this blogpost is focused on players and Game Masters new to Delta Green, here are some suggestions for free adventures that are focused on introducing the game to a new group.  The question of “what beginner adventures are right for my group” comes up quite often on the Night at the Opera discord, and everyone has their favorites; these are just some of mine. I will explain the utility of each adventure as I see it after they are introduced. As such some adventure spoilers will be discussed to players, please avert your eyes from this section. 

First and most venerable, I must start by introducing the official scenario Last Things Last.  Much has been written about this adventure around the internet, so I will just say that it is short, introduces investigative work at the beginning in one contained location, gives the players room to breathe and roleplay, and usually introduces combat at the end. Last Things Last is in the free starter rulebook Delta Green: Need to Know.

The Signal Smugglers by mellonbread. A perennial favorite, this scenario does the brilliant thing of having the players smash cut to roleplay police (who are not their characters) outside of an apartment. Combat is introduced and chaos ensues. However, since this combat is an introductory scene not related to the players’ actual characters, the GM can introduce the fast and lethal combat of Delta Green without consequences for the player characters. After the initial sequence, an investigation is introduced with antagonists that can actually be negotiated with.  

Enemy of the Tribes by David Tormsen.  This was the first adventure I played in, in my current DG campaign.  I have written a partial after-action report about the experience here. The adventure starts out with a crime scene and then blossoms out to a more general investigation and tracking down of other potential victims.  The monstrous antagonists can be used as combat or eerie encounters at any point during the investigation, and likely make an appearance during the finale.  Some work is required to create combat encounters appropriate for your party of players.

The Button by Will Roy. This adventure is primarily a roleplaying event with some investigation around an enigma that is like intellectual quicksand.  It is a great way to introduce the Mythos as not just unspeakable alien gods and rabid cultists.  There is an option to include a Mythos gribbly at the end if the Game Master desires. 

The Midnight Sun by Will Roy.  This adventure was my first reintroduction to Delta Green after a years long hiatus. It works really well with two players with complementary skill sets. Though in the Delta Green world, this is actually an M-EPIC scenario. M-EPIC is the Canadian mirror to the US Delta Green anti-Unnatural program. For more details about M-EPIC check the Delta Green Handler’s Guide, specifically page 271. 

To make this a Delta Green beginning scenario, simply change the location from the Yukon to somewhere in Alaska.  A Game Master may also need to change the origin of the NPC McBee from an “American” to someone who simply is not familiar with the freezing wilderness far from civilization.  The Mythos gribbly presents an interesting roleplaying experience, sort of similar to the end of Last Things Last (above).   I wrote up a semi-novelized after-action report of my experience with The Midnight Sun,here.  

Take the A-Train by Bird Baliey. A great introductory scenario that can be dropped into a campaign to interrupt a chase scene (the player characters need to take the subway) or played by itself.  Think of this game as a stage play.  It is in one location with a fixed number of characters and a common problem. Great opportunity for roleplaying under increasing tension.

The (Un)Natural Man by Bird Baliey.  A domestic disturbance that leans heavily on investigation, roleplaying and interpersonal skills to deal with adversarial NPCs.  The finale may involve conflict with a Mythos gribbly or may be very dark. If the Game Master has a streak of dark humor, this is the scenario to play to exercise that inclination.  

Five Alarm Firefight by Bird Baliey. A Delta Green adventure designed to introduce new players to the nuances, dangers, and mechanics of combat as well as rules like exhaustion. Puts the players into civilian law enforcement or rescue roles with no prior knowledge of the occult needed. They will get plenty of that if they survive. This scenario is most analogous to a dungeon crawl because the player characters will investigate an apartment building room by room with investigative skills to attempt to find clues, and interpersonal skills to deal with NPCs. Ultimately both tactics will be fruitful for unraveling the mystery.

Having said that, the structure of the adventure is not a linear railroad. There are multiple instances where there are alternate routes to take, even if they all end in a central fixed climactic scene. The danger from humans with firearms will be on display.  Pregenerated characters are included for the adventure.

My understanding is that Five Alarm Firefight will be updated soon, so check the link on occasion!

Recommended Beginning Scenarios, Call of Cthulhu

I was originally the always-GM for my Call of Cthulhu group in the late 90s. I have not kept up with the plethora of adventures for the system, but I do remember the classic adventure The Haunting. And I remember it fondly because one of my investigator players never made it up the basement stairs under his own power. Thanks to a Series of Unfortunate Events (just read The Haunting, seriously), his companion had to drag his physically knocked out ass upstairs twice to save his life.  Good times were had by all. 

The Haunting provides a series of floating encounters that can be plugged into the adventure at the GM’s discretion.  It is a classic for a reason and many others have opined far better than myself all over the internet. 

The Author by MrNightmares. I would be remiss if I did not shill my own Call of Cthulhu adventure.  Made for one or two players at maximum, the adventure features a mysterious disappearance and a timeline of events that ratchets up the tension as things get worse until there is a potentially fatal endgame if the players do not put the clues together in time. The weakness in this adventure is that it can hinge on the players finding and reciting a certain incantation to get the antagonist’s attention, so Game Masters may need to work on that.   Features one antagonist that may not be all that terrifying to confront depending on how the players proceed.  Could link this adventure into further adventures against a Cthulhu cult. 

Afterword

Want more adventure recommendations or just more advice on how to start playing Delta Green? Check out Sammy J’s Beginner’s Guide here.  It is worth your time.

Dark Sun Part 1: Introduction, Resources, Music and OSR adaptation

 

Dark Sun is a harsh desert world where traditional fantasy races have adapted to the wasteland in exotic new ways, and civilization is found in teeming city-states in the grip of nigh unrivaled tyrant Sorcerer-Kings who dominate their population with Mind as well as forbidden Magic.  It is a mix of Dune, Mad Max, Gladiator, Tolkien by way of Conan, and the ancient historical world (think Rome, Greece, etc.) all weaved together and honed into a fine point by the visionary artwork of Brom.

I first saw the AD&D Dark Sun Boxed Set cover when I was a young one and I never got over the siren song of the savage tablelands of Athas. 

When D&D 4th edition rolled around, Dark Sun was revisited as the Dark Sun Campaign Setting: A 4th Edition D&D Supplement.  On free RPG Day in 2010, the adventure book Bloodsand Arena was released, and this book had the very good idea of making the uniqueness of Dark Sun front and center by summarizing the Eight Characteristics of Athas in single sentences, which I will reiterate below.  

Eight Characteristics of Athas

1. The World Is a Desert

2. The World Is Savage

3. Metal Is Scarce

4. Arcane Magic Defiles the World

5. Sorcerer-Kings Rules the City-States

6. The Gods Are Silent

7. Fierce Monsters Roam the World

8. Familiar Races Aren’t What You Expect 

Each of these eight characteristics were further explored in about three paragraphs each, but this list serves as a quick and dirty primer for what players can expect about the Dark Sun world. 

What I am doing with Dark Sun, is adapting the setting and its mechanics to an OSR ruleset that is more lightweight than most systems. I am familiar with AD&D, as I started with those rules when I was first introduced to Dungeons and Dragons in the 90s.  I think the AD&D rules are overly fiddly in general, so I am not using that system to run Dark Sun.  

I enjoy the OSR heartbreaker Begone, FOE! written by mellonbread and magnificentophat so I am working on adapting Dark Sun to that system, because it is a streamlined short system of approximately 20 pages. The most current version of Begone, FOE! is Revision 15. 

For me this is a long-term project that I work on in the background occasionally. I am documenting this on the blog to motivate myself and archive material that hopefully someone else may find useful.

 

While wrestling with translating mechanics and rules from one system to another, I find it is easy for myself to sort of lose sight of the overall vison of Dark Sun that I want to portray to the players.  To remedy this, I have written up something I called “Bits and Pieces,” which are sensory focused descriptions that I want to put into my games.  I may turn these descriptions into characters, setpieces or experiences.  Each of these description fragments are intended to be independent of each other.  

Bits and Pieces

1. A female dancer on a stone table in a tavern. A psionic tattoo of a sandworm on her chest and stomach undulates in electric blue as she spins with a skirt made of alternating vivid red and green elbow-length feathers.

2. A contraband merchant beckons you into a shadowed alley. Suddenly a bandanna wearing man puts a blowgun to his lips and your world explodes into twinkling purple cloying dust…then the darkness of slumber.

3. A craftsman baking thin, brittle clay tablets that crawl with iridescent yellow letters, written by a psionic scribe. 

4. A leathery-skinned mercenary, body crisscrossed with scars, stands calf deep in a warm sand dune, the grit of fine glittering sand collecting at the corner of his eyes and the taste can never be fully expelled from his mouth. 

5. That relief you feel when you find a lone cactus in the desert with swollen fist sized cactus fruit. Careful peeling of the spine covered green skin with the jagged shard of a femur, unwraps a densely packed moist dark purple fruit dotted with seeds worth masticating for their gummy liquid.

6. The heady syrup of broy, fermented kank nectar, sharp with the taste of potent cinnamon and ginger clings to your lips as it coats your throat.

7. Abrasive sand against sweat soaked leather, stinking with salt. Your pulse pounding so hard it causes tremors in your wrists as you grip a brittle bleached-white femur. The overwhelming tidal wave of sound rising from the coliseum crowd as they roar for blood.  The brash clangor of bronze horns as they announce your name, gladiator.

8. A riot of crimson- and bone-colored petals rain down from above as flutists pipe delicate melodies and drummers resonate in your skull in time with the rhythm.  The blazing sun is mercifully blotted out for a moment, a moment that turns to trembling terror as something colossal with a cloying animal musk that reclines on a palanquin jingling with iron chains comes to rest in the parade. An ancient unspeakable malice sweeps over you, prickling at the back of your mind, as you prostrate yourself, lips pressed against the earth and dirt ground into your teeth.

Switching gears, I also want to present some excellent free resources I found on the Dark Sun subreddit, r/DarkSun, and elsewhere around the internet.   

Dark Sun Resources

1. Dark Sun OSE GM Guide and Player’s Handbook by Lixu

2. Dark Sun 5th edition by Marcus Stout

3. Dark Sun Tables and Alchemy Book by u/tutt_88

If you are interested in Dark Sun at all, or want a framework for filling out encounters/details/tables for your own sandbox game or game world, I highly recommend taking a look at the Dark Sun Tables document.

I am a little surprised something this extensive and quality was released for free.  For example, in the Location Exploration Finds of Athas d100 table, it has a strong variety of desert/wasteland terrain encounter locations that suggest plots and are great hooks for hex/point crawling.  There is even a reference to the Ozymandias poem by Shelly.

“Eroded Sorcerer-King Statue - A toppled statue, its face worn away, 50 cp in bronze fragments.”

If you just need Goals, Secrets, Virtues, Vices, or Moods for your NPCs even in a normal (Tolkien-esque) fantasy setting, this document has you covered. Again, with 1d100 tables for each entry.

The Entrees and Food Items Sold in Athas and the Crafting Materials of Athas tables really let the themes and flavor of Dark Sun enter your campaign on a personal level.

Also the Dark Sun Tables pdf would work very well with the Sand Marches by Jesse Heining, below.

The whole thing is really cool.

4. Dark Sun Sand Marches by Jesse Heinig

A free West Marches style campaign setting for Dark Sun that is a whopping 378 pages, The Sand Marches has been several years in development and even contains rules for high level Dark Sun play. Really worth your time to read.

5. Athas.org 

The clearing house for almost all the Dark Sun information you want. Established since 2000, Athas.org hosts a number of articles, a podcast and more free products than you can shake a stick at.

6.  Dark Sun for the Mythras system

Battle Brothers Blazing Deserts art

Here are a handful of links to music on youtube that I find inspirational for writing or thinking about Dark Sun subjects. 

Some of these are from the soundtrack of the video game Battle Brothers’s expansion Blazing Deserts, which are composed by the group Breakdown Epiphanies.

If you have any suggestions to add to this list, please let me know in the comments below.

Dark Sun Soundscape Inspiration

1. Hans Zimmer: Dune Part Two Theme [Extended by Gilles Nuytens]

2. Jo Blankenburg - Enigma

3. Breakdown Epiphanies - Battle Brothers OST - 37 - Snake Mountain

4. Breakdown Epiphanies - Battle Brothers OST - 35 - Al-Anwar's Pride

5. Breakdown Epiphanies - Battle Brothers OST - 36 - The Gilder's Eye