Kati Blom

Newcastle University, Architechture Landscape and Planning, Emerita

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Kati is interested in the origins of spatial imagining in architectural experience, especially in unsettling, provocative, or sensuously excessive or deprived instances.
Phone: 0044 7968739533
Address: 8 HARTBURN PLACE
NEWCASTLE UPON TYNE

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Michael Spivey

University of California, Merced

Bert Vaux

University of Cambridge

Dylan Trigg

Central European University

Murat Akser

University of Ulster

Cynthia R . Nielsen

University of Dallas

David Seamon

Kansas State University

Babette Babich

Fordham University

Claire Bishop

Graduate Center of the City University of New York

Romy Golan

Graduate Center of the City University of New York

Armando Marques-Guedes

UNL - New University of Lisbon

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Papers by Kati Blom

Activating senses. Kindergartens in Finland

Irish Architect, 2002

The surfaces of glaciers

Extending Glass Chain, One Hundred Years On, 2018

Tapiolan ortodoksinen tsasouna

Pietilä’s Crystal for the Finnish President

Architectoni.ca, 2012

The full-text may be used and/or reproduced and given to third parties in any format or medium, w... more The full-text may be used and/or reproduced and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not for profit purposes provided that:  A full bibliographic reference is made to the original source  A link is made to the metadata record in Newcastle E-prints  The full text is not changed in any way. The full-text must not be sold in any format or medium without the formal permission of the copyright holders.

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Transparency and Catatonia

Näköaloja : points of view : Retretti

The Masters Undergoing Psychoanalysis? Mestarit psykoanalyysissa?

Aspectual (reconstructed) stratum and real (present) stratum in Roman Ingarden's aesthetic; comparison between architecture and art

Bachelard’s Phenomenology and Verticality

Concretism and Critique

Mica Moraine and Emotions

Fictional space as a mediator between the unconscious spatial imagination and conscious signification process. The role of dissonance within kinaesthetic 'images' and visual images

Interiorities and exteriorities of rejection in fictional space; Gernot Böhme’s atmosphere revisited

Transitional object in architecture

Persuasion and variation in architecture based on Roman Ingarden's aesthetics

Suurmuotoja, suurmuoteja" ("Magnificant forms, magnificant styles")

Kiillemoreeni ja tunteet

Arkkitehtinero supermodernismin lasin takana - kielletty orgaanisuus [Architect genius behind the glass of super modernism - forbidden organic]

Imaginative Enclave in Maison de Verre

Lainehtiva valo. Undulating light

ARK arkkitehti - The Finnish Architectural Review, 2004

Thus article reviews Juha Leiviska's architecture in regard of his use of light in his buildings,... more

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Activating senses. Kindergartens in Finland

Irish Architect, 2002

The surfaces of glaciers

Extending Glass Chain, One Hundred Years On, 2018

Tapiolan ortodoksinen tsasouna

Pietilä’s Crystal for the Finnish President

Architectoni.ca, 2012

Download

Transparency and Catatonia

Näköaloja : points of view : Retretti

The Masters Undergoing Psychoanalysis? Mestarit psykoanalyysissa?

Aspectual (reconstructed) stratum and real (present) stratum in Roman Ingarden's aesthetic; comparison between architecture and art

Bachelard’s Phenomenology and Verticality

Concretism and Critique

Mica Moraine and Emotions

Fictional space as a mediator between the unconscious spatial imagination and conscious signification process. The role of dissonance within kinaesthetic 'images' and visual images

Interiorities and exteriorities of rejection in fictional space; Gernot Böhme’s atmosphere revisited

Transitional object in architecture

Persuasion and variation in architecture based on Roman Ingarden's aesthetics

Suurmuotoja, suurmuoteja" ("Magnificant forms, magnificant styles")

Kiillemoreeni ja tunteet

Arkkitehtinero supermodernismin lasin takana - kielletty orgaanisuus [Architect genius behind the glass of super modernism - forbidden organic]

Imaginative Enclave in Maison de Verre

Lainehtiva valo. Undulating light

ARK arkkitehti - The Finnish Architectural Review, 2004

Thus article reviews Juha Leiviska's architecture in regard of his use of light in his buildings,... more

Download

Imaginative Enclave in the Maison de Verre

Intimation This chapter discusses the relationship between spatial imagination and the unconsciou... more Intimation This chapter discusses the relationship between spatial imagination and the unconscious in architecture. Spatial imagination relies on spatial perception and architecture's concrete qualities, which interact with our body, our unconscious and become noted in the associative intimation which we have with objects around us. For Sigmund Freud the personal sensuous experiences (percepts) are embedded in the unconscious. Any mental image has its origin in the perceptual, objectual world: 'all mental images stem from – are reproductions of – perceptions'. 1 In his second topographical model of the unconscious Freud concentrates on the super-ego, ego, and the id. One form of consciousness, consciousness of percepts, is associated with the skin and other sense organs. The skin mediates between the sensations of internal and external impulses. According to Freud memories do not surface into consciousness non-altered, rather they surface in a converted manner in the shape of preconscious mental images, dreams or other distorted sensuous data of which we were once conscious and now become again aware.

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Kati Blom

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