This week’s Nalbound Object of the Week is a Chancay culture doll from Peru. The Chancay culture isn’t well known, but there is a known tradition of burial dolls. I first ran across this type of doll in 2019 while in the UK to examine other nalbound objects.
Some sources in which more information can be found:
Photographs: There are two additional photos on the British Museum’s website.
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The figural work found in the decorative borders made by the Nazca people is stunningly beautiful and detailed. This week’s Nalbound Object of the Week is a beautiful sample of their cross-knit looped borders. This fragment has three very distinct figures. The Art Institute of Chicago’s website has very nice closeups of both sides and a very good zoom function if you’d like to see more.
Nazca. Fragment of a Decorative Border, 100 BCE-200 CE. The Art Institute of Chicago® CC0 Public Domain
Object: Fragment of a Decorative Border 1956.405
Description: A border fragment with three figures. The figures are about 2.5 inches tall. The piece is 11.4 × 6.7 cm (4 1/2 × 2 5/8 in.)1
Stitch(es) used: The band’s ground support is plain weave and the extension supports are simple looping. The ground is encased in the decorative cross-knit looping6
Some sources in which more information can be found:
Sawyer, Alan R. Early Nasca Needlework. London: Laurence King Publishing, 1997. pg. 149, fig. 119 and 120 (ill.).
Melo, Alipio, María José Murillo, and Danitza Willka. “The Heartbeat of Andean Weaving,” in On Loss and Absence: Textiles of Mourning and Survival, eds. Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, exh. cat. Chicago: Art Institute of Chicago, 2025. pg. 164, fig. 3 (ill.).
Photographs (if permissions allow):
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
This week’s Nalbound Object of the Week is a beautiful cross-knit looping example. A border of warriors and their sacrifice, originally intended to be attached to a piece of fabric. If you go to the The Art Institute of Chicago’s website there is a very good zoom function and some close-ups showing the underlying support worked in Simple Looping.
Nazca. Warrior Fragments, 100 BCE-200 CE. The Art Institute of Chicago® CC0 Public Domain
Object: Border of warriors
Description: A border of warriors and a sacrifice. The figures are about 2.5 inches tall. More details on The Art Institute of Chicago’s website.
Some sources in which more information can be found:
Sawyer, Alan R. Early Nasca Needlework. London: Laurence King Publishing, 1997. pg. 148, color fig. 117.
Photographs (if permissions allow):
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
Nalbinding isn’t the only corpus that is spread out across many institutions. Recently a number of museums have added to their online collection databases and we are now able to see quite a few more blue and white knitted artifacts from Egypt.
In 2019 I had the opportunity to go to the Museum der Kulturen Basel to study the nalbinding they have in their collection. While there, they shared a few pieces of their blue and white knitting with me as well. As they were putting it away, I got hints that they had an extensive collection. The Museum der Kulturen Basel has just recently put their collection online and there are some amazing pieces. Their database does not have permalinks to individual artifacts, so you will need to search via the Object Number for more details on each piece: https://www.mkb.ch/en/museum/sammlung.html
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Another type of nalbound objects we see quite frequently in museums are wig caps from Inca era Peru. Thus, this week’s Nalbound Object of the Week is an Inca wig cap. The skull cap portion is made using S-crossed Simple Looping.
Object: Inca Wig Cap
Description: A light colored skull cap with a narrower dark brown and a larger brown stripe around it with around 120 braids hanging from the lower edge. These 3 strand braids have multicolored, red, green, blue, white, brown, wrappings on their bottom half. Overall dimensions are 37 x 9 7/16 in. (94 x 24 cm).
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Continuing the purple theme, this week’s Nalbound Object of the Week returns to Peru with another figural topped hat. This time we have a single bird topping a purple and white/natural striped child’s cap made of wool and cotton.
One of five photos, and an omnidirectional option, available on the Krzysztof Babraj (Archaeological Museum in Kraków‘s online catalog entry for this cap. Photo: Małopolski Instytut Kultury w Krakowie – Public Domain
Object: Purple & White cap with Bird
Description: A small purple cap with two white/cream stripes of equal thickness that has a bird worked also in Simple Looping perched on top.
Photographs (if permissions allow): There is an omnidirectional view on the museum’s website where you can rotate the hat.
ECHO Historical Textile posted some beautiful photos of the cap (conserved? reconstructed?) on display that is clearly visibly purple and has less damage to the bird.
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
From 1872 CE we get this week’s Nalbound Object sewn by P. Nilsson’s daughter in Äspö in Skåne Sweden:1 the remains of a beautifully colored singlad ball.
Description: Not much of the nalbound exterior remains, but what does remain shows colorwork in multiple patterns involving two colors being used in the same row in several places. The ball is 6.5 cm in diameter2; divided into 8 sections, each worked from the edges into the center. The center is presumed to be cork, wrapped with possibly flax cord.3 It was then covered in course cloth, partitioned into eights and then the Simple Looping outer layer was applied.
Material: The nalbinding was worked in multiple colors of wool.5
Stitch(es) used: Z-crossed Simple Looping, F1 O (determination from photo by Anne Marie Decker) called “langettstygn”6 [langett stitch] in Swedish
Singlade balls are very similar in concept and style to Temari balls from Japan. However, Temari balls primarily use wrapped patterns, while Singlade balls are worked in the Simple Looping structure that can be considered a variant of Nalbinding when creating a fabric, but embroidery when worked into the ball base as seen in some of the more complicated modern designs.
In 1932 Mina Lundberg of Gävle, Uppland, Sweden gave this ball she used in her childhood in the 2nd half of the 19th century to the Upplandsmuseet. It is made with a center made of a broken celluloid ball with peas in it. It otherwise made in the same way as the old catalogue records that peas would be put in a goose’s throat, one end stuck in the other, that was then wrapped in yarn and the singlade cover worked over it in buttonhole stitches. https://digitaltmuseum.se/011023861906/boll
Some of the wide variety of patterns that can be worked in Simple Looping on Singlade balls. Photo from a class that was taught at Brodericaféet på Regionmuseet i Skåne in 2018.
A pair of Singlad boll by Zadig Art purchased in the Kulturen gift shop while I was in Lund in 2023 to examine the mitten. I was so excited to find traditional nalbinding available. I had heard of the Skånsk tradition of singlad balls, but hadn’t seen them in person. The yellow and brown one on the left rattles. Photo: Anne Marie Decker
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
