A.I. Tales (2019)
An anthology of four SF tales, short films from various directors around the world, although surprisingly none that feature Artificial Intelligences
The Science Fiction Horror and Fantasy Film Review
Robots are machines that are independently mobile and capable of actions. They have some capacity for independence, which can range all the way from mere programmed functionality to speech and the ability to respond to verbal commands to fully-fledged Artificial Intelligence.
Machines that are built to resemble human beings are referred to as Androids – all androids are also technically robots but for the purposes of discussion here, robots that resemble human form are discussed on the Androids page and less human-like and more mechanical robots are listed here.
The first screen robot was the android Maria in Metropolis (1927). Thereafter the serials of the 1930s and 40s could be counted on for an assortment of clunky men in tin suits. The 1950s brought an assortment of robots aiding alien invaders of the era but also the fan favourite of Robby the Robot in Forbidden Planet (1956), the first robot to follow Isaac Asimov’s Three Laws of Robotics.
The next major development came during the era of Star Wars (1977), which introduced the ‘droid’ and showed that robots had become a familiar and everyday part of the world. Numerous films in the aftermath took such an approach. The era also introduced an assortment of cute and cuddly robots.
The Terminator (1984) popularised the killer android and in the spate of killer machine films that followed, there were a good many lethal and hulking non-humaniform robots on the attack.
The major development of the 2000s was Transformers (2007) and sequels, featuring vast shape-changing machines battling it out in colossal displays of mass destruction. The late 2010s brought an upsurge of real world developments in Artificial Intelligence, including a number of works dealing with robotics.
An anthology of four SF tales, short films from various directors around the world, although surprisingly none that feature Artificial Intelligences
Outside of animation, there has never been a decent genre film about cute dogs. This film about a robot dog is no exception. The surprise is that this is produced by the normally respectable David S. Goyer
Unique anthology that offers 26 episodes from different genre directors, each ending with a death. The episodes vary wildly in quality and approach but a sufficient number ignore all good taste and/or travel waaaay across taboo lines
The second in a series of Hong Kong slapstick action caper comedies where the action is maintained at such a madcap and dementedly over-the-top pace that it frequently heads into orbit
Likeable but lightweight time travel film where Ryan Reynolds gains the aid of his twelve year-old self after travelling back in time to the present on a mission to save the future
This is another one of Robert Rodriguez’s home made children’s films that takes off in a wackily gonzo manner. The results are uneven but often cutely appealing
Steven Spielberg directs an unfinished Stanley Kubrick project about an android boy’s quest. The result is a beautiful and intelligent SF film where the sensibilities of either director merge with magnificent results
Sequel to the 2010 Tim Burton Alice in Wonderland. This has even less in common with Lewis Carroll’s book sequel than its predecessor did – a total of two scenes. The sets and effects are just pretty eye candy
Predator as enacted by a bunch of comically caricatured rednecks and white trash characters in a junkyard. The film is a cheaply produced, one-note joke that soon becomes tedious
Fine little film about an invasion of dog-like alien robots and an outbreak of mass insanity that drives people to kill themselves, this does great things on next to nothing
A South Korean SF film that comes with a wide canvas involving alien invasion, time hopping between two eras and some epic action in possibly one of the most head-scratching plots seen in some time
The second part of the Korean time-hopping/alien invasion film where many of the plot strands from the extremely confusing first film are at least wrapped up
This seems amusingly construed as a mash-up between two of James Cameron’s most famous titles … what we get is a painfully cheap film about people being pursued through the woods by an alien creature
What was once a planned James Cameron adaptation of a manga about a cyborg girl is now brought to the screen by Robert Rodriguez but it is hard to say what an underwhelming disappointment the result is
Another of the DC animated films, based on a work that reinterpreted Superman. This is somewhat bitsy in condensing a 12-issue series to a 73-minute film but holds some moments of great writing
TV mini-series released as a theatrical film in some parts of the world that resurrects Captain Nemo in the present-day. It is Irwin Allen returning to his tv roots where Captain Nemo’s adventures become a blatant attempt to copy Star Wars
Children manage to incarnate the soul of their late father inside a robot body. A children’s film where the title is the most imaginative thing about the show.
A variation on The Defiant Ones with a human and an android chained together but this fails to find anything to say either about androids or prejudice
A painfully cheap film that feels like an amateur effort that was accidentally given a dvd release. Essentially Resident Evil but with killer robots instead of zombies, this shouts its impoverishment from every scene
A film spun out around a YouTube channel of videogame reviews. This sinks down into unfunny fannish in-joking, while the attempts to be a mock bad movie only seem silliness for its own sake
To accompany their two Matrix sequels, The Wackowskis hired seven anime directors to each make a short film set in The Matrix universe. The results are often quite remarkable
The third of the films devoted to Marvel’s miniature superhero. This ventures into multiverse themes works well when it comes to introducing the MCU’s big new super-villain who ended up never happening
Passable B-budget 1990s direct-to-video sf/action film about robots and humans warring across time that develops out an interesting plot about a changed timeline
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
Film spinoff of the cult animated tv show. This feels like a film overtaken by the effort of trying to be surrealistic, wacky, scatological etc more than it is ever a film that creates gag that are funny
One of the better in the fad for Artificial Intelligence films we have had since the 2010s with Theo James trying to place his late wife’s consciousness into an android body
This animated theatrical remake of the old Astro Boy cartoon series is nicely made, although the film often feels over-simplistic in its scripting and use of cliches
The idea of Jennifer Lopez in a transformer suit kicking robot ass has an outlandishness to it. The surprise is that this is a really good, well written SF film of planetary survival
The US release of several short Japanese films featuring the superhero Starman. Cheap and entertainingly absurd, filled with tatty superheroics and laughable science
This Blade Runner-influenced work about robots that develop artificial intelligence is exceptional, featuring a particularly captivating last half with Antonio Banderas journeying with strangely alive robots
Another among the recent spate of Artificial Intelligence film, the story of a secretary who befriends a robot. This is an A.I. film on a B-budget that you feel should have been made as a comedy
The Avengers was the height of 1960s chic. Amid the 90s/00s fad for big screen remakes of tv shows, this was a miscalculated disaster that gets everything about the original wrong from the casting to the droll humour
Another film from Charles Band’s Full Moon Productions, this is made with a deliberate chessiness as aliens take over a radio station shrinking girls down into bottles
In the what the feck department, this is a gore-drenched horror remake of a Hanna-Barbera children’s show, one that now depicts the original anthropomorphic animals as murderous killer robots
An animated Batman film that is essentially an extended commercial based on a line of toys wherein Batman fights super-villains that have an animal motif
Animated film that has a remarkable number of similarities to Avatar – even though it was released before. A simplistic variant of the same human colonists vs alien natives plot conducted with corner-cut CGI animation
This was The Asylum’s mockbuster take on Battle Los Angeles, a rehash of alien invasion cliches but with modestly more vigour than most of their efforts
Prolific bad movie director Mark Polonia offers his own no-budget take on the Transformers films where the Transformers are two men in bulky costume who wrestle one another
Mini-series that reconstructs the old Battlestar Galactica into smart and intelligent SF with strong characters, a gritty realism and sensational effects. A tv series followed and became one of the best SF shows of the 2000s
Web-series/film prequel to the 2003-9 revival of Battlestar Galactica with a rookie Commander Adama arriving aboard the Galactica. Easily one the best of the Galactica spinoff films to date
The original Battlestar Galactica tv series was an incredibly blatant copy built on the success of Star Wars. This is the pilot, which aired on tv in the US but was released theatrically to theatres in other countries
Isaac Asimov may not have been the best science-fiction writer ever but his stories buzzed with challenging ideas. In the hands of Chris Columbus, one of Asimov’s robot stories is reduced to mawkish sentimentalism
Disney animation and Marvel Comics come together; Marvel loses and most of the comic-book is tossed out the window and this becomes a simple story about a boy and his robot story before settling into familiar sueprheroics
French director Jean-Pierre Jeunet of The City of Lost Children and Amelie fame returns with an appealingly eccentric, beautifully designed comedic take on the machine revolution
The two time-travelling slackers are back after nearly thirty years and the film amusingly sees them having reached uneasy middle-age. But was the wait worth it?
The sequel to Bill and Ted’s Excellent Adventure where the first film’s humour gets lost amid repetition and blown up by a big-budget. William Sadler’s Death however proves a scene-stealer
Harry Harrison’s Bill the Galactic Hero is hands down the funniest science-fiction book of all time; it is painful watching it rendered in the hands of Alex Cox who has only the budget and resources of an amateur film
Disney’s attempt to join the post-Star Wars SF boom proved a flop that flounders in bad writing and ponderous pretensions. On the other hand, it is almost worth watching for the stunning design and effects
Epic and beautifully animated anime set largely underwater about the struggle to save a dying Earth from an evil super-computer that wants eradicate humanity
Eli Roth adapts the popular videogame and corrals a surprisingly high-profile cast in a knockabout planetary adventure. Alas, that met a very mixed reception and was widely regarded as a bad movie
The Bowery Boys were a poor man’s Abbott and Costello; here in one of their most entertaining outings they try to compete with Abbott and Costello’s monster bashes
This adaptation of a Harlan Ellison story is a B-budget delight that zings with witty dialogue and a young, unknown Don Johnson giving a very funny performance as the titular boy roaming the post-apocalyptic landscape with his dog
At contrast to all the serious films being made about A.I, and androids, this is a wonderfully charming and really quite eccentric comedy where a man builds a robot out of junk
In the aftermath of Star Wars, the comic-book/serial hero was revived in this heavily Star Wars influenced remake that was released theatrically and then served as the pilot of a tv series
Spinoff from Michael Bay’s Transformers films. As though all it took was a change of director, this becomes a quite enjoyable film. Rather than another of Bay’s orgies of mass destruction, this is a small sweet film that has more in common with E.T.
Video-released spinoff of the Toy Story films featuring Buzz Lightyear in an adventure. Although released under the Pixar name, the animation is all cheaply produced by a Chinese studio
Joss Whedon scripted work that is less a horror film than a meta-horror film that is constantly deconstructing the genre and subverting its cliches. A rare genre entry less about visceral impact than it has brains to spare
An appealing Danish-made film in which a pilot travels back in time from the future to save the world from environmental disaster but finds she is now stuck in her twelve year-old body
The third of the Care Bears film conducts a crossover with Alice in Wonderland, although it is an adaptation that is liberal in its treatment of Lewis Carroll to say the least
Live-action film based on an anime series where the original is built out with a series of of extraordinarily gorgeous over-ornamented visuals set in a strange retro-future world
At initial face value, this appears to be a 1960s revival of the Old Dark House film with a hooded figure killing a cast assembled at gloomy old mansion, but then takes a turn for the bizarre with an unexpected science-fiction twist mid-film
Neill Blomkamp’s film about A.I. turns into Short Circuit dropped into the militarised future of RoboCop. Of all the rich possibilities in the idea, all we get is a goofy comedy with a pimped-out carjacking robot
Excruciating and unfunny live-action Hanna-Barbera film in which an inventor creates a super-powered robot dog
Hearkening back to the spirit of 1980s B budget killer cyborg/android movie, an entertainingly preposterous film in which a girl biker gang are pitted against a mad scientist and his army of killer androids
This would be the last of the films made by stop-motion animator Ray Harryhausen where he turns his creations towards conducting another Greek Mythology adventure. With an all-star cast playing the Greek gods.
One of the few original, non-comic book based superhero films of the 2010s set in a world where those with powers are treated as a minority. This is essentially a heist film but with the addition of super-powers
The Canadian-made Code 8 was one of the few non-comic book adapted superhero films of recent years. This is a sequel where a bigger budget has been afforded to the superheroics
A low-budget film with some very accomplished effects that takes place in a devastated future as a Martian colonist returns to find what has happened to Earth
1950s sf film about a scientist’s brain transplanted into a hulking robot body. Fairly standard plot material that is turned into something striking by director Eugene Lourie of The Beast from 20,000 Fathoms fame
The third of the theatrically released films spun off from the original Battlestar Galactica. This is compiled from episodes of the dire follow-up series Galactica 1980 where the show relocates to contemporary Earth
Another among the shoddy last films Bruce Willis-made before retirement, an SF film about a rogue military team that decide to declare war on aliens. This is laughable in terms of military tactics
Charles Band film that gives the impression it is a Transformers-type film. While a Transformer does appear in a few scenes, this settles down to be more of a killer android whodunit.
An excellent underrated science-fiction film that was way ahead of its time about a class of androids in a future fighting for their rights as they gain increasing self-awareness
Gareth Edwards, the director of Monsters and Godzilla, makes a genre-defining work about robotics and artificial intelligence set in a stunningly detailed future world. This site’s Top Film for 2023
An animated film based on a popular series of children’s books about a mischievous monkey. Amiable but a film mostly intended for the pre-school set
The second of the theatrically released Doctor Who films intended to highlight the popularity of The Daleks, this is an improvement over the first film in that it dispenses with the buffoonish comedy elements
A classic of the 1950s Golden Age of SF, featuring Michael Rennie as an alien visitor film who comes to make a warning about the need to make peace. This stands at the start of the Atomic Age with a stark urgency
An interesting if uneven remake of the 1950s SF classic from Scott Derrickson that smartly updates the story from the Atomic Age to a post-9/11 era where it now delivers a modern environmental warning
A mockbuster from The Asylum that was released three days before the remake of The Day the Earth Stood Still. While some of The Asylum’s mockbusters have their amusements, this is cheaply and indifferently made
Wes Craven was hot as a result of A Nightmare on Elm Street but badly lucked out with this ridiculous film in which a teenager raises his girlfriend from the dead by planting a computer chip from a robot in her brain
One really good killer robot film, featuring a lethal non-humanoid machine and directed with a ferociity that resembles the best of James Cameron. This has similarities to Hardware that came out earlier
An animated effort about a mad scientist and three orphans. One entered this with zero expectation only for it to unexpectedly emerge as a side-splitting and completely charming pleasure
Despicable Me was a delightful debut for Illumination Entertainment but has come close to making the studio a one-hit wonder they have milked that one hit for all they can
British entry in the 1950s alien invader genre with a female invader come to Earth to select male breeding specimens. The invader looks like a dominatrix from outer space who comes accompanied by a ridiculous robot
Crime film that takes place amid cardboard sets and toy robots. A puzzlingly surreal effort that seems more suited to an MTV clip for an indie band than a full-length film
A head-scratching oddity from the people behind Winnie-the-Pooh: Blood and Honey in which people enter into a reality tv show where they are hunted by dinosaurs within the confines of a hotel
This was the first of two Doctor Who movies produced during the height of Dalekmania during the 1960s. Alas a comedy element in the form of the asinine buffoonery of Roy Castle is allowed to dominate and kills the show off
South Korean anthology containing a trio of tales on the theme of the end of the world. The standout is the middle segment, a very Asimovian tale wherein a robot claims to have logically attained Buddhist enlightenment
Film spinoff of a popular children’s animated tv series Doug about a kid and his observations on life. The film’s story has the title character befriending a local lake monster
Terence Fisher was a cornerstone figures at Hammer Films. Less well-regarded is his 1960s trilogy of science-fiction films. This is an alien invasion film that is a model of economy, told with a stark effective tension
Wackily funny SF musical with Jeff Goldblum, Damon Wayans and Jim Carrey as aliens who land in the San Fernando Valley. Directed by Julien Temple with a giddily effervescent silliness
Found Footage film that nostalgically homages, if not outrightly borrows, from E.T.. It does build a sense of wonder well but then dissolves into far too much near-identical running around
This is a film that had the capacity within its hands to be a class work about A.I. and robotics. Adapted from the art of Simon Stålenhag and directed by the Russo Brothers who were behind the last two Avengers films
Full-length film made by the French electronic music duo Daft Punk based around the robot guises the band adopts. Resembles an extended student film and feels exactly like an SF version of The Brown Bunny
One of the more enjoyable films from Charles Band’s Empire Productions, a comic-book of a film that assembles an action team of various abilities on an adventure up against a mad scientist
The second film from Neill Blomkamp. As in District 9, he starts out making a savage and biting social critique about social privilege and financial elites only to let the film descend into action moves in the third act
An indie film about a man, a woman and a robot head who meet and conduct a journey together across a desert at some point after it seems that civilisation has collapsed
After several other film incarnations that went nowhere, The Fantastic Four make their first appearance in The MCU. The film creates a wonderful retro world of 1960s futurism based on their original comic-books for them to inhabit
Unexpectedly delightful film about a man and a robot. With Tom Hanks alone with a robot for company in the aftermath of civilisation, it becomes in effect Cast Away meets Wall-E
A Blumhouse film adaptation of the videogame that was a considerable hit at the box-office. Josh Hutcherson plays a security guard at a pizza parlour who faces killer animatronics come to life