Abigail (2019)
Russian film that creates a fascinating alternate reality where Steampunk and magic blend in an almost familiar world
The Science Fiction Horror and Fantasy Film Review
Magic is a process inherent in many works of fantasy, although actually defining what it is is elusive. It can be said that it is not scientific in nature or based on real-world physics, otherwise a work becomes one of science-fiction. Nor does it come by divine process otherwise it is a Miracle. If we can define the current world as a rational one, magic is a system or property of things that stands outside these mundane definitions where it is akin to an energy or an invisible force.
Magic can be wielded by adept individuals. In use, magic is capable of transformation of matter or person-into-animal changes, it can create illusions, control of the environment and elements, can be used for healing, to create energy blasts, Mind Control, open portals to other worlds and dimensions, or conjure entities. The employment of magic will frequently be aided by something like a staff, a ring, a lens, a cauldron, potions and the assemblage of obscure items or else via Magic Spells – the uttering of phrases and rituals, which are usually written on scrolls.
It is often seen or implied that magic needs some training in its usage. Those versed in the use of magic are referred to as Magicians, Wizards, Sorcerers or Magic Users or a Witch. It is common in works of fantasy and horror for magic users to be divided into Black and White magicians, between those who make benevolent use of the art and the dark arts. The Harry Potter series and other works gave us schools dedicated to the training of magicians and the apprentice magician story is a trope in its own right.
Magic is also a property had by certain creatures such as unicorns, Dragons and Fairies. It is also something that can be imbued into certain objects such as swords, staffs, flying carpets, red slippers, rings and the like, or even objects that may have residual power such as the robes of a magician. Possession of these is frequently greatly sought. For these see Magical Artefacts.
Most depictions of magic on screen display little interest for analysing the processes of how and why it operates. Some have been brave enough to create magic systems. By and large, the stories about magic that work the best are the ones that try to create some restrictions on its use. This may involve the user being limited in what they can do by their skill or knowledge; that a magic artefact has only a certain amount of energy; that there is a natural depletion of magic in the world; that it requires the collection of obscure items in order to work; or that its use may have some cost to the one wielding it.
Russian film that creates a fascinating alternate reality where Steampunk and magic blend in an almost familiar world
A children’s fantasy adventure that never strays beyond the environs of an American high school and comes with the lowbrow slapstick, excruciating comic caricatures and incredibly bad effects
Anime version of the classic tale Chinese legend Journey to the West made Osamu Tezuka, this comes with a fast-paced action and is undeniably likable
A satiric film based on Spike Lee’s idea of the Magical Negro, an African American who exists to deliver wisdom or magical influence to white people. This gets in some deftly amusing punches at US race relations
This tries hard to be another The Thief of Bagdad but is never too much more than a run through the cliches of the Arabian Nights adventure rewritten for the post-Star Wars era
Strange Disney tv movie in which widow Linda Hamilton moves to a small town where the people seem able to do magic
One of the first of Mainframe’s animated Barbie films, this creates a fairytale where reasonable effort gone into the animation and characters
The second of the animated Barbie films, this casts her as the title character in the popular Brothers Grimm fairytale, which has been considerably embellished. This suffers the glassy plasticity of the early Mainframe films
Sequel to the earlier Barbie animated film Barbie Fairytopia. Extremely colourful but essentially a fantasy version of a teenage girl high school drama that quickly slips into pre-packaged formula
Attempt to create another Twilight franchise that quickly becomes the anti-Twilight, shucking the pro-chastity message for a decidedly inflammatory stance against small-minded Christian prejudice
Jean Cocteau makes one of the greatest of all fantasy films and the finest of all fairytale adaptations, elaborating the original story out with a visual magic that still manages to dazzle audiences today
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
This live-action remake of the Disney animated film is mounted with a lavishness. On the other hand, the romance at the centre never fully warms up, while the human characters have the show stolen from under by the cutlery and furnishings
Obvious but likeable attempt by Disney to replicate the success of Mary Poppins with Angela Lansbury as a good witch taking a group of children on a series of nonsense adventures
Charming fantasy in which James Stewart is tempted by capricious witch Kim Novak. This almost certainly served as the inspiration for tv’s Bewitched
The hit 1960s sitcom is repackaged as a frothy Nora Ephron romcom that suffers from a fatal mismatching of a showboating Will Ferrell and a more subdued Nicole Kidman who do not seem to connect in any way as Darren and Samantha
Forgotten Disney animated film that was not a success at the time it came out. It seeks to tell an epic fantasy tale in the J.R.R. Tolkien vein but ends up falling too much in the shadow of Star Wars
Set in an alternate version of the present where fantasy creatures – orcs, elves, fairies – live alongside humans, this comes with a cleverness, while being played as a buddy cop drama that anchors it with a realism
Adaptation of a book by NZ author Margaret Mahy. Mahy has a sublimely poetic turn of phrase in the writing but the film strips the book down to the point we get no more than a by-the-numbers Young Adult work
Ostensibly about occultist Aleister Crowley reincarnating in the present, this overflows with mad ideas involving quantum physics, VR, alternate worlds and a heap of classic references – and moreover, is written by the lead singer of Iron Maiden
Before the films, this was an earlier BBC tv mini-series version of the C.S. Lewis book, one of a series of four adaptations. This is faithful to the story but suffers from impoverished effects
The second of the BBC’s tv adaptations of C.S. Lewis’s Narnia books, the slightest of the works where the story is reduced to two half-hour episode
This was the third of the four BBC tv adaptations of C.S. Lewis’s Narnia books. The tv versions treats the books with quite reasonable faithfulness but suffer from extremely cheap looking effects
This was the fourth and final, as well as the best of the BBC’s tv adaptations of C.S. Lewis’s Narnia books, which works well enough despite the impoverished production values
The second of the Narnia films. Director Andrew Adamson seems so intent on copying Peter Jackson that the film becomes all epic fantasy flourishes and battle scenes to the exclusion of all else – even much of C.S. Lewis’s book
The film adaptation of C.S. Lewis’s book sought to appeal to audiences for the Lord of the Rings films but between Lewis’s heavy-handed Christian allegories and Andrew Adamson’s inexperience as a director fails to fly
Another lacklustre entry in the banal Lord of the Rings Lite franchise from C.S. Lewis’s books, a plodding run of the mill fantasy adventure for the most part. The mediocre reception killed off interest in the series
Another cheap Disney made-for-video-release sequel. This at least offers the novelty of an alternate retelling of Cinderella but everything transpires predictably
A Disney animated film whose classic stature has been overrated. The fairytale is too familiar to hold much interest, while the cutsie talking animals get to take over proceedings
The second live-action tv adaptation of Terry Pratchett’s Discworld books (in fact combining two books). This is uneven and oddly padded but beautifully produced
This sequel to Conan the Barbarian makes the mistake of watering the primal brutalism down to a PG rating and what results ends up being a pedestrian comic-book adventure
Ridiculous film from the perpetually awful Renny Harlin about teen male witches that feels like a gender-swapped version of The Craft cast with pretty boys and directed amid absurdly overblown effects
This has an appealing premise – the children of all the Disney villains have grown up and go to school together. This is promptly killed by the awfulness of the film itself, which is essentially High School Musical set in the Disney universe
Sequel to the painfully bad Disney Channel film that copied the success of High School Musical and featured the teenage children of classic Disney animated villains. This is just as empty-headed and unwatchable
One of the better films from Charles Band – an uncredited homage to Marvel’s Dr Strange. The film captures a wonderful atmosphere of esotericism and Jeffrey Combs is perfect as the sorcerer superhero
Forgotten, unsold tv pilot based on the Marvel Comics sorceror superhero. Unlike other Marvel tv properties of this era, this has an imaginativeness in its reach for esoteric spaces that favourably compares to the comic-book original
Scott Derrickson acquits himself well taking on one of Marvel’s magician superhero. He replicates well the psychedelic esoterica that gained the comic book a cult following and Benedict Cumberbatch anchors the show perfectly
One among a handful of animated films based on Marvel Comics properties, this conducts a passable telling of the origin story of the Sorcerer Supreme
This places an amusing spin on the standard dragon fantasy, having the dragon and its would-be slayer team up to fool the peasantry out of money. The Sean Connery-voiced dragon looks like a big CGI cartoon
Sequel to a largely forgotten fantasy series. While never transcending formula, this fares somewhat better than the previous sequel largely because CGI effects have advanced since the original
A shabby video-released sequel to DragonHeart (the first of several). Although this is quite clearly not being made with the services of Industrial Light and Magic this time
The fourth film in the Dragonheart franchise. Is there truly anybody out there who was begging for this? Cheaply in Romania where it seems to be straining to drag the original film’s premise out for another film
An overlooked fantasy film. Although the spirit of Star Wars stands over it, it offers a dark and gritty vision of the Middle Ages and soars with a full flight of fantasy with some stunning dragon effects
Film based on the enormously popular roleplaying game, this appears to have been quickly thrown together in advance of The Lord of the Rings films but is a shabby effort filled with some disastrous off-tone casting
A new film based on the role-playing game. The first film several years ago is poorly regarded. This is an attempt to reboot a film series but suffers badly from being handed to two comedy directors and their flip treatment
This TV mini-series adaptation of the Ursula Le Guin books is an insult. This was quickly mounted on the back of the success of The Lord of the Rings films but feels like tv filler that has zero affinity for Le Guin’s richly cultured world
Charming anime from Hayao Miyazaki’s son Goro about a young girl adopted into a witch’s strange household. The occasion where Studio Ghibli made the switch over to computer animation
Excruciatingly awful take on Cinderella, which overruns the fairytale with hip contemporary in-jokes and pop culture references, shredding any suspension of disbelief in its desire to appeal to a modern teen cool
One of the best Disney animated films in some time. Set around a Colombian American family that have hereditary magic powers and live in a magical house, this comes with an enormous degree of colour and energy
The definitive film version of the Arthurian legends. John Boorman gives us a magnificent and soaring work of beautiful impassioned imagery that delves deep into the rich mythology of the cycle
The best animated film Disney ever made, created as a work of art with animation set to classical music. The segments vary between abstraction, comic eccentricity and evocations of nightmare. The results are magical.
Disney’s sequel to Fantasia comes weighted with a sense of its own self-importance – the first theatrical release of the new millennium. However, it fails to produce much that has the stature of the original
Spinoff from the Harry Potter films – unlike those, written directly for the screen and feels more like it belongs there. The US locations open the story up, while the magic creatures and new ensemble cast prove a delight
The first Fantastic Beasts was a welcome opening up of J.K. Rowling’s Harry Potter universe and offered something fresh in the series. This is a more mixed bag where it feels like it is back to business as usual for Rowling
Third of the Fantastic Beasts films, this comes as a mix of ennui with the franchise and promise. It feels like about right now would be a good time to retire the series
A fascinatingly original film about an apartment building of demons who live amongst humans and feed on their miseries. Directed by makeup effects man Tom Woodruff, Jr and featuring some extraordinary creature designs
One of Rankin-Bass’s animated films, this has an ambitious epic fantasy plot with original themes about the line between science and magic, although this is undone by Rankin-Bass’s limited animation
Disney animated film that supposedly adapts Hans Christian Andersen’s The Snow Queen, although Andersen wouldn’t recognise it. This often feels like a ramshackle assemblage of formula elements rather than the classic it was hailed as
Frozen was the most successful animated film of all time. It also felt the most formulaic and least inspired Disney film of the 2000s. As part of Disney’s new business policy of recycling everything, this is a sequel.
Live-action adaptation of the popular manga and anime series. Despite having a reasonable budget thrown at it and treating the source material with fathfulness, this looks awkward on the screen
The concluding chapter of the trilogy of live-action Fullmetal Alchemist films, this follows the manga’s storyline closely and brings the series to an epic conclusion
The first of two sequels to the live-action Fullmetal Alchemist. The first felt uninspired but this and the third film expand the saga and its storyline out with considerable depth
Film spinoff from the popular anime tv series that seems caught between a film and a tv episode. While the film reaches for epic scale, the usual run of power blasts, there is nothing that we haven’t seen before
A live-action version of Cinderella starring Leslie Caron. This is a rather staid version with ballet sequences where the magic and romance never much ignites
The second of Ray Harryhausen’s Sinbad films, an Arabian Nights adventure. Made as a vehicle for Harryhausen’s stop-motion effects, which are stunning. Everything about the film is classic
Another entry among 2012’s spate of Snow White films following Mirror Mirror and Snow White and the Huntsman. this was a low-budget mockbuster copycat from The Asylum
Fascinating Australian film in which Robert Powell plays an enigmatic stage magician who may or may not have real powers who comes to influence a politician’s family
The second of the Harry Potter films and better than its predecessor. Chris Columbus has his tendency to overblown effects more in check but that does leave the film more dependent on J.K. Rowling’s contrived deus ex machina plotting
The penultimate chapter in the Harry Potter series surprisingly strips out most of the effects and is much slower, more character driven, while moving the saga towards an epic conclusion
I’ve never been a huge fan of the Harry Potter series but the final chapter rounds out the boy wizard saga in rousing style, mounting an epic-sized battle and finding characters depths that hold some of the best writing of the series
Fourth of the Harry Potter films and one that feels much more seamless and sure of itself as a story. The problem is the absurd contrivation of J.K. Rowling’s weak story that wheels out every sports movie cliche in the book
Sixth of the Harry Potter films, this feels like a step back from what its predecessor built up. The film suffers from trying to cram all of J.K. Rowling’s book into its running time and ends up being frustratingly mannered
The fifth and in my opinion the best of the Harry Potter films. It is the first film where we see the darkening of emotions and the children growing up as storm clouds gather. Much of the show is stolen by Imelda Staunton
The third Harry Potter film where it seems all that it took for the series to become quite good was the exit of the perpetually banal Chris Columbus and the entry of a new director in Alfonso Cuaron
The first of the Harry Potter films. The first is the weakest and lumbers due to being placed in the hands of the perpetually banal Chris Columbus who allows visual effects wow and simplistic emotional cues to dominate
British-made sword and sorcery adventure in the early 80s fantasy cycle. This suffers from a cheap and impoverished budget that makes everything look tatty
After two bloated and over-padded Hobbit films, Peter Jackson finally gets it together and produces what everyone was expecting him to deliver, even if it means dragging one battle scene out to last an entire film
Generally overlooked animated adaptation of the J.R.R. Tolkien book made for tv by Rankin-Bass. This keeps to the text very faithfully – more so than Peter Jackson – and is only let down by some limited animation
The Hobbit became Peter Jackson’s equivalent of the Star Wars prequels and this is the weakest work he has produced under the J.R.R. Tolkien banner. Five picaresque chapters of the book are extruded into bloated set-pieces
As part of their attempt to sell everything including the family silver, Disney make a sequel to their witch comedy, bringing back the three original actresses who are now looking a lot longer in the tooth
A Disney live-action film that engenders no believability in its basic premise. Much of the show is regarded as an opportunity for Bette Midler to steal the limelight and play to over-the-top excess
The first in a series of Terry Pratchett Discworld adaptations for tv. This makes the odd choice of adapting one of the more complex and darker of Pratchett’s usually comic books but it works fairly well overall
Eli Roth is a director associated with extremes and the Torture Porn cycle that one does a double-take at him making a family-friendly film. The results emerge somewhere between Harry Potter and a Goosebumps film
This Hayao Miyazaki film about a girl who becomes assistant to a mysterious magician is not quite in the same league as Princess Mononoke or Spirited Away but has the sublime beauty, eccentric characters and tender charms that all his work does
Charming and delightful film starring Veronica Lake as a witch burned at the stake returned in the present to make life miserable for her judge’s descendant Frederic March
Another of Uwe Boll’s videogame adaptations and one of his better. Boll is seeking to emulate the 00s epic fantasy fad and succeeds with some great action choreography from Ching Siu-Tung. However, it is with the casting that Boll constantly shoots himself in the foot
Remake of a 1978 tv movie about occult rituals in a girl’s sorority house. A film directed and written without any real involvement by those responsible.
Another failed attempt to start a fantasy franchise where the interesting premise of someone who can bring fictional characters to life goes precisely nowhere
There are some people who will regard this adaptation of the Stephen Sondheim musical as an instant classic; I am not one of those people. What we get is a lumbering, stagebound production that seems to lamely dip into the fairytale parody that Shrek and other films tapped far more engagingly over a decade ago
Blatant attempt to copy Ray Harryhausen’s The 7th Voyage of Sinbad, night down to employing the same lead actors and director, but this fails through shoddy stop-motion animated creature effects
Susanna Clarke kicks J.K. Rowling completely out of the ring. This BBC adaptation of her book concerning rival 19th century magicians is an epic plot and a beautifully staged costume drama, all written with a superb Austen-esque dryness of wit
The US remake of the French time travel comedy Les Visiteurs. With a script by John Hughes, this imports the original film’s stars but misses its comedy charms by a mile
Children’s film starring NBA star Shaquille O’Neil as a genie, this has a wide reputation as a bad movie
Joe Cornish gained much buzz with Attack the Block. His follow-up film concerns a modern-day kid who inherits Excalibur where Cornish has fun translating elements of the Arthurian legends to the present-day
One of the loveliest of Hayao Miyazaki’s anime, the story of a young witch who creates a parcel delivery service using her broomstick . As always, Miyazaki gives the film is simple beauty and an adult emotional complexity that finds far more adult depth than anything in the equivalent Harry Potter series
NOT the Hayao Miyazaki film but a live-action version based on the same books, made by Takashi Shimizu of the Jun-on/The Grudge films fame. Replicating Miyazaki in live-action would seem a futile endeavour from the outset and expectedly this lacks the sweet emotional uplift of his version
NOT the Guy Ritchie film but an Asylum mockbuster released at the same time. Perhaps the most WTF take on the Arthurian legends ever with the Knights as gun-wielding US Marines in present-day Bangkok and Morgan le Fay turning into a giant transformer robot
Guy Ritchie’s take on the Arthurian legends is an awkward beast that comes out as half wannabe Michael Bay film giddy with CGI delirium and half one of Ritchie’s typical Man’s Man caper films. In all of this, Ritchie plays very liberally with the elements of the Arthurian legends
Anime film released to accompany the latest version of the computer game. This is dazzling, epic-sized animation, mocapped in photorealistic detail that wows the eye on a scale that Western animators never come near. Less convincing is the setting that mixes standard fantasy with modern technology
The debut film from French animator Michel Ocelot, a beautifully simple series of African folk tales about a young boy whose plain-speaking truths outwit a witch