Aachi & Ssipak (2006)
South Korean anime that is set in a future world where people are obsessed with shit. This comes with a demented energy and a filthy-mindedness that is determined to outrage
The Science Fiction Horror and Fantasy Film Review
A cyborg is a human (or in some cases alien) whose body has been replaced by mechanical parts. In its generalised usage a cyborg has come to mean someone who has used mechanical replacements for damaged parts or to enhance their abilities. The Transhumanist movement has embraced the possibility of cyborg replacement and refers to it as Augmentation.
On screens, we have had a range of cyborg heroes and superheroes ranging from The Six Million Dollar Man to RoboCop. The 1980s gave us a whole slate of evil cyborgs or action films with cyborgs battling in post-apocalyptic futures. The Cyberpunk Films genre depicts futures where such enhancements has become commonplace.
South Korean anime that is set in a future world where people are obsessed with shit. This comes with a demented energy and a filthy-mindedness that is determined to outrage
Following on from his reworking of The Wizard of Oz in Tin Man, this is a tv mini-series where Nick Willing rather fascinatingly reinterprets Alice in Wonderland in SF terms
What was once a planned James Cameron adaptation of a manga about a cyborg girl is now brought to the screen by Robert Rodriguez but it is hard to say what an underwhelming disappointment the result is
A routine post-apocalyptic action film with Nicole Hansen as the last fertile woman on the run hunted by killer cyborgs while being protected by Joe Lara
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
Shinji Aramaki returns to the Appleseed franchise for a third time with this prequel. Though it abandons the Cyberpunk milieu, Aramaki crafts action scenes with a stunning realism
Shinji Aramaki’s immediate sequel to his reboot of the Appleseed franchise. This lacks the visually stunning qualities of its predecessor and seems more conceptually muddled but Aramaki eventually gets it together
Marvel conclude the cliffhanger they left Avengers: Infinity War on and offer up a bigger-than-big line-up, overspilling with just about every MCU character to ever appear on screen up to that point
Japanese film clearly inspired by Battle Royale that has a wonderfully appealing premise where a high school baseball game that has been turned into a deathsport
A highly ambitious film about a mysterious alien portal that appears in Earth orbit and the attempts to explore what is on the other side
Skyline was a modest alien invasion film; this is a long-planned sequel. The new director has simply turned it into an action film and tediously deals with every alien encounter with gunfire, stunts and explosions
The most successful Marvel Comics adaptation of all-time up to that point. Enjoyable if I fall short of calling it the best Marvel film ever and its receiving a nomination for a Best Picture Academy Award
Near future set science-fiction noir as a cyborg-enhanced hero is drawn in to conduct an investigation on behalf of a morally ambiguous femme fatale. Despite a reasonable effort made, this is a little too low key
That starts out seeming a standard mindless action film in which Vin Diesel is resurrected as an augmented super-soldier only for everything we assume to get turned on its head in interesting ways
Another of the gonzo Japanese splatter films about a schoolgirl who tries to go about her schoolday while fighting off mutant cyborgs with the chainsaw she carries
Less Captain America 3 than The Avengers 3 – the entire film has been conceived as a massive superheroic punch-up. The results move with an exhilarating pace, but the Russo Brothers haven’t yet mastered Joss Whedon’s hand with character humour
Captain America’s second solo outing feels more like a Mission: Impossible film or an episode of 24 than a superhero film. Lots of Marvel continuity and fanservice and you are taken aback at how political it is prepared to be
The Car concerning a possessed car is one of the forgotten films of the 1970s. Why it has produced a sequel 42 years later is a scratch of the head. Not that the two films even resemble one another
Qurkily appealing Cyberpunk film in which a female bodyguard and a male pleasure android must make a journey across a post-apocalyptic wasteland
The feature film spinoff of a cult anime tv series about intergalactic bounty hunters who in the plot here are on the track of a stolen nanotech virus
Don ‘The Dragon’ Wilson stars as a law enforcement officer pursued by killer androids in a blatant made-for-video action movie copy of the basics of The Terminator and RoboCop
The first of Albert Pyun’s kickboxing killer cyborg films featuring Jean-Claude Van Damme who was largely unknown at the time. Pyun creates wall-to-wall action but there is almost nothing else to the film
Sequel that abandons that mindless chop suey of Albert Pyun’s Cyborg and reconstructs it into a halfway reasonable Cyberpunk film. A then unknown Angelina Jolie plays the cyborg
The second of Michael Schroeder’s sequels to Albert Pyun’s Cyborg both of which are better than the original. This does interesting things with the hokey idea of a pregnant android.
The film that inspired The Terminator! Michael Rennie plays a cyborg who travels back in time to prevent a machine-dominated future coming about, while being hunted by two killer androids sent back to stop him
A low-budget action copy of RoboCop starring David Bradley as a DEA agent up against drug lord John Rhys-Davies who has transformed his brother into a cyborg
From the height of the 90s RoboCop copycat video release, a sequel that this time pits DEA agent David Bradley up against an army of rogue cyborgs
A Japanese romantic comedy about a lonely nerd who falls in love with a cyborg girl that has time travelled back from the future
From Arrowstorm Entertainment, a low-budget company that make highly professional films. Here they have even roped Danny Trejo into playing a role in a passable attempt to replicate a 1990s Albert Pyun post-holocaust cyborg film
The second of the theatrically released Doctor Who films intended to highlight the popularity of The Daleks, this is an improvement over the first film in that it dispenses with the buffoonish comedy elements
Deadpool was an hilarious breath of fresh air amid the Marvel Comics adaptations. This sequel is even better, with the self-deflating, fourth-wall breaking humour even funnier and more slickly polished action
The Death of Superman is still is the top-selling comic-book title of all-time after 25 years. This was the first half of a two-part animated adaptation of the storyline, which brings it to life with a fair and reasonable telling
Amateur low-budget production about mysterious happenings in the aftermath of an alien invasion. This has many ideas but none of them much coalesce into a plot
Nicole Eggert stars in this cheap and rather laughable copy of RoboCop, where she is a police officer killed in the line of duty who is resurrected as an avenging cyborg vigilante
This was the first of two Doctor Who movies produced during the height of Dalekmania during the 1960s. Alas a comedy element in the form of the asinine buffoonery of Roy Castle is allowed to dominate and kills the show off
Not to be confused with Neil Marshall’s Doomsday. This is a surprisingly good, low-budget British SF film that serves up the essential plot of The Terminator but with a number of clever touches of its own
Modest and conceptually packed B-budget action film in which a motley team are sent to break into a bunker that has been hijacked by a scientist who is threatening to fire nuclear missiles
TV mini-series that came out hoping to ride the coattails of Star Trek: The Next Generation but looks dated barely ten years later. Somehow the idea of teenagers on a space mission didn’t get many audiences enthused
One of the more enjoyable films from Charles Band’s Empire Productions, a comic-book of a film that assembles an action team of various abilities on an adventure up against a mad scientist
An Italian exploitation film that blatantly copies the plot of Mad Max 2. It offers the benefit of some vigorous action scenes and English-language dubbing that is out of this world
Stuart Gordon, a cult director on the basis of Re-Animator, ventures into making an SF action film set in a futuristic prison. The film has a bone-headed script that feels like it is only rehashing cliches from every SF film
Possibly THE worst film ever made. Tony Watt throws an mash-up of exploitation elements together in an incomprehensible plot. A film that made me want to hammer a nail through my eyeball rather than keep watching
A series of short film interpretations of the Frankenstein story, with interpretations ranging from BDSM to kung fu and modern police procedural
One has difficulty with the notion of a Found Footage Frankenstein film, although the film does credibly justify this. That said, the film offers up a series of genuinely phantasmagoric and out of this world creations
An early work from Takashi Miike, an ultra-violent comic-book variant on RoboCop about a Yazkuza enforcer who is incarnated in a cyborg body and goes seeking revenge
Low-budget attempt to make a Cyberpunk film. Essentially The Warriors with New Wave fashions as a group of frat boys are pursued by a relentless, psychopathic cyborg
Classic anime space opera adventure made not long after Star Wars and filled with moments of glorious visual poetry including the conceptually absurd image of a spacegoing train
This US-made live-action adaptation of the cult anime is a disaster on every level. The original’s haunting meditation on the dividing line between machine and human is diluted to being no more than a Cyberpunk action film
Mamoru Oshii’s follow-up to Ghost in the Shell where he makes a work that pushes both an artistic envelope at the same time as taking his philosophical fascination with the Cyberpunk world to a stunning level
Classic anime from Mamoru Oshii, a Cyberpunk work with a heroine who is a cyborg special forces officer, a work that delves deeply into the philosophical questions of what is human and what is machine
Reboot of the Ghost in the Shell series in a quartet of prequel stories. This funnels the essence of Cyberpunk superbly, creating a dazzling world with cyborgised security services fighting terrorists hacking people’s brains
Another anime film in the Ghost in the Shell franchise. This was the fifth episode of the Ghost in the Shell: Arise reboot series that received a theatrical release
The eighteenth Godzilla film and one of the best of the modern era. This has the most conceptually audacious plot of any Godzilla film and overflows with wild ideas involving time travel and changing the timeline
Third of the Guardians of the Galaxy films, this successfully recaptures the nature of the goofy ensemble comedy caper that made the first film such a winner but seemed to be missing in the second
Ferociously entertaining Japanese film about a cyborg-enhanced heroine on a revenge trail. Mostly a series of ridiculously over-the-top action moves combined with copious degrees of blood
Full-length follow-up to Hard Revenge, Milly and the same mix of ferocious action and over-the-top splatter. Despite a large budget, this is marginally the lesser in sheer entertainment
An intense kick of pure adrenaline. Imagine a version of The Six Million Dollar Man shot First Person Shooter style by hyper-adrenalised parkour junkies dragging the audience through a series of death-defying stunts
Another of Albert Pyun’s cyborg films set around a kickboxing competition where Pyun seems to have cut costs by using real competition footage with dramatically dull results
Disappointing adaptation of Isaac Asimov’s Robot stories. The film pays token acknowledgement to Asimov’s characters and universe and mostly seems interested in spectacular effects set-pieces
A British film about a teen who gets a cellphone embedded in his head and develops the ability to tap into cellular and internet traffic. The Computer Wore Tennis Shoes with an admirably gritty edge
After the ultra-violent Oldboy, Park Chan-wook puzzled everyone by next making this frothily surreal comedy about a girl in an asylum who believes she is a cyborg
A deranged madcap film from Shaw Brothers with a superhero fighting off a bizarre menagerie of alien monsters
Alternate world take on DC Comics continuity where Superman snaps and creates a totalitarian police state and the other superheroes align to stop him
A live-action adaptation of the popular animated series, one of the spate of such films that came out after the live-action The Flintstones. Amiably silly and frequently slapstick fun that proves to be exactly what one expects of it
Video-released sequel to the live-action Matthew Broderick film, this is played as much more of a cartoon and amped to a maximum level of slapstick inanity
Japanese film about a cyborg-enhanced bounty hunter chick. Sort of like RoboCop but played with a softcore focus
The tenth Friday the 13th film. This tries to add novelty as Jason is thawed out in the future aboard a space station to slaughter anew. Featuring David Cronenberg as a victim
Zack Snyder completes his run through DC superheroes with mixed results. The introduction of the characters works well but Snyder too readily throws established continuity out the window, while the visual dourness becomes tedious
Essentially the DC Comics animated version of Avengers: Endgame where they put every superhero under their roof on screen at once, including Justice League Dark, the regular Justice League, Suicide Squad and Teen Titans
A relative disappointment among the mostly excellent animated DC superhero films, this offers up far too diagrammatic and dramatically underdeveloped a pitting of each Justice League member with a matching super-villain only to seemingly kill them off
Ar DC Universe animated film set in an alternate timeline where the histories of various familiar DC characters have turned out radically different. A film that works through a strong, intelligent story and the shock of seeing familiar characters turned on their heads
Not so much a Justice League film as an Aquaman origin film, which at least conducts a character oft regard as a DC laughing stock with suitable dignity. I’m not a big fan of The New 52 continuity rewrite and this follows suit with fairly middling results
One of the DC Universe Original Animated Movies. Though sold as a Justice League film, this principally serves to introduce the Teen Titans to the animated universe. Despite your expectation of a very crowded film, this works well with its juggle of characters
Another of the DC Universe Animated Films that rewrites the Justice League into DC’s New 52 continuity reboot. The New 52 was more a marketing exercise than anything and this changes the character’s origins and designs to little point
Kingsman with its witty parody of gentlemanliness and action movie sensibilities, was the smartest of the modern spy movie parodies. This sequel feels like it has gone from Austin Powers for grown-ups to the excesses of the Roger Moore Bond films in the space of one film
Another of Albert Pyun’s post-apocalyptic kickboxing cyborg films. The film has no plot and consists of almost nothing but action scenes
Action film with Don ‘The Dragon’ Wilson as a cyborg soldier fighting a one-man war against rogue police drones of the future. Fairly generic assemblage of cliches
The sixth and last of the Sharknado films, this has the usual crew fighting sharknados throughout history with the recognition there is nowhere more ridiculous and over-the-top for the series to go
Low-budget Mad Max copycat action film with Michael Paré from the lunar colony who comes to Earth to take on the marauders of the post-apocalyptic wasteland
A fascinating and well told work about artificial intelligence and mind upload. If the third act falls into disappointingly cliched patterns, this is nearly three-quarters of a strong and intelligent science-fiction film
Produced on a budget of $1000, this is a miracle of no-budget filmmaking. Intended as a homage to/parody of 80s/90s cyborg action films, this contains some extremely accomplished effects posing and a sidesplitting ear for the era’s dialogue cliches
In the late 2000s, Japan has produced a series of films drenched in gore, featuring ridiculously absurd creature effects and action moves; this was the first of them – drawing from the Tetsuo films, this is a wonderfully cartoonish film with rival bio-mechanoid creatures fighting it out
Meatball Machine was a film filled with bizarre bio-mechanical transformations battling it out. It started off the gonzo Japanese splatter genre, filled with mind-boggling mutations, over-the-top splatter, a surreal sense of humour and an obsession with schoolgirls in panties. This is a sequel. directed by that film’s effects creator
Early Charles Band exploiting the mid-80s 3D revival fad. The film is a cheap planetary adventure that feels like a magpie collage of other SF films around at the time, most notably Star Wars and Mad Max 2
Mike Flanagan horror mini-series adapted from Christopher Pike’s book, this is set around a group of patients in a hospice who form a group to tell each other horror stories
Peter Jackson written-produced film that creates a fascinatingly original world. As always with a Jackson film, all the fun is in the massively scaled effects sequences and the design of the world. Alas, Jackson is not as well attuned in the story department, which often drags up corny cliched scenes
Reboot of the videogame-adapted film series emerges as a kinetic and enjoyable effort clearly designed to introduce an ongoing franchise
Sequel to the Mortal Kombat film. While the first film was fun, here anything resembling plot has been stripped away to concentrate on fight scenes slung together in the most linear way possible such that the film blurs into a single shapeless action sequence
The second of the Mortal Kombat animated films
Wrongly referred to as an adaptation of the original Philip K. Dick’s , this South Korean Cyberpunk film does homage many aspects of Blade Runner
Hands down the best film ever produced by The Asylum. How could one not like an entertainingly madcap concoction that features mad scientists, zombie stormtroopers, Nazi UFOs and Adolf Hitler preserved as a head in a jar attached to a robot body?
Albert Pyun’s finest film. It is another of his standard killer cyborg films but comes with an often hauntingly written gritty Cyberpunk edge that makes it quite unique
The first of several sequels Albert Pyun made to Nemesis. This copies The Terminator with bodybuilder Sue Price being pursued through East Africa by killer androids
The third of Albert Pyun’s Nemesis films about time-travelling cyborgs – not much plot just action scenes and some moments of undeniable strangeness
Another of the string of cyborg action films that low-budget director Albert Pyun made in the 1990s. This has a head-scratching fascination, featuring very weird cyborg sex scenes, the unearthly bodybuilder heroine Sue Price and a series of strange philosophical ruminations
One of the best films from Full Moon Productions that locates a Western on another planet and manages a perfectly pitched homage to either genre
Typical 1990s video-released effort that stands out by dint of a far-out idea – a cyborg werewolf – even if in the end the film does nothing with it and everything only boils down to a standard monster movie that takes everything from the Alien playbook
Warring cyborgs in a burned-out future. Standard 90s direct-to-video SF/action where not a lot happens
Zack Snyder returns with a work that is all but a Star Wars film in name where he draws heavily on the basics of The Seven Samurai/The Magnificent Seven
Zack Snyder’s Rebel Moon was intended as a two-part space opera saga. This first half emerged watchably and this is Part Two