The Acid House (1998)
The success of Trainspotting gave birth to this anthology that adapts three Irvine Welsh stories, including episodes in which a man is transformed into a fly and a man swaps minds with a baby
The Science Fiction Horror and Fantasy Film Review
Animal Transformation refers to humans that have the ability to transform into animals. (Very occasionally we have accounts of animals that transform into humans). This is a common plot in fantasy works and fairytales where people can be transformed into animals against their will or as the result of a curse.
In horror, there is the popular theme of the werewolf, which gets its own page under Werewolf Films, although there are numerous works involving people transforming into panthers, snakes, flies and alligators, among others. In Mad Scientist Films, scientists are frequently transforming people into animal form or creating hybrids.
Another common usage is in Superhero Films where superheroes or super-villains can have a superpower that allows them to transform into animals.
The success of Trainspotting gave birth to this anthology that adapts three Irvine Welsh stories, including episodes in which a man is transformed into a fly and a man swaps minds with a baby
This was a live-action version of the popular story given a reasonable budget and where Pinocchio is brought to life with a blend of CGI and animatronics
The second part of the Korean time-hopping/alien invasion film where many of the plot strands from the extremely confusing first film are at least wrapped up
B movie with Beverly Garland venturing into the swamps in search of her missing husband to find a scientist has transformed him into an alligator hybrid
The reasoning behind rebooting the Spider-Man franchise after ten years and only three films is a puzzle. That said, this offers an edgier origin story than Sam Raimi’s take and Andrew Garfield makes for a fine Spider-Man
An award-winning and highly acclaimed French film set in a world that is affected by a series of mutations where people are transforming into animal hybrids
Sequel to the earlier Barbie animated film Barbie Fairytopia. Extremely colourful but essentially a fantasy version of a teenage girl high school drama that quickly slips into pre-packaged formula
The third animated film based on the popular girl’s doll Barbie. This places Barbie into Tchaikovsky’s ballet Swan Lake in an okay telling, if one that suffers from the usual limited animation of Mainframe’s early films
Rather ridiculous film where Stewart Moss is bitten by a bat and afterwards turning into a bat creature. Not a terribly interesting film – it takes three-quarters of the show for him to work out what the title tells us
DC Universe Animated film that is adapted from an Elseworlds story that offers up an alternate 1920s version of Batman who is fighting up against H.P. Lovecraft entities
An animated Batman film that is essentially an extended commercial based on a line of toys wherein Batman fights super-villains that have an animal motif
An animated crossover where you cannot help but think that the two styles of either – a grim loner who lives in a dark milieu vs a team of manic teenagers spouting surfer speak – are only going to end up clashing
Modest entry among the early 1980s fad for air bladder transformation effects with Paul Clemens transforming into a cicada creature. Philippe Mora creates some solid directorial set-pieces
Jean Cocteau makes one of the greatest of all fantasy films and the finest of all fairytale adaptations, elaborating the original story out with a visual magic that still manages to dazzle audiences today
Largely forgotten version of the fairytale that is too rudimentary and pedestrian to find much flight of fantasy compared to other classic versions
One of the cheap fairytale adaptations produced by Cannon Films. John Savage and Rebecca De Mornay star in the titles. One of the Cannon fairytales that emerges slightly better than the others
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
Adaptation of the fairytale that takes place in an exquisitely dreamy sumptuousness – a stunningly designed, costumed and photographed world that has a genuine magic. However, the motion-capture animated Beast looks far too much like a CGI effect
This live-action remake of the Disney animated film is mounted with a lavishness. On the other hand, the romance at the centre never fully warms up, while the human characters have the show stolen from under by the cutlery and furnishings
Tsui Hark takes over the directorial reins of the sequel, filling it with much more fantastical elements, pitting the hero against a mad scientist and his mutant creations in a series of wild martial arts scenes
An enthusiastically gore-drenched New Zealand comedy about mutant sheep, this favourably harkens back to the heyday of Peter Jackson’s early splatter films
Possibly the most ridiculous film produced during the Anglo-horror cycle in which scientist Robert Flemyng turns daughter Wanda Ventham into a giant vampiric Deathshead moth
With the success of The Wizard of Oz, 20th Century sought to capture the same by casting Shirley Temple in this appallingly schmaltzy fairytale about two children on a quest for the Blue Bird of Happiness
A real head-scratcher from Pixar that seems to have been pitched as a cross between Braveheart and Disney’s Brother Bear. The usual Pixar humour and polish makes for a mostly amiable film but never lifts the show out of a lame duck premise
One of the flop Disney animated films of the 2000s, set among the Inuit with the head-scratching premise of a warrior who is transformed into a bear
Not long after RKO had a hit with Cat People, Universal responded with this in which the exotically beautiful Acquanetta turns into a gorilla (actually vice versa). The Jungle Woman went on to appear in two sequels
TV movie about an Ancient Egyptian cat vengeance curse. The cast was culled from 1940s genre films and the material feels just as old despite a script from Psycho author Robert Bloch
One of the better copies of Cat People, an Anglo-horror film with Barbara Shelley coming to believe that she is the inheritor of a family curse that causes her to turn into a big cat
Val Lewton’s classic work of psychological ambiguity about a woman who believes she is turning into a panther. Lewton’s ingenuity was to leave the actuality of the monster one that was merely suggested
The remake of Cat People. In the hands of Paul Schrader, all the ambiguity is made overt and the film becomes one of Schrader’s allegories for tormented sexuality. On its own terms, this is an often smoulderingly sensual work
Studio Ghibli anime in which a girl saves the life of a cat only to be drawn into a world of cats where a cat prince decides she will be his bride
A blatant but far more pedestrian copy of Cat People in which a man has blackouts during which he suspects he turns into a catman who is wanted by police for a string of murders
Animated adventure given over to Catwoman that comes with an appealing sense of humour that easily erases all memory of the Halle Berry film
This was the third of the four BBC tv adaptations of C.S. Lewis’s Narnia books. The tv versions treats the books with quite reasonable faithfulness but suffer from extremely cheap looking effects
Another lacklustre entry in the banal Lord of the Rings Lite franchise from C.S. Lewis’s books, a plodding run of the mill fantasy adventure for the most part. The mediocre reception killed off interest in the series
A Disney animated film whose classic stature has been overrated. The fairytale is too familiar to hold much interest, while the cutsie talking animals get to take over proceedings
Live-action remake of the Disney animated film. This varies little from the well-worn elements of the story to the point of over-familiarity but director Kenneth Branagh manages a lush and beautifully staged effort
Adaptation of Robert E. Howard’s pulp adventure stories and the film that made Arnold Schwarzenegger a star. The script from Oliver Stone takes unevenly from Howard but director John Milius gives the film a brutal, primal majesty
An enthusiastic B movie that takes its ridiculous premise of a group of friends encountering an alligator man lurking in the backwoods Louisiana swamps far too seriously for its own good
A copy of Cat People in which a group of G.I.s violate a Malaysian temple and are subsequently haunted by a mysterious snake woman. This achieves some modest atmosphere
The second sequel to the original The Fly, which does feature more teleporter accidents and mutations but for some reason no fly hybrids this time
Hard to describe what an utter disappointment Dario Argento’s take on the oft-filmed Bram Stoker work is. Argento seems to have entirely lost the mojo and visual flair that made him a cult name. Thomas Kretschmann makes for the screen’s mellowest Dracula
Beautifully made and written Hallmark tv mini-series directed by Steve Barron that brings to life a variety of different Native American myths and legends
A new film based on the role-playing game. The first film several years ago is poorly regarded. This is an attempt to reboot a film series but suffers badly from being handed to two comedy directors and their flip treatment
One of a spate of remakes of old AIP titles conducted in 2001, this spins the original giant spider amok film out into a superhero-gone-wrong take on Spider-Man
One of the head-scratching animated oddities produced by Disney during the 2000s. Not unlikeable, the story concerns a self-centered Aztec emperor who is transformed into a llama
A teleporter accident causes a scientist to swap head and arm with a fly. This requires you to suspend believability but is otherwise one of the classic monster movies of the era. Several sequels and a remake followed.
David Cronenberg remakes the 1958 film, transforming its improbable scenario into a fascinating study of biological transformation with Jeff Goldblum genetically mutating into a fly hybrid. Kafka’s Metamorphosis with a lot more slime.
Sequel to the David Cronenberg remake of The Fly directed by that film’s effects creator Chris Walas. This reduces Cronenberg’s obsessive bodily transformation film into just another monster on the loose tale
This is another in the series of the cheap fairytales made by Cannon Films with Aileen Quinn from Annie as an obnoxious princess who befriends a taking frog
A X-rated, West German-made film that blends together several fairytales in a very adult adaptation. The result should be seen for its sheer bizarreness
A Russian attempt to create their own equivalent of an Avengers film. The results emerge surprisingly better than you expect and with some standout effects
After a disastrous reboot of the Hellboy franchise, Millennium Media get it right, employing the comic’s creator on script, taking the series into wild directions with Hellboy up against Appalachian folk horrors
Okay if never standout Danish-made attempt to copy a Disney animated film concerning the underwater adventures of three children transformed into fish
David Lynch’s daughter Jennifer is a much better director than she is given recognition for. She disowned this work about a snake goddess taken on human form nevertheless creates a film that is equal parts lushly sensual and madcap lunacy
Appealingly silly blend of live-action and animation where Don Knotts falls into the ocean and becomes a propoise
Susanna Clarke kicks J.K. Rowling completely out of the ring. This BBC adaptation of her book concerning rival 19th century magicians is an epic plot and a beautifully staged costume drama, all written with a superb Austen-esque dryness of wit
The second of Universal’s trilogy starring the exotic Acquanetta as a woman who transforms into an ape. Mostly routine
Crisis on Infinite Earths was one of the classic DC Comics titles of all time. This is an animated film adaptation
One of the DC Universe Original Animated Movies. Though sold as a Justice League film, this principally serves to introduce the Teen Titans to the animated universe. Despite your expectation of a very crowded film, this works well with its juggle of characters
Giddy madcap and entirely ridiculous Spanish film in which Melinda Clarke’s tongue is possessed by an alien
Another of Sony’s films spun off from Spider-Man supporting characters, where the big game hunter villain is now turned into a superhero
Beautifully made Richard Donner mediaeval fantasy with two lovers suffering a curse that transforms them into animals only able to touch in person for a second at dusk and dawn each day
From director Yorgos Lanthimos, a SF film set in a future where one is forced to find their perfect romantic partner or else be turned into an animal. Pitch-perfect black humour played with admirably straight-face by a high-profile cast
Nobody much liked Maleficent but did make a reasonable amount of money, hence we get this sequel. The surprise is that in the hands of Norwegian director Joachim Rønning, it is far better than anything one expected
Wildly experimental South Korean adaptation of the Kafka story about a man turning into an insect – a film shot entirely by the director in bed with the camera pointed at his feet
Amid Kenneth Branagh’s dynamic cinematic revival of Shakespeare in the 1990s, there was this all-star adaptation of Shakespeare’s whimsy about fairy enchantments. An okay adaptation but it is eclipsed by other superior versions of the story
Under the umbrella title ShakespeareRetold, one of several Shakespeare plays that were reimagined in modern-day settings by the BBC. Here Shakespeare’s tale of fairy enchantments and romantic mix-ups is reimagined in a British holiday camp
A filmed version of Julie Taymor’s staging of the Shakespeare play. Classic theatre is not to everybody’s tastes but forget standard interpretations, Taymor opens the play up with both an extraordinary visual flair
Adaptation of the Shakespeare play about fairy enchantments made for tv by former Doctor Who showrunner Russell T. Davies. In many regards, Davies goes with a standard interpretation; in others – like portraying Athens as a fascist dictatorship – he offers radical reinvention
The cutely nonsensical Minions have become a pop culture phenomenon. Here we get more of them, although this is more as a Gru origin story
Tarsem Singh makes a Snow White film. Tarsem’s sets, costumes and visuals are expectedly exquisite and extravagant but all is unwound by a campy, unserious approach
Tim Burton used to be the great hope of fantastic cinema but his efforts since 2000 have been greeted with general disappointment. This Young Adult adaptation plays out like a fantasy version of the X-Men
3D restoration of a classic Chinese adaptation of Journey to the West and the best film version of the story to date … an incredible film filled with psychedelically eye-popping animation and amazing action scenes, while gleefully celebrating a defiance of all authority
The Disney live-action remake of Mulan finally arrives mired in controversy but the film itself proves a solid production for the most part, although never quite soars as a work of fantasy
A mind-boggling example from the largely unexplored arena of Indonesian exploitation cinema as an American woman becomes involved with local witchcraft
What will be the very last of 20th Century Fox’s X-Men films, this is more like a superheroic version of The Breakfast Club than any of the other X-Men films
Whose bright idea was it to give us kid versions of The Avengers (ostensibly their children)? While Marvel have had an unparallelled string of hits on the big screen in the 00s, their attempts to replicate the successes that rival DC have had in animation have been a dismal failure
An amazing breakout hit from Russia, a film that is busy to the point of overcrowding with ideas and its’ director’s visual excess but delivers the goods in ways that make your jaw drop
This has to be the single worst killer shark film ever made and quite possibly the worst film of the 2010s. A shark film set in a Beverly Hills mansion where the nearest body of water is a swimming pool and where the appearance of the shark will reduce you to tears of laughter
A beautifully made new live-action version of the classic story about a puppet boy. More faithful to the original story than any other screen version and with amazing creature effects. Think something that resembles Jim Henson circa The Dark Crystal and Labyrinth made with the sensibilities of a Terry Gilliam
The first of two Pinocchio adaptations of 2022, Here Back to the Future director Robert Zemeckis delivers a live-action remake of the Disney animated film
One of the great Disney animated classics from the still unsurpassed era between 1937-42. The studio were at the peak of their game artistically and the film embodies a near-perfect sense of childlike innocence
Probably the least great of Hayao Miyazaki’s films. The plot feels recycled from The Little Mermaid while Miyazaki’s recurrent themes seem more perfunctory and the film lacks many of the beautiful contrasts of epic and fragile he specialises in
Fairly silly fairytale parody with a prince transformed into a frog trying to find a modern girl to give him the kiss of true love
From Kirikou director Michel Ocelot, an anthology of animated fairytales that prove quite delightful
One of the more enjoyable Disney animated films from the latter half of the 00s. Featuring Disney’s first Black heroine, this embraces its New Orleans setting and turns Hans Christian Andersen’s fairytale on its head with enjoyable results
Italian film about a superhero that gains animal powers by putting on a belt. A strong contender for the worst superhero film ever made
Another of the cheaply made fairytale adaptations from Cannon Films with the bizarre casting of Christopher Walken as Puss in Boots
Another entry in the burgeoning Folk Horror genre, a moody work about a couple of musicians living in the Welsh countryside in the 1970s befriend a very mysterious boy who shows them the secrets of the landscape
Rather charming Steve Barron film in which Pete Postlethwaite turns into a rat. The delights are the perfect nonchalance in which everyone accepts the situation
The fifth of the Roger Corman Edgar Allan Poe films. By this point, there was a clear desire for some novelty so this one is played as a comedy between duelling magicians
Studio Ghibli’s first ever international co-production. A desert island castaway fantasy, this makes interesting comparison to the recent Robinson Crusoe/The Wild Life, even if both films are poles apart in style. This is dialogueless, spare and contained with a minimalism of plot and drama
Classic Hammer film in which Jacqueline Pearce turns into a snake creature. This seems to have been conceived as one of Hammer’s Dracula films but with snakes. It is given more than reasonable atmosphere by director John Gilling
The first of the sequels to the original The Fly where the scientist’s son begins his own experiments
Low-budget British film about environmental protestors pursued by a genetically engineered giant ape
Harry Potter, The Hunger Games et al have been object lessons in how to properly adapt a Young Adult series; this could be considered a lesson how not to – take a book series about an apprentice witch hunter set in an alternate England and turn it a generic Lord of the Rings copy
The first of Disney’s live-action comedies, a comic variant on the werewolf story with Tommy Kirk turning into a dog. Mildly amusing but later efforts would do this type of comedy better
Remake of the old Disney comedy, which now becomes a vehicle for Tim Allen, played with a manic slapstickery wherein Allen demonstrates there are few levels of silliness he will travel to in imitating dog-like behaviours
The third of Ray Harryhausen’s Sinbad films, this came out the same year as Star Wars and Harryhauden’s stop-motion animated creatures look much more flat in comparison