A.li.ce (1999)
This was the first anime film made in CGI, an ambitious SF film involving a time travel plot and a struggle against a machine-dominated future
The Science Fiction Horror and Fantasy Film Review
An android is a Robot that is built in the likeness of a human being. On this site, a robot is used to refer to any form of independent but non-human machine, whereas an android is a machine that has been designed to mimic a human or at least human form. (The Star Wars series also uses the term ‘droid’ to refer to all robots).
Treatments of android theme include a body of films dealing with sinister android takeover plots. Following the success of The Terminator (1984), the SF/action film has created the trope of the invincible killer android.
There is also quite a body of android identity puzzle films where people are unable to tell the difference between machine and human. More recent treatments deal with the development of Artificial Intelligence or concern self-aware androids searching for their purpose.
This was the first anime film made in CGI, an ambitious SF film involving a time travel plot and a struggle against a machine-dominated future
Huge flop comedy for Eddie Murphy in which he plays a nightclub owner on The Moon. There is an almost good SF film hiding inside and depiction of a surprisingly detailed Lunar culture but the unnfunny comedy elements kill it
Another of The Asylum’s mockbusters, intended to come out the same time as M. Night Shyamalan’s After Earth. This feels like a cheap planetary adventure that recycles Avatar and Planet of the Apes
Another in the recent spate of works about A.I. This is a nicely subdued film, quite different to all the others where Colin Farrell discovers that his android had a secret emotional life
Steven Spielberg directs an unfinished Stanley Kubrick project about an android boy’s quest. The result is a beautiful and intelligent SF film where the sensibilities of either director merge with magnificent results
There have been a host of works about artificial intelligence in recent years. This is a worthwhile entry in the field about the relationship between a man and an android on a space mission
Third of the Alien films, a directorial debut for David Fincher. A better film than was perceived at the time, this explores new character depths, while Fincher imprints his own visual style on the film
One of the most influential films on this site, producing a host of sequels and making the careers of all involved. At heart, a simple monster on a spaceship film, it is made into a classic through Ridley Scott’s relentless suspense and H.R. Giger’s design work
Ridley Scott makes a further Alien prequel that is an improvement on Prometheus. While the first half gives us the stuff of aliens hunting humans, the second less interestingly doglegs off into the story of a mad android
The fourth of the Alien films. French director Jean-Pierre Jeunet comes on board and delivers a comic-bookish run through of a Joss Whedon script that overspills with too many ideas
Despite a director that has spent a career making bad sequels to other people’s franchises, you have to admit this is an Alien sequel emerges better than you expect it to do
The second part of the Korean time-hopping/alien invasion film where many of the plot strands from the extremely confusing first film are at least wrapped up
James Cameron’s follow-up to Alien is one of the few sequels that matches its predecessor. Adding a troupe of Marines, Cameron creates a powerhouse of a film that sustains itself with seat-edge tension throughout
Another film on the topic of androids and A.I.’s run amok. This concerns a robot maid that ends up rebelling against her human owners and turning murderous due to conflicting orders
The theme of Mind Upload is waiting for the one film to come along and define its theme. This, in which a comatose wife’s body is loaded into an android body, is not that film and only reaches for cliches
Witty and quite charming low-budget SF film with Don Opper as a gawky android on a space station trying to understand the human condition amid the arrival of escaped convicts
A variation on The Defiant Ones with a human and an android chained together but this fails to find anything to say either about androids or prejudice
An Asylum mockbuster intended to come out at the same time as the RoboCop remake. Okay low-budget action and use of Cyberpunk tropes where the film’s saving grace is a sense of humour
A painfully cheap film that feels like an amateur effort that was accidentally given a dvd release. Essentially Resident Evil but with killer robots instead of zombies, this shouts its impoverishment from every scene
Shinji Aramaki’s immediate sequel to his reboot of the Appleseed franchise. This lacks the visually stunning qualities of its predecessor and seems more conceptually muddled but Aramaki eventually gets it together
One of the better in the fad for Artificial Intelligence films we have had since the 2010s with Theo James trying to place his late wife’s consciousness into an android body
One of the best of the recent spate of artificial intelligence films. A programmer creates an A.I. for the purpose of trapping sexual predators on the internet only to be faced with ethical questions about what he has created
This animated theatrical remake of the old Astro Boy cartoon series is nicely made, although the film often feels over-simplistic in its scripting and use of cliches
The idea of Jennifer Lopez in a transformer suit kicking robot ass has an outlandishness to it. The surprise is that this is a really good, well written SF film of planetary survival
The first of Mike Myers’ Austin Powers films is at times extremely silly and scatological but does offer a knowing and witty parody of the James Bond films. The result became a cult phenomenon
The second of the Austin Powers films is less sharp in its parody of the James Bond film and more focused on a series of broad scatological gags. Mike Myers owns the show in a trio of entertainingly gregarious performances
Olivier Gruner plays an android who goes rogue after accidentally killing his boss. A dull action film with no greater ambition than to be an SF version of Die Hard
The Avengers was the height of 1960s chic. Amid the 90s/00s fad for big screen remakes of tv shows, this was a miscalculated disaster that gets everything about the original wrong from the casting to the droll humour
The first Avengers film came with a massive anticipation in seeing the characters come together and the snappiness of their interplay; here this seems more flat, while the rest is overrun by wall-to-wall action
Marvel’s third Avengers film, uniting almost every superhero under their roof, resulting in some thirty characters on screen and a plot that becomes a blur of changing locations and superheroic punch-ups
One of the best of the animated Batman films, telling the story of the overlooked Robin Jason Todd and his resurrection as the villain Red Hood, a film that has an adult tone and comes with immensely exciting action scenes
The success of Star Wars saw a host of copies made over the next few years. This was one of several low-budget Italian space opera knockoffs of this period, featuring invading aliens from Ganymede
Mini-series that reconstructs the old Battlestar Galactica into smart and intelligent SF with strong characters, a gritty realism and sensational effects. A tv series followed and became one of the best SF shows of the 2000s
A spinoff film from the Battlestar Galactica revival series that flashes back to tell the story of the divisive figure of Commander Cain, featuring fine performances and the series’ usual high level of writing
This was the second of the films spun off from the 2000s Battlestar Galactica revival series, and ingeniously retells the events of the series as seen through the eyes of the Cylons
A gonzo post holocaust film that was put out under the National Lampoon label. Beyond having a great title, this represents as close to near-total ineptitude in filmmaking as it is possible to get
Isaac Asimov may not have been the best science-fiction writer ever but his stories buzzed with challenging ideas. In the hands of Chris Columbus, one of Asimov’s robot stories is reduced to mawkish sentimentalism
French director Jean-Pierre Jeunet of The City of Lost Children and Amelie fame returns with an appealingly eccentric, beautifully designed comedic take on the machine revolution
From the extraordinary and underrated Scooter McCrae, a dark and very disturbing film about the development of a sex robot for men who like to beat and abuse women
Ridley Scott’s film was not a success at the time but has since been regarded as a SF masterpiece, one of the defining screen treatments of android themes while the incredibly dense Cyberpunk vision of the future was copied by many subsequent films
Blade Runner is a landmark classic but this is well worthwhile sequel from Denis Villeneuve that recreates the fascinating Cyberpunk world in more detail and expands out on the themes laid down in the original. Made with impeccably beautiful detail
A film about a writer who retreats to a fully automated smarthome in order to complete a novel only to end up imprisoned by a malfunctioning A.I.
Low-budget but not uninteresting film that throws in a mind-bending mix of aliens, dream and alternate realities
The first film from Enki Bilal set in a decaying luxury bunker where the elite of the future take shelter from a civil war. A film that creates a fascinating world – in which nothing interesting ends up happening
Unexpectedly good film with Madolyn Smith as a woman living alone in a cabin in the woods and Malcolm McDowell as a caller where the two engage in a series of cat and mouse games where nothing is what it seems
Less Captain America 3 than The Avengers 3 – the entire film has been conceived as a massive superheroic punch-up. The results move with an exhilarating pace, but the Russo Brothers haven’t yet mastered Joss Whedon’s hand with character humour
Overlooked work of considerable charms, this mashes the setting of Mad Max 2 and the plot of The African Queen with a sense of oddball humour. The show is stolen by Melanie Griffith as a tough wasteland tracker
Hearkening back to the spirit of 1980s B budget killer cyborg/android movie, an entertainingly preposterous film in which a girl biker gang are pitted against a mad scientist and his army of killer androids
Qurkily appealing Cyberpunk film in which a female bodyguard and a male pleasure android must make a journey across a post-apocalyptic wasteland
Mark L. Lester’s follow-up to his earlier The Class of 1982 about a teacher forced to adopt vigilante actions in a lawless classroom. In the interim, The Terminator came out and this now has killer android schoolteachers
A sequel to the killer android school teacher film Class of 1999. The sequel was made on a far lesser budget and is wrecked by an absurd twist ending
A smart and extremely clever variant on Androids/A.I. themes with Sophie Thatcher as a sex android who gains self-awareness and independence. A great script filled with hilarious whiplash twists.
Rather amusing variant on the killer android theme where Kathryn Harrold buys a love robot as companion and causes it to become unstable when she overrides its safety protocols
Quirky film shot as though a mockumentary from the 1970s about a conference where programmers compete against computer chess programs that starts to get into some puzzlingly weird SF territory
Charles Band film that gives the impression it is a Transformers-type film. While a Transformer does appear in a few scenes, this settles down to be more of a killer android whodunit.
An excellent underrated science-fiction film that was way ahead of its time about a class of androids in a future fighting for their rights as they gain increasing self-awareness
Gareth Edwards, the director of Monsters and Godzilla, makes a genre-defining work about robotics and artificial intelligence set in a stunningly detailed future world. This site’s Top Film for 2023
A third entry in the Creepshow series but made without the involvement of George Romero (or Stephen King). This tries to give more of the same but is abysmally made on all counts
Don ‘The Dragon’ Wilson stars as a law enforcement officer pursued by killer androids in a blatant made-for-video action movie copy of the basics of The Terminator and RoboCop
B-budget director Fred Olen Ray makes a cyberpunk action film where the cut-price nature of the exercise is elevated by a tongue-in-cheek sense of humour
In this sequel to Cyber Tracker, Don ‘The Dragon’ Wilson is a police officer fighting a criminal mastermind who is attempting to replace world leaders with android duplicates
Sequel that abandons that mindless chop suey of Albert Pyun’s Cyborg and reconstructs it into a halfway reasonable Cyberpunk film. A then unknown Angelina Jolie plays the cyborg
The second of Michael Schroeder’s sequels to Albert Pyun’s Cyborg both of which are better than the original. This does interesting things with the hokey idea of a pregnant android.
The film that inspired The Terminator! Michael Rennie plays a cyborg who travels back in time to prevent a machine-dominated future coming about, while being hunted by two killer androids sent back to stop him
A completely ridiculous action film (that features no cyborg cops) and instead concerns the attempts to create an army of cyborgs using insect DNA
Conceptually ridiculous film where a spaceship crew in lunar orbit come across a space shuttle that disappeared through the Bermuda Triangle and contains a parasitic organism that is The Devil
Barret Oliver plays an android boy on the run from his creators who shelters with a human family. This promptly employs all the cliches of the post-E.T. film
The third of Takashi Miike’s Dead or Alive trilogy. While the previous entries are Yakuza films, this is an action film about androids set in Blade Runner-homaging Cyberpunk future
Fairly average 90s SF/action video release about soldiers hunting an amok military android before realising the androids have also infiltrated their troupe
Extraordinary anime where the members of an after school club secretly harbour great powers. From there, this expands out with reality-bending scope
Very silly AIP comedy that parodies the massively popular James Bond films of the era, as well as features Vincent Price as the villain spoofing his appearances in the studio’s Edgar Allan Poe films
Robert Heinlein’s time travel novel gets a surprisingly faithful adaptation from Japan. This keeps the story’s double structure that tells one story and then with considerable conceptual dexterity reveals another hidden in the margins
Modest and conceptually packed B-budget action film in which a motley team are sent to break into a bunker that has been hijacked by a scientist who is threatening to fire nuclear missiles
Italian-made sequel to the campy Vincent Price starring Dr Goldfoot and the Bikini Machine. Directed by the usually great Mario Bava and overrun by the buffoonish clowning of Italian comics Franco and Ciccio
There is undeniable interest to the idea of Dracula in the future but all we get is a standard Alien copy with Dracula on a spaceship. The acting and dialogue frequently enters into the absurd
Tim Burton and Johnny Depp in one of their best collaborations. Burton creates this sweet oddball fable that is a take on Frankenstein where the monster becomes an alienated youth with scissors for hands
Fascinatingly original anime set in an alternate history Steampunk version of Victorian England that has developed a technology based on Frankenstein’s corpse resurrection experiments
A rare Bollywood venture into science-fiction – a completely madcap android intelligence/amok film that features some wildly imaginative action scenes, all set amid typical Bollywood song and dance/romance numbers
This has the novelty of being shot guerilla-style at Disneyland and Disney World without permission. Nothing prepares you for the amazingly dark work you get, a surreal hallucinatory drift through the park’s underbelly
Blatant copy of The Terminator lacking in basic plausibility featuring Renee Soutendijk as an android with an atomic bomb in her chest that goes rogue while on downtown military maneuvers
The field has been open for one work to come and set the benchmark for A.I. films. Alex Garland’s Ex Machina arrives at that work. Rather than flashy effects, this resides in a series of beautifully cool debates and sharply intelligent twists
At first glance, this seems a routine alien invasion film. However, this becomes a whole lot more watchable with a mid-film twist that turns what is going on on its head
Federico Fellini conducts his version of the life of the great lover but turns it into a fantastical film of gorgeously surreal excess, filled with extravagant sets and costuming
From the pen of Iain Reid who wrote I’m Thinking of Ending Things, an SF film about a man recruited for a space mission and the training of his android replacement. Expectedly, what is going on is shifting and pulls expectation out from under us
Possibly THE worst film ever made. Tony Watt throws an mash-up of exploitation elements together in an incomprehensible plot. A film that made me want to hammer a nail through my eyeball rather than keep watching
A film with a bad movie reputation where a NASA android returns to Earth damaged and goes amok where it tackles alien invaders come to Earth to abduct women
A strangely affecting SF film that takes place entirely in a hotel room with Bill Paterson as a journalist in a Jordanian war zone and Tilda Swinton who insists she is an alien android
Cheap Cyberpunk action film that borrows the basics of Cyborg with Don ‘The Dragon’ Wilson as android bounty hunter engaged in stopping corporate skulduggery
James Franco co-directed effort about an android on a quest across a post-apocalyptic wasteland. Franco draws on cliches established by the Mad Max films and only makes an Albert Pyun film with pretensions
A sequel to the original Westworld. Here the cleverness of Michael Crichton’s film is rehashed as a B movie plot about the amusement park now hosting android takeover conspiracies
The major distinction this has is in starring murdered Playboy Playmate Dorothy Stratten. An SF comedy made in the aftermath of Star Wars where Stratten is an android on a ship voyage romancing her human commander
Apparently the first in a projected trilogy. The ambitiousness of this aside, the film only trades in unoriginal cliches of post-apocalyptic survival and android self-awareness
Mamoru Oshii’s follow-up to Ghost in the Shell where he makes a work that pushes both an artistic envelope at the same time as taking his philosophical fascination with the Cyberpunk world to a stunning level
Reboot of the Ghost in the Shell series in a quartet of prequel stories. This funnels the essence of Cyberpunk superbly, creating a dazzling world with cyborgised security services fighting terrorists hacking people’s brains
Fascinating film interviewing people about the jobs they are forced to take in an economically collapsed future. Despite a minuscule budget, this has the grip of strong, intelligent SF
Unrelated to the Michael Myers saga, John Carpenter tried to use the Halloween name to launch an original horror series. The plot is a baffling mix of Celtic magic and hi-tech but Tommy Lee Wallace creates some way out effects scenes
Full-length comedy from The Three Stooges where the idiots are janitors at a space centre who accidentally launch themselves into space. One of several Space Age films where popular comics where launched into space
The Polish Brothers make some great Midwestern dramas but seem out of their depth trying to make a comedy about a sex robot. that comes out an embarrassingly unfunny variant on Weird Science
This is regarded as a bad movie classic. An alien invasion tale, it was the first film on the theme of humans being replaced by androids. No worse than any other B movie of the era, it does suffer from a dullness
Described as a cyberporn fantasy, a quasi-pornographic film set in a Cyberpunk future where androids are designed to consume sexual experience