A for Andromeda (2006)
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
The Science Fiction Horror and Fantasy Film Review
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
Abbott and Costello take time out from comic hijinks with the Famous Monsters to go to Venus (despite the title) and engage in various datedly sexist gags with a planetful of women
Incredibly bad and frequently laughable variation on The Hidden and in turn The Terminator with Jesse Ventura as an intergalactic law enforcement officer hunting a criminal on Earth
James Cameron had mixed success with this alien contact film. Much of the show is designed to highlight Cameron’s interest in diving and the effects on display are spectacular but the film peters out at a peculiarly abrupt non-ending
An object lesson in how to create an instant cult film – exceedingly eccentric, a commercial failure at the box-office, it instantly receiving a fan clique – all without it ever being a particularly great film
Another of The Asylum’s mockbusters, intended to come out the same time as M. Night Shyamalan’s After Earth. This feels like a cheap planetary adventure that recycles Avatar and Planet of the Apes
The Asylum’s mockbuster answer to the Tom Cruise film Edge of Tomorrow, which has very little to do with it other than both featuring an alien invasion. A film created with more ambition than budget to convey it
Steven Spielberg directs an unfinished Stanley Kubrick project about an android boy’s quest. The result is a beautiful and intelligent SF film where the sensibilities of either director merge with magnificent results
Third of the Alien films, a directorial debut for David Fincher. A better film than was perceived at the time, this explores new character depths, while Fincher imprints his own visual style on the film
One of the most influential films on this site, producing a host of sequels and making the careers of all involved. At heart, a simple monster on a spaceship film, it is made into a classic through Ridley Scott’s relentless suspense and H.R. Giger’s design work
An early film from The Asylum set in a hospital for alien abductees, which director Eric Forsberg evokes with some paranoia and a great ending
The second of Kevin J. Kindenmuth’s surprisingly good compilations of video shorts around the loose theme of alien invasion and takeover
The first of the Kevin J. Lindenmuth’s compilation films that bring together several short films under the umbrella of an alien invasion. Lindenmuth’s Worm segment in particular is standout
The third and least satisfying of the otherwise above average compilation films on the theme of alien invasion from Kevin J. Lindenmuth and other directors
A banal David De Coteau directed kid’s film about two teens who find an arsenal of alien equipment and put the suits on to become superheroes
This seems to be intended as a parody of a 1960s beach party film but with the addition of comic aliens. Well and truly a black star film, this is excruciating on every level
The Asylum conduct a modernised remake of H.G. Wells’ The War of the Worlds – for the second time. With resident mad scientist Joe Roche on script, the results are undeniably interesting
Luigi Cozzi directed quickie designed to copy the success of Alien. As with many Italian films of this era, it has largely been conceived around plentiful provision of gore and little else
Ridley Scott makes a further Alien prequel that is an improvement on Prometheus. While the first half gives us the stuff of aliens hunting humans, the second less interestingly doglegs off into the story of a mad android
A ridiculous film with Lou Diamond Phillips pursuing aliens aboard a runaway train. Cliches are piled on with absurd effect and the show killed by cheap effects
Film from low-budget director Donald M. Dohler about escaped alien zoo animals amok in rural Maryland. The film has the benefit of some good creature effects
In his second to last film, Italian B-budget director Antonio Margheriti makes a cheap and not very good Alien copy that feels like a throwback to the 1950s monster movie
Film about a mysterious alien artifact unearthed in the Antarctic that falls apart due to a script that is constantly jumping all over the place and spending more time homaging other science-fiction films
A film about a former alien abductee pottering endlessly about a cabin in order to lure the aliens who took her and take revenge. A film that is about as close to total amateurism as possible to get
From prolific producer Scott Jeffrey, best known for Winnie-the-Pooh: Blood and Honey, a low-budget Alien copy, essentially an Alien that takes place in an English country mansion
An enigmatic film set in a future where aliens have invaded the Earth as a lone soldier is sent to crew a remote post and imagines he is seeing things
Made not longer after the buddy cop hit of Lethal Weapon, this has a curmudgeonly human paired up with an alien partner. A fairly ordinary cop show plot is boosted by two fantastic central performances
Predator as enacted by a bunch of comically caricatured rednecks and white trash characters in a junkyard. The film is a cheaply produced, one-note joke that soon becomes tedious
The Asylum’s mockbuster version of Prometheus where they have settled for giving us Predator as a Found Footage film (with a good few doses of Ancient Astronauts nuttinesss)
The fourth of the Alien films. French director Jean-Pierre Jeunet comes on board and delivers a comic-bookish run through of a Joss Whedon script that overspills with too many ideas
Despite a director that has spent a career making bad sequels to other people’s franchises, you have to admit this is an Alien sequel emerges better than you expect it to do
Homage to 1950s SF films, in particular It Came from Outer Space and The Blob, made not as a parody but as an affectionate tribute to the era with everything played seriously
An alien invasion film with a more character driven focus than most, telling the story through the eyes of a husband and wife separated across different states as he tries to get back home
James Cameron’s follow-up to Alien is one of the few sequels that matches its predecessor. Adding a troupe of Marines, Cameron creates a powerhouse of a film that sustains itself with seat-edge tension throughout
A family film about a group of kids discovering alien invaders in their attic. A film that is largely construed around a series of slapstick set-pieces.
This seems amusingly construed as a mash-up between two of James Cameron’s most famous titles … what we get is a painfully cheap film about people being pursued through the woods by an alien creature
Full marks for the title. Rather than any spacegoing version of Titanic, we have a spaceship named Titan1-C, which is soon abandoned and thereafter a cheesily ridiculous film about alien chestbusters
From the director of the Terrifier films, a horror anthology in which a babysitter and kids sit down to watch a mysterious videotape on Halloween night. The first screen appearance of Art the Clown
A fine film from The Blair Witch Project co-director Eduardo Sanchez about the tensions among a group of friends who hold a captured alien in their garage that then begins to affect them
Film about ghosthunters investigating a reputedly haunted California winery. The scares are about as generic and forgettable as they come, although the end takes a very strange left field turn
An anthology of comedy skits from several different directors including Joe Dante and John Landis. The result is fairly scattershot with moments of occasional humour falling between laughs that do not come off
A Soviet SF film about the exploration of an alien planet. Though they tended to the dramatically stolid, these Soviet films had amazing budgets their US counterparts of the era never did
1950s B movie about an expedition to Mars that encounters exotic and hostile lifeforms there. Not much happens before the aliens pronounce judgement on humanity
A film spun out around a YouTube channel of videogame reviews. This sinks down into unfunny fannish in-joking, while the attempts to be a mock bad movie only seem silliness for its own sake
Alex Garland’s second directorial effort after Ex Machina. Clearly influenced by Andrei Tarkovsky’s Stalker, this features a group venturing into an alien-affected zone where Garland does a fine job of creating a sense of the otherworldly
The third of the films devoted to Marvel’s miniature superhero. This ventures into multiverse themes works well when it comes to introducing the MCU’s big new super-villain who ended up never happening
Clever and well made Found Footage film about a NASA crew encountering something alien on The Moon’s surface. Falls somewhere between Alien, Apollo 13 and Paranormal Activity
Film spinoff of the cult animated tv show. This feels like a film overtaken by the effort of trying to be surrealistic, wacky, scatological etc more than it is ever a film that creates gag that are funny
Not to be confused with the Oren Peli Found Footage film. Sean Connery’s son Jason directs a film where a host of alien nasties imprisoned at Area 51 manage to escape
Paranormal Activity director Oren Peli’s second film – a gripping Found Footage film about a group breaking into Area 51 in search of evidence of the alien visitors that the US government is holding
This is a weird little film about an alien vampire that is slowly rejuvenating. This has an interesting swim of strange ideas but in reality isn’t very good
An alien invasion and takeover film that was clearly inspired by the success of tv’s The X Files. This is a smart effort that emerges as something unworldly in David Twohy’s hands
Most SF films gloss over the issue of communication with aliens, having them either speaking English or with devices like Universal Translators. This is a superbly intelligent film that grapples with how to communicate with something different
A very eccentric Australian film about a man wound into solving a temporal paradox by aliens who time travel in a greasy spoon diner
The rapper turned filmmaker Flying Lotus directs a copy of Alien with an amnesiac crewmember of a ship landed on a hostile planet where the crew are hunted by an alien nasty
Wes Anderson’s quirky individualistic films can be an acquired taste. This is set in a stunningly designed retro 1950s town as various oddball characters intersect in between the appearance of an alien visitor
A cheap 1950s B alien invader film with mobsters holed up at a mountainside cabin who are then visited by Shirley Kilpatrick as a radioactive alien
A film about alien visitors, transcendental states of mind and sinister government agencies. This boggles the mind in terms of laughable writing and all-round bad filmmaking
Charlize Theron becomes paranoid and suspects her space shuttle astronaut husband Johnny Depp of returning possessed by an alien. Essentially an SF version of Rosemary’s Baby
The US release of several short Japanese films featuring the superhero Starman. Cheap and entertainingly absurd, filled with tatty superheroics and laughable science
A low-budget but surprisingly reasonable mix of submarine drama and 1950s alien invader film with a submarine crew tracking a flying saucer
The fifth of the Gamera films, Japanese monster movies that are made for children. This abandons the relative realism of the earlier films for a colourful silliness with frequently lunatic results
Not to be confused with the Japanese manga/anime of the same name, this is a space opera from The Asylum, which boasts some very good effects on a budget
A refreshingly original film that transplants an alien invasion story to a modern British housing estate where a group of young hoodlums become the first line of defence against the invaders
A low-budget cute alien film made in the aftermath of post-E.T., this purports to be based on the true story of a UFO and alien visitor who landed in 19th Century Texas
James Cameron’s film was a smash phenomenon. Cameron has relocated the plot of Dances With Wolves on another planet and uses motion capture to create one of the most dazzlingly realised alien worlds on film
James Cameron makes a third venture into the world of Pandora. The question is whether he finds any new territory to explore. What you cannot deny is that he creates a pretty and absorbing picture out of it all
James Cameron finally delivers his sequel to Avatar. Nothing could quite repeat the same phenomenon a second time but this does well with Cameron taking the opportunity to show more depth to his alien world
Japanese film that true to its title offers pits ninja against alien creatures. The film plants tongue considerably in cheek as it offers up a series of wildly fantastique action scenes and creature effects
Beginning as fan mill speculation, 20th Century Fox finally brought their Alien and Predator franchises together on the screen here. The result is an okay effort in the hands of Paul W.S. Anderson, even if it never has the grueling intensity of the early entries in either series
Second of the Alien/Predator crossovers and the absolute nadir of either series. Gone is the suspense of either series’ earlier entries and the creatures are now no more than standard monsters in a teen horror film
Another film from Charles Band’s Full Moon Productions, this is made with a deliberate chessiness as aliens take over a radio station shrinking girls down into bottles
Peter Jackson first appeared with this no-budget splatter comedy. A miracle of DIY filmmaking, the film plays out like a live-action Roadunner cartoon where the creativity of Jackson’s home-made gore effects is positively ingenious
Charmingly capricious and silly adaptation of the comic-strip with a wide-eyed Jane Fonda as the spacegoing heroine. Filled with some wonderfully naughty gags and a production and costume design scheme that goes to a gorgeously deranged excess
Animated film featuring a team-up between the sons of Batman and Superman, which ends up being far more fun than you expect
Roger Corman jumps aboard the Star Wars fad and offers up a version of The Seven Samurai/The Magnificent Seven located in space. Corman has thrown a reasonable budget at the film for once and it emerges as colourfully enjoyable
Taking inspiration from Battle Los Angeles, this is another shakycam-shot war film but with the intriguing idea of being focused around human soldiers trapped behind alien enemy lines
The Asylum’s mockbuster take on Avatar: The Way of Water, which ingeniously exploits the fact that Saturn has a moon called Pandora. The rest is a low-budget body snatchers film
Animated film that has a remarkable number of similarities to Avatar – even though it was released before. A simplistic variant of the same human colonists vs alien natives plot conducted with corner-cut CGI animation
Godzilla director Ishiro Honda makes a colourfully entertaining space opera about Earth’s battle to fight off an alien invasion force on The Moon
Essentially this is a big-budget alien invasion film like Independence Day having been reconceived as a gritty, shakycam-shot war movie along the lines of Saving Private Ryan
This was The Asylum’s mockbuster take on Battle Los Angeles, a rehash of alien invasion cliches but with modestly more vigour than most of their efforts
The success of Star Wars saw a host of copies made over the next few years. This was one of several low-budget Italian space opera knockoffs of this period, featuring invading aliens from Ganymede
The adaptation of the alien invasion novel by Scientology founder L. Ron Hubbard starring John Travolta is a completely ridiculous film that was laughed off screens and is regarded as a classic bad movie
Adaptation of the Battleship boardgame that emerges at best as wannabe Michael Bay. Imagine Pearl Harbor mashed up with a Transformers film and lots of bone-headed glorification of American militarism
The original Battlestar Galactica tv series was an incredibly blatant copy built on the success of Star Wars. This is the pilot, which aired on tv in the US but was released theatrically to theatres in other countries
Prolific low-budget hack David DeCoteau directs what feels like a very softcore version of a Gidget film crossbred with Earth Girls Are Easy (albeit with the sexes reversed). A film that quickly sinks into awfulness
Japan’s Kiyoshi Kurosawa is known for his intensely uncanny and bafflingly cryptic horror films. Here he makes an alien invasion film, although a minimalist and very different one that proves quite fascinating
A sequel to The Blob, although this plays everything for comedy. The one and only film directed by actor Larry Hagman, no less than J.R. Ewing of Dallas fame
A highly ambitious film about a mysterious alien portal that appears in Earth orbit and the attempts to explore what is on the other side
From the director of Trump vs the Illuminati, gonzo animation where Bigfoot and several resurrected historical figures fight off invading aliens that include Stalin, Aleister Crowley and Anubis
The sequel to Bill and Ted’s Excellent Adventure where the first film’s humour gets lost amid repetition and blown up by a big-budget. William Sadler’s Death however proves a scene-stealer
Harry Harrison’s Bill the Galactic Hero is hands down the funniest science-fiction book of all time; it is painful watching it rendered in the hands of Alex Cox who has only the budget and resources of an amateur film
An impressively large-scale SF film about a military sortie into an area of western Russian that is all that is left unaffected after aliens create a worldwide power cut
Low-budget but not uninteresting film that throws in a mind-bending mix of aliens, dream and alternate realities
Abel Ferrara’s remake of Invasion of the Body Snatchers is an overlooked film that settles in with an undeniable creepiness that is just as effective as the earlier versions. The metaphor for the pod people is more diffuse in this one but that does not mitigate the film’s effect
The film that Henry: Portrait of a Serial Killer director John McNaughton chose to make next – about an an alien criminal sentenced to Earth who is forced to ‘borrow’ people’s heads to replace its own
Donnie Darko director Richard Kelly adapts a Richard Matheson story about a couple who are offered a terrible choice by a stranger but delivers a bafflingly incomprehensible film
Michael Powell was one of the greatest and most underrated post-War British directors. This was his last film, a bizarre children’s film about a boy being turned yellow and visited by an alien
B movie in which John Agar is possessed by a glowing alien brain, this unfortunately fails to live up to either its lurid vigour or its bad movie reputation