A for Andromeda (2006)
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
The Science Fiction Horror and Fantasy Film Review
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
An anthology of four SF tales, short films from various directors around the world, although surprisingly none that feature Artificial Intelligences
Outside of animation, there has never been a decent genre film about cute dogs. This film about a robot dog is no exception. The surprise is that this is produced by the normally respectable David S. Goyer
This was the first anime film made in CGI, an ambitious SF film involving a time travel plot and a struggle against a machine-dominated future
A bizarre directorial debut from actor Steve Oram that takes place in an alternate world of sorts that operates on pre-verbal grunts and ape-like displays of dominance behaviour
South Korean anime that is set in a future world where people are obsessed with shit. This comes with a demented energy and a filthy-mindedness that is determined to outrage
Abbott and Costello take time out from comic hijinks with the Famous Monsters to go to Venus (despite the title) and engage in various datedly sexist gags with a planetful of women
The second of Abbott and Costello’s outings with Universal’s Famous Monsters. The usual numbskullery is boosted by some excellent invisibility effects
Incredibly bad and frequently laughable variation on The Hidden and in turn The Terminator with Jesse Ventura as an intergalactic law enforcement officer hunting a criminal on Earth
One of the inspired delights from Disney’s live-action era, a hit that became the template for their subsequent live-action films. The scenes with flying vehicles and basketball teams are entirely charming.
A Syfy Channel disaster movie based around the scientifically nonsensical idea of the Earth’s pole undergoing a magnetic shift and temperatures being reduced to absolute zero
James Cameron had mixed success with this alien contact film. Much of the show is designed to highlight Cameron’s interest in diving and the effects on display are spectacular but the film peters out at a peculiarly abrupt non-ending
Obscure VHS era paranoia thriller about the uncovering of a conspiracy to use satellites to control the population. Not a very interesting film.
The directorial debut of Spain’s Alex de la Iglesia, a planetary adventure about a group of mutant terrorists that comes with a bizarrely wacky sense of humour
One of a spate of films featuring flyer heroes that were popular in the era. Adapted from a comic-book created by an actual World War I flying ace, this is a thirteen chapter serial but proves rather crudely made today
Fourth in a series of energetic Hong Kong slapstick action capers. The film has no pretence to anything more than providing a new action sequence every five minutes, although by now the level is juvenile
The second in a series of Hong Kong slapstick action caper comedies where the action is maintained at such a madcap and dementedly over-the-top pace that it frequently heads into orbit
A harsh and urgent French-made catastrophe film about a family trying to survive and get to safety with the appearance of a sudden cloud of deadly acid rain
Bollywood film that is a blatant copy of Back to the Future with the young hero going back in time to prevent his parents from divorcing. Lame comedy routines but some extremely colourful song and dance numbers
In the same vein as Gravity and The Martian, this depicts spaceflight with scrupulous scientific regard. Essentially Apocalypse Now in space with Brad Pitt on a mission to Neptune to find his father who has gone rogue
Likeable but lightweight time travel film where Ryan Reynolds gains the aid of his twelve year-old self after travelling back in time to the present on a mission to save the future
A Philip K. Dick adaptation in which Matt Damon gets an accidental glimpse of the people that manipulate fate. This proves very satisfying on a conceptual and storytelling level
An Albert Pyun action film with police officers Christopher Lambert and Natasha Henstridge pursuing an infected man through the sewers of a future quarantine zone
A film about the origins of Doctor Who made for the series’ 50th anniversary. This comes packed with pieces of fanservice and origins of various iconic aspects. David Bradley gives a wonderfully nuanced and moving performance as William Hartnell
Feeble and shabbily made kid’s film in which children are transported inside the world of their favourite dinosaur tv show. Featuring some terrible dinosaur effects
An object lesson in how to create an instant cult film – exceedingly eccentric, a commercial failure at the box-office, it instantly receiving a fan clique – all without it ever being a particularly great film
Huge flop comedy for Eddie Murphy in which he plays a nightclub owner on The Moon. There is an almost good SF film hiding inside and depiction of a surprisingly detailed Lunar culture but the unnfunny comedy elements kill it
This is another one of Robert Rodriguez’s home made children’s films that takes off in a wackily gonzo manner. The results are uneven but often cutely appealing
B-budget director Fred Olen Ray makes a Women in Prison film set in space. Known under several different names, this is another of Olen Ray’s bimbo pictures where he plants tongue well in cheek
Another of The Asylum’s mockbusters, intended to come out the same time as M. Night Shyamalan’s After Earth. This feels like a cheap planetary adventure that recycles Avatar and Planet of the Apes
Silent film depiction of a journey to Mars from the early days of the Soviet Union that makes for an interesting curiosity piece. The arrival on Mars contains some imaginative sets and costumes
Disappointingly watered down live-action adaptation of the cult animated series. Karyn Kusama creates some interesting visuals but eventually everything lapses to Hollywood formula
The first film to come out following the advent of generative A.I. From American Pie director Chris Weitz, an evil A.I. film that arrives with all the hysteria of villagers with burring torches in a Frankenstein film
Enough with the M. Night Shyamalan bashing. Here Shyamalan pulls off a solid and interesting planetary adventure where the only real misstep is that much of the film rests on the non-acting shoulders of Jaden Smith
Another in the recent spate of works about A.I. This is a nicely subdued film, quite different to all the others where Colin Farrell discovers that his android had a secret emotional life
A ,odestly effective Jurassic Park copy from The Asylum with genetically-revived dinosaurs loose in L.A. and featuring better than usual effects
Low-budget disaster movie from The Asylum where the Middle East is covered in a sudden Arctic conditions with the onset of a new Ice Age
Using the framework of an SF film, told from the perspective of a devastated future, this is a documentary about Global Warming, although one that falls short of making a convincing argument
The Asylum’s mockbuster answer to the Tom Cruise film Edge of Tomorrow, which has very little to do with it other than both featuring an alien invasion. A film created with more ambition than budget to convey it
Lee Majors starring thriller set around the 1970s fad over subliminal advertising. The film fails to generate much in the way of thrills.
A sequel to the teen spy comedy. This moves the action to England but amplifies everything else into inanely loud and noisy slapstick action
Another in the spy parodies that emerged following Austin Powers. Frankie Muniz is a high school teenager who is recruited as a spy. a mildly amusing set-up that is delivered with surprisingly little wit
Steven Spielberg directs an unfinished Stanley Kubrick project about an android boy’s quest. The result is a beautiful and intelligent SF film where the sensibilities of either director merge with magnificent results
There have been a host of works about artificial intelligence in recent years. This is a worthwhile entry in the field about the relationship between a man and an android on a space mission
This comes with a great premise – two men are woken from cryogenic suspension only to find one of their cryo-tubes broken and they discover their purpose there may not be what they were told
Airplane was a parody of the disaster movie that proved a hit. This was a sequel that expands the action aboard the space shuttle and contains many SF in-jokes but to generally lesser effect
Early British silent film that tries to predict the idea of aerial warfare that proves quaintly amusing and archaic in terms of what we know to be the realities today
The pilot for a tv series that was theatrically released outside of the US. A blatant copy of Blue Thunder, this concerns the hijacking and retrieval of a hi-tech helicopter
The film that created the cult of anime in the West. Essentially a Cyberpunk version of The Fury, this has been construed as a series of climaxes that get progressively larger in scale until they almost reach a point of sensory overload
Following on from his reworking of The Wizard of Oz in Tin Man, this is a tv mini-series where Nick Willing rather fascinatingly reinterprets Alice in Wonderland in SF terms
Third of the Alien films, a directorial debut for David Fincher. A better film than was perceived at the time, this explores new character depths, while Fincher imprints his own visual style on the film
One of the most influential films on this site, producing a host of sequels and making the careers of all involved. At heart, a simple monster on a spaceship film, it is made into a classic through Ridley Scott’s relentless suspense and H.R. Giger’s design work
An early film from The Asylum set in a hospital for alien abductees, which director Eric Forsberg evokes with some paranoia and a great ending
The second of Kevin J. Kindenmuth’s surprisingly good compilations of video shorts around the loose theme of alien invasion and takeover
The first of the Kevin J. Lindenmuth’s compilation films that bring together several short films under the umbrella of an alien invasion. Lindenmuth’s Worm segment in particular is standout
The third and least satisfying of the otherwise above average compilation films on the theme of alien invasion from Kevin J. Lindenmuth and other directors
A banal David De Coteau directed kid’s film about two teens who find an arsenal of alien equipment and put the suits on to become superheroes
This seems to be intended as a parody of a 1960s beach party film but with the addition of comic aliens. Well and truly a black star film, this is excruciating on every level
Alien crossbred with The Crazies. Jason London and Missy Crider are crewmembers on a spaceship affected by an alien contaminant that makes them turn homicidal
The Asylum conduct a modernised remake of H.G. Wells’ The War of the Worlds – for the second time. With resident mad scientist Joe Roche on script, the results are undeniably interesting
Luigi Cozzi directed quickie designed to copy the success of Alien. As with many Italian films of this era, it has largely been conceived around plentiful provision of gore and little else
Ridley Scott makes a further Alien prequel that is an improvement on Prometheus. While the first half gives us the stuff of aliens hunting humans, the second less interestingly doglegs off into the story of a mad android
A ridiculous film with Lou Diamond Phillips pursuing aliens aboard a runaway train. Cliches are piled on with absurd effect and the show killed by cheap effects
Film from low-budget director Donald M. Dohler about escaped alien zoo animals amok in rural Maryland. The film has the benefit of some good creature effects
Head-scratching Albert Pyun oddity made for Cannon Films with Kathy Ireland searching for Atlantis underground. This emerges as a weird mix of Valley Girl comedy and Journey to the Center of the Earth
In his second to last film, Italian B-budget director Antonio Margheriti makes a cheap and not very good Alien copy that feels like a throwback to the 1950s monster movie
Film about a mysterious alien artifact unearthed in the Antarctic that falls apart due to a script that is constantly jumping all over the place and spending more time homaging other science-fiction films
A film about a former alien abductee pottering endlessly about a cabin in order to lure the aliens who took her and take revenge. A film that is about as close to total amateurism as possible to get
From prolific producer Scott Jeffrey, best known for Winnie-the-Pooh: Blood and Honey, a low-budget Alien copy, essentially an Alien that takes place in an English country mansion
An enigmatic film set in a future where aliens have invaded the Earth as a lone soldier is sent to crew a remote post and imagines he is seeing things
Made not longer after the buddy cop hit of Lethal Weapon, this has a curmudgeonly human paired up with an alien partner. A fairly ordinary cop show plot is boosted by two fantastic central performances
Predator as enacted by a bunch of comically caricatured rednecks and white trash characters in a junkyard. The film is a cheaply produced, one-note joke that soon becomes tedious
The Asylum’s mockbuster version of Prometheus where they have settled for giving us Predator as a Found Footage film (with a good few doses of Ancient Astronauts nuttinesss)
Fine little film about an invasion of dog-like alien robots and an outbreak of mass insanity that drives people to kill themselves, this does great things on next to nothing
The fourth of the Alien films. French director Jean-Pierre Jeunet comes on board and delivers a comic-bookish run through of a Joss Whedon script that overspills with too many ideas
Despite a director that has spent a career making bad sequels to other people’s franchises, you have to admit this is an Alien sequel emerges better than you expect it to do
Documentary about the making of the Alien series (although only covers the first four films). Contains some fascinating behind-the-scenes footage and anecdotes, interviews and cut material
Another cheap Syfy Channel disaster movie. With the sheer amount of these films, many have been straining to come up novelty threats – you cannot deny the idea of a tornado of alien origin holds your attention
Homage to 1950s SF films, in particular It Came from Outer Space and The Blob, made not as a parody but as an affectionate tribute to the era with everything played seriously
Low-budget British alien invasion film shot in a hyperkinetic style using as many social collapse cliches as possible. Jean-Claude Van Damme turns up to deliver explanations for everything
An alien invasion film with a more character driven focus than most, telling the story through the eyes of a husband and wife separated across different states as he tries to get back home
A South Korean SF film that comes with a wide canvas involving alien invasion, time hopping between two eras and some epic action in possibly one of the most head-scratching plots seen in some time
The second part of the Korean time-hopping/alien invasion film where many of the plot strands from the extremely confusing first film are at least wrapped up
James Cameron’s follow-up to Alien is one of the few sequels that matches its predecessor. Adding a troupe of Marines, Cameron creates a powerhouse of a film that sustains itself with seat-edge tension throughout
Unsold tv pilot that was clearly made as a quick cash-in on Close Encounters of the Third Kind. Produced by Quinn Martin, responsible for many classic 70s tv shows, who has simply rehashed his The Invaders
A family film about a group of kids discovering alien invaders in their attic. A film that is largely construed around a series of slapstick set-pieces.
This seems amusingly construed as a mash-up between two of James Cameron’s most famous titles … what we get is a painfully cheap film about people being pursued through the woods by an alien creature
Full marks for the title. Rather than any spacegoing version of Titanic, we have a spaceship named Titan1-C, which is soon abandoned and thereafter a cheesily ridiculous film about alien chestbusters
What was once a planned James Cameron adaptation of a manga about a cyborg girl is now brought to the screen by Robert Rodriguez but it is hard to say what an underwhelming disappointment the result is
Another of the DC animated films, based on a work that reinterpreted Superman. This is somewhat bitsy in condensing a 12-issue series to a 73-minute film but holds some moments of great writing
Low-budget superhero film. With a plot that strips the superheroes of their powers and them facing a villain’s deathtraps, we end up with little more than a Saw copy in funny costumes
Sequel to one of the few original (ie. non comic-book) superhero films of the 2010s. this takes the interesting route of telling it as a investigative tv report into someone killing off all the superheroes
The Divergent series is a fundamentally implausible scenario for people that think horoscopes are a profound insight into human nature. This is the most interesting of the films and gives us an imaginative future world
B movie with Beverly Garland venturing into the swamps in search of her missing husband to find a scientist has transformed him into an alligator hybrid
The prehistoric film seems a bit dated and hoary on screen these days. Albert Hughes solves the problem of revitalising the genre a series of jaw-droppingly kinetic action moves and stunning hyper-real landscapes
Another film on the topic of androids and A.I.’s run amok. This concerns a robot maid that ends up rebelling against her human owners and turning murderous due to conflicting orders
Surrealistic cinematic joke from French New Wave director Jean-Luc Godard that mashes up film noir and SF where hard-boiled detective travels to another planet represented by contemporary Paris
A classic German Expressionist film where Metropolis‘s Brigitte Helm gives a sizzlingly seductive performance as a woman born via artificial insemination who grows up as an emotionless man-eater
Indie superhero comedy that reads a good deal funnier on paper than it ever produces laughs on screen. The production lacks the budget to produce more than a handful of cheap superheroic digital effects
A fine film from The Blair Witch Project co-director Eduardo Sanchez about the tensions among a group of friends who hold a captured alien in their garage that then begins to affect them