
Xin Gu
Dr. Xin Gu is Associate Professor in the School of Media Film and Journalism at Monash University. She is an Expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Expression of Cultural Diversity (since 2019). She is director of the Master of Cultural and Creative Industries (MCCI) at Monash University in Australia. She has published widely on urban creative clusters and agglomerations, cultural work, creative entrepreneurship, cultural and creative industries policy, media cities, maker culture and cyberculture. Dr Xin Gu has worked with policy initiatives in the UK, China and Indonesia to support small-scale local creative industries development services. Her work focuses on the transformation of creative cities and the creative economy under different social, economic and political conditions. Gu’s current research concerns the digital creative economy, looking at the democratization of creativity through vast transformative digital media ecosystems. Her recent publications include Cultural Work and Creative Subjectivity (Routledge 2024), Red Creatives (Intellect, 2020) and Re-imagining Creative Cities in Twenty-First Century Asia (Palgrave Macmillan 2020).
Address: Melbourne, Victoria, Australia
Address: Melbourne, Victoria, Australia
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Papers by Xin Gu
Please refer to the SOAC website for more information and how to cite this paper. http://soacconference.com.au/wp-content/uploads/2014/07/program-from-handbook.pdf
Rollman, Louise & Gu, Xin & Mirosch, Natascha, 1966- & Were, Ian & Museum of Brisbane (2011). My own private neon oasis = Wo zi ji de ni hong deng lü zhou. Museum of Brisbane, Brisbane
Please refer to the SOAC website for more information and how to cite this paper. http://soacconference.com.au/wp-content/uploads/2014/07/program-from-handbook.pdf
Rollman, Louise & Gu, Xin & Mirosch, Natascha, 1966- & Were, Ian & Museum of Brisbane (2011). My own private neon oasis = Wo zi ji de ni hong deng lü zhou. Museum of Brisbane, Brisbane
specific Australia-Korea cultural event that linked large screens in Melbourne and Incheon through the presentation of SMS-based interactive media art works. The article combines theoretical analyses of global citizenship, mobility, digital technologies, and networked public space with empirical
analyses of audience response research data collected during the screen event. The central argument is that large public screens can offer a strategic site for examining
transformations in the constitution of public agency in a digitized, globalized environment. The idea of ‘aesthetic cosmopolitanism’ is finally proposed as a conceptual
framework for understanding how new forms of transnational public agency in mediated public spaces might operate.
participation data, we discovered that the corporeality of the dance placed both the addresser and the addressee in the context of the social practice of translation. In this
context, we note that artistic projects can provide an embodied experience of the forms of heterolingual address and cross-cultural translation as analysed by Naoki Sakai. We
conclude that the fascination for engaging in transnational communication was stimulated by the cross-cultural process of translating gestures.