Codex Manesse – Beyond the Court: Big game, small game

Hunt for a big game was a dangerous affair. Not just because you could break royal monopoly, but also because the animals hunted were intrinsicly dangerous. A meeting with a bear or a wild boar, could easily end badly for the hunter. Yet no beast commanded more fear and awe than a mighty auroch. Below you can see a young Auroch cow springing from the thicket suprising the hunting party of Her von Buwenburg. Cowardly squire abandonned his master on frightened horse, himself climbing to safety on a nearby tree. Her Hawart rushing bravely spear in hand to ward off the beast. (Of his courage testifies his folio in Codex Manesse depicting him fighting a bear. This bear already “miniaturized” you can find here.)

Aurochs were indeed powerfull and majestic beasts, it was writted tey were capable of lifting on their horns an armoured knight. Still encroachment of civilisation, deforestation and expansion of agricultural lands reduced their habitats further and further, leading to their eventual extinction. In France no one have seen an auroch by the end of carolingian period, in german states they became rare by the XIIIth century, and extinct by the XVth. The last herds populated deep marshy forests in west Moldavia, Romania, Lithuania and Poland. Despite efforts of royal foresters, total ban for hunting and encroachment to their woods, the last known auroch died in Jaktorów forest (Poland) in 1627r. of old age.

Codex Manesse is however set in XIII century, so such hunt could take place on invitation of some Polish duke or Hungarian king.

Anyway not wanting to risk their life or legal complications Her Geltar and Der Kohl von Nussen decided to entertain themselves with a hunt for small game. Small game included foxes, ferrets, otters, sables, hares, squirrels, various kinds of fowl both land such as pigeon, phaesant or partridge and waterfowl such as duck, wild goose, swan etc. Roe deer was also sometimes included in small game depending on time and location.

Hunt for small game was usually more widely permitted, unless occured in someones private forest, as nobles were often entitled to set the rules for hunting on their lands as they pleased. On the agricultural lands however, it was encouraged in part as pest control (as weasels and foxes posed a risk for chickens, while hares and birds eaten out freshly sown grain, endangering future crops). The peasants of course would hunt with simpler and cheaper tools than swift greyhounds or crosbows, enjoyed by above presented lords. Most common tools of the simple folk included nets, snares, simple bows or slings.

Codex Manesse – Beyond Court and Castle: Call of the hunt

After a long break I am getting back to Codex Manesse miniatures, with a new theme “Beyound Court and Castle”. We will explore knightly activities, related with everyday life, obligations and pasttimes.

For the first set meet Herr Heinrich Hetzbold von Wissense with his retinue, following a call of the hunt. Not just any hunt, but a Great Hunt (lat. Venatio Magna). That is a hunt for big game. What prey was treated as a big game varied depending on time and place, but in general in medieval Europe big game included animals such as Red Deer, European Bison, Auroch, Bear, Boar, Lynx, Moose, Wild Horse and occasionally even Roe and Beaver (sic.). In fact it was not the size of the animal that was a deciding factor but rather scarcity and prestige of the trophy,

Quite early in middle ages a hunt for big game became subject of royal monopoly (lat. regale), and privilege awarded to high lords and bishops. Dedicated officials and servants were appointed to keep track of quantity, of big game in royal forests, managing the game populations and protecting from poachers. Breaking of this monopoly could be punished by death, so forget about camping in the bushes, waiting for deer to show up at the tip of your arrows.

Indeed the Great hunt was rarely a romanticized a solitary experience of just “hunter and its prey” but rather a big, celebrated social and political event. An occassion to invite guests and reinforce alliances, discuss politics, arrange marriages etc. The hunt itself involved not just noble hunters themselves, usually hunting from horseback, but also a number of servants, and often peasants form local villages going in battue with rattles and horns to scare the game from its hiding.

The most treasured and invaluable hunting “tools” of the Great Hunt were not weapons but dogs, bred and cared for often by specialized class of servants. These dogs were divided not necessarily by breed but rather by function. There were separate dogs for tracking and chasing the game, herding the frightened animal towards the hunters, other hounds were trained to engage, and subdue the prey, or at least bleed and weaken it enough, so the hunter could catch up and finish the job with spear, sword or dagger. Separate kinds of dogs were bred for small game. But we will look at small hunt on another time.

A little update and autumn maintennance

Not much to report to be honest, apart form that I myself and this blog are still (semi) alive. For several past years unfortunately I had very little time for any hobby activities, taking some heavy blows in personal life that required some major life priorities reshuffling. Hence the loong pause on the blog. Things seem to be a little bit back under control, so I will try a little bit to revive but also restructure my hobby projects. This will affect what will show up on this page in many ways.

First I have recently received my Anycubic resin printer so papercraft hobby now shares competition for my hobby time with 3d miniatures modelling. This new gadget opened new area of possibilities and prompted me (together with nagging from my friends) to start a bigger fantasy themed project, spanning multiple hobbies and drawing me further away from papercraft. I do not intend to drop papercraft completely but It will shift somewhat out of my focus and most likely my upcoming models will be mostly connected to this big project. (More on that soon).

Secondly I will try to dust off my papercraft workshop as I have several projects almost completed on terms of geometry, textures and options. Such as this riverboat below, based loosely on archeological findings from Germany and Poland dated between XV-XVIII century. (Here tested for displacement weight by the trusty vauglaire crew.)

Riverboat_01

Unfortunately however, preparation for publishing and drawing/writing instructions and/or fine tuning mechanical elements takes anything between five times to forever more time than designing the model itself. Not allowing me to finish them off and publish them. Therefore in foreseeable future I will be focusing more on small simple models (like e.g. Manesse church) or 2d flat papercraft minis, connected to this new project, with some random inserts of next Manesse Miniatures which I still quite like to make (with maybe some guest stars from other manuscripts e.g. Maciejowski Bible).

Speaking of Manesse Miniatures. All the dead links for manesse miniatures on models page should be now up again. Individual sheets are now collected into multipage PDF’s that will be updated if I will add some new pages for particular themes. For now unfortunately, without the cutfiles, ase these not survived many computer crashes, and it seemed i failed to make any backups. Anyway, hopefully you will hear form me a little bit sooner tan the last time :P.

Codex Manesse: Men of the Sword

codex-manesse_men of the swordA year without Codex Manesse… shame on me I guess… Anyway the theme of this modest update is  – a sword. Not as a tool of war, but as a symbol of status. Browsing Codex Manesse miniatures you may notice that many images depicting knights during very “civilian” activities like reading a letter or contemplating a poem there is often a sword around hanging on the wall or simply standing somewhere (see Emperor Heinrich).From narrative point of view the sword adds nothing to the image and the narrator could just omit this detail (wchich he often does), however the presence of a sword underlines high status of the man depicted.

For a medieval man sword was not only a tool of murder or a portable shrine making an impromptu cross when stuck in the ground. A sword was a powerful symbol – it denoted knighthood, justice, virtue, authority, Christendom and possibly had many other now not entirely clear meanings.

Anyway a curious thing is that with exceptions of evident martial or traveling context swords in Codex Manesse (and many other manuscripts from XIII-XIV century) sword is not carried fastened to the side hanging on a belt (or other device) but rather carried in hand. There could have been many reasons for this, but for me two most obvious and plausible ones are:

  1. Practical – having something heavy (ok i know that original swords where not that heavy but still) and cumbersome dangling around your leg for a better part of a day could be annoying. There are accounts of II WW officers complaining on the weight and discomfort of carrying their sidearms on their hip – it could be the same with the sword.
  2. Informational/Symbolic. – When carried by the side, a sword is not always in sight, especially when the bearer was wearing a cloak. However it is hard to miss when guy you’re looking at carries it in hand or resting on his shoulder and regardless of many romantic or chivalric, symbolical meanings of a sword the most obvious one was – power. When a sword was in sight all people around immediately knew  things just got more serious.

Codex Manesse – Pavilion

Today another (after the church) simple 3d model for Codex Manesse range. This time it is a knightly pavilion loosely inspired by Winli’s tent.

It is one of most commonly depicted (though not necessarily most common) kind of tent of high-to-late middle ages – round pavilion supported by a center pole. (As this model was to be as simple as can be, the center pole is not included :D. You can easily make one of paper roll or bamboo skewer). How the perimeter of the tent was erected is not entirely clear. Several concepts are used by re-enactment groups and experimental archaeologists with spoked wheel concept being  most common.

As you can see the tent is actually almost as big as CM church. I tried to keep it’s relative size to characters, according to original miniature and Codex Manesse art canon, and that demands inconsistent scaling of “architecture” elements :).

Manesse-tent

Anyway the model is fairly simple to make. Simply cut out elements, fold togue tabs and insert them into slots marked with corresponding letters,  then put the tent top on the walls, and that’s it. The tents should stand on its own with no glue required (depending on paper density), allowing easy assembly and disassembly for storage. You can always glue it together if you like. Click on the image below to download PDF file allowing you to make a closed or opened tent with 3 different scallop patterns (Use layers tab to turn desired options on or off ). To add size variety to your tent field you can cut out some segments of the tent to make narrower but taller tents. (The tent to the right on the photo above had 4 scallops and corresponding wall sections cut out).

namiot

Codex Manesse – Frauenzimmer

Wow… Three months no update…shame on me…

Well, I’ve been extremely busy mostly with mundane things, also trying to dust off my drawing skills (perhaps I will show some of this in near future). But despite all that I finally managed to find some time to make another set of Manesse Minis.

The Frauenzimmer  was a generic term used since XV century in Central European courts (under influence of German imperial court I guess) used to denote the female part of the court – both chambers used by females and their inhabitants themselves. In Poland the term (localized as Fraucymer) was used almost strictly to indicate the mistress of a major court (a Queen, Duchess or other lady of higher nobility), and her closest handmaidens often also of noble (although lesser) blood. The term was coined much later than Codex Manesse, but I think it is a good title for a miniatures set focused on noble ladies. Anyway, here they are.

codex-manesse_frauenzimmer_lresAccording to medieval Christian tradition women wearing head scarves would be married women of respectable position and/or age (such as the lady of the court herself or her house-mistress – overseer and tutor of younger maidens and servants). Those wearing barbettes and fillets (these bonnet like things) would be maidens in age suitable for marriage, while servant maids, and young girls would go with their hair uncovered. Such rules were, however, not always and not everywhere respected and many women wore fillets even when married, at least until their beauty (and fashion) was more important for them than an image of a respectable matron. Anyway, just right click and “save target as” to ad the ladies of the court to your Codex Manesse collection :).

Codex Manesse – Courtly love.

Obviously this set was intended for Valentines day, unfortunately I was too busy to finish it in time so here it is now. Meet the Codex Manesse lovers.

codex-manesse_Courtly_love_lres

These miniatures are more like standees, than single miniatures as depicting whole scenes better suited the theme.
Being primarily a collection of love poems (Middle-High German Minnelied or Minnesang) Codex Manesse illustrations contain many depictions of different faces of medieval love. Many love scenes are pretty much similar to present day courtship. Knights taking their ladies for a forest walk, enjoying a picnic or dancing.  Other are quite curious – like a Lady using a crane to pull her Knight to her tower, or lovers exchanging letters using crossbows (a medieval version of SMS), some are even more dramatic like Friedrich der Knecht fleeing with his beloved before an armed pursuit. For this set however I chose more benign images. Read more... Read more…

For whom the bell tolls – Codex Manesse – The Church.

Finally I managed to steal some time for the hobby and here is the effect. The church is my first attempt at creating Codex Manesse architecture, or any CM 3D piece at all. I was not sure if the feel of a medieval manuscript could be maintained in a 3d model, especially that in original manuscripts architecture is always secondary to characters (or scene in general) and either greatly undersized or just symbolic. Especially choosing the right size comparing to Codex Manesse minis was quite tricky. Too small ant the model is getting useless as a potential gaming piece, to big and it’s loosing the manuscript feel dominating the miniatures to much.  The end result of this little experiment you can see below

      Codex-manesse_Church_2     Codex-manesse_Church_1

The model consists of 3 separate pieces that can be variously arranged: a Belltower, a Nave and a Choir with a polygonal apse. The layout above would be most common but the belltower in example could be aligned to the side of the Nave, two  bell towers could flank the Nave, or it could be detached as a free standing campanila. The Nave itself works also on its own making a nice townhouse or a small Pfalz. As medieval architecture was generally additive in it’s nature, you can print multiple pieces and arrange them in many possible ways. Read more...

Read more…

Codex Manesse Court – Lords of the land.

Here comes another set of mighty lord and knights at the Codex Manesse Court.

codex-manesse_Lords-of-the-realm_lres

This time lords of Holy Roman Empire (mostly) with Landgraff of Turingia and three Burggrafs of Regensburg, Reitenburg and Lienz. Swords in hands of Herr Landgraff and Burggraf of Reitenburg are usually interpreted  symbols of their judiciary power. These two fellows could have been known as particularly just judges (or the monk just wanted to depict them as such 😉 ).

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