\u00a0<\/p>\n
La po\u00e9tesse syrienne Maram al Masri<\/a> est n\u00e9e \u00e0 Lattaqui\u00e9 (Syrie) en 1962 ; apr\u00e8s des \u00e9tudes de litt\u00e9rature anglaise \u00e0 Damas et en Angleterre, elle \u00e9migre \u00e0 Paris en 1982 o\u00f9 elle vit toujours. D\u00e8s son adolescence, elle \u00e9crit des po\u00e8mes et son fr\u00e8re Monzer<\/a>, po\u00e8te \u00e9galement, les fait publier \u00e0 Damas en 1984, r\u00e9\u00e9dit\u00e9s en France en 2008, aux \u00e9ditions Seghers, sous la forme d’un recueil : Je te menace d’une colombe blanche<\/a><\/em>.<\/p>\n De nombreux po\u00e8mes de Maram al Masri \u00e9voquent l’amour, l’exil, la guerre en\u00a0 Syrie1<\/a> et les violences faites aux femmes.<\/p>\n A ses d\u00e9buts, elle assure la traduction de ses po\u00e8mes de l’arabe vers le fran\u00e7ais, en collaboration avec d’autres auteurs puis peu \u00e0 peu, passionn\u00e9e par cet exercice, elle traduit non seulement ses ouvrages mais \u00e9galement les po\u00e8mes d’autres \u00e9crivains arabes qu’elle rassemble dans des anthologies :<\/p>\n ” J’ai trouv\u00e9 dans la traduction un d\u00e9fi passionnant. […] marcher sur un fil t\u00e9nu qui oscille entre deux mondes, entre deux langues, entre deux imaginaires, deux cultures “2<\/a><\/p>\n \u00a0<\/p>\n<\/blockquote>\n Recueils de po\u00e9sie :<\/strong><\/p>\n Masri, Maram al-. Les \u00e2mes aux pieds nus<\/a><\/em>. Nouvelle \u00e9dition. L\u2019autre langue. Paris : \u00c9ditions Bruno Doucey, 2023. Cote : MUS 800 MAS<\/a>.<\/p>\n Masri, Maram al-. M\u00e9tropo\u00e8mes<\/i><\/a>. L\u2019autre langue. Paris : \u00c9ditions Bruno Doucey, 2020.<\/p>\n Masri, Maram al-, et Fran\u00e7ois-Michel Durazzo. Cerise rouge sur carrelage blanc<\/a><\/em>. L\u2019autre langue. Paris : \u00c9ditions Bruno Doucey, 2018. Cote : MUS 800 MAS.<\/p>\n Masri, Maram al-. La robe froiss\u00e9e<\/a><\/em>. L\u2019autre langue. Paris : \u00c9ditions Bruno Douce, 2012. Cote : MUS 800 MAS.<\/p>\n Masri, Maram al-, Alain Gorius, et S\u00e9bastien Pignon. Le retour de Wallada<\/a>: po\u00e9sie<\/em>. Neuilly : Al Manar, 2010. Cote : 12-25354<\/a>.<\/p>\n Masri, Maram al-. Doux leurre: po\u00e8mes<\/i><\/a>. Traduit par Najeh Jegham. Toulouse : L\u2019Aile \u00e9d., 2004.<\/p>\n Masri, Maram al-. Je te regarde<\/a><\/em>. Traduit par Touria Ikbal. Rabat : Marsam, 2003. Cote : 8-27899<\/a>.<\/p>\n Anthologies\u00a0:<\/strong><\/p>\n Masri, Maram al-, La po\u00e9sie des femmes kurdes: une anthologie<\/a><\/em>. [Pantin] : Manifeste \u00e9ditions! 2023. Cote : 12-25687<\/a><\/p>\n Masri, Maram al-. Femmes po\u00e8tes du monde arabe: anthologie<\/em><\/a>. Montreuil : le Temps des cerises, 2019. Cote : 892.71 AMA<\/a> (Fenouill\u00e8res)<\/p>\n Litt\u00e9rature jeunesse\u00a0:<\/strong><\/p>\n Masri, Maram al-, et Daniel Duhamel Arrapel. La femme \u00e0 la valise rouge<\/i><\/a>. Paris : la Lucarne des \u00e9crivains, 2019.<\/p>\n Masri, Maram al-, Les moustiques<\/em>. Petit va\u202f! Tinqueux: Centre de cr\u00e9ations pour l\u2019enfance, 2015. Cote : A PF MAS (Avignon)<\/a><\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Portrait de Maram al-Masri<\/p>\n","protected":false},"author":3138,"featured_media":14234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_license":"","publish_to_discourse":"","publish_post_category":"","wpdc_auto_publish_overridden":"","wpdc_topic_tags":"","wpdc_pin_topic":"","wpdc_pin_until":"","discourse_post_id":"","discourse_permalink":"","wpdc_publishing_response":"","wpdc_publishing_error":"","footnotes":""},"categories":[189,2803351,2629500],"tags":[79265,2803480,1104],"ppma_author":[2803527],"class_list":["post-14173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","category-les-collections-de-la-mediatheque","category-mediatheque-mmsh","tag-langue-arabe","tag-poesie-2","tag-traduction"],"authors":[{"term_id":2803527,"user_id":3138,"is_guest":0,"slug":"mediatec","display_name":"Annick Richard Senouque","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/8ea071220f2a8fee225314237c8014726d951343f69f19e46a935afdb720913e?s=96&d=blank&r=g","1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts\/14173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/users\/3138"}],"replies":[{"embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/comments?post=14173"}],"version-history":[{"count":10,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts\/14173\/revisions"}],"predecessor-version":[{"id":14411,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts\/14173\/revisions\/14411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/media\/14234"}],"wp:attachment":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/media?parent=14173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/categories?post=14173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/tags?post=14173"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/ppma_author?post=14173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n