{"id":13214,"date":"2023-03-20T17:45:52","date_gmt":"2023-03-20T15:45:52","guid":{"rendered":"https:\/\/mediatec.hypotheses.org\/?p=13214"},"modified":"2023-03-20T17:45:53","modified_gmt":"2023-03-20T15:45:53","slug":"printemps-des-poetes-2023-focus-sur-la-poesie-arabe","status":"publish","type":"post","link":"https:\/\/mediatec.hypotheses.org\/13214","title":{"rendered":"Printemps des po\u00e8tes 2023 : focus sur la po\u00e9sie arabe"},"content":{"rendered":"\n

Apr\u00e8s notre s\u00e9lection de recueils bilingues, nous vous proposons de d\u00e9couvrir d’autres documents de notre fonds de po\u00e9sie en langue arabe (\u0627\u0644\u0634\u0639\u0631 \u0627\u0644\u0639\u0631\u0628\u064a).<\/p>\n

Plus de 1300 volumes constituent ce fonds.<\/p>\n

Riche de diwan (\u062f\u06cc\u0648\u0627\u0646), de recueils de qassaid<\/span><\/span> (\u0642\u0635\u0627\u0626\u062f) et d\u2019ouvrages de critique et d\u2019analyse litt\u00e9raire, il couvre diff\u00e9rentes p\u00e9riodes historiques (des premi\u00e8res conqu\u00eates arabes aux \u00e9poques contemporaines). On y d\u00e9couvre les \u0153uvres de po\u00e8tes d\u2019al-Andalus et de la Nahda dans diff\u00e9rents genres po\u00e9tiques tel al-Mad\u00eeh (\u0627\u0644\u0645\u062f\u064a\u062d), al- Ghazal (\u0627\u0644\u063a\u0632\u0644), al-Muwa\u0161ah\u0101t (\u0627\u0644\u0645\u0648\u0634\u062d\u0627\u062a), etc.<\/p>\n

Voici une s\u00e9lection d\u2019\u0153uvres contemporaines : Po\u00e9sie arabe 20e-21e si\u00e8cle<\/a><\/p>\n\n\n\n

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M\u00e9diath\u00e8que MMSH \/ Exposition de livres de po\u00e9sie dans le cadre de la manifestation ” Printemps des Po\u00e8tes 2023<\/em><\/strong>“<\/p>\n\n\n\n

Consid\u00e9r\u00e9 comme un art populaire, le Za\u01e7al (\u0627\u0644\u0632\u062c\u0644) est l’un des genres po\u00e9tiques encore r\u00e9pandu dans certains pays, notamment au Maghreb. Ses origines remontent \u00e0 l\u2019Andalousie. Il utilise l\u2019arabe dialectal et rev\u00eat souvent des formes spontan\u00e9es dans sa d\u00e9clamation. Il peut \u00eatre \u00e9galement chant\u00e9 et\/ou dit accompagn\u00e9 d\u2019instruments de musique.\u00a0 L\u2019usage de l’arabe dialectal\u00a0<\/a>(freinant une plus large diffusion) et l\u2019absence de m\u00e9trique dans ses textes en ont longtemps fait un genre consid\u00e9r\u00e9 comme mineur, mais il semble aujourd’hui susciter un nouvel int\u00e9r\u00eat acad\u00e9mique et culturel.<\/span> Il est\u00a0 inscrit depuis 2014<\/a>, sur la liste du patrimoine culturel immat\u00e9riel de l\u2019humanit\u00e9 au Liban.<\/p>\n

Extrait d’un Za\u01e7al libanais (\u062c\u0627\u0646 \u062f\u0627\u0631\u0643 \u0623\u0628\u064a \u064a\u0627\u063a\u064a\u060c \u0627\u0644\u0632\u062c\u0644 \u0627\u0644\u0644\u0628\u0646\u0627\u0646\u064a \u0625\u0644\u0649 \u0630\u0627\u0643\u0631\u0629 \u0627\u0644\u0639\u0627\u0644\u0645\u060c \u0645\u062c\u0644\u0629 \u0627\u0644\u062c\u064a\u0634\u060c \u0627\u0644\u0639\u062f\u062f 358 \u060c \u0646\u064a\u0633\u0627\u0646 2015). Consult\u00e9 le 20\/03\/2023<\/a><\/p>\n

\u0648\u0627\u0642\u0641\u064a \u0639\u064e \u0634\u0637 \u0627\u0644\u0628\u062d\u0631 \u0628\u0643\u0651\u0627\u0646\u064a \u0627\u0644\u0633\u0641\u0631
\u0645\u064a\u0646 \u0642\u062f\u0651\u064a \u062a\u0644\u0648\u0651\u0639… \u0648\u0645\u062a\u0644\u064a \u0646\u064e\u0637\u064e\u0631
\u0645\u0639 \u0643\u0644 \u0645\u0648\u062c\u0647 \u0631\u0627\u064a\u062d\u0647 \u0628\u0628\u0639\u062a \u0633\u0644\u0627\u0645
\u0648\u0645\u0639 \u0643\u0644 \u0645\u0648\u062c\u0647 \u0631\u0627\u062c\u0639\u0647 \u0628\u0646\u0637\u0631 \u062e\u0628\u0631
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0637\u0627\u0646\u064a\u0648\u0633 \u0627\u0644\u062d\u0645\u0644\u0627\u0648\u064a<\/strong><\/p>\n

Nous vous proposons une s\u00e9lection d\u2019ouvrages, afin de d\u00e9couvrir et\/ou de compl\u00e9ter vos lectures des po\u00e9sies Za\u01e7al : Po\u00e9sie Zagal\u00a0<\/a><\/p>\n

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Le secteur des archives de la recherche de la m\u00e9diath\u00e8que conserve des enregistrements sonores de po\u00e8mes en langues dialectales tel le “tamasheq<\/a>“, que vous pouvez \u00e9couter dans ce billet<\/a>, publi\u00e9 sur le site du P\u00f4le Archives et Biblioth\u00e8ques de la MMSH.<\/p>\n

Suivront dans nos s\u00e9lections pour cette session du Printemps des Po\u00e8tes 2023<\/em>, des listes d\u00e9di\u00e9es \u00e0 la po\u00e9sie berb\u00e8re, persane, turque et soufie, ainsi que nos focus consacr\u00e9s aux po\u00e8tes de l\u2019exil et \u00e0 une revue de po\u00e9sie qui a marqu\u00e9 les r\u00e9flexions culturelles et artistiques du monde arabe dans les ann\u00e9es 1970 \u2026<\/p>\n

\u00a0<\/p>\n<\/div>\n





\u00a0\u00a0<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s notre s\u00e9lection de recueils bilingues, nous vous proposons de d\u00e9couvrir d’autres documents de notre fonds de po\u00e9sie en langue arabe (\u0627\u0644\u0634\u0639\u0631 \u0627\u0644\u0639\u0631\u0628\u064a). Plus de 1300 volumes constituent ce fonds. Riche de diwan (\u062f\u06cc\u0648\u0627\u0646), de recueils de qassaid (\u0642\u0635\u0627\u0626\u062f) et d\u2019ouvrages de critique et d\u2019analyse litt\u00e9raire, il couvre diff\u00e9rentes p\u00e9riodes historiques (des premi\u00e8res conqu\u00eates arabes aux \u00e9poques contemporaines). On y d\u00e9couvre les \u0153uvres de po\u00e8tes d\u2019al-Andalus...<\/p>\n","protected":false},"author":45706,"featured_media":13115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_license":"","publish_to_discourse":"","publish_post_category":"","wpdc_auto_publish_overridden":"","wpdc_topic_tags":"","wpdc_pin_topic":"","wpdc_pin_until":"","discourse_post_id":"","discourse_permalink":"","wpdc_publishing_response":"","wpdc_publishing_error":"","footnotes":""},"categories":[2629500],"tags":[],"ppma_author":[2803592],"class_list":["post-13214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mediatheque-mmsh"],"authors":[{"term_id":2803592,"user_id":45706,"is_guest":0,"slug":"abouguetta","display_name":"Amina Bouguetta","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/3b0cfc9801514b8d96e58aed376010ad0aa122b1318cf80ba6fd558fb920e5e3?s=96&d=blank&r=g","1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts\/13214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/users\/45706"}],"replies":[{"embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/comments?post=13214"}],"version-history":[{"count":10,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts\/13214\/revisions"}],"predecessor-version":[{"id":13346,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/posts\/13214\/revisions\/13346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/media\/13115"}],"wp:attachment":[{"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/media?parent=13214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/categories?post=13214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/tags?post=13214"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/mediatec.hypotheses.org\/wp-json\/wp\/v2\/ppma_author?post=13214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}